Episodi
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In this episode of Design Vault, Doug speaks with Simon Trumble, design principal at HDR Architecture in Baltimore, Maryland.
Visit glengery.com/design-vault to see photos and additional information as you listen along.
The Brendan Iribe Center for Computer Science and Engineering in College Park, Maryland is designed for work in virtual and augmented reality computer vision, robotics and computing platforms.
The university describes the new building as a reimagined kinetic hub for the campus. The building is both inwardly and outwardly focused, connecting the university with a new innovation district and is easily visible from its prominent location. The dynamic building plan is comprised of two main components: a six story instructional and research space, and a 300 person auditorium joined by a connector.
The main feature of this building is a large glass facade characterized by an inventive curtain wall system that controls solar gain while creating the optical illusion of movement. Interestingly, the campus architecture happens to be deeply rooted in a classical neo Georgian architectural tradition. For this reason, Brick was used in a number of ways as common wall sections and knee walls, parametrically modeled wall patterns and as the main exterior feature of the Antonoff Auditorium.
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In this episode of Design Vault, Doug speaks with Kent Suhrbier, principal at Bohlin Cywinski Jackson in Pittsburg, Pennsylvania.
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Carnegie Mellon University built TCS Hall, which is a new academic building on Forbes Avenue at the western edge of its campus. The project aimed to allow for future expansion and create connections between the campus and the nearby community.
It was designed to accommodate both private and university users, providing flexible spaces for collaboration while respecting the need for privacy. The finished project, an 88,000 square foot LEED gold certified facility, was done in collaboration with Tata Consultancy Services. The building houses the Institute for Software Research, the Master of Science in Computational Finance Program, the Center for Business Engagement and the TCS Think Tank, all of which promote academic research, innovation and professional development.
The partnered brickwork drew inspiration from the original Horn Postle campus architecture, reflecting the economic significance of brick as a building material in Pittsburgh. This was combined with terracotta and glass to create a balanced, contemporary aesthetic. Various colors and coursing a brick appear across the elevations, such as running bond, stacked and soldier. The brick walls subtly undulate as they mix with flat, dark window bars that dance across the facade.
A cost effective approach was taken to create the rhythmic facade pattern using the logic of binary base code to develop the esthetic modules.
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Episodi mancanti?
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In this episode of Design Vault, Doug speaks with Vicente Quiroga, registered architect and project manager at Morris Adjmi Architects in New York City
Visit glengery.com/design-vault to see photos and additional information as you listen along.
The Huron is a mixed use multifamily 13 story 266,000 square foot building with ground floor retail and high end amenities. In order to account for the narrow site geometry and flood zone, multiple massing schemes were studied with an objective to maximize height and floor area distribution and prioritize views.
The building is defined by 2 13 story towers connected by a shared lobby whose step forms narrow on the higher floors. The two tower massing maximizes unobstructed views across the East River, taking advantage of its exceptional waterfront location. Due to the building's location in a flood zone, Morris Adjmi coordinated closely with consultants to provide active flood protection solutions such as deployable flood barriers, temporary stairs, flood vents and flood resistant glazing at storefronts. Located within the building's podium, many of the Huron's amenity spaces fall within the design flood elevation, including the indoor pool. Flood resistant glazing within these spaces maintains transparency. The building's glass and steel towers reflect Greenpoint's industrial heritage, while the rough brick podium is inspired by the materials and scale of surrounding warehouses. The heavily gridded facade is comprised of a window wall system featuring I-beam profiles on the pillars.
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In this episode of Design Vault, Doug speaks with Rob Clocker, Vice President and Managing Principal at Hacin Architecture and Design at Boston, MA.
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55 Brighton is a mixed use commercial project that marks the completion of the Packard Crossing housing development in the Allston neighborhood of Boston. The building transforms a once underutilized site that previously housed retail and parking lots.
