Episodi
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Tetterode Unlocked is our four-part podcast series on Woonwerkpand Tetterode, organised for the occasion of Open Monumentdag
Tetterode is a former factory that produced typefaces before it was squatted in 1981, then subsequently legalised in 1986, at the same time as being purchased by the municipality. Shortly after that, ownership passed to the housing corporation Het Oosten. However, the Tetterodians were able to secure a rather remarkable lease arrangement with Stadgenoot in which they have complete control over the inner structure and workings of the building, while Stadgenoot maintains control over the shell.
Over the four episodes, tetatet host Charlie Clemoes explores some of the reasons for and unique consequences of this arrangement, through interview with a few experienced members of the Tetterode community, namely architect Mikel van Gelderen, artist and member of the bouwcomissie Chris Baaten and activist Rens den Hollander. The series also draws heavily on Charlie’s engagement with the book Zeggenschap Zonder Bezit (control without ownership), a kind of chronicle of the building and its inhabitants, published in 2019 and composed of essays written by various residents and other people associated with the building (e.g. politicians, academics, the head of Stadgenoot, but also people who grew up in the building, and some of the people who were there when it first got squatted.
In this fourth and final episode, we consider Tetterode as a case study through which to explore the question of how we best deal with Amsterdam's housing shortage and its problems with gentrification, which unfolds into a contemplation of Tetterode’s more ineffable and unquantifiable qualities. It features an interview with Rens Den Hollander and excerpts from Marien de Langen’s essay in Zeggenschap zonder Bezit. -
Tetterode Unlocked is our four-part podcast series on Woonwerkpand Tetterode, organised for the occasion of Open Monumentdag
Tetterode is a former factory that produced typefaces before it was squatted in 1981, then subsequently legalised in 1986, at the same time as being purchased by the municipality. Shortly after that, ownership passed to the housing corporation Het Oosten. However, the Tetterodians were able to secure a rather remarkable lease arrangement with Stadgenoot in which they have complete control over the inner structure and workings of the building, while Stadgenoot maintains control over the shell.
Over the four episodes, tetatet host Charlie Clemoes explores some of the reasons for and unique consequences of this arrangement, through interview with a few experienced members of the Tetterode community, namely architect Mikel van Gelderen, artist and member of the bouwcomissie Chris Baaten and activist Rens den Hollander. The series also draws heavily on Charlie’s engagement with the book Zeggenschap Zonder Bezit (control without ownership), a kind of chronicle of the building and its inhabitants, published in 2019 and composed of essays written by various residents and other people associated with the building (e.g. politicians, academics, the head of Stadgenoot, but also people who grew up in the building, and some of the people who were there when it first got squatted.
In this third episode, we discuss how Tetterode has survived all of these years thanks to great effort that Tetrodes inhabitants have placed on securing, maintaining and sustaining it, something which will continue to be important into the future. The episode features an interview with Chris Baaten and excerpts from the essays of Ronal van Tienhoven and Teun Stekelenburg. -
Episodi mancanti?
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Tetterode Unlocked is our four-part podcast series on Woonwerkpand Tetterode, organised for the occasion of Open Monumentdag
Tetterode is a former factory that produced typefaces before it was squatted in 1981, then subsequently legalised in 1986, at the same time as being purchased by the municipality. Shortly after that, ownership passed to the housing corporation Het Oosten. However, the Tetterodians were able to secure a rather remarkable lease arrangement with Stadgenoot in which they have complete control over the inner structure and workings of the building, while Stadgenoot maintains control over the shell.
Over the four episodes, tetatet host Charlie Clemoes explores some of the reasons for and unique consequences of this arrangement, through interview with a few experienced members of the Tetterode community, namely architect Mikel van Gelderen, artist and member of the bouwcomissie Chris Baaten and activist Rens den Hollander. The series also draws heavily on Charlie’s engagement with the book Zeggenschap Zonder Bezit (control without ownership), a kind of chronicle of the building and its inhabitants, published in 2019 and composed of essays written by various residents and other people associated with the building (e.g. politicians, academics, the head of Stadgenoot, but also people who grew up in the building, and some of the people who were there when it first got squatted.
