Episodi

  • TRC Book Club - The Documentarian

    TRC Book Club - The Documentarian

    · The Rough Cut
    The Documentarian - Roger Nygard, ACE

    Roger Nygard's The Documentarian is the ultimate go-to source for making and selling documentaries, answering every question and containing crucial strategies every filmmaker needs to know to succeed as a documentarian. Included are insights from experts and award-winning documentary filmmakers such as Davis Guggenheim (An Inconvenient Truth), Liz Garbus (Ghosts of Abu Ghraib), Rachel Grady (Jesus Camp), Freida Lee Mock (Maya Lin: A Strong Clear Vision), Errol Morris (The Fog of War), Sam Pollard (4 Little Girls), Michael Tollin (The Last Dance), Frederick Wiseman (Titicut Follies), Marina Zenovich (Robin Williams: Come Inside My Mind).

    The book includes a case study profiling the making and selling of the documentary Trekkies; what it took to push it to a record-setting sale to a major studio, with a huge payout to the filmmakers. This book is inspirational and leaves people—after reading a chapter or finishing the book—feeling more inspired to go forth with their own struggle.

    Roger Nygard, ACE

    Roger Nygard has balanced humor and seriousness in his documentaries Trekkies, The Nature of Existence, The Truth About Marriage, and The Comedy Store. Nygard has also directed TV series The Office and The Bernie Mac Show, and edited Emmy-nominated episodes of VEEP and Curb Your Enthusiasm. Roger wrote a book about editing comedy called Cut to the Monkey. He didn't learn his lesson, so he did it again; his new book is called The Documentarian. Despite reports to the contrary, Roger has never been indicted OR convicted. It's important to have goals.

    Writing The Documentarian

    In our discussion with The Documentarian editor and author Roger Nygard, ACE we talk about:

    The biggest mistake new doc makers make It's not a pitch, it's a project Working backwards to move forward The intrinsic link between the interview and the edit Editorial shortcuts through the material minefield The Credits

    Visit Extreme Music for all your production audio needs

    Get your own copy of The Documentarian

    Listen to Roger talk about his work on Curb Your Enthusiasm and his other book Cut to the Monkey

    See the latest new features in Avid Media Composer

    Subscribe to The Rough Cut podcast and never miss an episode

    Visit The Rough Cut on YouTube

  • TRC Book Club - Art of the Cut: Vol II

    TRC Book Club - Art of the Cut: Vol II

    · The Rough Cut
    Editor and Author - Steve Hullfish, ACE

    This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years).

    Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood.

    There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers.

    The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.

    Steve Hullfish, ACE

    Steve has been editing professionally since 1984. He has edited theatrical feature films, (including Courageous, War Room, and Overcomer), TV series (including The Oprah Winfrey Show), and documentaries. He is the author of six other books on editing and post-production. He has taught editing to students and professionals all over the world, and his books have been translated into numerous languages. His work has also been published in post-production trade journals worldwide.

    Writing Art of the Cut: Vol II

    In our discussion with editor and author Steve Hullfish, ACE we talk about:

    Getting off the sidelines and into the editing game Turning three million words into one big book An editor getting notes from a hundred other editors The changing dynamic between assistant and editor How Avid can really save you money The Credits

    Visit Extreme Music for all your production audio needs

    Get your own copy of Art of The Cut Vol II

    See the latest new features in Avid Media Composer

    Subscribe to The Rough Cut podcast and never miss an episode

    Visit The Rough Cut on YouTube

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  • Alien: Romulus

    Alien: Romulus

    · The Rough Cut
    Jake Roberts ACE, Will Files, Polly McKinnon and Lee Gilmore

    Although the ALIEN: ROMULUS postproduction team of Jake Roberts ACE, Will Files, Polly McKinnon and Lee Gilmore came into this project with a wealth of knowledge and experience amongst them, they still learned a thing or two from director Fede Álvarez, including Fede's not-so-secret formula for jump scares, as well as the notion that clear dialogue isn't always as important as gripping action. Plus, they reveal the hidden intent of Álvarez to split ALIEN and ALIENS into the two sides of the REMUS/ROMULUS space station.

    ALIEN: ROMULUS is the ninth installment in the Alien franchise, set between the events of ALIEN (1979) and ALIENS (1986). The film follows a group of downtrodden young space colonists in pursuit of better life conditions. During the course of their escape from endless servitude on a mining colony, they encounter hostile creatures while scavenging a derelict space station.

    JAKE ROBERTS, ACE

    After his work on CITADEL (2012), STARRED UP (2013), THE RIOT CLUB (2014) and BROOKLYN (2015), Roberts earned an Oscar nomination for Best Film Editing for his work on HELL OR HIGH WATER (2016) starring Chris Pine. The movie also garnered him a nomination for an Independent Spirit Award. Roberts then cut OUTLAW KING (2018) for Netflix directed by David Mackenzie. He then began collaborating with director Alex Garland, editing his 2020 miniseries DEVS as well as his film, MEN (2022). Prior to ALIEN: ROMULUS, Jake cut Garland's CIVIL WAR (2024).

    WILL FILES

    Will Files is known for his work on THE INVISIBLE MAN (2020), VENOM (2018), WAR FOR THE PLANET OF THE APES (2017), STAR WARS: EPISODE VII – THE FORCE AWAKENS (2017) and CLOVERFIELD (2008).

    POLLY McKINNON

    Polly McKinnon is known for DISTRICT 9 (2009), FORD V FERRARI (2019) and INDIANA JONES AND THE DIAL OF DESTINY (2023). In 2019 she won a Golden Reel Award for her sound editing on EXTINCTION (2018).

    LEE GILMORE

    Lee Gilmore is known for BLADE RUNNER 2049 (2017), DUNE (2021) and THE BATMAN (2022). Gilmore also won an Emmy for his work on the feature film, PREY (2022).

