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Juli Min discusses her debut novel, Shanghailanders, as well as starting with place, working toward the backward-in-time structure, writing sisters, writing “mean” characters, the notion of home, the work of writing historical fiction, how becoming a mother made her fearless as a writer, the Shanghai lit scene and more!
Juli Min is a Korean-American writer based in Shanghai. She holds an MFA in fiction from Warren Wilson, and she studied Russian and comparative literature at Harvard University. Her novel Shanghailanders will be published in May 2024 by Spiegel & Grau (US) and Dialogue Books (UK). Translations are forthcoming in Japanese, German, Spanish, and Norwegian.
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Julia Hannafin discusses their debut novel, Cascade, as well as the research she did into the Farallon Islands, writing from life, bird shit, grief, working with Great Place Books, the difference between writing for TV and writing novels, and more!
Born and raised in Berkeley, Julia Hannafin now lives in Los Angeles. They have written episodes for television. Cascade is her debut novel.
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Fehlende Folgen?
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Clare Beams (The Garden) discusses the fascinating medical history behind her new novel, writing a “ghost story,” crafting a sympathetic villain and an unlikable main character, finding inspiration and darkness by re-reading The Secret Garden as an adult, and more!
Clare Beams’s new novel, The Garden, will be published by Doubleday in April of 2024. It has been longlisted for the 2024 Joyce Carol Oates/New Literary Project Prize and featured on anticipated lists at LitHub and Bookshop.org. Her novel The Illness Lesson, published in February of 2020 by Doubleday, was a New York Times Editors’ Choice and was longlisted for the Center for Fiction First Novel Prize. It was named a best book of 2020 by Esquire and Bustle and a best book of February by Time, O Magazine, and Entertainment Weekly. Her story collection, We Show What We Have Learned, was published by Lookout Books in 2016; it won the Bard Fiction Prize, was longlisted for the Story Prize, and was a Kirkus Best Debut of 2016, as well as a finalist for the PEN/Robert W. Bingham Prize, the New York Public Library’s Young Lions Fiction Award, and the Shirley Jackson Award. Her short fiction appears in One Story, n+1, Ecotone, Conjunctions, The Common, Kenyon Review, Hayden’s Ferry Review, Electric Literature’s Recommended Reading, and The Best American Nonrequired Reading, and has received special mention in The Pushcart Prize and twice in The Best American Short Stories. She has received fellowships from the National Endowment for the Arts, the Bread Loaf Writers' Conference, the Sewanee Writers' Conference, MacDowell, and the Sustainable Arts Foundation, and was a finalist for the 2023 Joyce Carol Oates/New Literary Project Prize. Clare lives in Pittsburgh with her husband and two daughters and currently teaches in the Randolph MFA program.
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Daniel Sweren-Becker discusses his new novel, Kill Show, as well as using the oral history format, finding the right balance of red herrings to tantalize but not torture the reader, true crime, the way truth can be shaped and manipulated, white man’s fragility, and more!
Daniel Sweren-Becker is an author, a television writer, and a playwright living in Los Angeles. He graduated from Wesleyan University and received an MFA from New York University. His play Stress Positions premiered in New York City at the SoHo Playhouse, and he is the author of the novels The Ones and The Equals. His new novel is Kill Show.
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Katya Apekina discusses her new novel, Mother Doll, as well as using humor as a coping mechanism and a vehicle for intimacy, sex scenes, giving a ghost a voice, being inspired by her grandmother’s memoirs, generational trauma, time as something stacked rather than something sprawling, ambiguous endings, and so much more!
