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FXF3005 DAVID MAMET: BARBARA TULLIVER, MAURICE SCHELL and MICHAEL BARRY
Since the nineteen-seventies, playwright, screenwriter, director and author, David Mamet has been writing comedies and dramas in which the art of the con, the abuse of power and the search for truth is as much a subject as is a cadence of speech and quality of character. Raised in Chicago during the Cold War, David Mamet has collaborated with New York professionals in theater and film for over 40 years, beginning with his Off Broadway debut in 1976 a trio of plays, The Duck Variations, Sexual Perversity in Chicago, and American Buffalo. He was awarded the Pulitzer Prize in 1984 for his play, Glengarry Glen Ross. One of the most prolific contemporary dramatists, David Mamet at the time of this recording has written and produced 38 plays, 33 screenplays, and 18 books both novels, and non-fiction. David Mamet's first produced screenplay was the 1981 production of The Postman Always Rings Twice, directed by Bob Rafelson. He received an Academy Award nomination one year later for his screenplay, The Verdict, directed by Sidney Lumet. He also wrote the screenplay for The Untouchables directed by Brian DePalma.
I spoke with longtime collaborators motion picture editor Barbara Tulliver, sound editor Maurice Schell and re-recording mixer, Michael Barry about working with David Mamet in film and television.
Frame By Frame is expanding to include short interviews spotlighting up and coming new york post professionals talking about their collaborations with bold new filmmakers in snapshot conversations called New York Minute. Listen for upcoming mini-episodes inserted within the larger podcasts soon. We welcome your suggestions - write to us at [email protected]
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced by Isabel Sadurni and Ben Baker. -
FXFS3EP4_ROBERT-BENTON_TOM_FLEISCHMAN_BOB_REITANO_MICHAEL JACOBI
A soft-spoken, young writer from Texas, Robert Benton broke onto the feature film scene with his debut screenplay, Bonnie and Clyde for which he was nominated for an Academy Award. Developing into a writer/director, he won Oscars for Kramer vs Kramer and Places in the Heart. Here, we gather with collaborators, re-recording mixer, Tom Fleischman, picture editor, Bob Reitano and ADR Supervisor, Michael Jacobi, describe the New York scene that gave birth to Robert Benton's best collaborations and their part in creating films like Places In The Heart and Billy Bathgate.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced by Isabel Sadurni and Ben Baker. -
Fehlende Folgen?
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FXF3002 Alan Pakula:Ron Bochar, Chic Ciccolini III, Lee Dichter, Todd Kasow, Deborah Wallach
Raised in the Bronx New York, the son of a printer, Alan J. Pakula would become on of the most important film makers of the 1960’s and 70’s. In 1962, as the producer of To Kill A Mockingbird he earned his first Oscar nomination for best Picture. In the years to come, Oscar nominations and wins were frequent for films such as The Sterile Cuckoo, Klute, All the Presidents Men, Comes A Horseman and Sophie’s Choice. His frequent collaborators included cinematographer Gordon Willis and Nestor Almendros, composers Marvin Hamlisch and Michal Small and the New York post-productions teams who he called his family.
In this episode, re-recording mixer, Lee Dichter, supervising sound editors, Chic Ciccolini and Ron Bochar, ADR supervisor Deborah Wallach and music editor Todd Kasow talk about working with Alan Pakula on the films Rollover, See You In The Morning, DreamLover, Sophie’s Choice, Orphans, The Pelican Brief and The Devil’s Own.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced by Isabel Sadurni and Ben Baker. -
FXF3001 Arthur Penn: Suzana Peric, Steve Rotter, Ron Roose, Marc Laub, Jeffrey Wolf, Bob Reitano
Perhaps best known for his 1968 film, Bonnie and Clyde, stage, television and film director Arthur Penn’s masterful sense of rhythm and movement, his pioneering approach to representing violence, as well as his ability to consistently evoke powerful performances established Arthur Penn as one of the most important American directors of the 1960’s and 70's.