    Editing Alien: Romulus

    In our discussion with the Alien: Romulus postproduction team, we talk about:

    Bringing the noise to the set Clubbing with Fincher Going "Holm" again The sweet sound of saturated seventies screams Fede's formula for jump scares The Credits

    Visit ExtremeMusic for all your production audio needs

    Listen to Jake talk about his work on CIVIL WAR

    Hear Will discuss the psychology of SOUND DESIGN and how he employed it on GHOSTBUSTERS: AFTERLIFE and THE BATMAN

    See what's new with Avid Media Composer

    Subscribe to The Rough Cut for more great interviews with the heroes of the editing room

    Explore The Rough Cut on YouTube

  • Furiosa

    Furiosa

    · The Rough Cut
    Editor - Eliot Knapman

    FURIOSA editor Eliot Knapman is no stranger to the post-apocalyptic postproduction of a Mad Max movie, having previously worked as ACE editor Margaret "Margie" Sixel's second assistant on MAD MAX: FURY ROAD. For director George Miller's latest film in the franchise, not only was Eliot tapped to be co-editor with Sixel, but was there on set with Miller throughout production doing the first assembly under what had to be fun, but arduous, conditions.

    FURIOSA is the fifth installment in Miller's Mad Max franchise, and the first not focused on series protagonist Max Rockatansky, instead acting as both a spin-off prequel to MAD MAX: FURY ROAD (2015) and an origin story for the Fury Road character Furiosa, portrayed by both Anya Taylor-Joy and Alyla Browne in the prequel. Set 15 to 20 years before the events of Fury Road, the film follows the title character's life for over a decade, from her kidnapping by the forces of warlord Dementus (Chris Hemsworth) to her ascension to the rank of Imperator.

    Eliot Knapman Prior to moving up to the editor's chair on FURIOSA, Eliot worked as a first assistant on such films as THREE THOUSAND YEARS OF LONGING (2022) and THE LEGO BATMAN MOVIE (2017), and as a second assistant on films like MAD MAX: FURY ROAD (2015) and THE GREAT GATSBY (2013). Editing FURIOSA: A MAD MAX SAGA

    In our discussion with FURIOSA editor Eliot Knapman, we talk about:

    Origin stories on screen and in the cutting room Q-Taking it all in Digging through the ToyBox to build the War Rig Keeping your protagonist active Having fun with frame rates The Credits

    Visit Extreme Music for all your production audio needs

    See the latest new features in Avid Media Composer

    Subscribe to The Rough Cut podcast and never miss an episode

    Visit The Rough Cut on YouTube

  • Deadpool & Wolverine

    Deadpool & Wolverine

    · The Rough Cut
    Editors Dean Zimmerman ACE and Shane Reid

    DEADPOOL & WOLVERINE editors, Dean Zimmerman ACE and Shane Reid are the "buddies" in the cutting room of what is shaping up to be the biggest, R-rated buddy movie of all time. Zimmerman joined this film with two other Shawn Levy / Ryan Reynolds films to his credit, but it would be Mrs. Pool (Blake Lively) who would be Shane Reid's connection into the "Merc With a Mouth" franchise.

    Deadpool's peaceful existence comes crashing down in DEADPOOL & WOLVERINE when the Time Variance Authority recruits him to help safeguard the multiverse. He soon unites with his would-be pal, Wolverine, to complete the mission and save his world from an existential threat.

    DEAN ZIMMERMAN, ACE

    DEADPOOL & WOLVERINE finds Dean collaborating once again with director and longtime friend, Shawn Levy. The two have been working together for over twenty years on projects like the NIGHT AT THE MUSEUM franchise and a little series called STRANGER THINGS. More recently, the two have joined forces with Ryan Reynolds for FREE GUY (2021) and THE ADAM PROJECT (2022). Zimmerman and Levy are currently working on the much-anticipated final season of STRANGER THINGS. Dean's father, Don Zimmerman, is a highly accomplished editor in his own right. (yes, I totally hacked this from the write-up on Dean I did for THE ADAM PROJECT)

    SHANE REID

    As a partner of the award-winning post house Exile Edit, Shane has been nominated for, and won, multiple awards for his work in the commercial space with top brands including Apple, Adidas, BMW, Hennessy, Audi and the Olympics. He quickly became one of the most trusted short form editors, working with such directors as Damien Chazelle, Terrence Malick, Andrew Dominik, Jason Reitman, Craig Gillespie, Blake Lively, John Hillcoat & Chloe Zhao. He has also cut multiple music videos for Taylor Swift, Paul McCartney, Florence + The Machine and Kamasi Washington.

    In 2018, Reid edited on the film A Hidden Life for director Terrence Malick. He recently cut the short film I’m on Fire for director Michael Spiccia which premiered at the 2022 Toronto and Clermont-Ferrand International Festivals, as well as Sony Pictures' GHOSTBUSTERS: FROZERN EMPIRE.

    Editing Deadpool & Wolverine

    In our discussion with DEADPOOL & WOLVERINE editors, Dean Zimmerman ACE and Shane Reid, we talk about:

    Text messages
big text messages Stranger Things taking place in the MCU Masking up for ADR Jennifer Stellema, Superhero assistant Revisiting the rewinds The Credits

    Visit ExtremeMusic for all your production audio needs

    Watch Dean and his team break down scenes from Stranger Things

    Hear Shane talk about his work on GHOSTBUSTERS: FROZEN EMPIRE

    See what's new with Avid Media Composer

    Listen to Dean discuss doing FREE GUY and THE ADAM PROJECT with Shawn Levy and Ryan Reynolds

    Subscribe to The Rough Cut for more great interviews with the heroes of the editing room

    Explore The Rough Cut on YouTube

  • Twisters

    Twisters

    · The Rough Cut
    Editor - Terilyn A. Shropshire, ACE

    TWISTERS editor Terilyn Shropshire has more than a few action movies under her belt, but those films mostly featured action in the style of man (or woman) vs. man; films like THE OLD GUARD and THE WOMAN KING. This time Teri takes on Mother Nature in a film where the visual effects are front and center in the set pieces.