Transform the site into a vibrant and sustainable addition to the community. The architecture pays homage to the area's manufacturing heritage. The design concept reflects the vibrant streetscape patterns and automotive detailing. The building contains nearly 100,000 square feet of finished space, with an additional 70,000 square feet allocated to structured parking. The project reinterprets the rhythms and scale of the surrounding block, while paying homage to the area's automotive heritage.
The facade, with its distinctive folded fan like design, draws nostalgic inspiration from the wing tails of iconic 1950s automobiles. This design move prompted by the adjacent historic Packard Manufacturing facility. The brick details tie into the fabric of the neighborhood and add warmth and familiarity. While metal panels at the top floor create a dynamic visual contrast to the brick facade.
The complex embraces sustainable design strategies and materials such as low flow fixtures, solar panels and groundwater recharge.
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In this episode of Design Vault, Doug speaks with Tom Loftus, Studio Director at Aufgang Architects in Suffern, New York.
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389 Weirfield in Brooklyn is a 12 story 50,000 square foot rental project consisting of 66 residential units, a common roof deck, library and cafe. The building was constructed along with a second at 378 Weirfield just across the street.
The building features a very unique singular masonry facade we'll discuss today. The sole decorative facade is done in undulating rail like bricks, which is in a creative vertical design. The bricks are dark and called Ebonite Smooth. They protrude in patterns at equally spaced cadence as the facade climbs. The windows are set apart from the vertical masonry bands with frames of varying height, which capture the windows between the horizontal spans. The singular brick facade was a unique way of setting apart a building that might otherwise be much like any other.
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In this episode of Design Vault, Doug speaks with Jeremy Iannucci, a registered architect at Marvel in New York City.
Visit glengery.com/design-vault to see photos and additional information as you listen along.
1 Java is a mixed use residential series of buildings located in Greenpoint, Brooklyn. The project responds to the New York City housing market and owners' needs addressing sustainability, constructability, risk mitigation, tax incentives and marketability.
The Development Investment Strategy required a net zero ready design and maximization of floor area. The project includes the largest geothermal array in New York State. The building will participate in the 421A affordable New York and inclusionary housing program, which provides up to 261 affordable housing units out of a total of 871. The new architecture consists of two towers, of prefabricated concrete sheet panels and three lower buildings varying from 6 to 10 storeys with brick masonry facades.
All five buildings rise from Greenpoint in a U-shape plan to maximize light views and open space. Terraces on the east and west. Facades of the towers modulate the elevation while creating private terraces for units and amenity spaces. Retail, food and beverage and live workspaces are consolidated along West and India streets. Townhomes share setback stoops, and a small secondary convenience lobby for the low rise along Java Street.
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In this episode of Design Vault, Doug speaks with Michelle Todd, architect and principal of M.Todd Architects in Bedford-Stuyvesant, New York.
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This Bainbridge Street renovation project is located in the Stuyvesant Heights Historic District. It was built within a row of buildings, which is a long group of houses planned to form seven freestanding architectural units.
102 is situated at the end of the row. It's a modified Spanish residential style home with a triple arched loggia made of red brick laid in Flemish pond. The roof parapet rises at the center in an arch supported on concave shoulders. The restoration was begun to repair a buckling roof parapet, deteriorated walls, damaged pediment and cracking stucco facade.
Renovation work was extensive and a decision was made early not to replace the stucco, but rather leave and repair the natural brick masonry. The building scope also changed during construction from an exterior renovation to demolition and reconstruction due to construction material issues. Structural engineers were also consulted to create a necessary and unique wall construction method. The existing roof skylights, roof hatch and areas of limestone and bluestone were also repaired. The project was also recently awarded the 2023 Lucy G. Moses New York Landmark Conservancy Award.
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In this episode of Design Vault, Doug speaks with Gabe Deck at GNOME Architects in Philadelphia, PA.
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Sansom5 is a collaborative venture between Philadelphia and New York developers. The site is a 5000 square foot rectangular parcel with three street frontages that previously contained small office buildings. The site is in Center City, Philadelphia, close to the Rittenhouse and Fittler's Squares.