Katya Apekina is a novelist, screenwriter and translator. Her novel, The Deeper the Water the Uglier the Fish, was named a Best Book of 2018 by Kirkus, Buzzfeed, LitHub and others, was a finalist for the LA Times Book Prize and has been translated into Spanish, Catalan, French, German and Italian. She has published stories in various literary magazines and translated poetry and prose for Night Wraps the Sky: Writings by and about Mayakovsky (FSG, 2008), short-listed for the Best Translated Book Award. She co-wrote the screenplay for the feature film New Orleans, Mon Amour, which premiered at SXSW in 2008. She is the recipient of an Elizabeth George grant, an Olin Fellowship, the Alena Wilson prize and a 3rd Year Fiction Fellowship from Washington University in St. Louis where she did her MFA. She has done residencies at VCCA, Playa, Ucross, Art Omi: Writing and Fondation Jan Michalski in Switzerland. Born in Moscow, she grew up in Boston, and currently lives in Los Angeles with her husband, daughter and dog.
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Brandi Wells talks about their debut novel, The Cleaner, and discusses the Muppet Babies, writing a character who’s inventing her own world, what constitutes “real work,” what they love about teaching, revising by listening to their book be read to them over and over, weird coworkers, and more!
Brandi Wells is the author of the novella, This Boring Apocalypse as well as a full length chapbook of stories, Please Don't Be Upset. Their fiction appears in Puerto Del Sol, Mid-American Review, Tri-Quarterly and many other journals. A native of Georgia, they teach creative writing at California State University, Fullerton.
Their new novel is The Cleaner, an offbeat, darkly clever tale about a night cleaner who discovers a toxic secret about her company’s CEO—and decides to take matters into her own hands.
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Sarah Kain Gutowski discusses her book-length narrative in poems, The Familiar, the way she’s made space for her Extraordinary and Ordinary Selves, figuring out how to market herself and her work, finding the meaning in darkness, collaborating with Texas Review Press, and more!
Sarah Kain Gutowski is the author of Fabulous Beast, winner of the 14th annual National Indies Excellence Award for Poetry and a 2019 Foreword Indies Finalist. With interdisciplinary artist Meredith Starr, she is co-creator of Every Second Feels Like Theft, a conversation in cyanotypes and poetry, and It’s All Too Much, a limited edition audio project. Her poems have appeared in The Gettysburg Review, The Threepenny Review, Painted Bride Quarterly, and The Southern Review, and her criticism has been published by Colorado Review, Calyx, and New York Journal of Books.
Her new collection is a book-length narrative in poems titled The Familiar, which explores female mid-life existential crisis through two characters, the Ordinary Self and the Extraordinary Self, who send a single household into chaos as they vacillate between the siren call of ambition, the necessity of the workplace, and responsibility to love and family.
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Today, John Cotter (Losing Music) discusses writing a memoir by accreting details, revision, being a gusher or not, reinventing the wheel with every project, considering the reader, how his memoir is actually a mystery, the inhumanity of the medical industry, and more!
John Cotter is the author of the novel Under the Small Lights, and the memoir Losing Music, which Oprah Daily calls, “as much a love letter to sound itself as it is a chronicle of loss; your world will sound different after reading it.” The Millions calls Losing Music, “a powerful addition to the memoir canon–hard-hitting, beautiful, profound.” And The Wall Street Journal says, “Evidence that Mr. Cotter’s ear is still keen for the melodies of language sings from every page.”
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Today, Abbott Kahler (Where You End) discusses the true story that inspired her novel, how her writing process changed as she pivoted from nonfiction to fiction, outlining, the unique world of twins, working with her longtime group of readers, starting all over, and more!
Abbott Kahler, formerly writing as Karen Abbott, is the New York Times bestselling author of Sin in the Second City; American Rose; Liar, Temptress, Soldier, Spy; and The Ghosts of Eden Park, which was an Edgar Award finalist for best fact crime and a finalist for the Ohioana Book Award. Her next nonfiction book, Then Came the Devil, is forthcoming in 2025. She is also the host of Remus: The Mad Bootleg King, a forthcoming podcast from iHeartRadio about legendary Jazz Age bootlegger George Remus. A native of Philadelphia, she lives in New York City and in Greenport, New York, where she is at work on her next novel.
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Today, Kate Brody discusses her literary crime debut, Rabbit Hole, inhabiting and subverting the crime genre, writing sex scenes, writing men, the narrative use of a gun in the novel, what drives us to consume true crime, and more!