    A standalone "spiritual" sequel to TWISTER (1996), TWISTERS tells the story of scientist and storm chaser, Kate Cooper. Haunted by a devastating encounter with a tornado, Kate gets lured back to the open plains by her friend, Javi, to test a groundbreaking new tracking system. She soon crosses paths with Tyler Owens, a charming but reckless social-media superstar who thrives on posting his storm-chasing adventures. As storm season intensifies, Kate, Tyler and their competing teams find themselves in a fight for their lives as multiple systems converge over central Oklahoma.

    TERILYN A. SHROPSHIRE, ACE

    Award-winning editor Terilyn A. Shropshire has risen to the pinnacle of the editing world over the course of her long career, consistently working on a broad range of films with the industry’s foremost filmmakers. Shropshire’s success spans many forms and mediums, and always accumulates accolades from both the industry and critics alike.

    Among Shropshire’s longtime collaborators is award-winning director/writer/producer Gina Prince-Bythewood, having worked with her closely since Bythewood’s classic debut, “Love & Basketball.” Shropshire most recently worked with Bythewood on “The Woman King,” for Sony’s Tristar Pictures. Among the many accolades Shropshire received for the film include an American Cinema Editors Eddie nomination for Best Edited Feature Film Drama Theatrical and winner for Outstanding Editing from the Black Reel Awards. Other collaborations with Prince-Bythewood include the influential features “The Old Guard,” “Beyond the Lights,” and “The Secret Life of Bees.”

    Shropshire’s storied career also includes a number of films with long-time collaborator, Kasi Lemmons – the classic Southern drama “Eve’s Bayou,” along with “The Caveman’s Valentine,” “Talk to Me,” and “Black Nativity.”

    In 2019, Shropshire received an American Cinema Editors Eddie nomination for her work on Part 1 of Netflix’s four-part miniseries “When They See Us,” directed by Ava DuVernay. Shropshire earned an Emmy nomination for her Lifetime Achievement Award Tribute to Sidney Poitier for the 74th Annual Academy Awards and an ACE Eddie Award for the Jamie Foxx-starring crime drama, “Redemption: The Stan Tookie Williams Story.”

    Teri serves on the Board of Governors at the Academy of Motion Picture Arts and Sciences and the Board of American Cinema Editors. Shropshire is a member of the Academy of Television Arts and Sciences and the Diversity Committee of the Motion Picture Editor’s Guild. She is the recipient of the 2021 Sundance Institute/Adobe Mentorship Award for her commitment to supporting the future’s rising stars in the craft. She earned dual Bachelor of Arts degrees in Broadcast Journalism and Cinema at the University of Southern California.

    Editing TWISTERS

    In our discussion with TWISTERS editor Terilyn Shropshire, we talk about:

    Soundtracks for stormy weather Cyclonic oners A need for editorial amnesia "Teri-nadoes" The kiss that never came The Credits

    Visit Extreme Music for all your production audio needs

    Hear Teri talk about his work on THE OLD GUARD and THE WOMAN KING

    See the latest new features in Avid Media Composer

    Subscribe to The Rough Cut podcast and never miss an episode

    Visit The Rough Cut on YouTube

  • Clipped

    Clipped

    · The Rough Cut
    Editors - Susy Benaim and Todd Downing, ACE

    CLIPPED editors Susy Benaim and Todd Downing are no strangers to telling true stories about real-life characters, compelling and complicated real-life characters. Those storytelling skills were put to the test for CLIPPED, a sordid soap opera about the day of reckoning for one of the NBA's most notorious owners.

    Created by showrunner Gina Welch and based on the ESPN 30 for 30 podcast The Sterling Affairs, CLIPPED focuses on the downfall of Los Angeles Clippers owner Donald Sterling (Ed O'Neill), amid the team's drive to win a championship under new coach Doc Rivers (Laurence Fishburne).

    SUSY BENAIM

    Susana Benaim is a Venezuelan Film and Television Editor best known for her work on THE DROPOUT on Hulu, NATIONAL TREAURE: EDGE OF HISTORY series for Disney+, and SELF MADE: INSPIRED BY THE LIFE OF MADAM C.J. WALKER on Netflix. Susy is currently a Junior Mentor for the ACE Diversity Mentorship Program, for which she was also a mentee a few years prior. She recently wrapped editing on the feature film HURRICANNA, directed by Francesca Gregorini.

    TODD DOWNING, ACE Todd Downing, ACE edits television series, films, and documentaries across a wide range of genres, from arthouse animation to slapstick comedy to documentaries about the Syrian civil war. His credits include RUSSIAN DOLL, DIFFICULT PEOPLE, FRONTLINE, and MRS. AMERICA. He’s worked in both the U.K. and the U.S.A., and has been nominated for three BAFTAS, an ACE Eddie, and won two Royal Television Society awards. Editing CLIPPED

    In our discussion with CLIPPED editors Susy Benaim and Todd Downing, we talk about:

    Developing a "doom scroll" Being objective with dailies Spending time with horrible people Gina hates jazz Making a basketball series without basketball The Credits

    Visit Extreme Music for all your production audio needs

    Hear Todd talk about his work on MRS. AMERICA and RUSSIAN DOLL

    See the latest new features in Avid Media Composer

    Subscribe to The Rough Cut podcast and never miss an episode

    Visit The Rough Cut on YouTube

  • Beverly Hills Cop: Axel F

    Beverly Hills Cop: Axel F

    · The Rough Cut
    Editor - Dan Lebental ACE

    BEVERLY HILLS COP: AXEL F editor Dan Lebental not only took on the daunting task of bringing back a beloved character that audiences haven't seen in thirty years, but he did it with one hand. The other was working simultaneously on another Bruckheimer blockbuster, BAD BOYS: RIDE OR DIE. With the help of his long-time assistant, Dawn Michelle King, and his trusty "embedded sound design" workflow, Dan was able to pull off making both films in fine style.

    BEVERLY HILLS COP: AXEL F sees the titular hero return to Beverly Hills to aid his adult daughter after her life is threated when she gets too close to a crime ring being investigated by Axel's old friend, Billy Rosewood.

