Folgen
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From Hell it Came (1957), The Oily Maniac (1976), Cry Wilderness (1987)
It's Turkey Time once again here at the podcast! And in this one, we have 3 wonderful titles to serve up to you, each one with a different flavor to appease a variety of tastes!
As we've mentioned many times before, a "turkey" is not a bad movie. It's not an intentionally made bad movie. It is a film where the creators did their damnedest to make an honest-to-goodness quality production. For whatever reasons, either lack of budget, time, talent, or whatever, what they delivered might not be as good as they'd hoped, but it is still entertaining. Remember, the only bad movie is a boring one, and Turkeys are not boring. So tune in to find out about 3 Turkeys that we feel are more than worth watching during your own Turkey Day celebration!
Movies mentioned in this episode:
Abby (1974), Abominable (2006), Blood Freak (1972), The Chooper (1971), Corpse Mania (1981), The Creature from the Black Lagoon (1954), Cry Wilderness (1987), The Day of the Triffids (1963), Ghost Nursing (1982), From Hell it Came (1957), Hunchback of the Morgue (1973), Invasion of the Saucer Men (1957), It Came from Hollywood (1982), Night Train to Terror (1985), The Oily Maniac (1976), Plan 9 from Outer Space (1957), She-Creature (1956), The Unholy (1988)
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One of the things we continue to preach on this podcast is learning about the people that are involved with the films we love. It helps you see more and understand more, about the person, as well as the final product they are involved with, whether they are an actor, makeup artist, or director.
Author Joe Maddrey's recent book, The Soul of Wes Craven, from Harker Press, does just this, digging deep into the man, and shows us fans a lot more behind this Master of Horror than we might not have known. To help dig into Craven and his work, we invited Mr. Maddrey on the show to talk about his book and this highly influential filmmaker.
Films mention in this episode:
Act of Vengeance (1974), Alone in the Dark (1982), Angel Heart (1987), The Believers (1987), Chiller (1985), Deadly Friend (1986), Death Wish (1974), Dreamscape (1984), Frankenstein Unbound (1990), Freddy’s Dead: The Final Nightmare (1991), Friday the 13th (1980), Friday the 13th Part VI: Jason Lives (1986), Friday the 13th Part 3 (1982), Friday the 13th: A New Beginning (1985), Ghost (1990), Hills Have Eyes (1977), Hills Have Eyes 2 (1984), The Horror Show (1989), I Spit on Your Grave (1978), Jacob’s Ladder (1990), Last House on the Left (1972), A Nightmare on Elm Street (1984), A Nightmare on Elm Street 3: Dream Warriors (1987), Night of the Living Dead (1968), Red (2005), Scream (1996), The Serpent and the Rainbow (1988), Shocker (1989), Swamp Thing (1982), The Thing (1982), Together (1971), War of the Worlds (1953), Wes Craven’s New Nightmare (1994)
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Fehlende Folgen?
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The Legend of Hell House (1973), Hausu (1977), The Abandoned (2006)
In older small towns, there is usually some old house on the outskirts of town, maybe someone lives there, maybe not. But it is one that young kids dare themselves to go up to. And if you do dare to enter this dwelling, you'll find creaking boards, dust covered items from furniture to knick-knacks, and a lot of cobwebs. And any noise, no matter how small it might, gets the mind racing.
There is nothing better for the Halloween season than sitting down with a nice Haunted House movie. Which is why we decided to tackle 3 of our favorite scary movies about demented dwellings, as well as ones that we feel that need more attention. Going back to the very beginning of cinema, with Georges Méliès' The House of the Devil (1896), it shows how important this sub-genre is, and why filmmakers continue to go back to it. When done correctly, can be highly effective, and damn scary.
