Episodi
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Florentina Manuel MartĂnez is a textile artist originally from the state of Veracruz, in the municipality of Chicontepec, in the community of Ateno. She is a NĂĄhuatl language speaker. Currently she is living in Tamaletom (the municipality of Tancanhuitz, in the state of San Luis PotosĂ, MĂ©xico). Florentina is married to a TĂ©nek flyer man of Tamaletom. (TĂ©nek is an Indigenous group of Mexico and flying refers to the traditional ritual dance of prehispanic origins.) Florentina has lived in Tamaleton for 18 years and has learned much about the TĂ©nek culture.
Michele A. Feder-Nadoff is an artist and anthropologist whose practice and research is concerned with the meaning of making [https://mfedernadoff.academia.edu].
Her longterm ethnography in Santa Clara del Cobre, MichoacĂĄn, MĂ©xico began in 1997 initiated by her apprenticeship with a master coppersmith, Maestro JesĂșs PĂ©rez Ornelas. This led to her founding the non-profit Cuentos Foundation, becoming a Fulbright Scholar and cultural anthropologist, PhD, El Colegio de MichoacĂĄn. Her critical aesthetics integrates onto-epistemology, performance, and phenomenology with multimodal and collaborative methods designed to decolonize education, art and anthropology. Her artwork is included in private and public collections worldwide. Recent publications include her edited volume, Performing Craft in Mexico: Artisans, Aesthetics and the Power of Translation, 2022, Lexington (Bloomsbury Press), her monograph An Anthropology of Making in Santa Clara del Cobre: Presence of Absence, 2024, Palgrave, and numerous book chapters and articles. She is the assistant editor of the Journal of Embodied Research and an independent scholar, translator, curator, video-producer, lecturer and a multimodal workshop facilitator.
Claudia Rocha Valverde, PhD in Art History is a professor and investigator at El Colegio de San Luis (COLSAN) in the Social Sciences and Humanities Research Center in Mexico. [https://scholar.google.es/citations?user=aZ-M7XMAAAAJ&hl=es]
Currently, Claudia is the academic liaison of the CASA COLSAN Xilitla Project. Her fieldwork is in the region of Huasteca in the state of San Luis Potosi, where she has carried out research on contemporary traditions of pre-Hispanic origins. In particular, she has specialized in how the knowledge of Indigenous Nahua and TĂ©nek women is manifested in the history and symbolism of their clothing, which they wear today in ceremonial contexts related to the concept of Madre Tierra, Mother Earth, which reflects the natural environment in which they live.
For more (and the Spanish version) click here. -
Musicologist Dr AdÚle Commins is Head of Department of Creative Arts, Media and Music at Dundalk Institute of Technology. Her PhD from Maynooth University focused on the music of Irish-born composer Sir Charles Villiers Stanford. Her recordings include contributions to an album of Irish piano accordion music released by Comhaltas in 2014 and vocal soloist on an album by Irish composer Sr Marie Dunne in 2015. She also contributes music in two local churches. Her recent research includes critically documenting the music of Co. Louth céilà bands from the mid-twentieth century. Her compositions featured in the seminal publications Tunes from the Women (2023) and some have been recorded by Cork-based Ceolta Sà (2020).
Ethnomusicologist and geographer Dr DaithĂ Kearney is co-director of the Creative Arts Research Centre at Dundalk Institute of Technology, where he lectures in music, theatre and tourism. His PhD from University College Cork examined the geographies of Irish traditional music. An All-Ireland champion musician, he has toured and recorded as a musician, singer and dancer with a number of groups including Siamsa TĂre, The National Folk Theatre of Ireland, and performed for President Obama in The White House. He recorded the critically acclaimed album Midleton Rare with accordion player John Cronin in 2012 and continues to tour regularly. He wrote and produced the musical To Stay or Leave (2005, 2015) and his compositions have been recorded by groups including Nuada (2004) and Ceolta SĂ (2020). As a composer, he has received commissions funded by the Department of Culture, Heritage and the Gaeltachts and Cork County Council.