Here several Arthur Penn collaborators including picture editors, Steve Rotter, Ron Roose, Jeffrey Wolf, picture and sound editors, Bob Reitano and Marc Laub and music editor Suzana Peric talk about their experiences working with Arthur Penn on the films Mickey One, Alice’s Restaurant, Little Big Man, Night Moves, Missouri Breaks, Four Friends, Target and Penn and Teller Get Killed.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced by Isabel Sadurni, Shari Johanson and Ben Baker.Arthur Penn and Faye Dunaway
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Photo credit: In the Alice’s Restaurant cutting room, from left, Richard Marks, Dede Allen, Frank Mazzola, Jerry Greenberg, Joanne McGarrity Burke, Stephen Rotter, Kathie Amatniek Sarachild and Dick Goldberg (seated) in 1969.
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FXF2006: Dan Sable, Sound Editor for Woody Allen's Annie Hall and Manhattan, Brian De Palma's Carrie, Dressed to Kill and Blow Out
In Brian DePalma’s 1981 film Blow Out, the main character is a sound effects specialist who accidentally records a murder while collecting night sounds for his effects library. The inspiration for this character was Dan Sable, a New York-based sound editor and a collaborator of DePalma’s on nine of his films including, Carrie, Dressed to Kill and Blow Out. Dan Sable built a career as a sound editor working on films such as Annie Hall and Manhattan and multiple films with Woody Allen. Other directors with whom he collaborated include Bob Fosse, Volker Schlorndorff, Ron Howard and Jonathan Demme.
This interview was recorded in Dan Sable’s home home by Ira Spiegel and Shari Johanson for Frame By Frame and may be included in an forthcoming documentary on the new York Post Facility Sound One. Here, Dan talks about how he got his start in the film business, specifically in working with filmmaker Brian dePalma, how he successfully transitioned from working in analog and adapted to the tools of the digital era. He begins by discussing the difference between taking on the position of sound editor versus sound supervisor
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced by Isabel Sadurni, Shari Johanson and Ben Baker.Photo credit: In Brian dePalma's 1981 film, Blow Out, John Travolta stars as a sound recordist and editor, based on his real-life collaborator, Dan Sable.
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FXF2001: Films of Jim Jarmusch- Jay Rabinowitz, Chic Ciccolini, Dominick Tavella
In the first episode of Frame By Frame Season 2, picture editor, Jay Rabinowitz, sound editor, Chic Ciccolini and re-recording mixer, Dominick Tavella talk about their craft and process in collaborating with filmmaker Jim Jarmusch on his films from the 1980’s and 90’s Coffee and Cigarettes, Night On Earth, and Ghost Dog.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced by Isabel Sadurni and Ben Baker. -
FXF2005 Jim Jarmusch PT2: Jay Rabinowitz, Bob Hein, Tony Volante
Coming together in the early 1980’s filmmaking scene of New York, picture editor Jay Rabinowitz and sound editor Bob Hein first met in collaborating on Jim Jarmusch’s film Mystery Train which led to multiple collaborations over 25 years of working with Jim Jarmusch on such films as Broken Flowers, Dead Man, and Limits of Control. Rerecording mixer, Tony Volante joined in mixing the feature film, Coffee and Cigarettes and has since also mixed on Paterson with Bob Hein as sound editor. Jay, Bob and Tony start out by describing the filmmaking scene of 1980’s New York and how that set the tone for future collaborations. Jay Rabinowitz also talks about his process as a picture editor working with Jim Jarmusch and how the film Dead Man came together.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced by Isabel Sadurni and Ben Baker. -
FXF2004- Eyes On The Prize: Sam Pollard and Lillian Benson.
For Sam Pollard, Emmy and Peabody award-winning a director, producer, picture editor and frequent collaborator with Spike Lee (Style Wars, Mo' Better Blues, Girl 6, Bamboozled, Clockers, When the Levees Broke: A Requiem in Four Acts, Four Little Girls and August Wilson: The Ground on Which I Stand), and for Lillian Benson, recipient of the 2017 Motion Picture Editor's Guild Fellowship and Service Award and Emmy and Peabody award-winning picture editor (Get In The Way: The Journey of John Lewis and Maya Angelou: And Still I Rise) documentary filmmaking has proven to be the most powerful form of expression artistically, personally and professionally.