In this second episode, we deal with the historical conditions from which Tetterode emerged as an autonomous working living community (tl;dr: it emerged for reasons that no longer hold). The episode features excerpts from Ric Burn’s documentat New York, An interview with David Harvey in The Guardian, an interview with Marc Levinson about his book The Box and an interview with Laleh Khalili for the London Review of Books podcast. -
Tetterode Unlocked is our four-part podcast series on Woonwerkpand Tetterode, organised for the occasion of Open Monumentdag
Tetterode is a former factory that produced typefaces before it was squatted in 1981, then subsequently legalised in 1986, at the same time as being purchased by the municipality. shortly after that, ownership passed to the housing corporation Het Oosten (now Stadgenoot). However, the Tetterodians were able to secure a rather remarkable lease arrangement with Stadgenoot in which they have complete control over the inner structure and workings of the building, while Stadgenoot maintains control over the shell.
Over the four episodes, tetatet host Charlie Clemoes explores some of the reasons for and unique consequences of this arrangement, through interview with a few experienced members of the Tetterode community, namely architect Mikel van Gelderen, artist and member of the bouwcomissie Chris Baaten and activist Rens den Hollander. The series also draws heavily on Charlie’s engagement with the book Zeggenschap Zonder Bezit. (control without ownership), a kind of chronicle of the building and its inhabitants, published in 2019 and composed of essays written by various residents and other people associated with the building (e.g. politicians, academics, the head of Stadgenoot, but also people who grew up in the building, and some of the people who were there when it first got squatted.
In this first episode, we deal with the way that this unusual building, and the unusual living worker/living situation in supports, has affected its inhabitants and how they have affected Tetterode. -
self-taught tools, disciplinary boundaries, organic platform understandings, organization as an alliance, accessing communities, being unfamiliar and tapping local groundedness – “who’s on what?”
We’re happy to share a long overdue friendly tetatet conversation with Seth and Akil from RESOLVE. RESOLVE are an interdisciplinary design collective that combines architecture, engineering, technology and art to address social challenges and provide platforms for the production of new knowledge and ideas, whilst collaborating and organising to help build community resilience.
https://www.resolvecollective.com/ -
In Episode 2/2 of ‘After the Maestro’ with Xenogothic, Wyrd Signal and Tom K Kemp, the Pineal Gland, Toxiplasma-gondii, Spermatazoa and Heart face a profoundly existential threat to their newly reformed anatomy. Biological processes are re-rerouted, secrets are unearthed, and the future of the emancipated City hangs in the balance.
In this special edition of tetatet, artist Tom K Kemp is joined by writer and blogger Matt Colquhoun (@xenogoth, @buddieswithoutorgans) and hosts of the podcast Wyrd Signal (@wyrdsignalpodcast) to play a session of his roleplaying game ‘After the Maestro’, set within an ‘anthropomorphised anatomy’, as seen in animations like ‘Once Upon a Time.. Life’, ‘Osmosis Jones’ and ‘Cells at Work!’. Players adopt the roles of groups of microbial and cellular workers during the aftermath of a successful labour emancipation within the inner body, where the ‘Maestro’, or centralised vital force of the body, has been removed. Each session of the game generates a new narrative of anatomical and social re-organisation, complicating and estranging common body-politic metaphors into a tale of emancipatory body-horror.
Music for the episodes - Legal and General Life Solutions, kindly provided by Percival Pembroke (@oiseaux)
These episodes are hosted by fanfare, recorded at Rupert Residency, Vilnius, and supported by Radio Orsimanirana at MKG Hamburg (@mkghamburg). The After the Maestro project is supported by the Stimuleringsfonds Creative Industries @stimuleringsfonds. -
In Episode 1, of ‘After the Maestro’ with Tom K Kemp, Matt Colquhoun and Wyrd Signal, we meet the emancipated coalition of the Pineal Gland, Toxiplasma-gondii, Spermatazoa and Heart, and are introduced to the challenges of the post-Maestro City. Radical actions are taken, agency is questioned, and biological, social and physical laws are re-written.
In this special edition of tetatet, artist Tom K Kemp is joined by writer and blogger Matt Colquhoun (@xenogoth) and hosts of the podcast Wyrd Signal (@wyrdsignalpodcast) to play a session of his roleplaying game ‘After the Maestro’, set within an ‘anthropomorphised anatomy’, as seen in animations like ‘Once Upon a Time.. Life’, ‘Osmosis Jones’ and ‘Cells at Work!’. Players adopt the roles of groups of microbial and cellular workers during the aftermath of a successful labour emancipation within the inner body, where the ‘Maestro’, or centralised vital force of the body, has been removed. Each session of the game generates a new narrative of anatomical and social re-organisation, complicating and estranging common body-politic metaphors into a tale of emancipatory body-horror.
