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Fierce Festival is a “youthful and joy-filled festival of international theatre, performance and experiences” which takes place in and around Birmingham every two years.
Midlands editor Steve Orme spoke to Fierce’s artistic director Clayton Lee and Adam Kinner whose one-to-one show Manual will be presented daily in the Library of Birmingham.
Fierce Festival will run from Tuesday 15 until Saturday 19 October.
(Photo: Clayton Lee and Adam Kinner, credit Steve Orme) -
In 2009, TV writers Trevor Suthers and John Chambers put together a night of short, brand new plays written by established TV writers which took its name from its original venue, the Joshua Brooks pub on Princess Street in Manchester.
Fifteen years on, and now at fringe venue 53two, JB Shorts is an established biannual event on the Manchester theatre calendar with its two-week runs of six 15-minute plays.
With the 25th JB Shorts about to open, BTG Editor David Chadderton spoke to Trevor together with actor James Quinn, who wrote for the very first JB and has written, directed and performed in many since, about what JB is all about and what this next run will offer, as well as how the whole thing began.
JB Shorts 25 runs at 53two, Arch 19, Watson Street, Manchester from Wednesday 9 to Saturday 19 October 2024.
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Fehlende Folgen?
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Derby Theatre is to present a new play, Welfare, by local playwright Abi Zakarian, that will take audiences to The Derbyshire Miners’ Holiday Camp in Skegness, where miners went initially to convalesce and later to holiday, as it was turned into a holiday camp for Derbyshire miners and their families.
Midlands Editor Steve Orme spoke to director Sarah Brigham and three of the actors, Jo Mousley, Hanna Winter and John Holt-Roberts, about the play and about the history behind it, both local and from much further afield.
Welfare will run at Derby Theatre from 28 September to 12 October 2024.
(Photo Jo Mousley, Hanna Winter, Sarah Brigham and John Holt-Roberts, credit Steve Orme)
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The next production to open at the Rose Theatre in Kingston, London is a new adaptation of Kazuo Ishiguro’s Never Let Me Go, adapted for the stage by Suzanne Heathcote and directed by Christopher Haydon, Rose Theatre’s Artistic Director.
BTG Editor David Chadderton spoke to Christopher just before a rehearsal for the play about the adaptation, working with one of his literary heroes, the necessity for co-productions and the state of arts funding and arts education in the UK at the moment.
Never Let Me Go will run at the Rose Theatre from 20 September to 12 October 2024 before touring to Royal and Derngate in Northampton from 16 to 26 October, Malvern Theatres from 29 October to 2 November, Bristol Old Vic from 5 to 23 November and Chichester Festival Theatre from 26 to 30 November.
(Photo of Christopher Haydon in rehearsal for Never Let Me Go, credit DMLK)
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Guy Masterson, one of the most well-known and well-respected theatre producers on the Edinburgh Fringe, this year celebrates his thirtieth consecutive festival season. However, he has announced that this is also to be his last festival visit as a producer.
BTG Editor David Chadderton spoke to Guy just after the first performance of one of the shows in his programme for this year about producing nearly 150 shows over three decades, the trials and joys of producing, writing, directing and performing at the Fringe and his decision to stop producing shows there.
In Guy’s programme for this year’s Fringe, Making Marx and Victor’s Victoria both run at the Assembly Rooms from 1 to 26 August 2024 each day at 11:35AM and 8:30PM respectively.
Guy’s solo shows Under Milk Wood and Animal Farm are both at Pleasance at EICC at 6PM, the first on 14 August and the second on 18 August.
For more information about Guy and his work, past, present and future, see the Theatre Tours International web site.
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2024 marks twenty years since Just the Tonic venues first appeared at the Edinburgh Festival Fringe, although founder Darrell Martin had been putting on shows at the festival since 2002 and started the company by running Sunday night comedy clubs in 1994.
