Film e TV – Nuovi podcast
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Deep Media, c'est le podcast qui prend le temps d'explorer les médias et leur mutation numérique aux côtés des professionnels et experts du secteur.
Dans un univers numérique à marche forcée, comment les médias se positionnent ils ? Comment s'organiseront ils demain ? Quels rapports développeront ils avec les outils et principaux acteurs du numérique pour préserver leur activité et assurer leur pérennité ?
Ces questions et bien d'autres vous passionnent ? Ca tombe bien, moi aussi.
Je m’appelle Julien Boujot, connaisseur et curieux de l'univers médiatique depuis plus de 15 ans, et je vous retrouve régulièrement pour Deep Media, le podcast qui prend le temps d’interroger le futur des médias auprès des professionnels du secteur.
Deep Media est un podcast auto produit par Follow Me Conseil, agence de formation et conseils stratégiques spécialisée en IA générative et social media.
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations. -
Chris & Michael are rewatching each episode of "Mad Men" and "The Sopranos" side by side in the hopes of finding eery and telling similarities. Tune in each week to see if they are just crazy or if this idea is crazy enough to work!In each podcast episode, we watch and dissect the same episode from each show, placing them side by side to uncover the eerie similarities that connect these seemingly different worlds.From the creative genius of Matthew Weiner to the complex, flawed anti-heroes of Don Draper and Tony Soprano, we explore how both series critique the American Dream.
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Join good friends Alex, Jordan, and Simon as they journey through time and space talking all things BBC's Doctor Who.
Hosted on Acast. See acast.com/privacy for more information.
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Der ESC ist die größte Musikshow der Welt. Aus deutscher Sicht jedoch vor allem eins: eine endlose Peinlichkeit. Jedes Jahr dasselbe Desaster – Germany 0 Points.
Katja und Alex haben genug davon. Sie wollen den Sieg, weil sie den ESC lieben! Doch hier gibt’s kein Fan-Geblubber, sondern schonungslose Analysen. Knallharte Meinungen statt Ausreden. Garniert mit einer gehörigen Portion ESC-Wahnsinn, viel Spaß und jeder Menge Lacher. Ihr Versprechen: Es wird viel gefeiert - aber nicht, weil ein Song aus Deutschland kommt. Denn der ESC ist kein Zufall, sondern ein Strategiespiel, das Deutschland jedes Jahr verliert. Wie man es gewinnen kann?
Sie wissen wie:
Katja Feller, preisgekrönte Radiomoderatorin und Kommunikationsexpertin, und Alexander Scharff, Marketing-Profi und Tech-Experte, tauchen tief in die Welt des Eurovision Song Contests ein und garantieren mitreißenden Spaß, auch für ESC-'Hater'. -
Merlin Mann, Alex Cox, and Max Temkin watch season 13 of Top Chef.
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The Only TV Podcast That Mattersโข >> Bill Frost (TV reviewer for Salt Lake City Weekly and X96 Radio From Hell) and Tommy Milagro (amateur mixologist and pro wrestling correspondent for SlamWrestling.net) dispense invaluable TV news and reviews while drinking local booze (sponsored by Sugar House Distillery, Ogden's Own Distillery, Outlaw Distillery, Bohemian Brewery, and Boozetique). New episodes and cocktails weekly on Spotify, Apple Podcasts, YouTube, YouTube Music, Amazon Podcasts, etc. Watch harder!
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Podcast dedicado al cine, series y su mundo, y de vez en cuando algún tema del mundo del entretenimiento, fotografias, videojuegos etc.
