Musik – Nye podcasts
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San Jose, CA ๐ฌ๐น
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Ricardo, or better known as Cardo, is an up and coming self taught DJ/Producer from San Jose California. He started his music journey DJing house parties from Hip Hop to Reggaeton, and has since taken a shift to produce his own sound of House music. With Guatemalan roots, Cardo has grown a love for the Latin House sound. -
Mixes made by Tim Trilla uploaded for musical enjoyment.
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For the latest releases in Americana, alternative Country, Folk and Roots - and a whole lot more. Live on 96.5 Inner FM Melbourne every Sunday 6-8pm.
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Dj mixes made with listeners in mind. The playlists are carefully curated to create a mood, atmosphere and ambience that cannot be matched.
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Welcome to Michigan's Best Cruising R&B. I'm your host, Mikal Abdul Malik. Join me every Tuesday, as I cruise around Michigan listening to R&B. If you have a song request or if you would like to share a story about a special song and how it moved you. Email us at [email protected], or leave a message. Support this podcast:
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This is a podcast by Ethiopian Chyld
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"The Madhouse Chronicles" is a raucous talk show hosted by rock legend Ozzy Osbourne and his best friend Billy Morrison, diving into the internet's wildest clips and tackling topics ranging from aliens to rock 'n' roll.
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Getting deep into conversation with indie music makers.
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Access the creative minds behind some of the world's best music. Join Leo Metzker as he chats with extraordinary musicians about their careers, insights and perspectives.
Recorded at Eastside Radio studios in Sydney, Australia. -
A space for authentic worship.
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‘Are Drummers Musicians?’ is a captivating exploration of the music scene in Melbourne/Naarm. Hosted by drummer Luke Singleton, the podcast showcases the city's diverse talent—from established to emerging artists and session musicians. Through relaxed conversations, we uncover the unique perspectives and stories of musicians across various genres. Each episode delves into the artistry, background, and experience of the guest, exploring what it means to be a musician. This is your backstage pass, so join us as we celebrate the music community and feature the various talents in Melbourne/Naarm!
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Charlie Parker, affectionately known as "Bird" or "Yardbird," was a revolutionary American jazz saxophonist and composer who left an indelible mark on the world of music. Born on August 29, 1920, in Kansas City, Kansas, Parker's life was a tumultuous journey filled with incredible highs and devastating lows, ultimately cut short by his untimely death at the age of 34. Despite his brief life, Parker's innovative approach to jazz improvisation and composition forever changed the landscape of the genre, earning him a place among the most influential musicians of the 20th century.
Early Life and Musical Beginnings
Charlie Parker's early life was shaped by the vibrant jazz scene of Kansas City, Missouri, where his family moved when he was seven years old. Growing up in a city known for its thriving music culture, Parker was exposed to the sounds of jazz from a young age. His mother, Addie, worked as a charwoman, while his father, Charles Sr., was a vaudeville performer and later a Pullman waiter. Although his father was often absent due to his work, Parker's mother encouraged her son's interest in music.
At the age of 11, Parker began playing the alto saxophone, a gift from his mother. He quickly developed a passion for the instrument and spent countless hours practicing and honing his skills. Parker's early musical education was largely self-directed, as he learned by listening to records and attending live performances at local clubs. He was particularly influenced by the blues and the jazz styles of Kansas City, which emphasized a strong rhythm section and improvisation.
As a teenager, Parker began performing professionally with local bands, including the band of pianist Jay McShann. It was during this time that he acquired the nickname "Yardbird," which was later shortened to "Bird." The origin of the nickname is unclear, but it is believed to have stemmed from Parker's love of eating chicken or from his tendency to "flock" like a bird from one gig to another.
The Birth of Bebop
In the early 1940s, Parker moved to New York City, where he became a central figure in the development of bebop, a new style of jazz that emphasized fast tempos, complex harmonies, and virtuosic improvisation. Along with fellow innovators such as Dizzy Gillespie, Thelonious Monk, and Bud Powell, Parker helped to create a sound that was distinct from the swing music of the previous decade.
Bebop was characterized by its departure from the structured arrangements and danceable rhythms of swing. Instead, it focused on extended improvisations, often based on the underlying chord progressions of popular songs. Parker's approach to improvisation was groundbreaking, as he played with a speed, dexterity, and harmonic complexity that had never been heard before. His solos were marked by a seamless flow of ideas, with each phrase building upon the last in a logical and melodic progression.
One of Parker's most significant contributions to bebop was his use of "playing the changes," a technique in which the soloist improvises melodic lines that outline the chord progressions of a song. This approach allowed for greater harmonic freedom and creativity, as the soloist was no longer bound by the original melody of the tune. Parker's mastery of this technique, combined with his incredible technical facility on the alto saxophone, made him one of the most influential and imitated musicians of his generation.
Collaborations and Recordings
Throughout the 1940s and early 1950s, Parker collaborated with many of the leading jazz musicians of the day, including Dizzy Gillespie, Miles Davis, Max Roach, and Charles Mingus. These collaborations resulted in some of the most iconic recordings in jazz history, including "Ko-Ko," "Now's the Time," and "Parker's Mood."
One of Parker's most famous collaborations was with trumpeter Dizzy Gillespie. The two musicians first met in 1940 and quickly developed a close musical partnership. Together, they recorded a series of groundbreaking albums, including "Bird and Diz" and "Jazz at Massey Hall," which featured Parker and Gillespie playing with a group of all-star musicians, including Bud Powell, Charles Mingus, and Max Roach.