Both Commins and Kearney have published extensively on music including contributions to the Companion to Irish Traditional Music and the Encyclopaedia of Music in Ireland . In 2017 they released an album A Louth Lilt, featuring their own compositions, and produced the documentary The Road to Speyfest in 2016. International tours including North and South America, France, Scotland, Norway and England. They have composed and arranged a number of pieces for the Oriel Traditional Orchestra, of which they are musical directors. In 2024, they were commissioned by Louth County Council to compose the score for a music theatre production Brigid, Lady of Light for the 1500 celebrations of St Brigid in Co. Louth.
Dr Kayla Rush is an assistant lecturer in music at Dundalk Institute of Technology. An anthropologist of art, music, and performance, her current research examines private, fee-paying rock music schools in global perspective. She previously held a Marie Sklodowska-Curie Individual Fellowship, supporting ethnographic research with Rock Jam, a private music education organisation in Ireland. Her work has appeared in Borderlands, Liminalities, Feminist Anthropology, Journal of Popular Music Education, and IASPM Journal, among others. She is the author of The Cracked Art World: Conflict, Austerity, and Community Arts in Northern Ireland (Berghahn, 2022). She is also a recognized teacher and practitioner of creative ethnography, with a particular interest in ethnographic science fiction. -
Episodi mancanti?
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Alex Ungprateeb Flynn is Assistant Professor and Graduate Vice Chair at the Department of World Arts and Cultures/Dance, University of California, Los Angeles. Working with activists, curators, and artists in Brasil, Alex investigates the prefigurative potential of art in community contexts to theorize the production of knowledge, notions of utopia, and social and aesthetic dimensions of form. Framed by a collaborative methodological approach, Alex fundamentally inquires how human beings express themselves artistically, and in doing so, seek to transform the world.
X/ Insta: alexungprateebf
With her artistic practice, Aline Motta (b. 1974, NiterĂłi, Brazil) seeks to point out and fill in the gaps in her own family history as a result of colonial erasure. Her videos, photographs, installations, and performances are based on speculative studies that mix archival research, field trips, and oral history reports that she uses to access, nourish, and reveal parts of the past that were previously thought to be lost. In 2023, she exhibited in the Sharjah Biennial 15 (UAE), at MoMA Museum of Modern Art and the 35th SĂŁo Paulo Biennial.
Insta: 1alinemotta (Instagram)
The link to article featuring the full interview: https://terremoto.mx/en/online/escribiendo-historias-manifestando-futuros/ -
Ayala Gazit is a visual artist who specializes in photography and installation. Born in Israel, she is currently living and working in Berlin. Prior to moving to Berlin she lived in New York city, where she completed, with honors, a BFA in Photography in The School of Visual Arts. Ayala has presented works in art venues around the globe, including in Germany, USA, Australia, New Zealand, and Israel. She is the recipient of numerous awards such as The Tierney Fellowship and The Photography NOW Award at Woodstock, amongst others. Her works cover a wide range of themes, including history, memory, loss, family, and creation, all explored through a special focus on the question of how can the photographic image capture the things that are no longer there.
https://www.ayalagazit.com/
Rotem Steinbock is a PhD candidate in the Department of Social Anthropology at the University of Cambridge, working on the intersection between art, immigration, and identity. Her PhD research follows Jewish Israeli visual artists who immigrated to Berlin, focusing on the ways they negotiate, reflect upon, and visually represent their dynamic senses of alterity and belonging. Before coming to Cambridge Rotem completed a B.A. in psychology and sociology and anthropology and an M.A. in anthropology at the Hebrew University of Jerusalem, and a B.F.A. at the Department of Fine Arts at the Bezalel Academy of Arts and Design in Jerusalem.
https://www.socanth.cam.ac.uk/staff/rotem-steinbock-2019 -
Eliana Otta Vildoso (Lima, 1981) holds a degree in art, an MA in Cultural Studies from the Universidad CatĂłlica del PerĂș, and a PhD in Practice from the Academy of Fine Arts, Vienna. She co-founded the artist collective Bisagra in Lima and the ecofeminist collective Mouries in Athens. She coordinated the curatorial team for the permanent exhibition at Lugar de la Memoria, la Tolerancia y la InclusiĂłn Social. She has taught at the Art Faculty of PUCP, Corriente Alterna and Escuela Nacional de Bellas Artes. She lives and works between Vienna and Athens.