Films mentioned in this episode:
The Abandoned (2006), Aftermath (1994), Amityville Horror (1979), The Changeling (1980), The Chooper (1971), Color Out of Space (2019), The Conjuring (2013), Creepshow (1982), Dirty Mary Crazy Larry (1974), Dust Devil (1992), Dracula (1931), Escape to Witch Mountain (1975), The Evil (1978), Fletch (1985), Frankenstein (1931), Genesis (1998), The Ghost of Sierre de Cobre (1964), Hardware (1990), The Haunting (1963), Hausu aka House (1977), The House of Clocks (1989), The House of the Devil (1896), The House on Haunted Hill (1959), The House that Dripped Blood (1971), Ice from the Sun (1999), Infinity Pool (2023), The Innocents (1961), Jaws (1975), The Legend of Hel House (1973), The Old Dark House (1932), Paranormal Activity (2007), Pet Sematary (1989), Poltergeist (1982), Possessor (2020), Salem’s Lot (1979), Scrapbook (2000), The Shining (1980), Stir of Echoes (1999), Subconscious Cruelty (2000), Tennessee Gothic (2019), Terrified (2017), Twin of Evil (1972), The Uninvited (1944), The Watcher in the Woods (1980), The Woman in Black (1989)
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Four decades on, and Fangoria is still one of the leading voices of horror culture. But in it's heyday in the 1980s, it was the gold standard. It wouldn't be an overstatement to say that Fangoria was the most important part of horror culture at that time. On this episode of Discover the Horror, we take a trip through Fango's history and discuss how it shaped out love of the genre, as well as speculating on how it shaped the genre as a whole.
Movies mentioned in this episode:
Accion Mutante (1993), Bad Taste (1987), The Beyond (1981), Brain Dead (1992), Conan the Barbarian (1982), Creature from the Black Lagoon (1954), The Fly (1986), Geek Maggot Bingo (1983), Godzilla (1954), I Drink Your Blood (1971), Intruder (1989), I Spit on Your Grave (1978), Motel Hell (1980), Puppet Master III (1991), Q (1982), Shriek of the Mutilated (1974), Star Wars (1977), Texas Chain Saw Massacre (1974), Videodrome (1982), Zombie (1979)
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The Vampire Doll (1970), Lake of Dracula (1971), and Evil of Dracula (1974).
In the annals of Japanese horror cinema, this vampire trilogy from director Michio Yamamoto seems to be close to escaping into obscurity. In fact, try finding much more than a passing mention of these films in any reference books. But thanks to Arrow Video, all three of these films are at least saved from fading away in the sunlight like any good vampire, in one fantastic box set! Because these seemed to be on the outskirts of the vampire genre, we thought it would be a great opportunity for us to take a closer look at them, and to see if they need more attention. Listen and find out!
Films mentioned in this episode:
Blacula (1972), Cannibal Holocaust (1980), Count Yorga, Vampire (1970), Dracula 72 AD (1972), El Topo (1970), Evil of Dracula (1974), Frankenstein (1931), Frankenstein vs Baragon (1965), Horror of Dracula (1957), Ju-On (2002), King Kong vs Godzilla (1963), Lake of Dracula (1971), Lust for a Vampire (1971), Ring (1998), Seeding of a Ghost (1983), Son of Frankenstein (1939), Throne of Blood (1957), The Vampire Doll (1970), Vampyros Lesbos (1971)
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Re-Animator (1985), From Beyond (1986), and Dagon (2001)
Bringing the works of Howard Phillips Lovecraft to the screen is not an easy task. Much of the horror Lovecraft talked about wasn't described or explained too much, leaving it up to the reader. But when director Stuart Gordon, producer Brian Yuzna, and writer Dennis Paoli got together to adapt Lovecraft's 1922 story "Herbert West - Re-Animator" for a movie, they changed cinema forever. Not only did they show us more than Lovecraft would ever dream of, they created a perfect blend of outrageous horror, gore, and bizarre imagery that would immediately put them in the horror history books.
The following year, they took another short story, From Beyond, first published in 1934, and showed even more strange, bizarre, and gooey things we'd seen before, going beyond then what the short story told us.
Then 15 years later, these three deranged creators returned to Lovecraft to take us to a fishing village filled with very unusual citizens, in 2001's Dagon.
While Gordon's filmography might not be filled with classic after classic, when he hit a home run, usually he was working with Yuzna and Paoli.
Films mentioned in this episode:
Black Gloves (2017), Color Out of Space (2019), Dagon (2001), Dust Devil (1992), From Beyond (1986), Halloween (1978), Hardware (1990), Lord of Tears (2013), Re-Animator (1985), Shrews Nest (2014), To Let (2006), Witching and Bitching (2013)
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Invasion of the Body Snatchers (1956), and Invasion of the Body Snatchers (1978).
