Episodi
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In this episode of Preston's Poetry Podcast ----- I'm wasting your time with a rant about why I (usually) hate couplets. It's also another "screw you" to some 19th-century poets, which is always nice. I'll be comparing the great couplet use of Robert Frost with Robert Louis Stevenson -- "Nothing Gold Can Stay" and "The Land of Nod" (respectively, the latter I hate.) Plus a cameo appearance of one of my favorites, "Briggflatts" by Basil Bunting.
Producer Gustav Worm-Leth
Outro Yentl Tijssens
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We’ve also previously been talking about this dynamic interchange – what Hopkins calls counterpoint — between Form and Function, how truly great poems take on a form not because the form is important in itself but because the structure of the poem somehow reflects the subject matter. So, what about free verse? Today’s poem is a good example about how free verse itself can serve a function. Join me for "Small Kindnesses" by Danusha Lameris!
Used with consent from the author.
Production Gustav Worm-Leth
Outro Yentl Tijssens
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Episodi mancanti?
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CONTENT WARNING: Abortion
Today I'll be addressing a heavy but beautiful poem by Gwendolyn Brooks, "the mother." Some say it's a pro-, some say it's an anti-abortion poem. It's actually neither -- rather, it's a good example of what the role of the poet is in the middle of controversy, hatred, judgment, peril, and political divide.
Used/Reprinted by Consent of Brooks Permissions
Producer Gustav Worm-Leth
Outro Yentl Tijssens
Hosted on Acast. See acast.com/privacy for more information.
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In this episode, I will have the immense pleasure of introducing you to one of my all-time favorite poets, Gwendolyn Brooks. We'll be talking about "THE CANON" and how we can look to poets like Gwendolyn Brooks to know where the limits of our reverence for tradition should lie -- with a really cool, short, jazzy poem, "We Real Cool."
Used/Reprinted By Consent of Brooks Permissions.
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Outro Yentl Tijssens
Producer Gustav Worm-Leth
Hosted on Acast. See acast.com/privacy for more information.
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I'll be rapid-firing haiku! We'll talk about the history of Haiku (Hoku + Haikai) and how to read them! If you wanna check out more on Haiku, check out this great youtube video by Kent Morita and Takahiro Dunn.
Guest starring: a teacher in Ibaraki Prefecture in Japan!
Production Gustav Leth
Outro Yentl Tijssens
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In this two-part miniseries about two poets' takes on Pieter Bruegel's The Fall of Icarus (c. 1560), I'll be looking at William Carlos Williams' sober take in his Landscape with the Fall of Icarus.
Intro: Johnny Loves Me
Production Gustav Worm-Leth
Outro Yentl Tijssens
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In this two-part mini-series on Ekphrastic poems, we'll be looking at the first of two poets to write ekphrastic poems about Pieter Bruegel's The Fall of Icarus (c. 1560), starting with WH Auden's Musee des Beaux Arts.
Producer: Gustav Worm-Leth
Outro: Yentl Tijssens
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We've got a very special episode today by living poet Dr. Donald Platt (Purdue Univ.). We'll be discussing Ekphrastic poems, which are poems written about a work of art. Today's poem, called Cloud Study after John Constable's 1820s Study of Clouds, will be read by the poet himself!
You can purchase Platt's Swansdown from the publisher, Grid Books here!
Audio and Poem used by Author's permission.
Production Gustav Worm-Leth
Outro Yentl Tijssens
Hosted on Acast. See acast.com/privacy for more information.
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In this episode, I'll be revisiting my grand idea that poetic form follows function. We'll be looking at Edwin Arlington Robinson's great loser, Miniver Cheevy, to address how he uses a system of sound in poetry called prosody to make his point. By the end of this episode, you should have a clearer idea of how I think the form of a poem out to match the content, even enhance it!
NOTE: This episode was recorded on different equipment than usual. Let me know if you love it or hate it.
Production Gustav Worm-Leth
Outro Yentl Tijssens
Hosted on Acast. See acast.com/privacy for more information.
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We'll be looking at a poem I revisit often. It has stuck with me through the years, and still to this day delivers. I quote it all the time. It's a poem that will enrich your life -- but poetically speaking, it's a good introduction to poetic form(s) because many of Hopkins' works have a kind of congruence and synchronicity between the content and the form. It's My Own Heart Let Me More Have Pity On.