Website: eliana-otta.com
https://drivingthehuman.com/prototype/virtual-sanctuary-for-fertilizing-mourning/
Instagram: eliana.otta
Nuno Cassola Marques (Aveiro, 1984) holds a degree in Fine Arts and an MA in Contemporary Art Practice from the University of Porto, Portugal. He co-founded and co-curated the first edition of the Wadi Rum film festival, and co-founded the community kitchen Khora in Athens, which continues to serve 1200 meals a day to people in need. In addition to his activism, he works as a cinematographer and filmmaker. He lives and works in Athens.
Website: www.nunocassola.com
Interviewers:
Frederick Schmidt is currently completing his PhD in Social Anthropology at Cambridge with the title âUn-Contemporary Arts: Norms and Forms in a Greek Art Schoolâ. Based on two years of ethnographic fieldwork in Athens (2020-2022), his PhD concerns the imbrication of private and public educational institutes in the landscape of artistic education in Athens, and makes the case for a reappraisal of formalist methodologies in visual anthropological research.
Sera Park is Associate Lecturer in Social Anthropology at the University of St Andrews. Her PhD (University of Cambridge, 2022) examined the collective mourning and activism that emerged in the aftermath of the Sewol Ferry Disaster in South Korea. Her research interests include social movements and activism, the affective and moral dimensions of social life, and death, mourning, and memorialization. -
ElzÄ SigutÄ MikalonytÄ is a Research Associate at the Department of Psychology and a Junior Research Fellow at Wolfson College, University of Cambridge.
Her research interests are in aesthetics, metaphysics, experimental philosophy, and philosophy of cognitive science. She currently works on the project âHigher Values: Aesthetic Experiences, Transcendence, and Prosocialityâ with Prof. Simone Schnall and Dr Ryan Doran.
Her doctoral work focused on the philosophy of music and the ontology of musical works. As part of her doctoral research, ElzÄ conducted experimental philosophy studies in musical ontology. She has also investigated other topics in experimental philosophy of aesthetics, such as the folk concept of art, judgments of the identity of artworks, and intuitions on AI-created art.
https://mikalonyte.com/
https://twitter.com/ElzeSigute
Edoardo Chidichimo is a social anthropologist and computational neuroscientist who is interested in all things social. Combining anthropology, AI, mathematics, and philosophy, Edoardo seeks to address sociality in the broadest way, confronting disciplinary niches and pushing toward an integrated study of interpersonal human behaviour and cognition.
LinkedIn: https://www.linkedin.com/in/ec750
Profile: https://www.neuroscience.cam.ac.uk/member/ec750 -
Xasan Daahir Ismaaciil (âWeedhsameâ) is a Somali poet currently based in Hargeysa, Somaliland. Mentored by the beloved late poet Maxamed Xaashi Dhamac âGaarriyeâ, his work includes hundreds of poems and song lyrics on themes including politics, migration and love. He is widely considered one of the most influential poets of his generation. Trained as a mathematician, Weedhsame currently teaches Somali language and literature at the University of Hargeysa and works as a statistician for the Ministry of Education. Some of his work has been translated by the Poetry Translation Centre, and is available here: https://www.poetrytranslation.org/poets/xasan-daahir-weedhsame
Christina Woolner is a Leverhulme Early Career Fellow in the Department of Social Anthropology at Cambridge. Her research broadly explores how forms of popular art and practices of âvoicingâ are entangled in processes of sociopolitical change, especially in the wake of violence. For the last decade she has been studying the political and affective dynamics of love songs and political poetry in Hargeysa, Somaliland. Her first book, Love Songs in Motion: Voicing Intimacy in Somaliland recently came out with the University of Chicago Press. Information about the book, alongside supplemental audio-visual material, is available on the bookâs companion website: www.lovesongs.christinawoolner.com. -
Jonas Tinius is a sociocultural anthropologist, and currently scientific coordinator and post-doctoral researcher in cultural anthropology in the ERC project Minor Universality: Narrative World Productions after Western Universalism based at Saarland University. He completed a PhD in the Department of Social Anthropology at the University of Cambridge, before joining the Centre for Anthropological Research on Museums and Heritage (CARMAH) at Humboldt-UniversitÀt zu Berlin. He co-founded the Anthropology & the Arts Network of Anthropologists (EASA) with Roger Sansi. His publications include Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial (with Margareta von Oswald, Leuven 2020).