BTG Editor David Chadderton spoke to Darrell before the 2024 Edinburgh Fringe about 20 years on the Fringe, the current state of the Edinburgh festival season, getting into the business as a fan of comedy in the ‘80s, running comedy clubs around the country and about producing comedy as a decades-long act of procrastination to avoid writing material for his own stand-up act.
Just the Tonic will be hosting more than 190 shows across five venues during the 2024 Edinburgh Festival Fringe. For more information about its Edinburgh programme and to book tickets online, see edinburgh.justthetonic.com—or you can also book at Edfringe.com.
You can see what’s on at the other Just the Tonic venues around the UK and book tickets for them at www.justthetonic.com.
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Writer-director Paul Hendy brings back three comedians through performers Bob Golding, Damian Williams and Simon Cartwright.
Every year, the Edinburgh Fringe programme features solo performances about real people, which in the past have included Bob Golding as Eric Morecambe in Tim Whitnall’s Morecambe from 2009, Damian Williams as Tommy Cooper in Being Tommy Cooper by Tom Green from 2012 and Simon Cartwright as Bob Monkhouse in The Man Called Monkhouse by Alex Lowe from 2015.
Writer-director Paul Hendy brought these three performers together for a film short called The Last Laugh in 2017, which he has now extended for a stage production featuring the same cast.
BTG Editor David Chadderton spoke with the four of them about the play, what drove these great comics—and some of their demons—and why they have returned to playing them so many times.
The Last Laugh will be in Studio One at Assembly George Square Studios, Edinburgh at 1:20PM every day except Monday 12 August from 31 July to 25 August 2024.
For more information and tickets, go to Edfringe.com or Assembly Festival and search for “The Last Laugh”.
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Pitlochry Festival Theatre in Scotland and The New Wolsey Theatre in Ipswich are co-producing a new production of the stage musical Footloose, based on the ‘80s film of the same name that starred Kevin Bacon.
BTG Editor David Chadderton spoke to New Wolsey Artistic Director Douglas Rintoul, who will direct the production, and Pitlochry’s Artistic Director, Elizabeth Newman, about the production, other musicals that both their theatres are producting this year (Little Shop of Horrors, Beautiful: The Carol King Musical, The Sound of Music).
They also spoke about the advantages of co-productions—and when they may not be appropriate—as well as programming and casting a rep season and panto.
Little Shop of Horrors closes at the Octagon Theatre in Bolton on 18 May and then moves to Hull Truck Theatre from 22 May to 8 June 2024.
Footloose will run at various times and dates in Pitlochry Festival Theatre’s season between 31 May and 26 September before transferring to The New Wolsey Theatre from 3 to 26 October.
Beautiful: The Carole King Musical will run at Pitlochry between 7 June and 28 September, and The Sound of Music will be there between 15 November and 22 December.
Sleeping Beauty, the New Wolsey panto written by Vikki Stone, will run from 22 November 2024 to 18 January 2025.
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Guildford Shakespeare Company began with an outdoor production of Much Ado About Nothing in Guildford Castle Grounds in 2006.
Eighteen years on, the company is celebrating its coming of age with a production of Romeo and Juliet which mostly takes place along Guildford High Street.
BTG Editor David Chadderton spoke to the company’s founders, Matt Pinches and Sarah Gobran, about the production and about the challenges, practical and financial, of mounting their style of theatre in spaces that were not designed for performance—including holding on to scenery in high winds and preventing foxes from chewing through microphone cables.
Romeo and Juliet from Guildford Shakespeare Company will take place in Guildford Castle Grounds and the town centre from Friday 21 June to Saturday 13 July 2024.
For more information and tickets, see www.guildford-shakespeare-company.co.uk.
(Photo of GSC Co-Founders Sarah Gobran and Matt Pinches in October 2022. Credit: Matt Pereira.)
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The 2024 summer season at Regent’s Park Open Air Theatre in London will open with a new production of William Shakespeare’s Twelfth Night Or What You Will directed by Owen Horsley, an Associate Artist of the Royal Shakespeare Company and an Associate Director for Cheek by Jowl.