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Vincent Anthony Vaughn, better known as Vince Vaughn, was born on March 28, 1970, in Minneapolis, Minnesota. He grew up in a family that valued hard work and ambition, traits that would later define his career in Hollywood. His father, Vernon Vaughn, was a salesman, while his mother, Sharon Vaughn, was a real estate agent and stockbroker who later became one of the top money managers in the country. Vince has two sisters, Victoria and Valerie. Vince Vaughn’s interest in the arts began at a young age. Growing up in Buffalo Grove, Illinois, and later Lake Forest, Vaughn was an active child who participated in sports and theater. His love for acting took root during his high school years at Lake Forest High School, where he was involved in theater productions. After graduating in 1988, Vaughn decided to pursue a career in acting and moved to Los Angeles. Early Career and Breakthrough Vaughn's early years in Hollywood were challenging, marked by small roles in television and film. His first break came in 1993 when he was cast in a small role in the sports film Rudy. Although his role was minor, it led to a friendship with Jon Favreau, who would later be instrumental in Vaughn’s career. The breakthrough for Vince Vaughn came in 1996 with the release of Swingers, a film written by Jon Favreau and directed by Doug Liman. Vaughn played Trent Walker, a fast-talking, charming bachelor navigating the Los Angeles nightlife. The film was a critical and commercial success, and Vaughn’s performance earned him recognition as one of Hollywood’s most promising new talents. Swingers became a cult classic, and Vaughn’s charismatic persona on screen set the tone for many of his future roles. Rise to Stardom Following the success of Swingers, Vaughn’s career began to take off. He starred in a variety of films throughout the late 1990s and early 2000s, showcasing his versatility as an actor. In 1997, he appeared in Steven Spielberg’s The Lost World: Jurassic Park, playing Nick Van Owen, a documentary filmmaker. The role in a major blockbuster solidified Vaughn's status as a rising star. Vaughn continued to build on his success with roles in films like Return to Paradise (1998) and Clay Pigeons (1998). However, it was his work in comedies that truly made him a household name. In 2003, Vaughn starred in Old School, directed by Todd Phillips. The film, which also starred Will Ferrell and Luke Wilson, was a major hit and became a defining comedy of the early 2000s. Vaughn’s portrayal of Beanie, the smooth-talking party organizer, was praised for its wit and humor. The Frat Pack Era and Continued Success Thanks for listening and remember to like and share wherever you get your podcasts. The success of Old School was followed by a series of hit comedies that established Vaughn as a key member of the "Frat Pack," a group of actors that included Ben Stiller, Owen Wilson, Will Ferrell, and Steve Carell. Vaughn starred in Dodgeball: A True Underdog Story (2004), Anchorman: The Legend of Ron Burgundy (2004), and Wedding Crashers (2005), the latter of which became one of the highest-grossing comedies of all time. His role as Jeremy Grey in Wedding Crashers, opposite Owen Wilson, was particularly well-received, showcasing his comedic timing and chemistry with his co-stars. Vaughn continued to enjoy success with films like The Break-Up (2006), where he starred alongside Jennifer Aniston, and Fred Claus (2007), a Christmas comedy in which he played the less-successful brother of Santa Claus. Vaughn’s ability to blend humor with a touch of sentimentality made him a favorite in the comedy genre. Personal Life and Other Ventures Outside of his acting career, Vince Vaughn has been involved in various ventures, including producing and writing. He co-wrote and starred in The Break-Up and produced several films, including Couples Retreat (2009) and The Internship (2013). Vaughn’s work as a producer has allowed him to have more creative control over his projects and explore different aspects of filmmaking. Vaughn’s personal life has been relatively private compared to other Hollywood stars. He was briefly engaged to actress Jennifer Aniston, his co-star in The Break-Up, but the couple separated amicably in 2006. In 2010, Vaughn married Canadian real estate agent Kyla Weber, with whom he has two children. Recent Work and Latest News In recent years, Vince Vaughn has continued to take on diverse roles, including a shift towards more dramatic work. In 2015, he starred in the second season of HBO’s True Detective, playing Frank Semyon, a career criminal with aspirations of becoming a legitimate businessman. The role was a departure from his usual comedic fare and demonstrated his ability to tackle darker, more complex characters. Vaughn’s latest work includes a starring role in the Apple TV+ series Bad Monkey, which premiered in 2024. The show, based on the novel by Carl Hiaasen, sees Vaughn play the character of Andrew Yancy, a former Miami detective turned restaurant inspector who becomes embroiled in a wild investigation after discovering a severed arm in the waters off the Florida Keys. The series has been praised for its dark humor, engaging plot, and Vaughn’s performance, which blends his comedic chops with a more nuanced, dramatic edge. Bad Monkey marks Vaughn’s continued evolution as an actor, proving that he remains a versatile and dynamic presence on screen. Legacy and Influence Vince Vaughn’s career has spanned over three decades, during which he has established himself as one of Hollywood’s most reliable comedic actors. His unique blend of sharp wit, charm, and the ability to play both everyman and eccentric characters has made him a beloved figure in American cinema. Vaughn’s influence can be seen in the success of the Frat Pack films, which helped define comedy in the 2000s and continue to be popular with audiences today. As he continues to take on new and challenging roles, Vaughn’s legacy as an actor who can seamlessly move between comedy and drama is cemented. His willingness to explore different genres and his enduring appeal make him a standout figure in Hollywood, with a career that shows no signs of slowing down.