There's a five foot grade change across the main frontage, and the parcel sits within a flood zone adjacent to the Schuylkill River. Most neighborhood buildings are primarily brick masonry with strong cornice lines, which drove esthetic and material choices. Each townhouse features entry door locations where grade changes mitigated and the facade is recessed within a portal of capstone. The project, which is light brown brick, also features facade materials that include gray, flat block, metal panels, wood, accent cladding, and a mix of black and brown clad, slim profile windows.
The project includes five high-end townhouses which maximize square footage. Each home contains four bedrooms, six bathrooms, an elevator and three outdoor spaces.
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In this episode of Design Vault, Doug speaks with Ross Padlock, partner at Kligerman Architecture & Design in New York City, New York.
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This episode highlights an Italian art deco private residence designed by Ross. The private residence we're discussing today is located on a narrow urban lot in a neighborhood which includes many homes from the 1920s. These homes feature various elements of brick and stone cladding combined with tile roofs and decorative windows.
The new home was inspired by the Italian art deco movement, as well as the German Expressionist. It draws from the work of Piero Portaluppi, a preeminent architect of streamlined art deco classicism in Italy in the 1920s and thirties. Other inspirations include German architects Fritz Hogar and Heinrich Muller, well-known for creative and experimental forms constructed with brick.
The exterior of the home is composed of details that decidedly complement the vernacular of the neighborhood. The construction palette of masonry includes brick, lilac sandstone, black windows, black slate and copper. Interestingly, the brick shapes, which appear to be custom, are actually all standard Glen-Gery modules. The course work is detailed and unique. The leaded glass panels in the windows are restoration glass and the roof dormers are clad in copper.
The details of the house are mannerist yet subtle, and the brick is creatively patterned in coursed to give the house a unique personality.
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In this episode of Design Vault, Doug speaks with Daniela Holt Voith at Voith and MacTavish Architects in Philadelphia, Pennsylvania.
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This episode with Daniela Holt Voith highlights Abbott Dining Hall located at the Lawrenceville School in Lawrenceville, New Jersey. The renovation of the 1960s era dining hall exclusively serves senior or fifth form students in their last year on campus.
The project responds to the style of the adjacent upper house dorm and other Peabody and Sterns architecture and reminds one of both Shingle Style and Richardsonian Romanesque architecture. VMA’s reconfiguration blends seamlessly into the Lawrenceville esthetic with new brick facades, pitch slate roof and vaulted interior ceilings supported by glulam hammer beam trusses. In addition to a complete redesign of the kitchen and servery, custom white oak furniture and booth seating clad the interior, white oak paneling, terrazzo floor and over scaled fireplaces complete the vision.
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In this episode of Design Vault, Doug speaks with Will Quam, architecture photographer, architecture writer, and researcher in Chicago, Illinois.
Visit glengery.com/design-vault to see photos and additional information as you listen along.
Will Quam lives in Chicago. He's currently writing a book for the University of Chicago Press on the history of brick architecture in the city.
He documents brick as a way to pay more attention to the world around him and encourages others to do the same. He believes it's been like learning a whole new language and a means to discovering great texts hidden in the buildings that surround him in his own words. Everything built is designed and has impact, good or bad. It's easy to walk by something like a brick building and pay it no mind.
But the world is so much more interesting when you ask the question, What is that and why is it the way it is? Above all, he believes nothing is boring and everything can be interesting and exciting, even bricks.
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In this episode of Design Vault, Doug speaks with John Hutch, one of the founding partners and principal at JP2 Architects in Baltimore, Maryland..
Visit glengery.com/design-vault to see photos and additional information as you listen along.
Marketplace Fell's Point is located in historic Fell's Point, Baltimore, Maryland. The new urban lifestyle apartments feature open rooms that maximize exterior daylight and the views. The bulk of the units in the marketplace project open onto private courtyard space, complete with firepits and water features.