BTG Editor David Chadderton spoke to Owen at a break during rehearsals about his approach to the play, his love of Shakespeare and the perhaps unusual way he was originally introduced to the Bard’s work.
Twelfth Night Or What You Will directed by Owen Horsley runs at Regent’s Park Open Air Theatre from 3 May to 8 June 2024.
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Actor, writer, choreographer and film-maker Lanre Malaolu’s play Samskara had a sell-out run at London’s Yard Theatre in 2022 and was subsequently published by Nick Hern Books.
Now, I See is the second play of what has become a trilogy which, like the first part, examines family relationships through a modern black, British lens.
BTG Editor David Chadderton spoke to Lanre about the play, his writing process, how his work comes from his own experiences and observations and his introduction to creating theatre through Anna Scher drama classes and a transformational experience through Jonzi D’s Breakin’ Convention at Sadler’s Wells.
Now, I See runs at Theatre Royal, Stratford East in London from 10 May to 1 June 2024.
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Actor Greg Hicks has played many leading roles at the National Theatre and the Royal Shakespeare Company over the last forty years, as well as starring on the West End and appearing on screen in films including The Mercy and Snow White and the Huntsman.
He is about to perform a one-man show, The Dream of a Ridiculous Man, based on a short story by Dostoyevsky, at the new Marylebone Theatre in London.
BTG Editor David Chadderton spoke to him a few days before it opened about the play and how much more of himself he will be presenting to an audience than in other roles he has played.
He also spoke about some of his past roles, including performing naked in Romans in Britain for a role that nearly ended him up in criminal court immediately followed by appearing in full costume and mask for Peter Hall’s famous Oresteia (he credits Hall as his mentor at the National in the 1970s).
The Dream of a Ridiculous Man, adapted and directed by Laurence Boswell, is at Marylebone Theatre in London from 21 March to 20 April 2024.
(Rehearsal image of Greg Hicks in The Dream of a Ridiculous Man, credit Richard James Taylor)
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Danish theatre company fix+foxy premièred Dark Noon at the 2023 Edinburgh Festival Fringe which “explores one of the great American myths—the Wild West” through seven South African actors.
The production will be restaged at Manchester’s Aviva Studios this spring. BTG Editor David Chadderton spoke to co-directors Tue Biering and Nhlanhla Mahlangu about what and whose story the play is telling and about the process of creating it.
Dark Noon will be performed in the South Warehouse of Aviva Studios in Manchester from 6 to 10 March 2024.
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Following Night of the Living Dead—Remix and Dracula: The Untold Story, imitating the dog is again collaborating with Leeds Playhouse, this time on a new adaptation of Mary Shelley’s Frankenstein co-created by Pete Brooks, Andrew Quick and Simon Wainwright.
BTG Editor David Chadderton spoke to Andrew Quick during rehearsals at Leeds Playhouse about the technical challenges of this two-hander for creators and performers, the state of touring shows around the UK and Europe at the moment and the company’s style and creative process.
Frankenstein, featuring design by Hayley Brindle, lighting by Andrew Crofts and original music by James Hamilton, will open at Leeds Playhouse from 15 February 2024, before touring to Oxford Playhouse, Watford Palace Theatre, The Lowry in Salford, Cast in Doncaster, Mercury Theatre in Colchester, Liverpool Playhouse, The Dukes Lancaster and Northern Stage in Newcastle.
(Photo of Andrew Quick, credit Ed Waring)
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For Christmas 2023, there were two new stage adaptations of stories by Roald Dahl in the UK: The Witches at the National Theatre in London and The Enormous Crocodile at Leeds Playhouse, the first to be co-produced by the Roald Dahl Story Company.