    DAN LEBENTAL Editor Dan Lebental ACE seems to be the man to call when it's time for big laughs and big action. Aside from the many films Dan has done in the MCU, including IRON MAN, IRON MAN 2, ANT MAN, SPIDER-MAN: FAR FROM HOME, and SPIDER-MAN: HOMECOMING, Dan's work can also be found in ELF, BAD BOYS FOR LIFE, BAD BOYS: RIDE OR DIE and DUNGEONS & DRAGONS: HONOR AMONG THIEVES. Editing BEVERLY HILLS COP: AXEL F

    In our discussion with BEVERLY HILLS COP: AXEL F editor Dan Lebental, we talk about:

    When an editor works both sides of the street Nailing the nostalgia notes Doing a deeper dive on embedded sound design Taking a logical look at the script Defining the 80's style of filmmaking The Credits

    Visit Extreme Music for all your production audio needs

    See the latest new features in Avid Media Composer

    Hear Dan talk about his work on; SPIDER-MAN: FAR FROM HOME, ELF, BAD BOYS FOR LIFE and DUNGEONS & DRAGONS.

    Subscribe to The Rough Cut podcast and never miss an episode

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  • The Sympathizer

    The Sympathizer

    · The Rough Cut
    Editor - Viks Patel

    THE SYMPATHIZER editor Viks Patel was a fan of director Park Chan-wook long before they ever teamed up to work on their new MAX series. But unbeknownst to Viks, the pair had actually worked together previously, in a sense, on SNOWPIERCER (2020). Viks edited the pilot for the series which Director Park exec produced. Back together again on THE SYMPATHIZER, the two joined creative forces to bring Viet Thanh Nguyen's book to the small screen in a big way.

    Based on Viet Thanh Nguyen’s Pulitzer Prize-winning novel, The Sympathizer is an espionage thriller and cross-culture satire about the struggles of a half-French, half-Vietnamese communist spy during the final days of the Vietnam War and his new life as a refugee in Los Angeles, where he learns that his spying days aren't over.

    VIKS PATEL In addition to his work on THE SYMPATHIZER, Viks Patel won an EmmyÂź in 2008 for his work on TOP CHEF and was nominated for an EmmyÂź in 2020 for his work on OZARK. Viks has also edited shows such as THE MORNING SHOW (2019), BATES MOTEL (2015-16) and LONGMIRE (2012-14). Editing THE SYMPATHIZER

    In our discussion with THE SYMPATHIZER editor Viks Patel, we talk about:

    Drama in the front, comedy in the back Voicing thoughts on voice overs The sweet soul sounds of seventies needle drops Sound designing the Saigon sequence RDJ on the sacred mystery of editing The Credits

    Visit Extreme Music for all your production audio needs

    See the latest new features in Avid Media Composer

    Hear Viks Patel talk about cutting Ozark

    Subscribe to The Rough Cut podcast and never miss an episode

    Visit The Rough Cut on YouTube

  • Hit Man

    Hit Man

    · The Rough Cut
    Editor Sandra Adair, ACE and assistant editor Carissa Bronson

    HIT MAN editor Sandra Adair, ACE is no stranger to working with writer/director Richard Linklater. The two first collaborated on Linklater's debut studio feature, DAZED AND CONFUSED (1993). Over the next thirty years they would go on to make the "Before" trilogy - BEFORE SUNRISE (1995), BEFORE SUNSET (2004), BEFORE MIDNIGHT (2013), as well as the over-a-decade-in-the-making BOYHOOD (2014), for which Sandra would receive an OscarÂź nomination for Best Film Editing. Someone else Sandra has had by her side in the cutting for several years is assistant editor Carissa Bronson, who first worked with Sandra on her documentary, THE SECRET LIFE OF LANCE LETSCHER (2017).

    The somewhat true story of HIT MAN tells the tale of Gary Johnson, who is a professor of psychology and philosophy at the University of New Orleans, while also working undercover with the New Orleans Police Department to assist in undercover sting operations. When Jasper, a fellow cop who portrays fake hitmen to solicit murder-for-hire confessions and payments from “customers,” is suspended, Gary is unwillingly ushered into the role. Gary quickly finds himself to be a natural in garnering solicitations, going so far as to research suspects in advance and tailor a unique persona for each one. Things take a big turn for Gary when he meets Madison, a beautiful woman who tries to contract "Ron" (Gary) to kill her abusive husband.

    SANDRA ADAIR, ACE

    Sandra Adair is known for her work on BOYHOOD (2014), BERNIE (2012), SCHOOL OF ROCK (2003), and the cult classic DAZED AND CONFUSED (1993). Adair is also known for her work on the critically acclaimed 'Before' trilogy, BEFORE SUNRISE (1995), BEFORE SUNSET (2004) and BEFORE MIDNIGHT (2013). Adair made her directorial debut with the feature documentary, THE SECRET LIFE OF LANCE LETSCHER (2017).

    CARISSA BRONSON

    In addition to HIT MAN, Carissa Bronson is known for films such as LAST FLAG FLYING (2017) and WHERE'D YOU GO, BERNADETTE (2019).

    Editing HIT MAN

    In our discussion with the HIT MAN editing team of Sandra Adair and Carissa Bronson, we talk about:

    Lecturing Glen Powell Charting a course for success in the cutting room New Orleans needle drops Hit men vs assassins Editing away from L.A. The Credits

    Visit ExtremeMusic for all your production audio needs

    See what's new with Avid Media Composer

    Subscribe to The Rough Cut for more great interviews with the heroes of the editing room

    Explore The Rough Cut on YouTube

  • Beckham

    Beckham

    · The Rough Cut
    Editor - Michael Harte

    BECKHAM editor Michael Harte has quickly established himself as an editorial force to be reckoned with in the field of documentary filmmaking. He received ACE Eddie and Emmy-nominations for cutting the astounding, THREE IDENTICAL STRANGERS (2018), and then followed that up with another Eddie nomination and an Emmy win for his work on STILL: A MICHAEL J. FOX MOVIE (2023).