Many of the units are rehabbed historic buildings from the late 1800s with large windows and special features. The apartment buildings have direct access to over 100 community retail and entertainment venues on Fell's Point waterfront. In addition to the private courtyards, the project also features a club room, lounge, fitness center and secure parking for the residents.
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In this episode of Design Vault, Doug speaks with Peter Miller, partner at Palette Architecture in New York, New York.
Visit glengery.com/design-vault to see photos and additional information as you listen along.
625 Rogers Avenue is the site for a new mixed-use building with a primary use of residential ground level, commercial and community facility uses with a below grade enclosed parking lot. The architectural design for the building divides the overall mass into two distinct volumes a lower and upper.
The lower is a rectilinear form that relates to historic buildings in the area. This volume is meant to create a more contextual streetscape and a friendly residential feel. In contrast, the higher recessed form is articulated to relate to the new character of the neighborhood. It steps back and recedes as it rises, making it more private and less visible from the street.
The lower form is brick, the upper is stucco, the lower is dark, the upper is light. A side yard is included along the south elevation for more daylight glass and a restaurant terrace.
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In this episode of Design Vault, Doug speaks with John Zimmer, Director at Fogarty Finger in New York, New York.
Visit glengery.com/design-vault to see photos and additional information as you listen along.
The Lively is a mixed use 18 story tower in Jersey City's Powerhouse arts district. The building features residential living situated above retail and public art spaces. The entry portals at the base define the black box theater and residential portions of the building.
Double and triple height lobbies open up to the street through curtained glass walls at the base. The building's deep and varied openings and bronze windows and frames give a wonderful complexity to an otherwise familiar building form. The structure features a custom white brick with darker mortar, which gives the edifice a warm residential appearance. The bricks well scaled modularity complements the organized and complex facade.
The project's esthetic and exterior elevations are reserved yet elaborate, familiar but novel, unpretentious, yet elegant.
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In this episode of Design Vault, Doug speaks with Eric Pros, Director of Design for DS Architecture in Cleveland, Ohio.
Visit glengery.com/design-vault to see photos and additional information as you listen along.
The new City of Westlake Senior Community Center was designed for senior citizens. The building is quite large at 28,000 square feet, and the building typology is more and more familiar across the United States.
With that said, the design team used design restrictions as an opportunity. The city of Westlake, Ohio, adopted a distinctive Western reserve traditional style of architecture. All public buildings throughout Westlake are comprised of a traditional sandstone water table, a blended red brick veneer and a pitched roof with reverse gables over their entries. At the outset, it was strongly suggested by the city that all buildings in Westlake incorporate the same old Detroit red brown blend of brick in a standard modular size.
With these stipulations in mind, the finished building reimagines the standard running bond pattern of brick through the lens of an ancient Roman ruin. The team created a unique quarter coffer brick detail to make both the construction process repeatable and the facades uniquely textured. The resulting esthetic is innovative and quite elegant.
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In this episode of Design Vault, Doug speaks with Shane Neufeld, registered architect at Light and Air Architecture in Brooklyn, New York.
Visit glengery.com/design-vault to see photos and additional information as you listen along.
The Z house, named for the shape of its stair is a renovation, providing a unique model for the urban domestic experience. At the Project Center is a new switchback stair that integrates the house vertically and horizontally, carving out the existing structure in order to shape dynamic sightlines that connect inhabitants in new ways.
The stairs drama is heightened by the placement of large windows punctuating the rear facade. These allow the vertical space to open to the exterior directing views from the stair through the house and to the yard beyond. Descending from the rear of the parlor floor is a smaller stair slotted between a steel guardrail and oak millwork. This connects the living room to the new horizontal additions below.
Here, the added square footage accommodates the kitchen and dining room in a single dramatic double height space that visually unites the rear yard and the parlor floor above. A green roof located above the garden level helps to buffer sightlines and cultivates a natural intimacy for the residents inside.
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In this episode of Design Vault, Doug speaks with Christa Waring, AIA, LEED-AP, CPHD, Principal at CTA Architects in New York, New York.