Coming up during the civil rights movement of the late 1960’s and 70’s New York they recognized the documentary film form as a medium that amplified their own voices and talents in telling the story of African Americans. Though their paths crossed on several New York- based projects, it was the Peabody and multi-Emmy award winning, Eyes on the Prize Parts 1 and 2, the landmark 14-part documentary series, telling the story of the American civil rights movement from 1952 to 1985 that was the most pivotal experience.
In this episode, Pollard and Benson tell their story of rising up through the New York documentary film scene to become two of the most important and influential documentarians of their generation.Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced By Isabel Sadurni and Ben Baker. -
PART 7. THE END/ REBIRTH
In 2012, Sound One, possibly the most successful post-production facility in New York City’s history, closed its doors after 44 years of business. What caused the demise of Sound One is a point of contention between the clients, former owners, founders and staff, who hold multiple theories about why it failed financially. Some blame a distant holding company in Denver who some say were out of touch with the needs of the local community in New york and undermined the business practices which required creative and financial flexibility to maintain its base of both established and up and coming filmmakers. Others cite a long process of chipping away at the character of Sound One over a period of time during which the company was bought and sold five times to various entities.
Here former staff and clients explain in their words, how the end of Sound one came to be and how in the wake of its undeniable force created new pools of talent and multiple post-production facilities in New York, all of them strengthened by the work ethic and familial bonds of developed at Sound One.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced By Isabel Sadurni, Shari Johanson and Ben Baker. -
PART 6. LEADING THE DIGITAL REVOLUTION
The dawn of the digital era marked a major pivot point in post production technology that left some behind in analog while others charged fearlessly into a brave new world. Sound One led the post-production digital revolution, testing software, and equipment for the film industry before Hollywood, to ensure a smooth transition into the Digital Age. In this episode, former Sound One staff and clients discuss navigating the technological changes from analog to digital in the film and television sound editing medium in the late 80’s and 90’s.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced By Isabel Sadurni, Shari Johanson and Ben Baker. -
PART 5: THE FOLEY ARTIST
Elisha Birnbaum, co-founder of Sound One, is considered one of the best NY foley artists of his generation. His stage looked like a suburban garage or basement or attic with various surfaces on the floor and, shelves filled with props used to create sounds. You would often meet Elisha walking around the hallways of Sound One in cut off jean shorts, and womens high heels, which he wore when foleying the sound of womens footsteps. Here, staff and clients retell stories of working with Elisha and others at Sound One in recognizing the creative genius behind Elisha’s work and the role of the foley artist.
From 1968 to 2012, Sound One grew from a solo operation to becoming the most successful post-production sound and editing facility on the East Coast. At its apex, Sound One inhabited five floors of the famed Brill Building housed 150 edit suites and over 300 clients and staff at its apex and commanded 85% of post-production business in New York. As its reputation grew, it became the go to post-production home for such filmmakers as Sidney Lumet, Arthur Penn, George Roy Hill, Jonathan Demme, Woody Allen and Martin Scorsese and through its constant support of independents, helped launch the careers of filmmakers like the Alan Pakula, Spike Lee, The Coen Brothers, M. Night Shyamalan, Michael Moore, Ken Burns and countless post-production professionals and helped post-produce some of cinemas most influential works.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced By Isabel Sadurni, Shari Johanson and Ben Baker. -
PART 4. A DAY IN THE HALLWAYS
Walking down the hallways and riding the elevators of Sound One’s Brill Building at 1619 Broadway at 49th St could instantly offer exposure to the major leagues of the New York film industry. At the very best, it could offer an introduction towards working with some of the most important, upcoming and established filmmakers, actors and musicians working in the New York at the time. In this segment, former staff and clients of the Sound One community share stories of walking down the hallways and riding the elevators at Sound One, depicting how and why Sound One came to represent the center of the New York film universe.
