Episodi
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If you've ever delved into flamenco guitar technique and rhythm, you'll know that mastering the compás of rumba is a cornerstone skill. Yet, no matter how you approach it, you may have encountered a common challenge: the rhythmic patterns can feel repetitive and lackluster, leaving you yearning for more dynamism and flair in your playing.
But don’t worry. I’ve got a solution for you that will infuse your playing with newfound beauty and depth!
In my latest video tutorial, I've taken the timeless allure of rumba rhythms and combined them with the captivating simplicity of the Emadd9 chord, along with some other exciting chord variations. The result? A harmonious blend that is both elegant and soul-stirring.
Just as in our previous lessons, I'll guide you through four distinct rumba rhythmic patterns, each imbued with its own charm and character. With these patterns at your fingertips, you'll be able to effortlessly elevate your guitar playing to new heights of expression and creativity.
So, join me as we explore the captivating synergy between rhythmic intricacy and harmonic richness. Your guitar awaits the magic of Emadd9 and beyond!
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If you've ever tried to play the rumba on the flamenco guitar, you've probably realized that no matter how you choose to play the rhythm, there's a particular pattern that repeats itself every bar. Through your own experience, you may have found that your playing sounds dry and repetitive, which can be quite frustrating. No matter how well you play the rhythm, it just lacks variation and excitement! So, what are you supposed to do? How can you spice up your sound?
Well, here's the secret sauce...
You see, there is a certain order and structure to each specific rhythm technique, unique to each rumba strumming pattern. The key to avoiding repetition is to learn multiple rumba rhythmic patterns and master them so well that you can effortlessly switch between them at a moment's notice.
In this video tutorial, I'll show you four different rumba rhythmic patterns that you can seamlessly integrate into "Entre dos Aguas," by Paco de Lucia. Enjoy the rhythmic journey!
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Episodi mancanti?
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The rumba is a delightful rhythm to explore when initially learning flamenco guitar. As you may have already noticed, there are various variations of the rumba, including different strumming patterns. Honestly, it can be a bit overwhelming to decipher all the variations and intricate techniques involved in this particular flamenco compás.
...However, there's no need to worry—I've got you covered. In this video lesson on the rumba, I will guide you through breaking down this specific strumming pattern, taking it one movement at a time. Once we piece it all together, you'll have a beautiful rumba rhythm to play, enjoy, and share with others!
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________Welcome to "Flamenco Guitar Podcast," a show dedicated to the passionate world of flamenco guitar. In this episode, we take a little dive into the intricate artistry of the palo of soleares. Join me as we unveil a fun and colorful falseta.
Whether you're a beginner or an experienced guitarist, this episode promises to unlock the seemingly secret techniques of the flamenco guitar, while enhancing your flamenco guitar skills. Get ready to immerse yourself in the passionate world of flamenco guitar!
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I’m joined today by Mario Febres and Annie D’Orazio with the National Institute of Flamenco. Annie and Mario are here sharing important information about the Festival Flamenco Albuquerque in New Mexico, taking place June 9-17, 2023. It’s sure to be an event unlike any other in the U.S., with outstanding performances from top-level flamenco artists direct from Spain, as well as several opportunities to attend workshops.
For more information, and to purchase tickets, please visit https://ffiabq.org
To learn more about the National Institute of Flamenco, please visit: https://www.nifnm.org/
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👉🎸TABs 🎼 for this lesson: https://www.Patreon.com/Flamenco4U
👉FREE Flamenco Guitar MiniCourse: https://LearnTheFlamencoguitar.comOne strumming hand. Five fingers. So many possibilities for rasgueos, right? Here, in this tutorial, I will present to you 12 rasgueos that I think you should be familiar with. In fact, if these were the only rasgueos you ever learned, you would be more than well-equipped to tackle any palo, and any compás, like a pro!
Now a quick note: you might notice that the three-fingered rasgueo (a, m, i) is not included in this index, well…don’t worry, nor fret (pun intended); I cover that very common rasgueo briefly while reviewing rasgueado #1 😉.
You may also notice that I use the palo of Verdiales quite a bit to demonstrate the rasgueado patterns; this is because Verdiales tends to be a good for demonstrating the uniqueness of each rasgueado pattern. Enjoy!
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This is the first video tutorial in a series titled, "Fretboard Familiarity." In this tutorial, I will show you the chromatic scale; it's called that because fretting finger follows a chromatic path (i.e., C, C#, D, D#, E, F,F#,etc.). After completing this exercise, your fingers become more accustomed to the distance of the frets on the guitar--particularly when you adjust that distance by putting on a cejilla (capo). ...This exercise will also help your left hand endurance, left-hand finger agility, and right hand coordination between your index (i) and middle (m) fingers while alternating.