Music for the episodes - Legal and General Life Solutions, kindly provided by Percival Pembroke.
These episodes are hosted by fanfare Amsterdam, recorded at Rupert Residency, Vilnius, and supported by Radio Orsimanirana at MKG Hamburg (@mkghamburg). The After the Maestro project is supported by the Stimuleringsfonds Creative Industries @stimuleringsfonds.
@buddieswithoutorgans
@oiseaux -
On invitation from The Palace of Typographic Masonry, fanfare represents the Playground of the In-Between. This playground creates space for chatting, gossiping, and sharing.
Based on questions given to all contributors of The Palace of Typographic Masonry, the Playground of the in-between presents a soundscape and set of jingles and 14 vocal advertisements that hijack and play a part in the official museum audio tour.
Playground of the In-Between is designed and developed by fanfare, (Miquel Hervás Gómez & Freja Kir) sound made together w/ Fabian Reichle.
The Palace of Typographic Masonry is an imaginary museum for graphic design. Within the narrative of a building with nine departments (Sign, Symbol, Ornament, Construction, Poetics, Game, Order, Craft and Practice), the project continuously develops new additions in which a certain aspect of graphic design is highlighted. The Palace is initiated by Richard Niessen. -
On invitation from The Palace of Typographic Masonry, fanfare represents the Playground of the In-Between. This playground creates space for chatting, gossiping, and sharing.
Based on questions given to all contributors of The Palace of Typographic Masonry, the Playground of the in-between presents a soundscape and set of jingles and 14 vocal advertisements that hijack and play a part in the official museum audio tour.
Playground of the In-Between is designed and developed by fanfare, (Miquel Hervás Gómez & Freja Kir) sound made together w/ Fabian Reichle.
The Palace of Typographic Masonry is an imaginary museum for graphic design. Within the narrative of a building with nine departments (Sign, Symbol, Ornament, Construction, Poetics, Game, Order, Craft and Practice), the project continuously develops new additions in which a certain aspect of graphic design is highlighted. The Palace is initiated by Richard Niessen. -
On invitation from The Palace of Typographic Masonry, fanfare represents the Playground of the In-Between. This playground creates space for chatting, gossiping, and sharing.
Based on questions given to all contributors of The Palace of Typographic Masonry, the Playground of the in-between presents a soundscape and set of jingles and 14 vocal advertisements that hijack and play a part in the official museum audio tour.
Playground of the In-Between is designed and developed by fanfare, (Miquel Hervás Gómez & Freja Kir) sound made together w/ Fabian Reichle.
The Palace of Typographic Masonry is an imaginary museum for graphic design. Within the narrative of a building with nine departments (Sign, Symbol, Ornament, Construction, Poetics, Game, Order, Craft and Practice), the project continuously develops new additions in which a certain aspect of graphic design is highlighted. The Palace is initiated by Richard Niessen. -
On invitation from The Palace of Typographic Masonry, fanfare represents the Playground of the In-Between. This playground creates space for chatting, gossiping, and sharing.
Based on questions given to all contributors of The Palace of Typographic Masonry, the Playground of the in-between presents a soundscape and set of jingles and 14 vocal advertisements that hijack and play a part in the official museum audio tour.
Playground of the In-Between is designed and developed by fanfare, (Miquel Hervás Gómez & Freja Kir) sound made together w/ Fabian Reichle.
The Palace of Typographic Masonry is an imaginary museum for graphic design. Within the narrative of a building with nine departments (Sign, Symbol, Ornament, Construction, Poetics, Game, Order, Craft and Practice), the project continuously develops new additions in which a certain aspect of graphic design is highlighted. The Palace is initiated by Richard Niessen. -
On: self-definition, ownership, intellectual property, distribution of profits, scalability of models, play and the merits of hierarchical and non-hierarchical organisations.
Happy to share this fanfare tetatet talk with Louis Schulz from the London based multi-disciplinary collective, Assemble (https://assemblestudio.co.uk/)
The conversation is part of tetatet – Making it Work, a series of talks that explores the obstacles and drives that sustain creative practices in different surroundings.
