Episodi
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Blythe Gaissert was last with us in 2017 in our Detour production of Laura Kaminsky's As One, and returns now as Hansel in Hansel and Gretel. In this interview with Nic Reveles, she tells us about the physicality necessary to play this very active role, as well as the vocal resources necessary to carry over Humperdinck's large, Wagnerian style orchestra! Enjoy this fun interview with this delightful artist!
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The delightful Sara Gartland is back with us as Gretel in Hansel and Gretel, after having performed the role of Musetta for us in La boheme (2015). She's really thought a lot about Gretel and what makes her tick in this operatic version of the Grimm Brothers' fairy tale. Listen in as our Nic Reveles interviews her about this charming production and the challenges of the score by composer Englebert Humperdinck!
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Episodi mancanti?
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We've done Humperdinck's wonderful opera Hansel and Gretel a number of times in our history of productions here at San Diego Opera, but we've never had a tenor play the role of the Witch! We're welcoming back tenor Joel Sorensen, who's been with the company a number of times since 1999 (Carlisle Floyd's Of Mice and Men). On top of singing the role, something of a challenge simply from the standpoint of musicality and vocalism, Joel has to manipulate a life-sized puppet as a costume, something that makes this a very special opportunity for him as a singing actor. Listen in as Nic Reveles interviews him about this challenging role!
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It’s always great to welcome back friends who’ve sung with us before, and that’s certainly true of tenor Carl Tanner. Last with us as Calaf in Puccini’s Turandot, he now sings the role of Radames in Verdi’s Aida, a role with few parallels in the ‘big’ tenor repertoire! He reflects on his first-ever Radames which he sung with Mobile Opera in Alabama, a production story that includes an elephant, a horse and a python…not an especially good combination! Enjoy!
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Check out our latest SDO Podcast as Nic Reveles interviews our Amneris in Verdi’s Aida, Russian mezzo-soprano Olesya Petrova. Born in St. Petersburg, her love for her native city is palpable as she talks about the artistic atmosphere that surrounded her during her vocal studies. She has some wonderfully insightful things to say about the character of Amneris, one of the most challenging roles in the Verdi repertoire for mezzo. Enjoy!
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The wonderful young stage director Kyle Lang brought us terrific productions of The Pirates of Penzance and As One in the last couple of seasons. He's back for Carmen, and that's truly something to be excited about! Listen in as he tells us all about his approach to this classic opera and how each of the principal characters fit in the tragic story. Enjoy!
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Tenor Robert Watson, our Don Jose in Carmen opening this week, has a lot to say about this character. Jose has one of the most interesting character arcs in all opera, moving from lyrical naif to obsessive lover with all of the musical changes that arc demands. The young singer talks about his beginnings as well, hailing from Kansas City (like colleague co-star Scott Conner, our Escamillo) and coming up through the ranks in the German fest system. Enjoy!
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Soprano Sarah Tucker sings the role of Micaela in our production of Bizet's Carmen, a role that fits her very well. Micaela is, of course, Don Jose's childhood friend who has come to Seville to bring memories of home and the love of his mother who awaits him in their village. The character as written is rather straightforward, but Sarah talks about how she will come across as somewhat more complex in this production, and how that complexity comes from Bizet's wonderful score. Enjoy.
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Bass Scott Conner sings the role of Escamillo in our production of Carmen by Georges Bizet. Listening to this voice...even his speaking voice...you'll want to hear him let loose in the Civic Theatre with the wonderful Toreador Song, an entrance aria like no other! Scott hails from Kansas City and in this interview he talks about his background, his studies and the roles that he's portraying all over the world. On top of it, he's a delightful guy! Enjoy.
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Mezzo-soprano Ginger Costa-Jackson obviously loves the opera Carmen, and has some definite viewpoints when it comes to the main character she portrays. It all boils down to being fully present, completely focused when playing this volatile character, she says. In this delightful interview she digs a little deeper for us and gives the audience a preview of what her Carmen will be! Enjoy.