    Despite the tremendous lore around him as an athlete and pop culture figure, few have gotten the chance to know the man behind the name — until now. BECKHAM, a four-part documentary series, gives fans never-before-seen insights into who Beckham actually is. The result is an unprecedented look at an icon who, despite spending nearly 30 years in the public eye, still has some surprises to share with the world.

    MICHAEL HARTE In addition to his work on BECKHAM, Michael Harte is known for THREE IDENTICAL STRANGERS (2018), DON'T F**CK WITH CATS: HUNTING AN INTERNET KILLER (2019) and STILL: A MICHAEL J. FOX MOVIE (2023). Editing BECKHAM

    In our discussion with BECKHAM editor Michael Harte, we talk about:

    Turning a football doc into a love triangle Killing one bird with two stones in the cutting room The gamut of how documentary directors take part in their projects Being creatively contrarian with archival content Having a watch battle with Beckham The Credits

    Visit Extreme Music for all your production audio needs

    See the latest new features in Avid Media Composer

    Subscribe to The Rough Cut podcast and never miss an episode

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  • Baby Reindeer

    Baby Reindeer

    · The Rough Cut
    Editor - Peter H. Oliver

    BABY REINDEER editor Peter Oliver had just one word to describe Richard Gadd's script when he first read it. That word was "wow"! Viewers of the hit Netflix series can certainly relate to that reaction as the show has resonated with audiences for its ability to delicately blend humor and pathos.

    Created by and starring Richard Gadd, BABY REINDEER is adapted from Gadd's autobiographical one-man show. It tells the story of aspiring comedian Donny Dunn, who works as a bartender in a London pub. One fateful day, Donny offers a cup of tea to a customer, Martha, to cheer her up. Martha develops a strong attachment to Donny and starts coming to the bar every day. Her fascination and attraction to Donny rapidly descends into Martha harassing Donny online and in person.

    PETER H. OLIVER

    Prior to his work on BABY REINDEER, Peter Oliver's editing talents were on display in series such as THE BILL (2005-09), BAD EDUCATION (2013), RED DWARF (2016-17), and GOLDIE'S OLDIES (2021). Peter's work can next be seen in the upcoming Netflix series, ERIC (2024) starring Benedict Cumberbatch.

    Editing BABY REINDEER

    In our discussion with BABY REINDEER editor Peter Oliver, we talk about:

    The overwhelming aspect of group Zoom interviews Finding darkness in the lightness, and lightness in the darkness Letting the lyrics be the subtext Pushing in, in post The subtle stitching of three-sixty shots The Credits

    Visit Extreme Music for all your production audio needs

    See the Rough Cut come to life over at the Frame.io blog

    See the latest new features in Avid Media Composer

    Subscribe to The Rough Cut podcast and never miss an episode

    Visit The Rough Cut on YouTube

  • The Fall Guy

    The Fall Guy

    · The Rough Cut
    Editor ElĂ­sabet RonaldsdĂłttir, ACE and assistant editor Matt Absher

    The Fall Guy editing team of editor ElĂ­sabet RonaldsdĂłttir, ACE and assistant editor Matt Absher once again find themselves in the cutting room of a David Leitch action spectacular. With this film being the fifth the trio has worked on together; their postproduction process is like a highly coordinated stunt sequence.

    THE FALL GUY, directed by David Leitch from a script written by Drew Pearce, is loosely based on the 1980's TV series about a stuntman who moonlights as a bounty hunter. The film version follows a stuntman (Ryan Gosling) working on his ex-girlfriend's (Emily Blunt) directorial debut action film, only to find himself involved in a conspiracy surrounding the film's lead actor (Aaron Taylor-Johnson).

    ELÍSABET RONALDSDÓTTIR, ACE

    ElĂ­sabet RonaldsdĂłttir is an award winning tv and film editor, who has worked on over 50 feature films, television programs, documentaries, as well as animated features. She is best known for her collaborations with film directors David Leitch for BULLET TRAIN (2023), JOHN WICK (2014), ATOMIC BLONDE (2017), DEADPOOL 2 (2018) and Baltasar KormĂĄkur for JAR CITY (2006), THE SEA (2002) and CONTRABAND (2012).

    Although ElĂ­sabet edited various movies throughout her career, she developed international recognition for her ability to balance humor and seriousness in action features. She built her international prominence by editing CONTRABAND (2012) and later JOHN WICK (2014), which also began her career-long partnerships with Baltasar KormĂĄkur and David Leitch. She first started in the industry by editing Icelandic tv programs, shows, and films.

    ElĂ­sabet is also actively participating and changing the industry. She is a founding member and two-term inaugural chairwoman of Women in Film & Television Iceland (WIFT Iceland). In addition, ElĂ­sabet has sat on the Icelandic Producers Guild board and served for two years as chairwoman of The Icelandic Film & TV Academy in 2005 and 2006. Since 2007 ElĂ­sabet has been a board member of the prominent Filmmakers at ReykjavĂ­k International Film Festival (RIFF). Born and raised in Reykjavik Iceland, ElĂ­sabet is graduate of the London Film School.

    MATT ABSHER

    Assistant editor Matt Absher has been ElĂ­sabet RonaldsdĂłttir's right hand man in the cutting room for seven films spanning eleven years. In addition to their most recent work on David Leitch's THE FALL GUY, the two collaborated on; THE MISSIONARY (2013), JOHN WICK (2014), ATOMIC BLONDE (2017), DEADPOOL 2 (2018), SHANG-CHI and THE LEGEND OF THE TEN RINGS (2021) and KATE (2021). Aside from his work with ElĂ­sabet, Matt has also assisted editors such as Stephen Mirrione on THE INFORMANT! (2009) and Nick Monsour on NOPE (2022).

    Editing THE FALL GUY

    In our discussion with The Fall Guy editing team of editor ElĂ­sabet RonaldsdĂłttir, ACE and assistant editor Matt Absher, we talk about:

    Defining David Leitch Intercutting to the chase Taming a triad of tones Syncing split screens Voice over and out The Credits

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    Listen to ElĂ­sabet discuss cutting BULLET TRAIN

    Check out ElĂ­sabet's talk with her co-editors from SHANG-CHI and THE LEGEND OF THE TEN RINGS

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  • Civil War

    Civil War

    · The Rough Cut
    Editor - Jake Roberts, ACE

    CIVIL WAR editor Jake Roberts ACE is back once again in the cutting room with writer/director Alex Garland for a sequel of sorts to their 2022 feature, MEN. Although MEN was their first foray into collaborating on a feature, Jake and Alex first worked together on the 2020 FX mini-series, DEVS.