We've decided to take on a little twist here, doing an on-going series that we're calling Twice Told Tales. This is where we are going to compare two films, an original and its remake. This is not to say which one is better, but to highlight the positives of both, what we feel works, and the differences between them.
For our first episode in this series, we're going to tackle the first two versions of Invasion of the Body Snatchers. We're not discussing about the 2 later day versions for any reasons specifically, but wanted to concentrate on the two that are more well know, and obviously because they were the first two versions. With both of these titles recently being released on 4K, you might find yourself wanting to upgrade. Careful, there are spoilers here, but I'm sure any fan of any merit already knows of what we'll speak about. Enjoy!
Movies mentioned in this episode:
Alien (1979), Black Christmas (1974), The Birds (1963), The Body Snatchers (1993), The Brood (1979), Candyman: Farewell to the Flesh (1995), Dead Zone (1983), Don’t Look Now (1973), Dr. Jekyll and Mr. Hyde (1920), (1931), (1941), The Golem (1914), (1920), (1936), The Fly (1986), Henry & June (1990), Invaders from Mars (1953), The Invasion (2007), Invasion of the Body Snatchers (1956), Invasion of the Body Snatchers (1978), The Lost Boys (1987), The Mummy (1932), (1959), (1999), (2017), The Phantom of the Opera (1925), (1943), (1962), (1988), (1998), Psycho (1960), (1998), Song at Midnight (1937), Suspiria (1977), The Thing (1982), The Thing from Another World (1951), Shock Waves (1977), The Stuff (1985)
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Mother's Day (1980), Madman (1981), Pieces (1982), and Evil Dead Trap (1988)
When you’re talking about horror films with most non-horror fans, they usually are thinking about the slashers which they seem to encapsule all of that genre. But when us fans start to dig into that sub-genre, that’s when the questions arise, parameters seemed like they have to set, even though plenty of the films go out of their way to beyond said parameters. As if any were meant to stay between the lines!
Then you start to delve into when the sub-genre started, which can then start another round of questions and discussions.
To help get those arguments . . . we mean discussions started, in this episode we’re going to cover 4 different slasher films, granted, of varying types, but we feel still fits into the category of slasher films. And to help with this, we’ve invited Aaron Crowell, Managing Editor of HorrorHound Magazine back to join in the conversation.
Movies mentioned in this episode:
Amsterdamned (1988), Angel Guts: High School Coed (1978), The Bad Seed (1956), Beyond the Darkness (1979), Black Christmas (1974), Blood Song (1982), Candyman (1992), Don’t Go in the House (1979), Don’t Go to Sleep (1982), Evil Dead Trap (1988), Evil Dead Trap 2 (1992), The Exorcist (1973), Final Exam (1981), Frankenstein’s Castle of Freaks (1974), Friday the 13th (1980), Frightmare (1974), The Girl in Room 2A (1974), The Girl Next Door (2007), Halloween (1978), Hatchet (2006), House on Sorority Row (1982), The Incubus (1982), It Follows (1914), Killer Party (1986), Lady Frankenstein (1971), The Leopard Man (1943), Living Doll (1990), The Lost (2006), Madman (1981), Maniac (1980), Mother’s Day (1980), Mother’s Day (2010), My Bloody Valentine (1981), Offspring (2009), Paranormal Activity (2007), Peeping Tom (1960), Pieces (1982), Psycho (1960), Rape Man (2008)The Rift (1990), Satan’s Blood (1978), Scream (1996), Slaughter High (1986), The Slayer (1982), Sleepaway Camp (1983), Slugs (1988), Sting of Death (1965), Supersonic Man (1979), Superstition (1982), Terrifier (2016), Texas Chain Saw Massacre (1974), Thanksgiving (2023), The Thing (1982), Thirteen Women (1932), Tourist Trap (1979), The Woman (2011), You’re Next (2011)
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Films discussed: Satan's Sadists (1969), Brain of Blood (1970), Dracula vs. Frankenstein (1971)
From the mid-60's until the late 70's director Al Adamson and producer Sam Sherman made some of the most memorable low-budget horror and exploitation pictures to slide across American drive-in and grindhouse screens. Together they made films that not only exemplified genre, they also often transcend and blended genres, creating something that has stuck in the filmgoing collective consciousness for over half a century. And when Severin Films released The Al Adamson Masterpiece Collection boxed set in 2020, whole new generations were introduced to Al and Sam's work, and those of us who were already familiar learned a thing or two (or twenty) and got to see them look better than they have since they sat on a double bill in a 70s sleaze palace.