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Conductor Adam Turner recently became the Artistic Director and Conductor for Virginia Opera, making him one of the youngest AD's in the American opera world. This is his third time at the helm for Jake Heggie's Three Decembers, and in this interview he reflects on the piece, on chamber opera generally, and on his career. Enjoy this fifth and final interview of the principals in this production!
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Director Karen Tiller has directed Three Decembers three times now, and obviously loves this opera by Jake Heggie. In this interview she talks about her love for the piece as well as for her deep appreciation for its connection between drama, text and music. At the heart of the matter, she says, the message of this opera is that "life is messy", a direct quote from the libretto. Spend a few minutes with this artist and you'll see why we're so excited to present this opera, opening March 8th!
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Soprano Kristin Clayton has had quite an eclectic career so far...singing roles like Mimi and Violetta, plus singing new roles and including working with a circus! She originated the role of Beatrice in Heggie's Three Decembers, and has an affinity for this wonderful character who is searching for memories of her father, being protective of her brother Charlie and dealing with the sometimes present, sometimes absent mother, Maddy. Join us for this fun conversation with a San Diego Opera debut artist!
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Baritone Steven LaBrie sings the role of Charlie in Jake Heggie's opera Three Decembers. Charlie is the gay son of Madeline Mitchell (mezzo-soprano Frederica von Stade) and brother of Bea (soprano Kristin Clayton) in this intimate family drama. Steven hails from Dallas and has a charming story about his attraction to opera and, eventually, to singing as a career, in this lively interview in which he talks about his career and this wonderful chamber opera. Enjoy!
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We already know what a delightful person and great artist Frederica von Stade is. We're welcoming her back to San Diego Opera in the role of Madeline Mitchell, the central character in Jake Heggie's Three Decembers. In this interview she talks about the opera and her role in it, with an additional few words about opera composer Dominick Argento who passed away just a few days before this interview (aged 91) and composed some lovely music for this singer. A wonderful few minutes with a charming lady! Enjoy!
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Maestro Steven White is making his debut with San Diego Opera in this production of Rigoletto. (He also happens to be married to soprano Elizabeth Futral who has been with us on several occasions in the past, most notably as Violetta in our 2010 La traviata.) Steven is in love with this Verdi masterwork and has a lot of wonderful things to say about its musical structure in scintillating conversation with Nic Reveles. In fact, they both seem to enjoy "geeking out" over Verdi! Have fun with this dive into the deep end of one of Verdi's greatest works.
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This is Canadian stage director Michael Cavanagh's debut with San Diego Opera and he's made quite an impression on the cast and crew working on Rigoletto with his positivity, collegiality and generous support of everyone involved in this important project! Listen in to this conversation with Nic Reveles as he gives us his point of view on Verdi's masterpiece and an inside look at what opera stage directors do. Enjoy!
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Get ready for a delightful conversation with tenor, Scott Quinn, singing the role of the Duke of Mantua in San Diego Opera's production of Verdi's Rigoletto. Scott is singing the role of a narcissistic, entitled nobleman who uses women for his own pleasure and has utterly no empathy for them. Yet, Verdi gives this character some of the most beautiful and voluptuous music in the opera! Scott discusses that, as well as his past journey into the opera world and a comment or two about how tenors successfully achieve those high notes! Enjoy!
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Soprano Alisa Jordheim is a wonderful young singer making her role debut as well as her company debut with us as Gilda in Rigoletto. In this conversation with Dr. Nic she talks about being a grad student and finding herself in a production of the same opera with Stephen Powell (singing Rigoletto in our production), as well as the challenges of the role. In a fascinating detour, she talks about the importance of breath and where a good singer's breath must emanate from. Listen in and enjoy!
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Baritone Stephen Powell is one of our favorite singers here at San Diego Opera, having sung ten productions with us over the years. He's bringing us his very special take on one of the strangest yet most powerful characters in all opera, and a favorite of the composer himself: Rigoletto. It's a role that demands absolutely everything: technique, musicality, a strong voice and physicality. In this conversation with Nic Reveles the singer shares his ideas about this role as well as some of the other Verdi roles that he has sung (and would like to sing!) Enjoy!
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