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Teri Garr, born Terri Ann Garr on December 11, 1944, in Lakewood, Ohio, was an actress whose dynamic career showcased her talents in dance, comedy, and drama. Growing up in a family embedded in show business—her father, Eddie Garr, was a vaudeville performer, and her mother, Phyllis Lind, a former Rockette—Garr was drawn to the arts early. When her father passed away suddenly when she was 11, her family faced significant financial challenges, which left a lasting impression on Garr. Her mother’s resilience, working to support Garr and her siblings, instilled in her the importance of determination and self-reliance, values she carried into her career. Dance was Garr’s first love, and she trained rigorously, often traveling across Los Angeles to take classes, sometimes in exchange for cleaning studios. This dedication led her to early Hollywood work as a dancer in Elvis Presley films, such as Viva Las Vegas and Fun in Acapulco, and as a go-go dancer on popular 1960s television shows like Shindig! and Hullabaloo. These uncredited roles may have been brief, but they helped Garr make connections within the industry, laying the groundwork for her transition from dance to acting. Her first speaking role came in the 1968 film Head, a cult favorite featuring The Monkees, marking her first substantial step into the acting world. Her comedic breakthrough came in 1974 with Mel Brooks’ Young Frankenstein, where Garr played Inga, the charming assistant, delivering a memorable and now iconic performance. Her portrayal blended innocence with impeccable comedic timing, establishing her as a fresh comedic talent. The role quickly made her a household name, and in the same year, she appeared in Francis Ford Coppola’s thriller The Conversation, where she demonstrated her dramatic abilities, albeit in a smaller part. This variety in roles signaled her versatility, something Hollywood directors were eager to explore further. During the 1970s, Garr continued to build her career with appearances in critically acclaimed films. In Steven Spielberg’s Close Encounters of the Third Kind (1977), she played Ronnie Neary, the frustrated wife of a man consumed by an alien encounter. Garr’s role brought a relatable quality to the film and showcased her ability to perform in a range of genres. Her work on Tootsie (1982), starring alongside Dustin Hoffman, earned her an Academy Award nomination for Best Supporting Actress. In Tootsie, Garr played Sandy Lester, a lovable but insecure actress. Her performance, combining humor and vulnerability, highlighted her unique ability to add depth to comedic roles. This portrayal remains one of her most celebrated performances, showing how Garr’s comedic timing was often rooted in authentic, relatable emotions. The 1980s brought a series of popular roles that continued to showcase Garr’s talent for combining humor with heart. In Mr. Mom (1983), she starred opposite Michael Keaton as a working mother in a film that humorously explored gender roles, resonating with audiences across the country. She went on to appear in Martin Scorsese’s After Hours (1985), where she brought an eccentricity to her character, adding to the film’s darkly comedic edge. She also continued to play family-friendly characters, as in The Black Stallion (1979), securing her appeal across diverse audiences. Her television roles during this period further expanded her reach, with a memorable role on Friends in the 1990s as Phoebe Buffay’s mother, a quirky character that introduced Garr to a new generation. In 2002, Garr’s life took a dramatic turn when she was diagnosed with multiple sclerosis (MS). Rather than stepping back, she embraced her diagnosis publicly, using her platform to raise awareness and advocate for MS research. Her openness about her health challenges shed light on the disease and gave hope to others living with MS, making her a beloved figure not only in entertainment but in the health advocacy community as well. In 2006, she faced another health setback when she suffered a brain aneurysm, yet her determination remained unshaken. Garr’s courage in navigating these personal challenges demonstrated a resilience that inspired countless fans and showed a new, deeply personal side of her strength. Garr continued to make select appearances and advocate for MS awareness in her later years, remaining a beloved public figure who balanced humor with resilience. Her advocacy work, particularly her involvement with the Multiple Sclerosis Society, helped improve understanding and empathy around MS, cementing her legacy as a