NOTE: This episode was recorded on different equipment than usual. Let me know if you love it or hate it.
Production Gustav Worm-Leth
Outro Yentl Tijssens
Hosted on Acast. See acast.com/privacy for more information.
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What is so special about the work of the American poet and luminary Walt Whitman (1819 - 1892), also known as 'The National Poet of the United States'? And how does his literature provide an answer to complex issues? In this special live edition of Preston's Poetry Podcast, poet and writer Preston Losack (originating from Dallas, Texas) welcomes poet Tsead Bruinja, and together they dive into the world of poetry while exploring his monumental work, Leaves of Grass. Tsead and Preston will read excerpts from this timeless masterpiece, share their insights, and discuss Tsead's experience translating America's Bard. Immerse yourself in a sensory journey that is just as captivating, sensual, and inspiring today as it was in 1855.
Grasbladen vertaald door 21 dichters (Querido, 2005)
Sponsored by: Explore the North, Leeuwarden UNESCO City of Literature, Culturele Apotheek
Featuring (former) Dichter des Vaderlands (2019-2020), Tsead Bruinja
Outro composed: Yentl Tijssens
Producer: Gustav Worm-Leth
And Nicole.
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In this episode following the one on Wordsworth, I'll be looking at a not-favorite of mine, The Good Great Man by the giant Samuel Taylor Coleridge. I'll be talking about things I do not like about the poem, as well as some other features of Romantic ideas... ...to demystify them, I guess.
Production Gustav Worm-Leth
Outro Yentl Tijssens
Hosted on Acast. See acast.com/privacy for more information.
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In this episode, I'll be introducing you to what the Romanticism movement was through the Romantic poet of the English language, William Wordsworth, and his 'Daffodils' poem. We'll be talking about his famous definition of poetry, which lasts to this day. Like it or hate it (and if you're here, you probably aren't a big fan), Romanticism still forms the way we think today. Romantic poems are often where the stigma and stereotypes around poetry come from, so we'll be discussing some main ideas and conventions of the movement to put those scary romantics in context!
Outro composed by Yentl Tijssens
Produced by Gustav Leth
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Happy Halloween from PPP with a very spooky reading of Edgar Allan Poe's "The Raven" and guest intro from YouTube horror channel The Ghost of 94! I'll be talking about the way that pairing it with Tell-tale Heart often causes us to misinterpret the poem. Listen ... if you dare!
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As a follow-up to last episode on Aubades with John Donne, I'll be featuring a modern Aubade, "aubade beginning in handcuffs", to show how contemporary poets like torrin a. greathouse press the Aubade form to be even steamier -- and yet much more tender and vulnerable -- than Donne's.
Visit torrin a greathouse's website or buy their latest collection, Wound from the Mouth of a Wound (Milkweed, 2020)
Content warning: Artistic use of homophobic pejoratives; sexual subject matter.
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I'll be introducing you to a specific kind of poem that not many people know about: the (steamy) Aubade. We'll be close reading 16th-century Metaphysical Poet John Donne's frustrated ranting at the sun, "The Sun Rising" to find out Donne's ideas of What's more important than science?
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After finishing the original nine-episode curriculum, I'll be diving into Romantic Poet Percy Shelley's "Ozymandias," asking the question, What is art for? or Why are the arts important? I'll be sharing why I think "Ozymandias" is primarily about the longevity and importance of the arts over and against other interpretations -- with a cameo from President John F. Kennedy.
Produced by Gustav W Leth
Outro composed by Yentl Tijssens
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At the conclusion of the first few 'Introduction to Poetry' episodes, I'll be doubting almost everything I've taught you. You'll see what I mean when we take a look at Lewis Carroll's "Jabberwocky".
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We started talking about Free Verse in last episode, but we'll be looking at another one. This time, a short narrative poem, "In the Desert" by Red Badge of Courage author Stephen Crane. We'll be talking about the bridge between poetry and prose, as well as how much we like ourselves.
Produced by Gustav Worm Leth
Outro composed Yentl Tijssens
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Finally, Walt Whitman lands on this show. The opposite of Emily Dickinson, Walt Whitman has much to teach us about trying to 'understand' poems and look for symbols. We'll be screaming his "To A Locomotive in Winter" from the rooftops to learn all about it.
Also, here's a link to Joy Harjo's Poet Warrior audiobook read by the poet herself.
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