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Although most flamenco palos originated from the Southern portion of Spain in Andalusia, there are some exceptions. The palo (flamenco style) of Farruca is from in the northern region of Spain in Asturias, and was adapted into the flamenco repertoire by flamenco artists.
The Farruca can be a solo piece for the guitar, and can also be played for cante (singing) and baile (dancing).
In this progressive study for the flamenco guitar, you will learn how to play the basic rhythm of the Farruca, along with some beautiful falsetas (riffs/licks).I don't think I need to say that I hope you will enjoy this piece, because I know you'll love it.
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In this lesson for the flamenco guitar, I will show you how to play two very energetic falsetas for the compás of rumba! I will warn you, it’s going to be a gople frenzy!
…What does that mean? Well, in the flamenco guitar style, there is a technique called “golpe,” where the player taps on the golpeador (tapping plate), which is affixed to the face of the guitar body in order to protect the wood finish.
One of the things you will learn in this lesson is how to do a golpe with you anular (ring) finger and the medio (middle) finger. Each one of those types of golpe is executed in different eras of the golpeador.
Aside from glolpes, there is much more that you will learn in this flamenco guitar tutorial. So grab your guitar, take notes, and let’s start playing!
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FREE Flamenco Guitar MiniCourse: https://www.LearnTheFlamencoguitar.comYou’ve probably heard this iconic falseta (flamenco riff) for the malagueña before; in fact, you may already know some iteration of it. It seems like—at least in my experience—that when someone is asked to play something “Spanish-sounding” on the guitar, this is the go-to falseta for the average player (and that’s perfectly fine!).
…But, I want more for you! I want you to really get the essence of this particular falseta by learning the basic resting thumb pattern well, so that I can show you how to add some arpeggios and even a tremolo to this falseta.
In this lesson guide, you will be introduced to five variations of the falseta, which will increase in difficulty as you progress through each level. After learning these variations, you will not only enjoy how they sound, but other’s will too; so that the next time someone asks you to play some “flamenco guitar,” you’ll really be able to catch their ear, and hopefully also catch…el duende! ¡Olé!
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________I've made a lot of different videos on the Rumba over the years. The most popular video by far has been the very first video tutorial I ever made, which was titled, "How to Play Rumba on the Flamenco Guitar."
Since then, I've wanted to go a bit more in-depth on the mechanics involved for the right hand. I also wanted to give you, the student, more visual aids to go along with the lesson.
I hope this revised lesson on how to play the rumba is helpful in explaining the fundamental movements of this particular compás. Enoy!
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¡Hola! Peteneras is a palo in the flamenco repertoires that is a bit melancholy--to put it mildly; and in this in-depth lesson, you will not only be learning Peteneras, but you will also learn the centuries-old Spanish folkloric song, "El Vito," which I have arranged together for you to enjoy.
So grab you guitar and a cup of coffee, and let's get to it! ¡Vamanos!
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When flamenco guitar students hear about the compás of Bulerías, they are usually told that this is the “hardest” of all the palos, but is this really the case? Is Bulerías the hardest palo in the flamenco repertoire? Well, if you ask me, I’d say that, “it depends.”
Sure, the time signature of Bulerías (12/8) might seem strange at first, but if you listen to Bulerías consistently enough, and stick with it (especially by watching my videos and practicing along), you’ll see that it is no more difficult that learning how to strum your guitar in 3/4 time; it’s just all about the accents—mainly, where you place them.
So, watch this video to find out where those accents are placed. Enjoy, and thank you for watching!
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You may have heard the beautiful guitar intro for the 2000 hit song performed by Toni Braxton, “Spanish Guitar.” This solo was performed by renowned studio guitarist, Dean Parks. Although Parks played this solo with a pick, I am going to show you how to play it with your fingers while using common flamenco guitar techniques, such as arpegio, picado, ligado, and rasgueados.
You won’t want to miss with tutorials for the flamenco guitar. If you’ve ever been asked to play something “Spanish” on the guitar, then this solo is just what you’ve been looking for, because not only will I teach you one…but TWO flamenco rasgueados or “rasgueos,” or AKA: "rajeos." Enjoy!
