Episodi
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In Emergent Genders: Living Otherwise in Tokyo's Pink Economies (Duke UP, 2025), Michelle H. S. Ho traces the genders manifesting alongside Japanese popular culture in Akihabara, an area in Tokyo renowned for the fandom and consumption of anime, manga, and games. Drawing on ethnographic fieldwork in josō and dansō cafe-and-bars, establishments where male-to-female and female-to-male crossdressing is prevalent, Ho shows how their owners, employees, and customers creatively innovate what she calls emergent genders—new practices, categories, and ways of being stemming from the simultaneous fracturing, contestations, and (re)imaginations of older forms of gender and sexual variance in Japan. Such emergent genders initiate new markets for alternative categories of expression and subjectivity to thrive in a popular cultural hub like Akihabara instead of Tokyo’s gay and lesbian neighborhood of Shinjuku Ni-chōme. By rethinking identitarian models of gender and sexuality, reconfiguring the significance of capitalism for trans studies and queer theory, and decentering theoretical frameworks incubated in a predominantly United States academic context, Ho offers new ways of examining how trans and gender nonconforming individuals may survive and flourish under capitalism.
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In Transformismo, M. Myrta Leslie Santana draws on years of embedded research within Cuban trans/queer communities to analyze how transformistas, or drag performers, understand their roles in the social transformation of the island. Once banned and censored in Cuba, transformismo, or drag performance, is now state-sponsored events. Transformismo suggests that these performances are making critical interventions in Cuban trans/queer life and politics and in doing so, the volume offers critical insight into how Cuba's postsocialist reform has exacerbated racial, sexual, and economic inequalities. Leslie Santana argues that mainstream trans/queer nightlife in Cuba is entangled with the island's tourism economy, which has shaped the aesthetics and social makeup of transformismo in coastal Havana, which largely caters to foreigners. Leslie Santana considers how Black lesbian and transgender transformistas are expanding understandings of sexual selfhood and politics on the island, particularly questioning the ways that Black women's creativity is prominently featured in the aesthetics of tourism and trans/queer nightlife, while Black women themselves are denied social and material capital.
M. Myrta Leslie Santana is Assistant Professor of Music at the University of California San Diego.
Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.
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Episodi mancanti?
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Sébastien Tremblay is a historian specialized in queer, global, and conceptual history. Born in Montreal / Tiohtià:ke, he received his PhD at the DFG Graduate School 'Global Intellectual History' at the Friedrich-Meinecke-Institute in 2020. He is currently a Postdoc at the Department for History and Didactics of History at the University of Flensburg.
His monograph, A Badge of Injury: The Pink Triangle as Global Symbol of Gay and Lesbian Identities in the 20th Century was published by DeGruyter in 2023. It analyzes gay and lesbian transregional cultural communication networks from the 1970s to the 2000s, focusing on the importance of National Socialism, visual culture, and memory in the queer Atlantic. Provincializing Euro-American queer history, it illustrates how a history of concepts which encompasses the visual offers a greater depth of analysis of the transfer of ideas across regions than texts alone would offer. It also underlines how gay and lesbian history needs to be reframed under a queer lens and understood in a global perspective.
About the host: Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.
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Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Tamara Lea Spira's Queering Families: Reproductive Justice in Precarious Times (U California Press, 2025) traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Spira highlights the growing embrace of normative family structures by LGBTQ+ movements--calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times.
Shui-yin Sharon Yam is Professor of Writing, Rhetoric, and Digital Studies at the University of Kentucky. She is the author of Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship and more recently, Doing Gender Justice: Queering Reproduction, Kin and Care (co-authored withe Natalie Fixmer-Oraiz).
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Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated.
Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies.
Caleb Zakarin is editor at the New Books Network.
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What would a rodeo open to anyone and everyone look like? In their new book, Slapping Leather: Queer Cowfolx at the Gay Rodeo (U Washington, 2023), history professors Elyssa Ford (Northwest Missouri State) and Rebecca Scofield (University of Idaho) argue that the International Gay Rodeo Associaton (IGRA) provides a template. Founded in the 1970s as an alternative space that typically excluded LGBTQ+ individuals, gay rodeo has evolved into its present day form: a campy, raucous, and accepting spectacle of gay masculinity and gender play in all its forms. It's not a perfect space - there are still boundaries, binaries, and traditional barriers which constrain some aspects of gay rodeo as an open form of competition - but as the oral histories and deep archival research in this book show, it is an institution that has proven capable of weathering the storms of pandemics, politics, and internal debates. Slapping Leather tracks the development, growth, and dynamic present of this uniquely Western, and uniquely queer, artform.