force for positive change beyond the entertainment industry. Garr’s lifelong dedication to bringing laughter to her audiences made her an enduring figure in comedy, with a legacy defined by wit, perseverance, and heart. On October 29, 2024, Teri Garr passed away in Los Angeles at the age of 79. Her passing marked the end of a remarkable life and career that spanned over five decades. Known for her distinct voice, infectious energy, and unforgettable roles, Garr’s influence on film and television remains undeniable. Her work in classics like Young Frankenstein, Tootsie, and Close Encounters of the Third Kind will continue to inspire and entertain, a testament to her timeless appeal. Garr’s legacy will endure as a reminder of the power of humor and resilience, leaving an indelible impact on the world of comedy and beyond. This has been a Quiet Please production. Head over to Quiet Please dot A I to “Hear What Matters”
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Join Vanessa Mulcahey and IGN's Adam Bankhurst as they not only discuss the latest news from Disney, Disney Parks, Star Wars, Marvel, and more, but also rank and review a Disney or Pixar film each and every week.
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In diesem tollen Podcast sprechen Annika und Gordon jede Woche über eine Folge aus 'Veronica Mars'.
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Hello There.....Jedi Order Podcast is a weekly show celebrating and talking about the world of Star Wars and Pop Culture Hosted by Ben JG and Ardziv
Each episode will either feature a guest where we will discuss a lot of Star Wars and a little bit of pop culture or a lot of pop culture and a little bit of Star Wars covering films, books, comics, toys and everything that has come from a galaxy far far away and everything else in-between. We will also discuss careers of people who have influenced the pop culture world as we know it and do reviews of all the latest Star Wars content as well as selected shows from other outlets like Marvel, DC and many more
If you are a Star Wars, Sci-Fi, Film, Science or Space fan then Jedi Order is the place to be, we have a good feeling about this.
For all Jedi Order Podcast info and updates follow host @Benjamin_JG and the show @JediOrderPod on Twitter
Support this show http://supporter.acast.com/jedi-order.
Hosted on Acast. See acast.com/privacy for more information.
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Voice Over Narration of Rick and Morty Comics
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Each week, co-hosts Maggie Mustion and Olivia Hanson break down three films that share a genre, theme, or structure. Armed with liberal arts degrees and a deep love for cinema, they explore everything from cult classics to Hollywood blockbusters.
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#1iftekarali
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Deep dive into the heart of the Indian Film Industry with ‘On Set Off Script’, a podcast where the glitz of Bollywood meets the raw & real experiences of its stars, where entertainment meets exuberance. Be part of an engaging conversation offering an unparalleled, intimate glimpse into the lives of the industry’s most captivating stars.
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Entertainment has a new definition, Pop Diaries presents "Pop Diaries" Podcast Show. Wherein we interact with celebs on their upcoming work, What's new in the industry, To the fitness routine of the artist, Can't miss on the sassy internal gupshup. Also a power game segment, which is Lassi after Spicy Samosa! A package of Entertainment in one show!
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Scripts ki Kahani,
Scriptwriters ki Zubani! -
How do people get jobs in animation, film, gaming? Marve Aguiñaga and Melissa Manuel sit down with people across all these worlds to find out who they are, how they "got in" and who they know. Turns out the entertainment industry can be pretty small and there's not one right way to do it!
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Is this movie as funny as we remember? Hi, I’m Parker Miller. A long time comedy fan who wants to dive deeper into the content of some of these classics. Every week, we will be looking back at specific comedy films and seeing if they age well. We will analyze the history and background of the film and see how certain plot points and jokes hold up. In other words, we are ”explaining the joke.” Subscribe to my podcast for a better understanding on funny business.
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