Visit glengery.com/design-vault to see photos and additional information as you listen along.
650 Park Avenue is located in the Upper East Side Historic District, built in 1963 and designed by Emery Roth and Sons Architects. It's a 21 story apartment building with a white glazed brick facade and setbacks above the 16th floor. The base of the building maintains the building line of Park Avenue.
Recent facade examinations revealed a deficiency in the wall tie system that connects the face masonry to the backup concrete block masonry. CTA designed a program of facade repairs that include face masonry pinning in addition to the restoration of all shelf angles across the facades.
The original construction features have finished glazed edge over all the window lintels, which has an impressive impact on the aesthetic of the building. Thus, the project entails an extensive masonry rebuild where matching the existing brick is of paramount importance.
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In this episode of Design Vault, Doug speaks with Lorne Rose, architect at Lorne Rose Architect in Toronto, Ontario.
Visit glengery.com/design-vault to see photos and additional information as you listen along.
Today, we're going to talk about Lauren's Tudor home in Toronto. The neighborhood has a number of esthetically diverse architectural gems from the turn of the century, including a traditional Tudor that served as inspiration. Lauren's Tudor home features a variety of signature Tudor brick patterns from diagonal and herringbone to basket weave.
The traditional half timber board work has been replaced with stone and a carved stone belt course that runs across the front facade, separates stone veneer at the base, a steep gable stance across all facades, giving it order and magnifying the Tudor style. The roof is cedar shingle and the overhangs are traditional. The rear of the house has a spacious covered porch with wonderful wood.
Details, and the opposite side features a carved stone entry and a large wood and glass front door. The front landscape is organized, yet slightly whimsical, with a U-shaped drive. The backyard, in contrast, has an oval shaped lawn area surrounded by garden walls, apple trees and a vegetable garden.
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In this episode of Design Vault, Doug speaks with William Smart, founder and creative director at Smart Design Studio in Sydney, Australia.
Visit glengery.com/design-vault to see photos and additional information as you listen along.
The new Smart Design Studio building is an innovative, sustainable and sculptural building with both new and renovated facades that sit within an inner city conservation area of brick warehouses. The design relates to the industrial buildings from the precinct.
While it makes a departure with a modern facade of tiles, galvanized sheeting, steel frame windows and dynamic forms of curling and curving brick. Structurally, a large portion of the building feels industrial with precast concrete slabs, structural brick roof vaults and steel. Environmentally. The naturally lit and ventilated studio collects its own water and generates its own power, creating a carbon neutral building.
In addition, large full length clear story windows enable natural light to enter the single industrial scale workspace. The Sawtooth roof trusses and a portion of the facades were retained with the exception of the offices on the western street frontage. That's where a narrow, highly designed apartment runs atop the length of the building. The apartment features four self-supporting offset brick, cat and airy vaults that allow light into the apartment.
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In this episode of Design Vault, Doug speaks with John Woelfling, Principal at Dattner Architects at in New York City.
Visit glengery.com/design-vault to see photos and additional information as you listen along.
Located in downtown Brooklyn, 50 Nevins Street appears to be two buildings in one. The approach was to reinvigorate a century-old building through gut renovation and addition, which provides affordable housing, housing for formerly homeless individuals, and mental health services.
The historic site, with its new ten-story addition, features 129 new apartments. The building was originally designed by famed Brooklyn architect Frank Freeman, opened in 1913 as a YWCA. In the early 1930s an extensive portion of the building was shaved off to enlarge Schermerhorn Street and make way for the subway line. That adjustment resulted in an imbalance to the original Colonial Revival building.
The new coupled design ascribes value to the existing building and helps restore the balance it had lost. The existing red brick building remains shorter with a classical cornice. The new building sits slightly taller, flush and adjacent with a recessed connector which visually separates the architecture. The contrast in masonry color, dark connector and stylistic changes to the forms and facades set the two buildings apart esthetically, though clearly they're co-combined.
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