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The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom.
Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present.
In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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What does Islam, particularly Shīʿī Islam, really say about same-sex sexual relations? Can Islamic legal frameworks, rooted in centuries of jurisprudence, ever be used to imagine the possibility of an Islamically valid same-sex marriage? What terms and categories did pre-modern Islamic sources use to describe what we might now call “homosexuality,” and what is meant by the claim that “homosexuality,” as a form of identity, is a modern concept? Is the story of Lot in the Qur’an really about homosexuality? And crucially, what Islamic perspectives exist in response to the deeply homophobic statement “Navigating Differences: Clarifying Sexual and Gender Ethics in Islam,” published in May 2023 and endorsed by those who argue that Islam categorically rejects same-sex sexual relationships?
In Negotiating Homosexuality in Islam: A Legal-hermeneutical Examination of Modern Shīʿī Discourse (Brill, 2024), Mehrdad Alipour engages these urgent questions with intellectual rigor and legal precision. Alipour is a scholar of Iranian and Islamic studies whose work focuses on Islamic legal theory, Shi‘i thought, and the evolving discourse around sex, gender, and sexuality in both premodern and modern contexts. He earned his PhD in Arabic and Islamic Studies from the University of Exeter and received traditional training at the Seminary of Qom in Iran. He is currently based at the University of Utrecht in the Netherlands, where he leads the project Beyond Binaries: Intersex in Islamic Legal Tradition, exploring how intersex identities have been understood in Shi‘i legal texts from the 14th to early 20th centuries. Another publication of his, “Navigating Body Politics in Shiʿi Legal Tradition: Examining Sayyid Kāẓim al-Yazdī’s Account of Non-Binary Intersex,” is available online for free to all readers.
Rather than offering a theological verdict or issuing new rulings in the book, Alipour turns to the internal tools of the Imāmī Shīʿī legal tradition—most notably, the method of ijtihād—to explore how scholars have historically interpreted and might yet reinterpret questions regarding sexual relations. Through a careful and brilliant analysis of Qur’anic verses, hadith traditions, legal principles, and rational argument, Alipour shows how the Shīʿī legal tradition contains interpretive possibilities that could speak to contemporary understandings of homosexuality as a consensual, identity-based, and egalitarian practice.
As Alipour clarifies in our conversation, his study does not attempt to declare what Islamic law must say about same-sex relations, but rather to identify and expand the discursive spaces within which such a conversation can meaningfully take place. By using the very legal principles and interpretive strategies that have shaped Shīʿī jurisprudence across generations, he invites scholars and jurists to consider how Islamic legal thought might respond, faithfully and creatively, to modern realities. The book is a thoughtful and necessary contribution to ongoing debates on Islam, law, and sexual diversity.
In our conversation today, Alipour walks us through the book’s key arguments and findings, highlights the significance of applying modern Imāmī ijtihādic principles to the question of same-sex relations, and outlines how core Islamic sources—the Qur’an, sunnah, reason (ʿaql), and consensus (ijmāʿ)—have been interpreted in relation to same-sex intimacy, with special attention to specific gaps in the story of Lot in the Qur’an. He also clarifies key premodern terms that are often cited by contemporary Muslim scholars as referring to homosexuality, unpacking their historical meanings and legal contexts.
This here is my conversation with Mehrdad Alipour on his book, Negotiating Homosexuality in Islam: A Legal-hermeneutical Examination of Modern Shīʿī Discourse (Brill, 2024).
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What does transphobic oppression have to do with sexism, heterosexism, and racism? How does a decolonial analysis help us understand trans oppression? How are the relatively recent concepts of person, self, and subject implicated in these forms of oppression? And what theorizations are already available within trans communities for thinking through this all?
In Beyond Personhood: An Essay in Trans Philosophy (Minneapolis: University of Minnesota Press, 2025), Talia Mae Bettcher develops a new theory of intimacy and distance to show how structures of appearing—as well as liminal experiences of appearance—can help us understand trans oppression and gender dysphoria in new ways. This new theory of interpersonal spatiality also shows how we can build worlds otherwise, thinking about connections and relations in ways foreclosed by many of the currently dominate accounts of gender and identity.
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In Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing (Duke UP, 2025), Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support.
Duke University Press Scholars of Color First Book Award
Jina B. Kim is Assistant Professor of English and the Study of Women, Gender, and Sexuality at Smith College. Kim is a scholar, writer, and educator of feminist disability studies, queer-of-color critique, and contemporary multi-ethnic U.S. literature.