_______________________________________________🎸GET TABS + BACKING TRACKS:
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#Flamenco4U #SpanishGuitar #ToniBraxton
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☎️Book a FREE Call w/ Me: https://bit.ly/2VgD0Df
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🔥My Flamenco Arpeggios Mini-Course: https://www.LearnTheFlamencoguitar.com This lesson is set to be an exciting one…and an interesting one too! What you will learn in this lesson is how to play the Andalusian cadence in the compás of rumba anywhere on the guitar neck!
In this four-part lesson series, I will show you how to play barre chords within the Andalusian cadence chord progression even when you think you may have run out of frets! This is a valuable skill to have as a flamenco guitarist, especially when you encounter occasions when you are jamming with another musician who is playing in an unconventional key—at least from from a guitarist’s perspective. Watch the videos tutorial and you’ll understand exactly what I mean. Enjoy!
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Would you like me to show you how to get faster picado technique on the flamenco guitar? …Particularly in the fast picado section of “Entre Dos Aguas”? After completing this lesson, you’ll see the exact method I use to achieve faster picado on the flamenco guitar.
The late, great, Paco de Lucía’s “Entre Dos Aguas” demonstrates his incredibly fast picado abilities. Most of us flamenco guitarists only dream of matching his picado, apoyado, and legado speed and precision, but that shouldn’t discourage us from striving to achieve fast picado skills like Paco.
In this lesson you’ll learn a modified approach to Paco de Lucia’s rapid picado falseta, which with practice, you’ll be able to play at 210BPM—the same tempo as the original recording of this Spanish guitar rumba classic!
ENTRE DOS AGUAS LESSON SERIES:
Lesson #1: https://youtu.be/hzGOEmsPqso
Lesson #2: https://youtu.be/DAkAkP8WBdk
Lesson #3: https://youtu.be/6N0m7lrI2fE
Lesson #4: https://youtu.be/LBjfckg1IY4
Lesson #5: https://youtu.be/fQDKGNqdwmk
Lesson #6: https://youtu.be/_YwYIM2fY_s
GET TABS + BACKING TRACKS:
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https://youtu.be/_YwYIM2fY_s#EntreDosAguas #PacodeLucía #Flamenco4U #Flamencoguitar
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I’m very excited to share with you this mega-ultra-awesome flamenco/Spanish guitar scale in E minor, which is so intense that it will give you HULK HANDS after you’ve mastered it!
What’s this scale called? Well, I call it the “Escala de Gerardo” (Gerardo’s Scale), because I always heard that it was written by Gerardo Núñez; it may or may not have been written by him, but I think it sounds like his style.
Anyhow, follow this lesson along closely. Watch it as many times as you need in order to get this scale in your flamenco guitar toolbox PRONTO!
Once you’ve gotten to the point where you can do this exercise at 120 beats per minute, you’ll be a bonafide flamenco guitar beast!
…And you will have learned your way through the Aeolian scale like a pro!
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In this lesson, I want to show you a very popular falseta for the compás of Soleares; it’s a rather basic falseta—that is, “basic” to the extent that its a falseta that most flamenco guitar players learn when they are first learning Soleares; it’s also basic in the sense that its a bit of a stock falseta, but the truth about this falseta is that it is a very good exercise for the thumb—including rapid movement and alzapua.
…But, we are we are going to attempt to make this falseta sound less basic by adding some nuances like rasqueado just before the first beat. We’ll also ad a accented golpe on the 3rd and 6th beast to really emphasize the rhythm. Enjoy!
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🎸TABs 🎼 for this lesson: https://www.Patreon.com/Flamenco4U
FREE Flamenco Guitar MiniCourse: https://www.LearnTheFlamencoguitar.comHave you ever wanted to learn a beautiful-sounding falseta (riff) on the guitar that has that signature Spanish or Flamenco sound? Well, in this lesson I’ll show you how to play a falseta in A minor that you’ll not only enjoy playing, but will have others captivated as they listen to you!
I like to play use this falseta at the beginning of a rumba in A minor, but practically speaking, you can use this falseta for any palo (song form) in the flamenco repertoire, just so long as it’s in the key of A minor.
If you have a friend playing along with you, then this falseta will sound even more amazing if he or she is playing a series of repeating rasgueados in Am, G, F7, and E(b9) while you play the solo. Enjoy!
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My Flamenco Arpeggios Mini-Course: https://www.LearnTheFlamencoguitar.comIn this fourth lesson on how to play the “Danza Mora,” you’ll get the chance to use your octave skills again, and you’ll learn a beautiful arabesque legado falseta.
Get ready, because there will be many adventurous slides up and down the neck on this one!
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