Kate Brody lives in Los Angeles, California. Her work has appeared in The New York Times, The Guardian, Lit Hub, CrimeReads, Electric Lit, The Rumpus, and The Literary Review, among other publications. She holds an MFA from NYU. Rabbit Hole is her debut.
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Julie Myerson discusses the immersive structure of her new novel, how her real life influenced her fiction, dealing with intense public backlash and rediscovering her confidence as a writer, Elizabeth Strout, and so much more!
Julie Myerson is the author of ten novels, including the bestselling Something Might Happen and The Stopped Heart, and three works of nonfiction, including Home: The Story of Everyone Who Ever Lived in Our House and The Lost Child. As a critic and columnist, she has written for many newspapers including The Guardian, the FT, Harper’s Bazaar and the New York Times, and she was a regular guest on BBC TV's Newsnight Review. She lives in London with her family.
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Yael Goldstein-Love discusses her time- and genre-bending novel, The Possibilities, trying to put motherhood into words, using quantum mechanics to explain the paradox of parenthood, the way parents birth a child’s mind, mom rage, writing humor, her newest project, and more!
Yael Goldstein-Love is the author of the novels The Passion of Tasha Darsky, described as “showing signs of brooding genius” by The New York Times, and The Possibilities, a speculative thriller about the psychological transition to motherhood. A PEOPLE pick of the week (“a powerful page-turner with deep wisdom”) and Good Morning America recommendation for summer reading (“taps into those primal feelings every nurturer feels — and fears”), The Possibilities grew out of Goldstein-Love’s own rocky transition to motherhood as well as her clinical passion for working with people during this fraught and potentially generative period. Her doctoral dissertation examined how mothers experience their anxiety for the unknown futures of their children.
Her writing has appeared in The New York Times, The San Francisco Chronicle, The Boston Globe, and Slate, among other places. A graduate of Harvard University and The Wright Institute, she lives with her six-year-old son and a very patient cat in Berkeley, CA.
In another life, she was co-founder and Editorial Director of the literary studio Plympton, which aims to make the digital age a golden age for literature.
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Andrew Porter discusses his new collection, The Disappeared, how his process changes depending on what he’s working on, trying to hold a novel in his head all at once as he’s drafting, moving from writing stories to writing a novel and back again, when and how he thinks about structure, and more!
Andrew Porter is the author of the short story collection The Theory of Light and Matter (Vintage/Penguin Random House), which won the Flannery O’Connor Award for Short Fiction, the novel In Between Days (Knopf), which was a Barnes & Noble “Discover Great New Writers” selection and an IndieBound “Indie Next” selection, and the short story collection The Disappeared (Knopf), which was recently published in April 2023. Porter’s books have been published in foreign editions in the UK and Australia and translated into numerous languages, including French, Spanish, Dutch, Bulgarian, and Korean.
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Athena Dixon discusses her new book, The Loneliness Files, the cases that inspired the essays, how social media can help and harm the creative process, writing on her phone, being ghosted for writing opportunities, being transparent in the industry, working without an agent, and more!
Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is the author of the essay collection The Loneliness Files, out now on Tin House, The Incredible Shrinking Woman and No God In This Room, Winner of the Intersectional Midwest Chapbook Contest. Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic and Getting to the Truth: The Practice and Craft of Creative Nonfiction.
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Rachel Cantor discusses her new novel, Half-Life of a Stolen Sister: A Novel of the Brontës, writing a modern take on historical characters, finding her way to the novel’s innovative form, finding a balance in voice and tone, finding a publisher for this book without an agent, and more!
Rachel Cantor is the author of the novels A Highly Unlikely Scenario and Good on Paper. Her short stories have appeared in The Paris Review, One Story, Ninth Letter, and The Kenyon Review, among other publications. She was raised in Rome and Connecticut, and currently lives in Brooklyn, NY.
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In this truly wonderful and enlightening episode, E.J. Koh discusses her debut novel, the magic of dogs, familial relationships, how poetry helped her communicate, magnanimity, how imagination and creativity are essential aspects of apology, her hope for Korea, and more!