While this investigation is rooted in observations from fanfare’s immediate surroundings, the conversations extend to different cities and countries, to discuss the understanding that the struggle to sustain a creative practice is universal – as is the tendency to forget that creative work is still work.
The conversations have evolved from the original tetatet episodes from 2017, which sought to address the concerns shared by fanfare and it’s peers and collaborators.
Bridging their backgrounds in architectural criticism, graphic design, and new media the collaboration between Freja Kir (fanfare) and Charlie Clemoes (Failed Architecture), forms the thematic basis for the series as it develops.
tetatet is the sound channel of fanfare and hosted by Charlie Clemoes & Freja Kir, with a crisp jingle by Fabian Reichle -
About solidarity, hybrid business plans, doing the boring work so other people don't have to, the Concorde syndrome and deciding to decide to leave
Some of the topics covered in our conversation with Esen Karol of Manifold Press (https://manifold.press/)
tetatet is the sound channel of fanfare and hosted by Charlie Clemoes & Freja Kir, with a crisp jingle by Fabian Reichle -
Educational responsibilities, learning conditions, positioning skills, and international influences.
The focus on learning derives from the observation of design initiatives which are driven by the desire to convey and circulate knowledge. Seen in this light alternative educational structures, experiential learning curves, and a drive for approaching learning in an activating, playful and reflective manner is the centre of attention.
Freja Kir (fanfare) and Femke Dekker in conversation with:
David Bennewith (Gerrit Rietveld Academie), Jurgen Bey (Sandberg Instituut), Roosje Klap (Royal Academy of Art the Hague)
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Seductive, navigating, narrating skills.
The field of graphic design contains powerful tools that direct our everyday life and ways of sharing knowledge. With this in mind, we dedicate a focus to graphic design projects that dare to explore the ways of forming, sharing, triggering and parasiting communication solutions.
"Unlearn" presents one out of three conversations produced for the fanfare exhibition, Unlearn, Display, Connect, for VABF, TOKYO ART BOOK FAIR 2020!➰ 🔵 -
Hijacking platforms, navigating visitors, re-owning spaces, graduating displays and audience limitations.
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Whether naming it as "selecting", "curating", "editing", "publishing", or hosting, the attention to the display shines a light on curious ways of presenting content. This section focuses on the intermediary role of graphic design for bridging information, navigation and space. Here we include projects that activate the relevance of the audience, participants and social interactions.
Freja Kir (fanfare) and Femke Dekker in conversation with:
Yana Foque (Kunstverein), Richard Niessen (The Palace of the Typographic Masonry), Frederique Pissuis (Cosmos Carl)
➰ 🔵
Seductive, navigating, narrating skills.
The field of graphic design contains powerful tools that direct our everyday life and ways of sharing knowledge. With this in mind, we dedicate a focus to graphic design projects that dare to explore the ways of forming, sharing, triggering and parasiting communication solutions.
"Display" presents one out of three conversations produced for the fanfare exhibition, Unlearn, Display, Connect, for VABF, TOKYO ART BOOK FAIR 2020!➰ 🔵 -
Generosity of reproduction, organisational structure, explorative freedom and publishing as democratic business
The focus on "connecting" devotes space to collaborative design practices where tools and networks are used for the benefit of expressing, exploring or manifesting opinions into a societal context. As the field of design reacts to societal and technological developments, we devote attention to the collaborative nature of the graphic design discipline. By borrowing from various disciplines, these projects draw on graphic design tools to transform aesthetics, purposes and meaning into shared systems.
Freja Kir (fanfare) and Femke Dekker in conversation with:
Anja Groten and Juliette Lizotte (Hackers & Designers), Roger Willems (Enter Enter/Roma Publications), Karolien Burrman (NXS and Paradyme)
➰ 🔵
Seductive, navigating, narrating skills.
The field of graphic design contains powerful tools that direct our everyday life and ways of sharing knowledge. With this in mind, we dedicate a focus to graphic design projects that dare to explore the ways of forming, sharing, triggering and parasiting communication solutions.