Another significant collaboration in Parker's career was with trumpeter Miles Davis. In 1945, Parker and Davis recorded a series of sessions for the Savoy label, which resulted in some of the most influential recordings in jazz history. These sessions, which included songs such as "Billie's Bounce" and "Now's the Time," showcased Parker's virtuosic playing and helped to establish Davis as a leading figure in the jazz world.
In addition to his work as a sideman, Parker also led his own groups and recorded extensively as a leader. His 1945 recording of "Ko-Ko," based on the chord changes of the song "Cherokee," is considered a masterpiece of bebop and a showcase for Parker's incredible improvisational skills. Other notable recordings by Parker as a leader include "Ornithology," "Yardbird Suite," and "Relaxin' at Camarillo."
Personal Struggles and Decline
Despite his musical genius, Parker's personal life was plagued by addiction, mental health issues, and financial instability. He began using heroin in the early 1940s and struggled with addiction for the rest of his life. Parker's drug use often interfered with his music, leading to missed gigs, erratic behavior, and even arrests.
In addition to his drug addiction, Parker also struggled with mental health issues, including depression and schizophrenia. He was hospitalized several times throughout his life and underwent electroshock therapy in an attempt to treat his condition. Parker's mental health struggles were likely exacerbated by the pressures of fame, the grueling schedule of touring and recording, and the racism and discrimination he faced as a black musician in mid-20th century America.
Parker's personal struggles took a toll on his relationships and his financial stability. He was married four times and had several children, but his addiction and erratic behavior often strained his family life. Despite his success as a musician, Parker often found himself in financial difficulty, as he was known for his generous nature and his tendency to spend money on drugs and other vices.
Legacy and Influence
Charlie Parker's impact on the world of jazz cannot be overstated. His innovations in improvisation, composition, and harmonic language laid the foundation for the development of modern jazz and inspired countless musicians who followed in his footsteps. Parker's music continues to be studied, analyzed, and celebrated by jazz enthusiasts and musicians around the world.
One of Parker's most significant legacies was his influence on the generation of jazz musicians who came of age in the 1950s and 1960s. Many of these musicians, including John Coltrane, Sonny Rollins, and Cannonball Adderley, cited Parker as a major influence on their playing and credited him with opening up new possibilities for improvisation and expression on the saxophone.
Parker's influence also extended beyond the world of jazz, as his music helped to shape the sound of popular music in the mid-20th century. His fast tempos, complex harmonies, and virtuosic solos can be heard in the work of rock and roll pioneers such as Chuck Berry and Little Richard, as well as in the music of R&B and soul artists like Ray Charles and James Brown.
In addition to his musical legacy, Parker's life story has become a symbol of the struggles and triumphs of African American musicians in the 20th century. His battles with addiction, mental illness, and discrimination have been the subject of numerous books, films, and documentaries, and his perseverance in the face of adversity has inspired generations of artists and activists.
Posthumous Recognition and Honors
Since his death in 1955, Charlie Parker has been the recipient of numerous posthumous honors and awards. In 1974, he was inducted into the Down Beat Jazz Hall of Fame, and in 1984, he was awarded a Grammy Lifetime Achievement Award. In 1988, the U.S. Postal Service issued a commemorative stamp featuring Parker's image, and in 1995, the Kennedy Center honored him as a jazz master.
In addition to these formal honors, Parker's music has been celebrated and reinterpreted by countless musicians in the decades since his death. His compositions, such as "Ornithology" and "Yardbird Suite," have become jazz standards and are regularly performed by artists around the world. In recent years, there has also been a resurgence of interest in Parker's life and legacy, with new biographies, documentaries, and tribute albums helping to introduce his music to a new generation of listeners.
The Complexity and Contradictions of Charlie Parker
Despite the reverence and admiration that Charlie Parker has received in the years since his death, it is important to acknowledge the complexity and contradictions of his life and legacy. Parker was a deeply flawed individual who struggled with addiction, mental illness, and personal demons throughout his life. His behavior could be erratic and self-destructive, and he often caused pain and suffering to those closest to him.
At the same time, Parker was a musical genius whose innovations and artistry continue to inspire and influence musicians around the world. His ability to express the full range of human emotions through his playing, from joy and exuberance to pain and despair, was unparalleled, and his contributions to the development of jazz as an art form cannot be overstated.
In many ways, the complexity and contradictions of Charlie Parker's life mirror the complexity and contradictions of the African American experience in the 20th century. Parker's struggles with addiction and mental illness were not unique to him but were all too commo -
Welcome to the Help Cast, where the American Center for Elemental Music and Movement - and friends! - discuss playful, elemental, process-based music and movement education ideas for all ages.
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Doing Music is a podcast that explores the techniques and strategies behind musical ideas. In each episode, Craig Schuftan looks into the myth of spontaneous creation and talks to artists about their hands-on approaches for sparking something new. Doing Music is for anyone interested in the act of making music – because often the most exciting results happen when we stop musing and start doing.
This podcast is brought to you by Ableton and hosted by Craig Schuftan. Craig is a music producer and the author of three books on music and popular culture. -
Its about you being happy and me helping you find that. Also topics on the legal side. Relationship advice. Much more than that it's a date. Support this podcast: https://podcasters.spotify.com/pod/show/anchor.fm/temptation-love/support
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worst podcast in the world
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Giving you the best in unsigned Gospel Music. We want to provide a platform for artists to express themselves in the way God has given them the vision to create music ministry for all people. Its time to let Kingdom Building Hit the Block Support this podcast: https://podcasters.spotify.com/pod/show/ferb-godschild/support
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We talk about our music experiences, writing, and influences with other artists over a fine glass of Whiskey that we rate out of 100 at the end!
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