Episodi
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I've always had a soft spot for Marches, and this classic's up there with the best o'them I reckon. Thanks for steppin' up!. .... Don.
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For the old time Tune of the Week, 4/28/18, the first part of this medley comes from BHO member RG, learned (he thinks) from a wonderful friend, Larry Brown. The second part is how I think traditionally of Barlow Knife in three parts. My dad didn't have a barlow knife, but his boy scout knife reminded me of one.
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Episodi mancanti?
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A hasty rendition....i heard Ron Mullenix perform...
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Ed Ackerly working on a little bit of Arkansas Traveler
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I posted tunes the last two holiday seasons so I thought I'd do another this year. Wishing all the best to my BHO friends for the season and the new year. In Double C.
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Lynwood Lunsford playing on his 30s style 4 with one of my "Magaret Boote" Florentine/RB4 reproduction necks.
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Béla Fleck Baritone
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A good ol' murder ballad. Clawhammer and voice
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Test driving yet another tone ring.
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Heres another cool fiddle tune for banjo played in the melodic style.
Ed Ackerly Jr's arrangement -
Spending some time with Temperance Reel
Arrangement by Ed Ackerly -
This is a very old Irish carol. Fingerstyle guitar and banjo (muted).
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I'm thrilled to have been asked to do the rollout of an innovative instrument that opens a new world of mando-banjo potential.
The Octajo is a double-course tenor banjo tuned an octave (or lower) below mandolin and violin.
With a 12” banjo rim with bronze tone ring and an octave mandolin neck the Octajo can be strung with either metal or nylon strings. The one on this recording is set up with nylon. Hope you enjoy.
Banjo Crazy Paul -
I learned this tune when Mark Johnson posted it in the Tune of the Week for 4-1-2011. Since then, it's pretty much always the first tune I play whenever I tune into G (or in this case A) modal.
I've been meaning to thank Mark for introducing me to this for three-and-a-half years. So... "Thanks Mark!" -
From the CD "On The Edge" by the Cliffhangers. Fiddle: Mark Simos; banjo: Brendan Doyle; guitar: Rusty Neithammer; tenor guitar: Jody Platt; bass: Karen Falkowski. Fiddle tuning: FCFC, banjo tuning: FBbFBbC Sources: Hiram Stamper, Hindman, Knott County, Kentucky; and his son Art Stamper. Mark's notes: "I first heard Art play this tune late one foggy night at Clifftop — standing in a muddy clearing amidst a gathered crowd, hat slouched on his head, cross-tuned fiddle sailing the glorious fat low notes out into the dark trees. Though our version here is closer to his dad Hiram’s, we dedicate this tune to Art’s memory."
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Recently started working on this one.
I couldnt find a guitar track so I did my own. -
Ed Ackerly Jr's arrangement in g tuning key of D
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wood shedding on this one .
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