All hail Al and Sam!Movies mention in this episode:
Black Shampoo (1976), Blood and Flesh: The Real Life and Ghastly Death of Al Adamson (2019), Blood of Ghastly Horror (1967), Brain of Blood (1971), Brides of Blood (1968), The Crawling Hand (1963), The Day Mars Invaded Earth (1962), Dracula vs Frankenstein (1971), Easy Rider (1969), Five Bloody Graves (1969), Frankenstein’s Bloody Terror (1968), Hell’s Bloody Devils (1970), Kingdom of the Spiders (1977), Laserblast (1978), The Mighty Gorga (1969), The Mummy and the Curse of the Jackals (1969), Mutant (1984), The Navy vs The Night Monster (1966), Night of the Blood Monster (1970), The Phantom of the Hollywood (1974), The Sadists (1963), Satan’s Cheerleaders (1977), Satan’s Sadist (1969), Shock (1946), Star Wars (1977), The Thrill Killers (1964), Trick or Treats (1982), The Wasp Woman (1959), The Witchmaker (1969), Without Warning (1980), The Wolf Man (1941)
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In the realm of low budget filmmakers, Al Adamson, along with his partner, producer Sam Sherman, are gods among men. They created a wide variety of pictures, in just about every sub-genre out there, and made with more love than money. But they were entertaining, and always memorable. Perhaps their most memorable (and successful) film was 1971's Dracula vs. Frankenstein, in no small part thanks to the casting of a young, unknown actor in the iconic role of Dracula. Raphael Engel, rechristened Zandor Vorkov was a whole new kind of creature of the night-longhaired, goateed, and able to shoot fire out of his ring, this was a brand-new Dracula for a brand-new age. Zandor's Dracula stalked across the screen of virtually every grindhouse and drive-in screen in America in the early 70s and then across every television screen in America for a couple of decades after that. While his Dracula was being elevated to pop culture celebrity, Zandor himself left the movie business and fell out of the public eye for decades. Go to a convention, and bring up Al Adamson, and someone would eventually say "I wonder what ever happened to Zandor Vorkov?"
Like any good vampire, he was just lying in the shadows, waiting to emerge anew!
And on this very special episode, we have asked Raphael to join us to and talk a little about himself, his time working with Adamson and Sherman, and his fascinating take on the horror fandom that he's only recently learned existed, but has embraced warmly.
You can check out Zandor's website by going to https://zandorvorkov.com or hitting him up on Facebook by clicking HERE.
And if you love Al Adamson and Sam Sherman, check out the next episode we're going to do, where we dig into three of our favorite films from them!
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The Cabinet of Dr. Caligari (1920), The Golem (1920), and Waxworks (1924).
In the very beginning of cinema, it was the German filmmakers who took cinema to the next level, even when it was still in its infancy. Creating strange angles, weird landscapes and buildings, and bizarre stories, these filmmakers gave audiences something completely new and different. It made such an impact, that it would inspire future filmmakers for generations to come.
While being silent, these films still created such haunting images, wild characters, and fantastical designs of the sets, that can still make an impact to today's modern audiences. When Discovering the Horror, it is always important to know how we got to where we are, and the German expressionist horror films of that era is a great place to start. If you want to scoff at silent cinema, then you are depriving yourself of some truly great pieces of art, and of history.
