Творчество – Израиль – Новые подкасты
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Marketing School for Creatives is a strategic marketing podcast for creative service providers (especially those in the home, interiors, and design industries) who are ready to be seen, understood, and paid for the value of their work.
Hosted by Ericka Saurit, this podcast breaks down the what and the why behind effective marketing for creatives. Each episode helps you understand how strategy, narrative, and positioning actually work so you can stop chasing trends, stop second-guessing yourself, and start making clearer, more confident decisions in your business.
This is not a podcast about hacks, algorithms, or doing more for the sake of visibility. It’s a marketing school built for the way creative people think...human-centered, strategy-led, and grounded in real-world application.
If you’ve outgrown word-of-mouth, feel frustrated by marketing advice that doesn’t fit your industry, or know your work deserves better positioning, this podcast is your first step.
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Tune in every day to "Daily - The Falcon" for your daily dose of intrigue and drama from the classic radio series. This podcast revives the timeless detective stories of The Falcon, presenting a fresh mystery in each episode. It's a perfect blend of nostalgia and daily entertainment for old time radio enthusiasts.
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Dive into a captivating collection of fairy tales, many of which may be new to you. Originally published in 1884, this enchanting anthology showcases the unique stories beloved by Hans Christian Andersen, designed to delight both children and adults alike. The recording also includes a brief biography of Andersen, penned by the editor, offering insight into the life of this remarkable storyteller. Join us for a journey into the whimsical world of fairy tales! - Summary by Phil Chenevert
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This collection of fairy tales include many that you may never have heard of. Published in 1884, Andersen obviously enjoyed putting many unique stories in it that he found fun to tell and listen to but which may not have been known to his growing audience of children and people. The short life of Hans Christian Anderson that starts the book will be included in this recording, even though it was written by the editor and not by Anderson. - Summary by phil chenevert
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Every boy and girl—and for that matter every man and woman, too—rejoices when the winter snows have vanished and the earth once more puts on her beautiful dress of green, for then the flowers wake from their sleep and clothe the earth with beauty. Because all boys and girls love flowers, those of them who read this book will be interested in the beautiful stories they have to tell, loving them even more when they know something of their past history and some of the events with which they are associated. (Summary from book introduction)
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This is a little volume of fairy Tales by Irish novelists Bridget and Julia Kavanagh. The eleven stories are old-fashioned and original. - Summary by Carolin
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A collection of folk and fairy tales from the Emerald Isle. There is an earlier version of this book - Celtic Fairy Tales, but this recording was done from a different book in Project Gutenberg. Same book, new readers! (Summary by Ann Boulais)
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This book is an early collection of ten well-known fairy tales. It is thought to have begun the genre of fairy tales.(Summary by A.L. Gramour)
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What began as a translation project became a retelling of four classic fairy tales from the Cabinet des Fees, the French collection of over forty volumes. "Certainly the translations, when finished, did not satisfy me, and so I turned back to the beginning and have rewritten the stories in my own way, which (as you may say with the Irish butler) “may not be the best claret, but ’tis the best ye’ve got.” —Preface - Summary by mlcui
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This collection of fairy tales include many that you may never have heard of. Published in 1884, Andersen obviously enjoyed putting many unique stories in it that he found fun to tell and listen to but which may not have been known to his growing audience of children and people. The short life of Hans Christian Anderson that starts the book will be included in this recording, even though it was written by the editor and not by Anderson. - Summary by phil chenevert
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Everywhere on earth the fairy world of each country is older and perhaps more enduring than the one we see and feel and tread upon. So I tell in this book the folk lore of the Korean people, and of the behavior of the particular kind of fairies that inhabit the Land of Morning Splendor. (From the Preface by William Elliot Griffis)
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With no written language, Native Americans living in the Lake Superior region passed their cultural identity down through the generations by way of stories. Far more than mere tales to amuse children, they passed along the collective wisdom of the tribes. In the 1830s, government Indian Agent and ethnologist Henry R Schoolcraft learned the language of these people and went out to collect and preserve their stories before the tribes disappeared under the westward rush of American civilization. Though these stories were recast as children’s fairy tales in the 1920s, they contain much of the old wisdom of a culture which has largely disappeared. (Summary by Chip)
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These are selections from a large collection made by A. J. Glinski, printed at Wilna in 1862. These fairy tales come from a far past and may even date from primitive times. They represent the folklore current among the peasantry of the Eastern provinces of Poland, and also in those provinces usually known as White Russia. They were set down by Glinski just as they were related to him by the peasants. In the translation it was of course necessary to shorten them considerably; the continual repetition—however quaint and fascinating in the original—cannot easily be reproduced. Portions, too, are often told in rhyme, or in a species of rhyming prose that we associate with the ancient ballad. The obvious likenesses between these and the folklore of Germany, the Celtic nations, or to the Indian fairy-tales, will strike every reader. The stories are longer than usual but very rewarding and fun to listen to. (Summary by preface and phil chenevert)
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Pride and Prejudice, a comedy of manners and marriage, is the most famous of Jane Austen's novels. In this dramatic adaption by Mary Keith Medbery Macakaye some liberties are taken with the storyline and characters, but it is still a fun listen or read. Perhaps a good introduction for someone not ready to tackle the complete novel ~ and for the reader familiar with the work, a laugh can be had at the changes that were made in order to adapt it to the stage (Summary by Maria Therese)Cast:Mr. Darcy: Algy PugMr. Bingley: Chris MarcellusColonel Fitzwilliam/Harris/Martin: ToddHWMr. Bennet: Robert Hoffman and Kevin W. DavidsonMr. Collins: Noel BadrianSir William Lucas: Nolan FoutColonel Forster: AnthonyMr. Wickham: Chuck WilliamsonMr. Denny: VikingJamesMrs. Bennet: KristingjJane Bennet: Tiffany Halla ColonnaElizabeth Bennet: Elizabeth KlettLydia Bennet/Lady Lucas: DuanCharlotte Lucas: Amanda FridayMiss Bingley: April GonzalesLady Catherine De Bourg: Nathanial W.C. HigginsHill (The Housekeeper at Longbourn): KerrieRae ClarkeMartha (The Maid at Mr. Collins's Parsonage): AvailleNarrator: Lauren BurwellAudio edited by Maria Therese ,/p>
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Homer's "The Odyssey" is an epic adventure that follows Odysseus on his long journey home after the Trojan War. This podcast examines themes of heroism, loyalty, fate, and the intervention of the gods, making it a must-listen for fans of ancient mythology and storytelling.
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"Swann's Way" is the first of the seven parts of Marcel Proust's great autobiographical novel "In Search of Lost Time." From the very first page the reader is drawn into the many facets of memory, memory as prompted by all the human senses. "Swann's Way (Du côté de chez Swann, sometimes translated as The Way by Swann's) (1913) was rejected by a number of publishers, including Fasquelle, Ollendorff, and the Nouvelle Revue Française (NRF). André Gide was famously given the manuscript to read to advise NRF on publication, and leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. Proust eventually arranged with the publisher Grasset to pay the cost of publication himself. When published it was advertised as the first of a three-volume novel (Bouillaguet and Rogers, 316-7). Du côté de chez Swann is divided into four parts: "Combray I" (sometimes referred to in English as the "Overture"), "Combray II," "Un Amour de Swann," and "Noms de pays: le nom." ('Names of places: the name'). A third-person novella within Du côté de chez Swann, "Un Amour de Swann" is sometimes published as a volume by itself. As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is also similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of involuntary memory. In early 1914, André Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel. "For several days I have been unable to put your book down.... The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life." - Summary by Wikipedia (edited by Expatriate)
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