    Written and directed by Alex Garland (EX MACHINA, MEN), CIVIL WAR follows a team of journalists traveling across the United States during a civil war fought between an authoritarian federal government and several regional factions. The cast includes Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Sonoya Mizuno and Nick Offerman.

    JAKE ROBERTS, ACE

    After his work on 2012's CITADEL, 2013's STARRED UP, 2014's THE RIOT CLUB, and 2015's BROOKLYN, Roberts earned an Oscar nomination for Best Film Editing for his work on 2016's HELL OR HIGH WATER starring Chris Pine. The movie also garnered him a nomination for an Independent Spirit Award. Roberts then cut 2018's OUTLAW KING for Netflix directed by David Mackenzie. He then began collaborating with director Alex Garland, editing his 2020 miniseries DEVS and 2022 film MEN. Jake is currently putting the finishing touches on Fede Alvarez's upcoming ALIEN: ROMULUS for 20th Century Studios.

    Editing CIVIL WAR

    In our discussion with Civil War editor Jake Roberts ACE, we talk about:

    The non-linear editing benefits of a linear production Depoliticizing a political thriller The unsettling sound of silence How tension can affect retention The skill of slotting in stills The Credits

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  • 3 Body Problem

    3 Body Problem

    · The Rough Cut
    Editor Michael Ruscio, ACE and assistant editor Josh Carley

    The 3 BODY PROBLEM editing team of editor Michael Ruscio, ACE and assistant editor Josh Carley collaborated for the first time to take on arguably the biggest episode of the Netflix adaptation of the Chinese sci-fi novel. Helmed by former GAME OF THRONES showrunners David Benioff and D.B. Wiess, 3 BODY PROBLEM masterfully blends multiple genres, including action, fantasy and psychological thriller.

    The wheels of 3 BODY PROBLEM are set in motion when Ye Wenjie, an astrophysicist who sees her father beaten to death during a struggle session in the Chinese Cultural Revolution, is conscripted by the military. Due to her scientific background, she is sent to a secret military base in a remote region. Her decision at the base to respond to contact from an alien planet implicates a group of scientists in the present day, forcing them to confront humanity's greatest threat.

    MICHAEL RUSCIO, ACE

    Michael Ruscio began his editing career making films with independent mavericks Alan Rudolph and Robert Altman. He has enjoyed editing some of the top dramatic shows of the past twenty years, including The Sopranos, Homeland, Dexter, House of Cards and Six Feet Under, where he first met Rodrigo Garcia, for whom he edited the film Raymond & Ray. Recent work featuring Michael's talents include Pieces of Her, Your Honor, Carnival Row, Ridley Scott's Raised by Wolves, and Hulu’s Catch-22. Ruscio was nominated for an ACE Eddie Award for the finale of Six Feet Under and won the 2009 Eddie for the pilot of True Blood. He created a workshop for the American Film Institute on the art of editing which he also taught at the Los Angeles Film School. Additionally, he has directed multiple episodes of the HBO series True Blood and his short film In Order of Appearance received ensemble and individual acting awards during its festival run. He is currently editing the upcoming Amazon series Butterfly.

    JOSH CARLEY

    Josh Carley started his editing career in his home state of Louisiana, where he cut short films, trailers, EPKs, web pieces, local commercials, music videos, and a large array of other kinds of projects. His work led him to projects with other local filmmakers, and projects for SYFY, Lifetime, and Hallmark. In 2018 Josh moved to Los Angeles where he still resides with his wife and kids. He’s had the privilege on working as Assistant Editor on such shows as Amazon’s Utopia and The Terminal List, FX’s The Old Man, and Apple TV’s Truth Be Told. In addition to 3 Body Problem, his most recent work can be seen in the upcoming final season of The Umbrella Academy.

    Editing 3 BODY PROBLEM

    In our discussion with the 3 BODY PROBLEM editing team of Michael Ruscio and Josh Carley, we talk about:

    Doubling down on dialogue to deliver the action Slicing through the VFX work Taking a different angle on the same scene Sound advice for assistants Transcontinental cutting rooms The Credits

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  • Shogun

    Shogun

    · The Rough Cut
    Editors Maria Gonzales and Aika Miyake

    The work of SHOGUN editors, Maria Gonzales and Aika Miyake played a crucial role in the success of this adaptation of James Clavell's novel, as Maria and Aika created a fast-paced story, shifting the conflicts away from battlefields and into political intrigues by highlighting interpersonal dynamics, intense dialogue scenes, and the crucial role of female characters. While editing, they were also often challenged with condensing the run times of episodes down from close to one hundred minutes to one hour each, while still fleshing out the complex tapestry and culture clashes of XVII century Japan and overcoming language barriers themselves.

    SHOGUN follows the collision of two ambitious men from different worlds; John Blackthorne, a risk-taking English sailor who ends up shipwrecked in Japan and in a country whose unfamiliar culture will ultimately redefine him, and Lord Toranaga, a shrewd and powerful daimyo at odds with his own dangerous political rivals. Entangled with the pair is Lady Mariko, a woman with invaluable skills but dishonorable family ties, who must prove her value and allegiance.