Films mentioned in this episode:
The Arrival of a Train (1896), The Bride of Frankenstein (1935), The Cabinet of Dr. Caligari (1920), Casablanca (1942), The Cat and the Canary (1927), The Devil and Daniel Webster, Dr. Caligari (1989), Dr. Jekyll and Mr. Hyde (1920), Dracula (1931), Frankenstein (1931), The Golem (1915), The Golem (1967), The Golem (2018), The Golem; How He Came into the World (1920), The Golem and the Dancer (1917), The Great Train Robbery (1903), The Hunchback of Notre Dame (1939), It! (1967), Ivan the Terrible (1944), The Man Who Laughs (1928), The Mummy (1932), Nosferatu (1922), The Phantom of the Opera (1925), Son of Frankenstein (1939), The Unknown (1927), Waxworks (1924)
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In the mid 1950's an overzealous witch hunt took place in the United States focused on the corrupting effects of comic books on young people, which ended in horror comics being banned from the shelves by a draconian comics code. But why? What did those comics contain that got people so riled up? Well, it depends on who you ask.
WE asked Dr. Dan Yezbick, a comics scholar, and he sparked a lively discussion. If you're only vaguely aware of this chapter of horror history, strap in, because pre-code horror is one of the more fascinating areas of the history of the genre.Comics mention in this episode:
Adventure into Darkness, Adventures into the Unknown, Amazing Mysteries, Archies, Beware, Black Cat Mystery, Boris Karloff’s Tales of Mystery, Boris Karloff’s Thriller, Casper the Friendly Ghost, Chamber of Chills, City of the Living Dead, Creepy, Crypt of Terror, Dark Shadows, Dead of Night, The Dead That Walk, Eerie Comics, Eerie, Grimm’s Ghost Stories, Haunt of Fear, Horrific, House of Mystery, House of Secrets, Judgement Day, Master Race, Mister Mystery, Morbius, The Occult Files of Dr. Spector, Ripley’s Believe It or Not True Ghost Stories, Shock Suspense Stories, Skeleton Hand, Tales from the Crypt, Tales from the Tomb, Tales Too Terrible to Tell, Terror Tales, Tomb of Dracula, Tower of Shadows, Twilight Zone, Vault of Horror, Werewolf by Night, Witch Doctor
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Them! (1954), The Deadly Mantis (1957), and The Black Scorpion (1957)
The decade of the 1950s gave horror fans a ton of different giant monster flicks, but usually taking something seemingly harmless, such as ants or grasshoppers, but somehow, someway, are mutated into growing into gigantic proportions! We had giant spiders, praying mantis, mollusks, and anything these creative filmmakers could come up, just make them bigger and let them loose!
While modern critics, or even those at the time when these titles came out, passed them off as something for the kiddies and not to be taken seriously. And sure, they were definitely made under the term of exploitation, but when you really look at them, there is a lot of talented people behind and in front of the camera, and some really well-made and creative craftsmanship going on as well. Some aspects may seem and are very dated by today's standards, but there is still a lot there, as well as a lot of entertainment value. So grab your can of raid, a giant size flyswatter, and maybe even some industrial strength gloves to wear so you don't have to tough any of these nasty little buggers, and listen to us have a little fun discussing some big creepy crawlers!
Movies mentioned in this episode:
Aliens (1986), Beast from 20,000 Fathoms (1953), The Beginning of the End (1957), The Black Scorpion (1957), The Blob (1958), Creature from the Black Lagoon (1954), The Deadly Mantis (1957), The Gauntlet (1977), Godzilla (1954), House of Dracula (1945), King Kong (1933), The Lost World (1925), Mighty Joe Young (1949), The Monster that Challenged the World (1957), Son of Kong (1933), S.O.S. Iceberg (1933), Sudden Impact (1983), Tarantula (1955), Them! (1954), The Thing from Another World (1951)
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Splinter (2008), Thanatomorphose (2012), and Contracted (2013)
When discussing films that deal with body horror, David Cronenberg and his work usually come up in the conversation. How can he not, when so many of his earlier films all dealt with some sort of body horror, mutations, and transformations? But there are plenty of films that go above and beyond (and even below) Cronenberg's impressive genre efforts... sometimes even making us wonder why we're watching them in the first place! Could it be that we just want to see how much grossness we can stomach? Or is there more to it?