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Have you ever heard of the Chinese gay god, the Rabbit god? How did queer Chinese artists use this icon in reclaiming their own stories, while resisting and persisting through Covid-19? And, how can art be a space for fighting back against national hegemony? In this episode, Hongwei Bao discusses these questions with Kukasina Kubaha.
Hongwei Bao is associate professor of Media studies at the University of Nottingham. Bao is the author of several books including Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China, and Queer China: Lesbian and Gay Literature and Visual Culture Under Postsocialism. Alongside his academic work, Bao also writes poetry and curates film festivals.
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In this episode of Radio ReOrient, Claudia Radiven and Chella Ward spoke to Adi Saleem and Shanon Shah. They discussed the recent publication of the book Queer Muslims, Queer Jews: Race, Religion, and Representation (Wayne State UP, 2024) that Adi edited and Shannon contributed a chapter. Adi is an assistant professor at the University of Michigan with a focus on the intersection of race and religion, particularly in relation to Jews and Muslims. Shannon is a Visiting Research Fellow at the Department of Theology and Religious Studies at King’s College London with a focus on ethnographic study of religion, contemporary Islam and Christianity, new religious movements, gender and sexuality, popular culture, and social movements.
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Those who recognize Mayor George Moscone's name may think of him as the career politician who was assassinated along with Harvey Milk, but there was much more to this influential and fascinating man's story. He was a trailblazing progressive and powerful state legislator who was instrumental in passing legislation on issues ranging from LGBT rights to funding for school lunches. Moscone's 1975 campaign for mayor was historically significant because it was the first time a major race was won by a candidate who campaigned aggressively for expanding civil rights for both African Americans and LGBT people. He won his campaign for mayor chiefly because of huge support from those two constituencies. Moscone was also a very colorful character who, in addition to being a successful politician, was a charming and charismatic bon vivant who was deeply embedded in the fabric and culture of San Francisco. He grew up the only son of a single mother in Cow Hollow when it was a working class, largely Italian American neighborhood, and he became the kind of politician who knew bartenders, playground attendants, small business owners, and neighborhood activists in every corner of the city. Moscone's life and the history of San Francisco during the middle half of the twentieth century are deeply intertwined.
Through illustrating the life of Moscone, author Lincoln A. Mitchell explores how today's San Francisco came into being. Moscone--through his work in the State Senate, victory in the very divisive 1975 mayor's race, and brief tenure as mayor--was a key figure in the city's evolution. The politics surrounding Moscone's election as mayor, governance of the city, and tragic death are still relevant issues. Moscone was a groundbreaking politician whose life was cut short, but his influence on San Francisco can still be felt today.
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Glorious Bodies: Trans Theology and Renaissance Literature (U Chicago Press, 2024) offers a prehistory of transness that recovers early modern theological resources for trans lifeworlds.
In this striking contribution to trans history, Colby Gordon challenges the prevailing assumption that trans life is a byproduct of recent medical innovation by locating a cultural imaginary of transition in the religious writing of the English Renaissance. Marking a major intervention in early modern gender studies, Glorious Bodies insists that transition happened, both socially and surgically, hundreds of years before the nineteenth-century advent of sexology.
Pairing literary texts by Shakespeare, Webster, Donne, and Milton with a broad range of primary sources, Gordon examines the religious tropes available to early modern subjects for imagining how gender could change. From George Herbert’s invaginated Jesus and Milton’s gestational Adam to the ungendered “glorious body” of the resurrection, early modern theology offers a rich conceptual reservoir of trans imagery. In uncovering early modern trans theology, Glorious Bodies mounts a critique of the broad consensus that secularism is a necessary precondition for trans life, while also combating contemporary transphobia and the right-wing Christian culture war seeking to criminalize transition. Developing a rehabilitative acco unt of theology’s value for positing trans lifeworlds, this book leverages premodern religion to imagine a postsecular transness in the present.
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In Political Voice: Protest, Democracy, and Marginalised Groups (Oxford UP, 2024), Aidan McGarry examines the agency of marginalised people, emphasizing the processes through which different communities around the world articulate their political voices. McGarry develops an innovative concept of political voice around three elements: autonomy, representation, and constitution. This conceptualization is illustrated through contemporary case studies of two persecuted and silenced groups: LGBTIQ activists in India and Roma mobilization in Europe.
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Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan.
Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez.
Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery
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In Love You Madly, Holly Woodlawn (Feral House, 2025), Jeff Copeland brings readers into Hollywood in the 1980s and shares his story of writing a book about one of the most infamous of Warhol's Superstars. A young, aspiring writer desperate for a break...and the legendary Andy Warhol superstar who gave him the story of a lifetime. By the mid-1980s, Holly Woodlawn, once lauded by George Cukor for her performance in the 1970 Warhol production and Paul Morrissey directed Trash, was washed up. Over. Kaput. She was living in a squalid Hollywood apartment with her dog and bottles of Chardonnay.
A chance meeting with starry-eyed corn-fed Missouri-born Jeff Copeland, who moved to Hollywood with dreams of 'making it' as a television writer, changed the course of BOTH of their lives forever. Love You Madly, Holly Woodlawn is a story of how an unlikely friendship with a young gay writer and an, ahem, mature trans actress and performer created the bestselling autobiography of 1991, A Low Life in High Heels. This book about writing a book is a celebration of chutzpa and love as Holly, the embodiment of Auntie Mame, introduces Jeff to the glamorous (and sometimes larcenous) world of a Warhol Superstar. In turn, Jeff uses his writing (and typing) talent to give Holly the second chance at fame she craved. In turns hilarious and heartwarming, Love You Madly, Holly Woodlawn is a portrait of the real Holly who loved deeply, laughed loudly, and left mayhem in her wake.
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Queer Childhoods: Institutional Futures of Indigeneity, Race, and Disability (NYU Press, 2024) explores how the institutional management of children's sexualities in boarding schools affected children's future social, political, and economic opportunities
Tracing the US's investment in disciplining minoritarian sexualities since the late nineteenth century, Mary Zaborskis focuses on a ubiquitous but understudied figure: the queer child. Queer Childhoods examines the lived and literary experiences of children who attended reform schools, schools for the blind, African American industrial schools, and Native American boarding schools. In mapping the institutional terrain of queer childhoods in educational settings of the late nineteenth- and twentieth-century, the book offers an original archive of children's sexual and embodied experiences.
Zaborskis argues that these boarding schools--designed to segregate racialized, criminalized, and disabled children from mainstream culture--produced new forms of childhood. These childhoods have secured American futures in which institutionalized children (and the adults they become) have not been considered full-fledged citizens or participants. By locating this queerness in state archives and institutions, Queer Childhoods exposes a queer social history entangled with genocide, eugenics, and racialized violence.
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Resistance to feminist, queer, and antiracist pedagogies can take many forms in the composition class: silence during class discussion; tepid, bland writing that fails to engage with course content; refusal to engage with feminist and queer ideas; open and direct challenges to professors’ authority. According to Wilton Wright, Rewriting Resistance to Social Justice Pedagogies (Lexington Books, 2024) argues that composition studies has not adequately addressed the complex and deeply local contexts and causes of resistance. Therefore, the author argues that resistance research must first understand the origins and purpose for a student’s resistance, interrogating the language used to name and describe students who resist. Composition instructors must then give students the tools to uncover and investigate their reasons for resistance themselves, challenging students to continually interrogate their resistances. This book utilizes feminist composition pedagogies, masculinity studies, and queer pedagogies to engage student resistance in the writing classroom.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about the negotiation that humans make between oneself, identification of place, and the attachment/s they have to those places. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social),Twitter (@ProfessorJohnst), or by email at [email protected]
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In today’s cultural and political climate of relative LGBTQ+ inclusion, Settler Tenses: Queer Time and Literatures of the American West (Texas Tech University Press, 2024) by Dr. Ryan Tan Wander provides a literary history that rewrites our understanding of when and how queerness began to align with US nationalism and settler colonialism, tracing the discursive production of masculinities in late nineteenth and early twentieth-century literatures of the American West.
Current scholarly understandings often equate turn-of-the-century representations of the US frontier with hypermasculinity and heteronormativity. Simultaneously, scholars tend to view queer inclusion—that is, the civil and political inclusion of those who make up the “-Q+” of the initialism LGBTQ+—as a phenomenon of post–Civil Rights era activism. Settler Tenses provides a deeper history of queerness in US history by showing that literature created frontier masculinities that representationally yoked a range of queer bodies and subjectivities to national identity as the US consolidated its sovereignty in the late nineteenth and early twentieth centuries.
Reframing and explaining anew the provenance and significance of the links between queerness and US nationalism and settler colonialism, Settler Tenses will appeal to an audience of advanced undergraduates as well as researchers and scholars in American literary studies, gender, queer, and sexuality studies, settler colonial studies, and critical race and ethnic studies.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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