    MARIA GONZALES

    With over twenty years of experience in the industry, Maria's previous television work includes many award-winning shows, including The Old Man, See, and Counterpart, as well as fan-favorite shows, like The Walking Dead and its spin-off show, The Walking Dead: The Ones Who Live. Outside of her episodic work, Maria served as an editor on two horror features: A24’s fantasy horror The Monster and Blumhouse’s horror thriller Mockingbird. She also previously worked as an assistant editor on the Academy Award-winning film The Bourne Ultimatum and Academy Award-nominated Up in the Air along with working on a long list of features beloved by audiences, including Jon Favreau’s Chef and Barry Sonnenfeld’s Men in Black II. Maria sees editing as the subtle hand that guides narratives into seamless coherence, and she continually seeks the delicate equilibrium between creativity and technical mastery while fostering a creative environment that uplifts those around her. Currently living in Los Angeles with her family, Maria was born in the United States but spent her formative years in modern-day Serbia before returning to LA to study at the USC School of Cinematic Arts, where she graduated with a BA in Cinema Studies.

    AIKA MIYAKE

    Aika's sixteen years of film/tv work spans across all styles and genres, covering short-form branded content, documentaries, narrative TV, and feature films. Her television work includes Netflix's Emmy-winning documentary mini-series Chef's Table: BBQ, and Beyonce's Emmy-winning and Grammy-nominated visual album Black Is King. Aika also worked on a diverse range of films, including the "nominated at SXSW Film Festival" short documentary film Coming Home, and Best Documentary Feature winner at the Philadelphia Asian American Film Festival, Hafu: The Mixed-Race Experience in Japan. She started her career working on commercials and music videos with clients such as Nike, Pampers, IKEA, and Spotify to name a few. Growing up in Japan, Aika enjoyed playing drums and making hundreds of mixtapes for her sisters, and after discovering her passion for photography, she opened her heart to the potential of filmmaking and how images paired with music could create emotional experiences. She currently lives in Los Angeles. Outside of her work in editing, Aika is passionate about food, travel, reggae music, and her two cats, Oreo and Millie.

    Editing SHOGUN

    In our discussion with SHOGUN editors, Maria Gonzales and Aika Miyake, we talk about:

    Starting off with subtitling The Red Hot Ronin Peppers Commercial breaking into the business Filling out the story with flashbacks "Feudal" gestures The Credits

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  • Ghostbusters: Frozen Empire

    Ghostbusters: Frozen Empire

    · The Rough Cut
    Editors Nathan Orloff and Shane Reid

    GHOSTBUSTERS: FROZEN EMPIRE editors, Nathan Orloff and Shane Reid both came into the latest installment of the supernatural, super funny franchise having past experience with writer/director Jason Reitman. But whereas Nathan's work with Jason came from collaborating on feature films like GHOSTBUSTERS: AFTERLIFE (2021), Shane's work with Jason was amidst his impressive body of work in the commercial world.

    FROZEN EMPIRE sees the Spengler family returning to the iconic New York City firehouse where the original Ghostbusters have taken ghost-busting to the next level. When the discovery of an ancient artifact unleashes an evil force, Ghostbusters new and old must unite to protect their home and save the world from a second ice age.

    NATHAN ORLOFF

    Nathan Orloff is known for his editing on TULLY (2018), PLAN B (2021), GHOSTBUSTERS: AFTERLIFE (2021) and JOHN WICK: CHAPTER 4 (2023).

    SHANE REID

    As a partner of the award-winning post house Exile Edit, Shane has been nominated for, and won, multiple awards for his work in the commercial space with top brands including Apple, Adidas, BMW, Hennessy, Audi and the Olympics. He quickly became one of the most trusted short form editors, working with such directors as Damien Chazelle, Terrence Malick, Andrew Dominik, Jason Reitman, Craig Gillespie, Blake Lively, John Hillcoat & Chloe Zhao. He has also cut multiple music videos for Taylor Swift, Paul McCartney, Florence + The Machine and Kamasi Washington.

    In 2018, Reid edited on the film A Hidden Life for director Terrence Malick. He recently cut the short film I’m on Fire for director Michael Spiccia which premiered at the 2022 Toronto and Clermont-Ferrand International Festivals. Shane is currently co-editing Deadpool & Wolverine alongside editor Dean Zimmerman, ACE.

    Editing Ghostbusters: Frozen Empire

    In our discussion with GHOSTBUSTERS: FROZEN EMPIRE editors, Nathan Orloff and Shane Reid, we talk about:

    How paying tribute to Ivan lead to a job that pays tribute to Ivan Being expeditious with the exposition Raising the stakes while staying funny Conquering the edit without clearly dividing it Less Mayor, more marshmallow The Credits

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    Check out Frame.io for the "Rough Cut Blog Spectacular"

    See what's new with Avid Media Composer

    Watch Nathan Orloff's guided tour of his John Wick: Chapter 4 Media Composer timelines

    Hear Nathan Orloff discuss cutting Ghostbusters: Afterlife and John Wick: Chapter 4

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  • Road House

    Road House

    · The Rough Cut
    Editor - Doc Crotzer, ACE

    ROAD HOUSE editor Doc Crotzer ACE got his first real studio feature film experience cutting Doug Liman's Sci-Fi/Fantasy film, CHAOS WALKING (2021). Three years later Doug would tap Doc once again to take the film fight game to another level for Liman's latest entry in the action genre.

    Directed by Doug Liman and produced by Joel Silver, this remake of the 1989 cult classic sees ex-UFC fighter Dalton take a job as a cooler at a Florida Keys roadhouse, only to discover that this paradise is not all it seems.

    DOC CROTZER, ACE

    A filmmaking Swiss Army knife, Doc has directed, produced, and edited studio feature films, award winning television series, and immersive documentaries. He draws from his wide-ranging experience in production and postproduction to tell cinematic stories that remain grounded in human emotion, regardless of the medium. His encyclopedic knowledge of editing allows him to shoot efficiently and creatively, while inspiring confidence from collaborators on both sides of the camera. His favorite part of filmmaking is collaborating with actors and crew to create something in which the sum is truly greater than any of its parts. Doc’s instincts and work ethic are trusted at the highest levels, often quietly working as a “fixer” on studio films and TV shows that need fresh eyes to reach their fullest potentials. A musician himself, Doc has edited over 100 music videos and excels at bringing stories to life that incorporate music and visual effects.

    Doc was nominated for an EmmyÂź for his work directing a web series and nominated for ACE and HPA awards for his work on the TV show Glee. He is a proud member of the Director's Guild of America, American Cinema Editors, and the Television Academy of Arts & Sciences.