Body horror is one of the most horrific of horror's subgenres, tossing heaping handfuls of disgust into the usual bag of scares. And maybe it's the hangover from the recent global pandemic, maybe it's the fact that by a certain age all of us have watched someone close to us fight a serious illness, or maybe it's just built into us by Mother Nature, but there's something especially horrific about body horror from infection. But what do we get from watching it? Disgust, discomfort, and maybe a deeper understanding of human experience and anxieties? We can for sure guarantee the first two- so let's dig in!
Disclaimer: by the end of the episode, you will be forgiven if you catch yourself looking at your body in a full-length mirror thinking "well, at least no maggots fell out of there."
Movies mentioned in this episode:
Abigail (2024), Beyond the Darkness (1979), Body Melt (1993), Carcinoma (2014), Contracted (2013), Creepshow (1982), The Fly (1986), Godzilla x Kong: The New Empire (2024), The Grudge 3 (2009), House of Wax (2005), Immaculate (2024), The Machinist (2004), Slime City (1988), Splinter (2008), Street Trash (1987), Thanatomorphose (2012), The Thing (1982), Toxic Avenger (1984)
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Creature from the Black Lagoon (1954), Revenge of the Creature (1955), The Creature Walks Among Us (1956).
And now, we come to the end of our Universal Monster episodes, having made our way through all the Dracula, Frankenstein, Invisible Man, Mummy, and the Wolf Man films, we now take a dive into the Black Lagoon! Coming out a little less than a decade after the last Universal Monster film (no, I'm not counting A&C Meet Frankenstein), it gave birth to a whole new generation of monster fans that might not have been around for the first cycle. And it did make quite the splash amongst fans, enough to permanently give its spot in the Universal Monster class. And there is a reason for that.
Join us while we take a deep dive into these films, maybe pushing you into the deep end of some of them, discussing some things you maybe didn't know about them, and hopefully, if we're doing our jobs, make you revisit them and think about them a little differently, or at least a little more. That's the beauty of films, that no matter how many times you may have seen it, you never know what the next viewing experience will bring you.
Films mentioned in this episode:
Creature from the Black Lagoon (1954), The Creature Walks Among Us (1956), Curse of the Werewolf (1961), The Deadly Mantis (1957), Demon of Paradise (1987), Dracula (1931), Frankenstein (1931), Friday the 13th Part 3 (1982), The Giant Claw (1957), House of Dracula (1945), House of Frankenstein (1944), Humanoids from the Deep (1980), The Incredible Shrinking Man (1957), It Came from Outer Space (1953), Jaws 3-D (1983), King Kong (1933), Mad Monster Party? (1967), The Mole People (1956), The Mummy (1932), Octaman (1971), Revenge of the Creature (1955), The Shape of Water (2017), She-Wolf of London (1946), Son of Frankenstein (1939), Tarantula (1955), The Thing from Another World (1951), This Island Earth (1955), The Wolf Man (1941)
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Obviously, many of us film fans see movies in theaters througout the year, whether it be at a national chain or at an independent, arthouse theater - or both. Some of us are even hitting film festivals, special screenings, and for the truly unhinged cinephiles, film marathons. For these kind of events to happen though, there have to be some mad geniuses behind the scenes. Those people are film programmers, and they do so much for our the culture of our fandom; from tracking down film the best quality prints available, to figuring out who owns the rights, to actually making the screenings happen. A lot of times their success comes down to the sheer passion they have for these offbeat, awkward, or just downright strange and fucked up motion pictures that makes them want to pass that along to new viewers. In other words, helping new fans Discover the Horror!
One of those mad geniuses is Will Morris, who is one of the programmers for the world-famous Music Box Theatre in Chicago. Will has been programming The Music Box of Horrors a 24-hour horror marathon for close to a decade now, as well as programming their yearly January Giallo festival, and much, much more. We invited Will to come on the show to not only explain a little of what he does, but why. Get ready for a fun and wild ride.