www.jonastinius.com
State of the Arts book: https://www.cambridge.org/it/universitypress/subjects/arts-theatre-culture/drama-and-theatre-general-interest/state-arts-ethnography-german-theatre-and-migration?format=HB
Iza KavedĆŸija is an Assistant Professor of Medical Anthropology at the University of Cambridge. She is specialising in Japan, with primary research interests in art and creativity, the life course and aging, and health and wellbeing. She is currently leading an AHRC-funded project entitled âThe Work of Art in Contemporary Japan: Inner and outer worlds of creativityâ.
https://worldsofcreativity.socanth.cam.ac.uk/
https://www.socanth.cam.ac.uk/directory/dr-iza-kavedzija
Permissions obtained for the use of all samples featured in this episode. -
ćŻç©ș (JACK) is a shamisen musician and frontman of the band The Shamisenists. His approach to composition is one of continuous movement across boundaries, inspired by his own travel to different parts of the world. As a result, his music often exhibits a diversity that escapes categorization. Jack performed at the Rugby World Cup official reception at the Yokohama Arena in 2019. In 2022, The Shamisenists were the sole Japanese band to perform at the celebrated MOTOCULTOR festival in France. In 2023 Jack performed at Fuji Rock, the biggest music festival in Japan. He is the recipient of multiple awards and honours, including an Indian Foreign Ministerâs Award for his arrangement of the Japanese version of Gandhiâs beloved devotional song.
https://www.instagram.com/shamisenist_jack/
Jackâs words in this episode were translated by Robert Simpkins and narrated by Oscar Wrenn. Oscar is a PhD researcher based at Kobe University in Japan, studying everyday agricultural practice in depopulated rural landscapes.
Robert Simpkins is a social anthropologist and coproducer of the Artery podcasts. His research interests focus upon the intersection of sound, space, creativity, and the production of self.
Permission obtained by Transist Records and the creators of the music for tracks featured in this podcast episode:
LOTUS / The Shamisenists [re:tokyo]
Modernized Flight / The Shamisenists [re:tokyo]
URVIBE_feat. Yokotasax / The Shamisenists [PLAY!]
Permission also granted for use of the impromptu shamisen performance recorded during the interview, and featured at the close of the episode. -
Tamaki Ueda, aka Banetoriko, is a Japanese noise music artist who was born in Nara, moved to Los Angeles, and finally established herself in Osaka. Her music, composed with a self-made metal instrument named Banetek, is inspired by yokai, the supernatural creatures from Japanese folklore to whom she has dedicated a great part of her life. Her last album, Yorioto Hogiokuri, which could be translated as âCelebrating and sending off the summoned soundâ, came out in 2022.
https://banetoriko.net/
Luca Proietti is a PhD candidate in Japanese Studies at SOAS, University of London. His research interests are related to performing arts, media, and cultural studies, focusing on their relationship with society and culture. He is involved in a research project on Japanese noise music, focusing on its cultural and social engagement and exploring its historical continuity with Japanese traditions. -
Mike Williams is a lifelong Silat martial artist, teacher and performer. He is experienced with Pencak Silat since 1992 and has travelled many times to Malaysia, Sumatra and Java in Indonesia. He developed his expertise in at least 6 styles of Silat from at least 5 distinct lineages, these styles are called Panglipur, Cimande, Sera, Silek Harimau as well as partial training of Harimau Berantai and Cikalong. He is the founder of West Kent Silat Pedepokan in the United Kingdom, to which he occasionally organises seminar visits with his teachers: Jak Othman, Maha Guru De Bordes, Abah Gending Raspuzi, Kang Cecep Rahman and Abah Azis.