From 1968 to 2012, Sound One grew from a solo operation to becoming the most successful post-production sound and editing facility on the East Coast. At its apex, Sound One inhabited five floors of the famed Brill Building housed 150 edit suites and over 300 clients and staff at its apex and commanded 85% of post-production business in New York. As its reputation grew, it became the go to post-production home for such filmmakers as Sidney Lumet, Arthur Penn, George Roy Hill, Jonathan Demme, Woody Allen and Martin Scorsese and through its constant support of independents, helped launch the careers of filmmakers like the Alan Pakula, Spike Lee, The Coen Brothers, M. Night Shyamalan, Michael Moore, Ken Burns and countless post-production professionals and helped post-produce some of cinemas most influential works.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced By Isabel Sadurni, Shari Johanson and Ben Baker.
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PART 3: TRIBUTE TO BILL NISSELSON AND SYBIL BROWN
Bill Nisselson was often described as the heart of Sound One. As managing Director from 1979-2001, Bill, alongside co-founder Elisha Birnbaum, set the tone of interaction, organized the deals and orchestrated the cross-traffic of post-production work between staff and clients which at its apex commanded 6 floors in the Brill Building and took in over 85% of the post-production film business in New York.
Not far from Bill’s office Sybil Brown, the receptionist from 1985-2005, offered a warm welcome, fresh flowers and the uncanny ability to locate people by phone in crucial moments and also stood as essential to the heartbeat of the Sound One experience.
In this episode, staff and clients remember their interactions with Bill Nisselson, and Sybil Brown and share their stories about how both Bill and Sybil played a dominant role not only in shaping the working environment of Sound One, but also in shaping peoples lives.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced By Isabel Sadurni, Shari Johanson and Ben Baker. -
PART 2: FAMILY
In the late 1960’s and early 70’s, years before Sound One had established itself as one of the most successful and highly respected sound facilities on the East Coast, it was a solo operation. Elisha Birnbaum, a sound editor and foley artist who had recently emigrated from Israel, worked with a small team but quickly developed a reputation for creating a highly productive, family atmosphere filled with astonishing creativity, quality product and quick turnaround time that attracted both the established and uninitiated to work at his studio.
At its apex of productivity Sound One would take in 85% of all post-production work in New York City and would help launch the careers of both post production professionals and filmmakers like The Coen Brothers, Spike Lee, Alan Pakula, Michael Moore and Ken Burns among others. Here staff and clients share stories about the personal bonds and animal spirit that helped define the dynamics at work at Sound and how they created what has come to be known as the Sound One Family.
From 1968 to 2012, Sound One grew from a solo operation to becoming the most successful post-production sound and editing facility on the East Coast. At its apex, Sound One inhabited five floors of the famed Brill Building housed 150 edit suites and over 300 clients and staff at its apex and commanded 85% of post-production business in New York. As its reputation grew, it became the go to post-production home for such filmmakers as Sidney Lumet, Arthur Penn, George Roy Hill, Jonathan Demme, Woody Allen and Martin Scorsese and through its constant support of independents, helped launch the careers of filmmakers like the Alan Pakula, Spike Lee, The Coen Brothers, M. Night Shyamalan, Michael Moore, Ken Burns and countless post-production professionals and helped post-produce some of cinemas most influential works.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced By Isabel Sadurni, Shari Johanson and Ben Baker. -
PART 1: THE BEGINNING
From 1968 to 2012, Sound One grew from a solo operation run by Elisha Birnbaum a foley artist and sound editor recent emigrated from Israel to becoming the most successful post-production sound and editing facility on the East Coast. Inhabiting seven floors of the famed Brill Building and commanding at least 85% of post-production business in New York, Sound One housed 150 edit suites and over 300 clients and staff at its apex. As its reputation grew, it became the go to post-production home for such filmmakers as Sidney Lumet, Arthur Penn, George Roy Hill, Jonathan Demme, Woody Allen and Martin Scorsese and through its constant support of independents, helped launch the careers of filmmakers like the Alan Pakula, Spike Lee, The Coen Brothers, M. Night Shyamalan, Michael Moore and Ken Burns and countless post-production professionals generating some of cinemas most important films.