Movies mentioned in the episode:
964 Pinocchio (1991), Abby (1974), Alleluia (2014), Aswang (1994), The Beyond (1981), Blood of Ghastly Horror (1967), Blue Eyes of the Broken Doll (1974), Café Flesh, Calvaire (2004), The Carrier (1988), The Children (2008), Child’s Play 2 (1990), Class of Nuke ‘Em High Part II: Subhumanoid Meltdown (1991), Corruption (1983), Curucu, Beast of the Amazon (1956), The Demons (1973), Dracula, Prisoner of Frankenstein (1972), Dr. Caligari (1989), Emaneulle and the Last Cannibal (1977), Ernest Scared Stupid (1991), Evil Dead (1981), Evil Dead 2 (1987), The Exorcist (1973), Fiend with the Electronic Brain (1967), Fuck the Devil (1990), Fuck the Devil 2: Return of the Fucker (1991), Ganja & Hess (1973), Ginger Snaps (2000), The Granny (1995), Halloween III: Season of the Witch (1982), The House on Haunted Hill (1959), Last House on Dead End Street (1973), Mystics in Bali (1981), Nekromantik (1988), Jaws (1975), Jurassic Park (1993), Meet the Feebles (1989), Mirror Mirror (1990), Organ (1996), A Patch of Blue (1965), Possession (1981), Psycho a Go Go (1965), Of Unknown Origin (1983), [REC] (2007), Repulsion (1965), Roman Holiday (1953), Santet (1988), Sex Demon (2019), Shaun of the Dead (2004), The Snorkel (1958), The Tenant (1976), Tetsuo: The Iron Man (1989), The Thing (1982), Torso (1973), Vaya luna de miel (1980), When a Stranger Calls Back (1993), Witch with the Flying Head (1982), A Woman’s Torment (1977)
Show Notes:
THe Mondo fanzine mentioned: https://www.instagram.com/themondomaniac
The Music Box Theatre - https://www.musicboxtheatre.com
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The Ghost of Sierra de Cobre (1964), Crowhaven Farm (1970), and Cruise into Terror (1978)
With this being our 3rd episode covering these little television terrors, one would get the idea that there is a lot of teleplays, or TV-movies, out there that deserve our attention. And you would be correct! From the '60s into the early '80s, there was a plethora of amazing features being made for the little boob tube, not to mention a wide variety to talent behind them too!
Unfortunately, a lot of these titles still wander in limbo, never getting a legitimate release, some never even seeing a VHS release. While you can find a lot on YouTube, we're all hoping for a real legitmate release at some point. Until then, we do what we must to see some incredible films!
So grab your notepad because we're going to discuss 3 titles that are definitely worth your time, and hope to spark you to take a little further adventure into Made-for-TV Terrors!
Titles Mentioned in this Episode:
American Beauty (1999), Are You in the House Alone (1978), Bad Ronald (1974), Blue Velvet (1986), Bog (1979), Butch Cassidy and the Sundance Kid (1969), A Cold Night’s Death (1973), Cool Hand Luke (1967), Crowhaven Farm (1970), Cruise into Terror (1978), Cult of the Cobra (1955), Day of the Animals (1977), Devil Dog: The Hound of Hell (1978), The Disembodied (1957), Fiend without a Face (1958), The Ghost of Sierra de Cobre (1965), Grave of the Vampire (1972), It! The Terror from Beyond Space (1958), Marnie (1964), Nightmare on Elm Street 2: Freddy’s Revenge (1985), North By Northwest (1959), The Night Stalker (1972), Psycho (1960), Rebecca (1940), Red Dawn (1984), Rosemary’s Baby (1968), Salem’s Lot (1979), Satan’s School for Girls (1973), Shanks (1974), Simon King of the Witches (1971), Slumber Party Massacre 2 (1987)
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During conversations with serious film collectors, you might hear terms like inter-positive, or first negative, or even OCN, and have no clue to what they actually mean. Don’t feel bad because a lot of us are in the same boat. These are some of the many terms used when discussing the preservation and archiving of films, not to mention the amount of work that goes into doing just that. Plus, we’re not talking about the latest title coming from the MCU, but ones that were made for pennies a half a century ago, or longer, that got very little distribution, sometimes not even here in the states. But due to the thankless job (that we’re hoping to change) of some dedicated cinephiles, they are doing their best to bring those titles back from nearly being a lost film.