Fatema Albastaki holds an International Master's degree in Choreomundus: Dance Knowledge, Practice and Heritage from the University of Clermont Auvergne (UCA), Clermont-Ferrand, France; Norwegian University of Science and Technology (NTNU), Trondheim, Norway; University of Szeged (SZTE), Hungary; University of Roehampton, London (UR), United Kingdom.
She is an independent scholar training in Silat and dance in Paris. She is involved in micro-phenomenological interview training and is a member of the Martial Arts Studies Network. Her current research involves cultural history, anthropology, and the performing arts, focusing on Silat as practiced both in Europe and the global South.
Song: Kidung; Rhythm: Padungdung Kendor. By Kendang Penca from West Java Indonesia.
Performed by: Gending Raspuzi.
Permission granted for use in this episode. -
Asimina Chremos (she/they) is a multidisciplinary artist and dance improviser, with over thirty years of experience in dance-making. Asiminaâs practice flows within and between creative ecosystems, including movement improvisation, textile design, and digital art. During the COVID-19 pandemic, Asimina created Quarantine Dance Practice Diaries, expanding on her self-videographic improvisation practice in the 2000s. Alongside her creative practice, Asimina also teaches, guides, and collaborates. Asimina is currently leading the Screenbodies Practicum at Leah Stein Dance Company, which offers an in-depth somatic and artistic exploration of how our bodies can relate and adapt to internet-enabled screens.
https://asiminachremos.space/
https://vimeo.com/asiminachremos
https://www.leahsteindanceco.org/screenbodies
Zihan Xu (she) is a medical and multimodal anthropologist, with an interdisciplinary background in anthropology, psychology, and creative media. Her research broadly focuses on art and improvisation, body movement and mobility, affect and emotion, and health and wellbeing. Zihan is currently pursuing her PhD in social anthropology at the University of Cambridge.
Sound clips included in the episode:
âQuarantine dance practice diaries,â 2020, practice diaries by Asimina Chremos
âKeyboardbody,â 2023, sound work by Asimina Chremos
âSpeculating through the body,â 2022, an experimental video essay by Zihan Xu -
Tomoko Hojo is an artist working with the fluidity between sound, music and performance. Recently she has been working on the theme of what makes (womenâs) silenced voices audible in history, with a special focus on Japanese women who developed relationships with western countries, such as Yoko Ono and Sadayakko Kawakami. Her works have been exhibited and performed at Tate Modern (London), Issue Project Room (NYC), ZKM (Karlstuhe), Emily Harvey Foundation (NYC), Contemporary Art Center Aomori (Japan), SA))_gallery (Moscow), Scandinavia House (NYC), Kunstquartier Bethanien (Berlin), TOKAS Hongo (Tokyo), IKLECTIK (London), mh PROJECT (NYC / Japan). In 2023, Tomoko published âUnfinished Descriptionsâ through Yoin press. This exhibition catalogue documents a show based on research on Yoko Ono and her exhibition in 1966 in London.
@hojotomo [id] https://tomokohojo.net/
Andrea Giolai is an Assistant Professor (in Dutch, an UD) of Ethnography and Performing Arts of Japan at Leiden University. He teaches and conducts research on sound, the body, musical heritage and its reconstructions. His current project on âSonic environmentalism and Japanese intangible heritageâ is funded by the Dutch Research Council (NWO).
https://www.universiteitleiden.nl/en/staffmembers/andrea-giolai -
Lee Ki-Yeon (ìŽêž°ì°) is an artist and activist known for her advocacy for democracy during Korea's dictatorship era. In the 1980s, she co-founded Minjung art (ëŻŒì€ ëŻžì peopleâs art) collective 'Dureong' (ëë ) and explored Korean cultural heritages, including mask dances and folktales. Her influence extended into clothing when, in 1984, she initiated the 'Wearing Our Clothes Movement' (ì°ëŠŹ ì· ì êž° ìŽë). This social movement sparked nationwide interest in 'Everyday Hanbok' (ìí íëł”) â a rendition of Korean sartorial heritage tailored for daily wear. Lee Ki-Yeon believes that a change in attire can catalyse a change in mindset and behaviour. This sentiment is an extension of her earlier cultural movements, which emphasised daily practices that encourage symbiotic living among diverse life forms.
