Episodi
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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Episodi mancanti?
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
-
Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
-
Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
-
Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
-
Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
-
Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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Today is is R U OK Day, an initiative run by a national suicide prevention charity here in Australia.
According to research done by the Centre for Social Impact at Swinburne University here in Melbourne, Australia, a survey of 1,304 of people working in the music industry and live performing arts showed that 59% have experienced suicidal thoughts.
It's important that we help each other and ourselves. If you're struggling, don't hesitate to reach out for support.
and A CONVERSATION CAN CHANGE A LIFE, reach out to others and ask, R U OK? Listen, encourage action and check in.
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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What time in the morning did you finish your session?How much takeout did you slam down?What number of coffees are you up to now?All these concessions we make for working harder and longer for what?It's not just me, but many of us have felt the weight of anxiety, stress, and health issues.But what’s the alternative?Working less? Losing jobs?Trying to find this balance can feel like a never-ending struggle, like a see-saw that never levels out.Over the past five years, I’ve formed habits at the studio to help me with this, which we’ll go over.
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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When Ed Thorne and Paul, third from Working Audio Tools, proposed the idea of a 3-way mix-off, I was immediately on board. However, when I first heard the stems, I couldn't help but doubt myself and my skills.
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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By understanding that no mix has a predefined path, you make yourself available to steer mixes toward your client's vision. This involves actively listening to your client's feedback, making adjustments that align with their preferences, and communicating effectively about the changes you're making. This is how you get clients singing your praises at the end of a project.
Unfortunately, mixing engineers' most significant challenges often unlocks the best-sounding records and the happiest clients, providing valuable learning opportunities that can motivate you to improve your skills.
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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AI Mixing is here, and I'm excited!
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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I'm going to share why producers and engineers suck at setting their rates.
By learning from these mistakes, you can actively engage in the process of improving your rate structure, which is a crucial step towards turning a profit and growing in this industry.
I've doubled my rates in the past decade, from USD 50 a master to $150 and from USD 200 a mix to $800! The biggest challenges music producers and engineers face when it comes to setting rates are:
Fear of losing a jobAttracting the wrong clientsSell the wrong thingsDon't make mistakes these mistakes; Let's dive into better ways to address each.
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Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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If you understand how phase, summing and processors interact with the sound of a mix, you'll be able to craft better mixes.
Unfortunately, most people ignore these details and scratch their heads when they can't achieve the sound they want. The biggest challenges are:
Sound source phase issuesSignal flow phase issuesProcessing phase issues--
Welcome to the anti loudness loudness club; where each morning while I get things set-up at the studio, I share commentary on mixing, mastering and running a studio that services around 1,000 projects per year!
Join here - Panoramamastering.com/newsletter
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