The Beginning tells the story of how Sound One answered a need for local sound stages in the early 1970's New York film industry and redefined the post-production community in the process.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced By Isabel Sadurni, Shari Johanson and Ben Baker. -
FXF2002: Sidney Lumet's NETWORK- Alan Heim, Mark Laub, Michael Jacobi and Jeffrey Wolf.
In 1976, an American satirical film written by Paddy Chayefsky and directed by Sidney Lumet, called Network, about a fictional television network, UBS, and its struggle with poor ratings, starring Faye Dunaway, William Holden, Peter Finch, Robert Duvall and Beatrice Straight was nominated for 12 Academy Awards including best film, best director and best editor. Network, won four Academy Awards, including Oscars for Chayefsky’s script, Beatrice Straights’ performance as an outraged wife, Faye Dunaway’s performance as a cynical programming executive and Peter Finch’s frenetic portrayal of Howard Beale, the troubled “mad prophet of the airwaves.”
Thirty-five years later, “Network” remains an incendiary if influential film, and its screenplay is still admired as much for its predictive accuracy as for its vehemence and a relentless sense of purpose. Screenwriter Aaron Sorkin, cited Chayefsky when he accepted his Oscar for the screenplay of “The Social Network,” and wrote later that “no predictor of the future — not even Orwell — has ever been as right as Chayefsky was when he wrote ‘Network.’ ”
Alan Heim, the picture editor of the film, Mark Laub, one from a team of sound editors, Michael Jacobi and Jeffrey Wolf, the first assistant editor and the apprentice editor on the film at the time, tell their stories of how the film came together and what it was like in various stages working with director Sidney Lumet, writer Paddy Chayefsky and Producer Howard Gottfried.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced by Isabel Sadurni and Ben Baker. -
FXF1005: Angelo Corrao and Alex Halpern
Post Factory Founder, Alex Halpern and picture editor Angelo Corrao talk about their collaboration on Nine Good Teeth as well as Angelo’s work on Bruce Weber’s Let’s Get Lost and their experiences coming up in the 1980's New York film scene and developing early relationships with filmmakers like The Coen Brothers.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced by Isabel Sadurni and Ben Baker. -
FXF1004:Sidney Lumet'sThe Verdict:Maurice Schell, Peter Frank, Lee Dichter.
Sound editor, Maurice Schell (Gimme Shelter, Serpico, The Missouri Breaks,Apocalypse Now, All That Jazz, Melvin and Howard, Reds, Scarface) , re-recording mixer,Lee Dichter, (Grey Gardens, Sophie’s Choice, Hannah and Her Sisters, Miller’s Crossing, The Civil War) and picture editor Peter Frank, (The Verdict, Cadillac Records, Dirty Dancing) share stories about coming up in the 1960's 70's and 80's in the New York film industry and their collaboration onSidney Lumet’sThe Verdict.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced by Isabel Sadurni and Ben Baker. -
FXF1003- The Ice Storm, Life Of PI: Tim Squyres and Phil Stockton
In Episode 4, picture editor Tim Squyres and sound editor, Phil Stockton share stories from collaborating together for over 20 years working with film directors such as Martin Scorsese, Ang Lee, Robert Altman, the Coen Brothers, Jonathan Demme and Spike Lee and how advances in technology have encouraged a merging of their roles.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced By Isabel Sadurni and Ben Baker. -
FXF1002- Vinyl & Boardwalk Empire- Kate Sanford and Tim Streeto
Television and feature film editors Kate Sanford (The Wire, The Deuce) and Tim Streeto (The Squid and the Whale, Greenberg) describe their process in developing the hit series Boardwalk Empire with Martin Scorsese, Tim Van Patten and Terry Winter as well as how they worked together with Martin Scorsese, Terry Winter and Mick Jagger to create Season 1 of Vinyl.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
Produced By Isabel Sadurni and Ben Baker. - Mehr anzeigen