http://jilkyungyee.co.kr/
Kim Yoonha (êčì€í) is an anthropologist who is interested in exploring how heritage practices can offer alternative worldmaking. She is currently a pre-doctoral researcher at the interdisciplinary research cluster "Matters of Activityâ, Humboldt-UniversitĂ€t zu Berlin and the Centre for Anthropological Research on Museums and Heritage (CARMAH).
Translation by Kim Yoonha with chat GPT, and narration by Descript Overdub. -
Misumi Lancia is a virtual YouTuber (VTuber) idol and metaverse âresidentâ with developmental disabilities and gender dysphoria. For her, the virtual being Misumi Lancia is a âVRChat existence art,â aiming to escape her physical body by merging with machines and networks.
Website https://www.metamisumi.net/
YouTube: https://youtube.com/@LanciaMisumi
Liudmila Bredikhina is a Ph.D. candidate at Malta University, Department of Gender & Sexualities, Faculty for Social Wellbeing. Since late 2019 she has been researching cute virtual gender practices among Japanese male VTubers using feminine-looking avatars from the perspective of feminist and masculinities studies.
https://malta.academia.edu/LiudmilaBredikhina
Twitter: https://twitter.com/BredikhinaL
Narrator and translation proofreading: SheerPanic. -
Rabab Chamseddine (b.1997, Abidjan, Ivory Coast) is a Lebanese (spoken word) poet and film-maker based in Tyre and Beirut, Lebanon. She is currently completing her masterâs in Literature at the American University of Beirut. Her poetry unfolds as an exploration of the bilateral theme of love and loss, and the poetics of meaning-making that emerge between them, in that very space of mourning, in Beirut. Chamseddine began her spoken word poetry journey in 2017 by partaking in poetry nights hosted in the hubs and communal cafes of Beirut, to later become the winner of Beirut Poetry Slam 2018. Her work will be appearing in an anthology entitled We Call to the Eye and the Night: Love Poems by Writers of Arab Descent (Persea Books), edited by Hala Alyan and Zeina Hashem Beck, as of spring 2023.
Find her on Instagram @ rababchamseddine
Rebecca Appleton is a postgraduate researcher in the Department of Social Anthropology at the University of Manchester. She is currently undertaking PhD research about the politics of contemporary womenâs poetry in Beirut, Lebanon. The project researches the emerging and evolving performance and politics of womenâs poetry in Beirut, focussing on poetryâs capacity to generate alternative spaces for personal, social, political, and gendered expression as the city negotiates crises. -
Emiko Agatsuma is a dancer and a choreographer specializing in Butoh, a dance genre that emerged in Japan in the1960s as a reaction to Western modern dance. Having graduated from Waseda University in Tokyo in 1999, she joined the largest Butoh Company - Dairakudakan founded by Akaji Maro. She had performed in every Dairakudakan production until 2019. She now heads the AGAXART production company for Butoh dancers and artists in Japan. Emiko is a recipient of the prestigious Best Young Artist 2015 Award by the Japan Dance Critics Association and she represented Japan in 2020 at the 39th annual Battery Dance Festival in New York City, USA.
https://agaxart.wixsite.com/agart/home
@emiko.agatsuma
Iza KavedĆŸija is an Assistant Professor of Medical Anthropology at the University of Cambridge. She is specialising in Japan, with primary research interests in art and creativity, the life course and aging, and health and wellbeing. She is currently leading an AHRC-funded project entitled âThe Work of Art in Contemporary Japan: Inner and outer worlds of creativityâ.