E. J. Koh is the author of the memoir The Magical Language of Others, which won a Washington State Book Award, Pacific Northwest Book Award, Association for Asian American Studies Book Award, and was longlisted for the PEN Open Book Award. Koh is also the author of the poetry collection A Lesser Love, a Pleiades Press Editors Prize for Poetry Winner. She earned her MFA at Columbia University in New York for Creative Writing and Literary Translation and her PhD at the University of Washington in English Language and Literature studying Korean American literature, history, and film. Koh has received National Endowment for the Arts, MacDowell, American Literary Translators Association, and Kundiman fellowships. She lives in Seattle, Washington.
Her debut novel is The Liberators, out on Tin House November 7, 2023.
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Kathleen Rooney discusses her new novel, which is based on silent film star Colleen Moore and the fairy castle she created, as well as the best kind of weirdos, nailing the unique voice of her protagonist, researching the silent film era, and more!
Kathleen Rooney is a founding editor of Rose Metal Press, a nonprofit publisher of literary work in hybrid genres, as well as a founding member of Poems While You Wait, a team of poets and their typewriters who compose commissioned poetry on demand. She teaches in the English Department at DePaul University, and her recent books include the national best-seller Lillian Boxfish Takes a Walk and the novel Cher Ami and Major Whittlesey.. Where Are the Snows, her latest poetry collection, was chosen by Kazim Ali for the X.J. Kennedy Prize and published by Texas Review Press in Fall 2022. With her sister Beth Rooney, she is the author of the picture book Leaf Town Forever, forthcoming in 2025 from University of Minnesota Press.
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Chloé Caldwell discusses her memoir, The Red Zone, as well as the ambitious decision to center a book around her period/PMDD, periods in pop culture, women’s changing bodies, the euphoria of seeing menstruation depicted realistically, structuring and restructuring her book, and more (about periods)!
Chloé Caldwell is the author of The Red Zone: A Love Story (Soft Skull, 2022) and three more books: the essay collection I’ll Tell You in Person (Coffee House/Emily Books, 2016), the critically acclaimed novella, WOMEN (SF/LD 2014), and Legs Get Led Astray (2012). Orphaned Passages: Notes on Trying will release in 2025 from Graywolf Press.
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Cleo Qian discusses moving between poetry and fiction, the inspiration behind some of the stories in her debut collection, allowing her book to age as she revised, honoring the privacy of writing, and more!
Cleo Qian (she/her) is a fiction writer and poet from California. She received her MFA from NYU. Her work has appeared in over 20 outlets; was a winner of the Zoetrope: All Story Short Fiction Competition; has been nominated for the Pushcart Prize, twice longlisted for the DISQUIET Prize, and supported by Sundress Academy for the Arts. By day, she works at a nonprofit and reads self-help articles on how to be happy. Her debut short story collection, LET’S GO LET’S GO LET’S GO, is out now.
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Eden Robins (Franny Stands Up) discusses her new novel, catharsis in comedy, how being a funny woman is STILL transgressive, the terror of writing the jokes for the book, the intermingling of trauma and pain and humor, Chicago history, and more!
Eden Robins loves novels best, but they take forever so she also writes short stories and self-absorbed essays at places like Catapult, USA Today, LA Review of Books, Apex magazine, Shimmer, and others. Her debut novel When Franny Stands Up was named a best book of 2022 by the Chicago Reader, a best queer book of 2022 by Autostraddle, and Best Book of the Month by Bustle and Buzzfeed. She co-hosts a science podcast called No Such Thing As Boring with an actual scientist and produces a monthly live lit show in Chicago called Tuesday Funk. Previously, she sold sex toys, wrote jokes for Big Pharma, and once did a stand-up comedy set to an audience who didn't boo. She lives in Chicago, has been to the bottom of the ocean, and will never go to space. Find out more scintillating tidbits at monkeythumbs.com and on Twitter and Instagram @edenrobins.
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