To help educate us on some of those terms, the processes, and just the sheer craziness of it all, we’ve asked Vault Manager and Archivist Oscar Becher from Vinegar Syndrome to do just that. While we’re not covering specific films for this episode, we're pretty sure you’re going to learn a thing or two, maybe be even amazed at hearing some of the processes that go into bringing you that nice and spiffy new Blu-Ray of one of your favorite films.
Titles mentioned in this episode:
Against the Grain (2023), Blood for Dracula (1974), Deep Inside Annie Sprinkle (1981), Dog Tags (1987), Enter the Clones of Bruce (2023), Flesh for Frankenstein (1973), Frankenstein (1931), Grindhouse (2007), Martyrs (2008), New York Ninja (2021), The Night of the Hunter (1955), No Tears for the Damned aka The Las Vegas Strangler (1968), Piranha (1978), The Playgirls and the Vampire (1960), Putney Swope (1969), The Rare Blue Apes of Cannibal Isle (1975), Singin’ in the Rain (1952), Star Wars (1977), Thriller: A Cruel Picture (1973), Voodoo Heartbeat aka The Sex Serum of Dr. Blake (1973)
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Chained (2012), Honeymoon (2014), and Relic (2020)
With over 60 episodes so far in our podcast history, we realized that in all that we covered, we had never covered anything by a woman director. We knew we needed to change that. Going through the history of women directors, we realized that not only wasn't something new, but have been working in the industry since the beginning of film. And in the last two decades, have really started to show their stuff. So to help celebrate Women's History Month, we figured it was well past due that we tackle three films that were directed by women, once again, picking three random titles, but amazed to find just how similar they were to each other, not to mention being very effective in their craft, and storytelling.
Movies mentioned in this episode:
American Mary (2012), Army of Darkness (1992), The Babadook (2014), Chained (2012), Cockney vs Zombies (2012), Coffy (1973), Dead Hooker in a Trunk (2009), Fear Street: Part One 1994 (2021), Fear Street: Part Two 1978 (2021), Fear Street: Part Three 1666 (2021), Ganja and Hess (1973), Ginger Snaps (2000), Hollywood Chainsaw Hookers (1988), Honeymoon (2014), Humanoids from the Deep (1980), In My Skin (2002), Inside (2007), Invasion of the Body Snatcher (1956), Kids (1995), Look What Happened to Rosemary’s Baby (1976), Maniac (1980), The Monster and the Girl (1914), Near Dark (1987), The Nightingale (2018), Pet Sematary (1989), The Pit and the Pendulum (1913), The Relic (1997), Relic (2020), A Serbian Film (2010), The Silence of the Lambs (1991), Starry Eyes (2014), Slumber Party Massacre (1982), Street Trash (1987), The Taking of Deborah Logan (2014), Vampire (1915)
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Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), and House of Dracula (1945).
Some say that the monster rally films marked the end of the Universal creature features, which could partially be true, but we feel it is for different reasons than the actual films themselves, and they still have a lot of merit to them. While the studio heads might not of cared too much about getting them made, those invovled did their best with what they had. One of the biggest highlights of these titles is the cast of actors in them, some making their last appearances. You get to see Karloff, Chaney Jr., Carradine, J. Carrol Naish, George Zucco, Lionel Atwill, Dwight Frye, and so many other regular faces that will bring a smile to your face when they pop up onscreen.
While maybe running a little thin on ideas and decided to start combining monsters to hopefully bring back bigger box office returns, they still made films that we all still feel are entertaining and we feel are more than worth your time.
Movies mentioned in this episode:
Abbott & Costello Meet Frankenstein (1948), Billy the Kid vs Dracula (1966), The Body Snatcher (1945), Dracula (1931), Frankenstein (1931), Frankenstein Meets the Wolf Man (1942), Freddy vs Jason (2003), Ghost of Frankenstein (1942), House of Dracula (1945), House of Frankenstein (1944), The Invisible Man (1933), The Invisible Man Returns (1940), Man Made Monster (1941), A Nightmare on Elm Street (1984), The Mummy’s Hand (1940), Nocturna (1979), Of Mice and Men (1939), She-Wolf of London (1946), Son of Dracula (1943), Son of Frankenstein (1939), Son of Kong (1933), The Wolf Man (1941)
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