https://www.socanth.cam.ac.uk/directory/dr-iza-kavedzija
Translation and narration by Kaori Yoshikawa. -
Bronagh Lawson is an artist based in Belfast who has written a blog about the vibrant local contemporary visual arts scene for the last ten years. Previously she ran cross-community cross-border development programmes for 13 years. Originally from Portaferry and Strangford, Northern Ireland, she is a Fulbright scholar and graduate of Winchester School of Art. Bronagh is a co-founder of the Hydrangea project, a Belfast-Chicago collaboration which uses contemporary art underpinned with art therapy to act as a healing mechanism. Her book Belfast City of Light: Looking and Listening to Belfast Come with Me is based on her experience as a non-churchgoer attending every church in Belfast for a service.
https://www.lulu.com/shop/bronagh-lawson/belfast-city-of-light/paperback/product-1z7ympqj.html?page=1&pageSize=4
https://iarc.ie/exhibitions/previous-exhibitions/ebb-and-flow-prints-by-bronagh-lawson/
https://us4.campaign-archive.com/home/?u=849f2610883f3b34ac8274556&id=595d763c41
Kayla Rush is an anthropologist of art, music, and performance. She is an assistant lecturer in music at Dundalk Institute of Technology in Dundalk, Ireland. Kayla's previous research examined community arts in contemporary Northern Ireland; her book on this research, The Cracked Art World: Conflict, Austerity, and Community Arts in Northern Ireland, was published in June 2022. Her current research is focused on private, extracurricular, fees-based rock and popular music schools.
https://www.berghahnbooks.com/title/RushCracked
https://doi.org/10.1386/jpme_00054_1 -
Nazli Tabatabai-Khatambakhsh BSc. Hons, MLitt, MA is a practice-based opera doctoral researcher at the Guildhall School of Music and Drama, in London where she also teaches. Her research engages with the opera âCarmenâ drawing on the Tehran Opera Company to forecast what new socio-political futures could be dreamt through opera. Her new libretto of âCarmenâ in 2025 will coincide with the 150th anniversary of âCarmenâsâ premiere in Paris. In this episode, as the librettist, Nazli reflects upon the production of the opera "Paradise Garden" (2021).
Nazli Tabatabai-Khatambakhsh is an experienced transdisciplinary and interdisciplinary artist with a portfolio spanning live and recorded arts, both place based and touring. Currently she is associate director of the Glasgow based Queer Sanctuary Arts with a focus on future artistic planning. She is a member of the Governance Committee for the New York based International Society for the Performing Arts (ISPA), of which she was an Arts Council England Fellow. At the Royal Central School of Speech and Drama she is the Deputy Chair of the inaugural Independent Equity Committee.
Twitter: @Nazli_Tabatabai
Anonymous Anthropologist
By anonymising herself, she hopes to highlight that artists are constantly asked to do things for free. As anthropologists are keen to collaborate with artists (sometimes for free), she hopes her small act could highlight the issue and help fellow anthropologists reflect on the âfriendshipâ convention in Social Anthropology.
More info: http://www.payingartists.org.uk/ -
JesĂșs Guevara Rico is an artist and art conservator, originally from San JosĂ© Tateposco in the state of Jalisco, Mexico. He trained at the prestigious Western School of Conservation and Restoration (Escuela de ConservaciĂłn y RestauraciĂłn de Occidente) in Guadalajara. Now based in Oaxaca City, JesĂșs works on and oversees the conservation and restoration of colonial heritage throughout the state, especially religious paintings, frescos, and carvings. Novohispano art also provides inspiration for the content, materials, and techniques of JesĂșsâs oil paintings, murals, and tattoos.
Find him on Twitter @JesusGuevaraRi3
Alanna Cant is an anthropologist in the Department of Archaeology at the University of Reading. Her work is about aesthetics, identity, material culture, and religion within the âeconomies of cultureâ of Mexico and the United Kingdom. Her book The Value of Aesthetics: Oaxacan woodcarvers in global economies of culture was published in 2019 by the University of Texas Press.
https://www.reading.ac.uk/archaeology/staff/alanna-cant
https://www.alannacant.com/
Voice credit: Alfredo NarvĂĄez - Mostra di più