    Editing Road House

    In our discussion with Road House editor Doc Crotzer ACE, we talk about:

    Being "Bourne" again with Doug Liman Giving fight scenes the ol' Hollywood pass Taking 25% of a beating The battle in front of the bands Managing big personalities on screen and off The Credits

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    See the Rough Cut come to life over at the Frame.io blog

    See the latest new features in Avid Media Composer

    Hear Doc discuss his work on CHAOS WALKING and SHOTGUN WEDDING

    Listen to director Doug Liman share his thoughts on filmmaking

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  • Stormy

    Stormy

    · The Rough Cut
    Editors - Inbal B. Lessner ACE and Ben Kaplan

    STORMY editors Inbal B. Lessner, ACE and Ben Kaplan each brought their considerable experience in unscripted storytelling to this timely and unique perspective of a woman who dominated the headlines throughout and following the presidency of Donald Trump.

    Directed and produced by Sarah Gibson, STORMY follows Stormy Daniels as she navigates being a mother, artist, and advocate working hard to reinvent herself following the Stormy Daniels–Donald Trump scandal. Judd Apatow serves as an executive producer under his Apatow Productions banner.

    INBAL B. LESSNER, ACE

    Inbal B. Lessner, ACE is an Emmy-nominated and Eddie-winning producer and editor. Prior to her work on STORMY, Inbal was most well-known for such true crime hits as Starz' Seduced: Inside the NXIVM Cult (2020) and Netflix's Escaping Twin Flames (2023), both of which she co-created alongside her filmmaking partner Cecilia Peck. As executive producer, showrunner, and editor, Inbal steered both shows towards nominations for Best Edited Documentary (Non-Theatrical) at the ACE Eddie Awards, nabbing a win for the latter. She was previously Eddie-nominated for her work on the "Can We All Get Along" episode of CNN's The Nineties (2017).

    Inbal has worked in the cutting rooms of directors such as Davis Guggenheim, Nancy Schwartzman, R.J. Cutler, Kelly Duane, Tricia Regan, Jeremy Simmons, and Tracy Droz Tragos, as well as Natalie Portman's feature directorial debut. A member of the AFI Conservatory faculty, she has also been a Visiting Professor of Film Editing at UNCSA Film School and is a mentor in the Karen Schmeer Diversity in the Edit Room Program.

    BEN KAPLAN

    A multi-award nominated documentary editor with over a decade of experience in the edit suite, Ben has worked on projects for CNN, Peacock, ABC/Hulu, Viceland and MAX. When he's not cutting docs, he's usually cutting up ingredients in the kitchen, perfecting his favorite dishes.

    Editing STORMY

    In our discussion with STORMY editors Inbal B. Lessner, ACE and Ben Kaplan, we talk about:

    Making the most of the Miro board "If you can't sum it up, you must cut it out". Motorboating your way to authenticity Deconstructing one documentary for another Stringing together the spine of the story The Credits

    Visit ExtremeMusic for all your production audio needs

    Check out the Frame.io blog for an enhanced transcription of The Rough Cut.

    Watch the ACE Invisible Art - Visible Artists Panel

    Hear editor Inbal B. Lessner ACE discuss cutting SEDUCED: INSIDE THE NXIVM CULT

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  • True Detective: Night Country

    True Detective: Night Country

    · The Rough Cut
    Editors - Mags Arnold, Brenna Rangott and Matt Chessé ACE

    TRUE DETECTIVE: NIGHT COUNTRY editors Mags, Brenna and Matt had never worked together prior to uniting under showrunner Issa LĂłpez for the fourth season of the HBO MAX anthology series, but you wouldn't know it from talking to them. The camaraderie between the three and the fun they have is in stark contrast to the dark and dangerous tone of their hit show.

    TRUE DETECTIVE: NIGHT COUNTRY is set in the fictional town of Ennis, Alaska and follows the investigation behind the mysterious disappearance, and even more mysterious discovery, of eight men from a research station. Leading the investigation are two law enforcement officers who share a troubled past, Detectives Liz Danvers (Jodie Foster) and Evangeline Navarro (Kali Reis).

    MATT "CHALKY" CHESSÉ, ACE

    Editor Matt Chessé, ACE often finds himself cutting with frequent collaborator, director Marc Forster. The pair have been working together since 2000 and have joined forces on such films as; MONSTER'S BALL (2001), FINDING NEVERLAND (2004), THE KITE RUNNER (2007), QUANTUM OF SOLACE (2008) and CHRISTOPHER ROBIN (2018). Matt also cut TRUE DETECTIVE: NIGHT COUNTRY star, Jodie Foster's film MONEY MONSTER (2016).

    MAGS ARNOLD

    Mags Arnold entered the film industry in 1993 as a trainee sound editor, crossing over to picture editing as second assistant editor in 1994. She was promoted to first assistant editor in 1995, working on films such as HIGH FIDELITY (2000) and CAPTAIN CORELLI’S MANDOLIN (2001), both under celebrated editor Mick Audsley. Following her work as an assistant, Mags has cut shows such as WITCHER (2023) and BIG LITTLE LIES (2019).

    BRENNA RANGOTT

    Brenna is the lone editor on "Night Country" who has past experience with showrunner Issa LĂłpez, working on the series BRITTANIA (2019) together. Despite her cheerful demeanor, Bren could often be found in the cutting rooms of horror genre projects like STARVE ACRE (2023), FATHER OF FLIES (2021) and HOST (2020).

    Editing TRUE DETECTIVE: NIGHT COUNTRY

    In our discussion with TRUE DETECTIVE: NIGHT COUNTRY editors Mags Arnold, Brenna Rangott and Matt Chessé, ACE, we talk about:

    Fun with field trips When the editor is the scene stealer Keeping things light when the story's so dark Playing the paranormal against the practical How "clumping" is better than cross cutting The Credits

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    Check out the Frame.io blog for an enhanced transcription of The Rough Cut.

    Learn all about what's new with Avid Media Composer

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