BTG Editor David Chadderton spoke to the company’s Artistic Director of Theatre, Jenny Worton, about what the Roald Dahl Story Company actually is, how it develops new shows based on Dahl’s books and some of the plans for the future.
The National Theatre production of The Witches runs until 27 January 2024.
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Pilot Theatre, a York-based touring company that creates theatre for young people is to tour England in February and March 2024 with an adaptation of David Almond’s book A Song for Ella Grey, written by Zoe Cooper and directed by Pilot’s Artistic Director, Esther Richardson.
BTG Editor David Chadderton spoke to Esther while the production was still in rehearsal about the play, its North East setting, having a TikTok star in the title role, the process of adapting a challenging novel for the stage and the current state of theatre for young people in the UK.
A Song for Ella Grey will open at Northern Stage in Newcastle 1–15 February 2024, before moving to York Theatre Royal 20–24 February, Theatre Peckham 27 February to 2 March, Hull Truck Theatre 5–9 March, Liverpool Playhouse 13–16 March and Yvonne Arnaud Theatre in Guildford 19–23 March.
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Physical theatre company Gecko, based in Ipswich, was founded in 2001 by Amit Lahav, who is still its Artistic Director.
The company’s latest production, Kin, toured the UK in 2023 and will be at the National Theatre in London in January 2024.
Amit spoke to BTG Editor David Chadderton about the origins of the production in the story of his grandmother Leah’s journey from Yemen to Palestine as a child in 1932 to escape persecution, how this developed to look at migration stories more widely, the politics of migration then and now and Gecko’s—and Amit’s—creative process in making theatre.
Kin will run at the Lyttelton Theatre from 12 to 27 January 2024.
(Photo of Amit Lahav in Kin by Gecko (c) Malachy Luckie)
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Mark Thomas is a stand-up comic whose work for stage and TV has frequently crossed over into theatre and into political activism, in some cases resulting in changes in the law.
He is currently performing a show he hasn’t written himself for the first time, England & Son by award-winning playwright Ed Edwards.
BTG Editor David Chadderton spoke to Mark while the play was touring about the play, the importance of storytelling, football, class, what makes a ‘creative act’, Oliver Cromwell, Brecht, Shakespeare and a lot more.
England & Son, directed by Cressida Brown, is at the Arcola Theatre in London until 25 November 2023 then moves to the Playhouse in Sheffield from 28 to 29 November and the Traverse Theatre in Edinburgh from 5 to 9 December.
For more information about Mark, performance dates and tickets, see his web site.
(Performance shot of Mark Thomas in England & Son, credit Alex Brenner)
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The Prince of Egypt, the DreamWorks animated film from 1998, was brought to the West End stage in 2020 at the Dominion Theatre but had to take a break due to the COVID lockdown. It completed its run the following year when it was filmed for a cinema release.
BTG Editor David Chadderton spoke to the show’s composer and lyricist, multi-Grammy and Academy Award-winner Stephen Schwartz, about the show’s West End run and how it originally came about, as well as some of his views on songwriting.
The Prince of Egypt will be released in selected cinemas across the UK and internationally on 19 and 22 October 2023 by Trafalgar Releasing. Tickets are on sale at ThePrinceOfEgyptMusicalFilm.com.
For information about Stephen and his work, see the Stephen Schwartz official web site.
(Photo of Stephen Schwartz, credit: Nathan Johnson.)
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Manchester’s Royal Exchange Theatre and Tamasha will present Tanika Gupta’s adaptation of Great Expectations by Charles Dickens set during the Indian partition in Bengal, directed by Pooja Ghai, Artistic Director of Tamasha
BTG Editor David Chadderton spoke to Pooja during rehearsals about the production, the history and concept behind Tamasha and a recently announced programme to “diversify dramaturgy” funded by the Paul Hamlyn Foundation.
Great Expectations will run at the Royal Exchange Theatre in Manchester from 8 September to 7 October 2023.
Photo of Pooja Ghai in rehearsals for Great Expectations by Abey Lam
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