"Connect" presents one out of three conversations produced for the fanfare exhibition, Unlearn, Display, Connect, for VABF, TOKYO ART BOOK FAIR 2020!➰ 🔵 -
unsexy administration / marginal stories / sugar-coating / obscure making / humour / and strategies on not being strategic :
On this note, we are happy to share this fresh conversation with Slavs and Tatars
The conversation comes along with their contribution “Who are you” to the fanfare series: The Art of Documenting Art. The work can be visited on appointment with fanfare during the month of October, after which only the documentation will remain.
tetatet is the sound channel of fanfare and hosted by Charlie Clemoes & Freja Kir, with a crisp jingle by Fabian Reichle
https://fanfarefanfare.nl/category/talks/1753-tetatet-13-slavs-and-tatars -
We happily introduce this friendly and easygoing Summer tetatet talk with Andrea Garcés and Luca Carboni about their newly formed Sardinian located studio and independent publishing practice, Oreri.
During a moment of Summer break and auto reply, part of the fanfare team went on excursion to investigate the (rather suiting summer break) topic and future fanfare inc. edition of Pause and Leisure.
Occupied with beach research, pecorino cheese, and archaeological visits, a good chunk of time was spend in company with the two Oreri founders. Andrea and Luca together connect backgrounds related to design, translation, and independent publishing, which though the conversation come to reflect, nuances, drives, and urgencies considered when starting a studio practice. Along with these topics the conversations goes around:
poetry and language
local global movement
roaming education systems
tools and design services
new markets
and the importance of belonging.
Credits:
The setting of the conversation took place an hour drive outside Cagliari in friendly surroundings on the rooftop and temporary holiday home of Lua and Nick.
Remarks to the recording were added by fanfare Charlie and Miquel
Documentation made by Paolo
and finally kind friendliness and insights provided from Andrea and Luca
The tetatet episode was carried out by Freja Kir
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Links:
Oreri Instagram:
https://www.instagram.com/oreri/
The newsletter mentioned in the beginning has been send to peers and friends of Oreri. In moment of sharing the conversation it has not yet been published to larger circles, but should there be an interest in further reading, you are welcome to contact Oreri for reading possibilities.
The printing place Knus is mentioned by Luca, the printing place is also known as Extrapool: http://extrapool.nl/
Dutch Art Institutes roaming education model: https://dutchartinstitute.eu/ -
For the month of January the design and farming collective The Soft Protest, Digest have taking over fanfare and carried out their research within this context. For this episode of tetetat we spoke to its founders Nickie, Jeremie, and Robin.
The conversation move from meta topics on food industry, such as governmental and global impact, to unfold more specific dutch meals, the relevance of storytelling and specifically the Dutch surroundings in which fanfare is based and the research and residency of The soft protest took off.
This conversation took place in parallel with the first fanfare residency made in collaboration with the international artist residency M4 gastatelier. The residency is launched to support curiosity and urge for room for sharing thoughts, beliefs, and concerns through explorative visual communication.
List of farms visited by The Soft Protest, Digest:
— Boederij de boterbloem (Lutkemeerweg 262, 1067 TH Amsterdam), for small scale well produced vegetables
— Fruituin van west (Tom Schreursweg 48, 1067 MC Amsterdam), medium scale farm with large range of organic vegetables, dairy products and pantry essentials
— Boerderij de Groene Griffioen (Lange Muiderweg 18A, 1382 LA Weesp), dairy farm to visit for its unpasteurized milk, cheeses and cow meat
— Molen De Vriendschap (Utrechtseweg 11A, 1381 GR Weesp), active windmill to get organic freshly grounded wheat flour, oat, spelt and nuts
— Geitenboerderij Ridammerhoeve (Nieuwe Meerlaan 4, 1182 DB Amstelveen) for organic eggs, goat milk, yogurt, butter and goat yoga (!)
— Molen De VLIJT (Harnjesweg 54A, 6706 AT Wageningen) for dutch spelt whole grain flour -
For the final day of fanfare’s Manifesta commununal breakfast conversations we spoke to Mariateresa Setaro, curator and Director of Triad, a charitable organisation whose stated aim is to develop and support artistic practices globally, by commissioning and staging new projects with upcoming artists addressing today’s most important social, political and cultural issues. For Manifesta, Triad has organised an exhibition of Einat Amir’s work Enough About You, which runs until November 2018.
https://thetriad.org.uk/
Produced by Charlie Clemoes and Freja Kir - Mostra di più
