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đŠ Today on @jins_podcast, a compelling new episode featuring the inspiring Glamrou. @glamrou, a non-binary drag artist and unapologetically Muslim, is a bold voice reshaping narratives around gender, faith, and self-expression. Through their unique artistry, Glamrou (Amrou Al-Khadi) challenges stereotypes and celebrates the intersection of queerness and spirituality, offering a perspective thatâs as refreshing as it is empowering. They're not only a performer but also a brilliant author, with their essay "Unicorn: The Memoir of a Muslim Drag Queen", and as a film director with short movie "Run(a)Way Arab" (2017) and their film debut "Layla" (2024).
đïž Sound design: @pogoff_sound
đ§ Tune into this powerful episode on Spotify, Apple Podcasts, Amazon Music, Google Podcasts, and more.
Donât forget to subscribe to @jins_podcast and share your thoughts in the comments!
#drag #nonbinary #muslim #identity #selfexpression #podcast #intersectionality #cinema #empowerment
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ Aujourd'hui sur @jins_podcast, un nouvel Ă©pisode fascinant avec Rebecca Zlotowski, intitulĂ© "Les Sauvages" sur @canalplus
@rebecca.zlotowski, réalisatrice et scénariste française reconnue, s'est imposée dans le paysage cinématographique avec des films puissants comme "Une fille facile" avec @zahiaofficiel ou "Les Enfants des autres" avec Roschdy Zem. à travers son regard unique, elle explore des thÚmes profonds tels que la féminité, le désir, et les rapports de pouvoir, tout en redéfinissant les représentations des femmes à l'écran avec sensibilité et audace.
âïž Elle est notamment membre, comme moi, du collectif de cinĂ©ma @lecollectif5050 pour la diversitĂ©, l'inclusion et l'Ă©quitĂ© dans le cinĂ©ma.
đ Le lien pour acheter mon livre "AMOUR" : https://amzn.eu/d/04wuZPFV
đïž Sound design : @pogoff_sound
đ§ Retrouvez cet Ă©pisode stimulant sur Spotify, Apple Podcasts, Amazon Music, Google Podcasts, et bien d'autres. Abonnez-vous Ă @jins_podcast et partagez vos rĂ©flexions dans les commentaires.
#cinéma #réalisatrice #femmes #représentation #arabité #podcast #films #amazighité #lessauvages
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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đâ€ïžđ€đ€ In today's episode, Iâm honored to have Yasmine Al Massri with me, an actress whose work embodies the rich, nuanced storytelling that Palestinian and Arab cinema is celebrated for. Yasmine is a Lebanese-born actress of Palestinian descent. Her journey into acting began in Paris, where she honed her craft in some of the most prestigious acting schools before making her screen debut in the critically acclaimed film "Caramel" directed by Nadine Labaki. Her performances have been praised for their authenticity and emotional depth, whether in international film festivals or mainstream Hollywood productions. Beyond her acting talent, Yasmine is an advocate for more nuanced and diverse representations of Arab and Muslim identities in cinema, using her platform to speak out against stereotyping and for greater inclusion in the film industry.
âïž Credits:âAgadirâ by Gnawa Masters."Succar Ya Banatâ and âRendez-vous manquĂ©sâ (Original music from the film âCaramelâ), composed by Khaled Mouzanar.âPray For Lebanonâ, composed by AIi Eldeeb.âQuantico - End Credits Themeâ.âRed Riderâ, âNenna Nofingerâ, and âWhip Itâ composed by Mateo Messina, on âCrossbonesâ official soundtrack.âSalamâ (featured in the film âBetween Heaven and Earthâ), composed by Souad Massi and Khaled Izz (naĂŻve, a label of Believe Group).âYa Hala Bikoumâ by Mohammad Al Badi (Lord Sound).âBefore the Night Fallsâ and âValse for Julianâ by Gabriele Roberto, from Julian Schnabel: A Private Portrait (Original Motion Picture Soundtrack) (Air-Edel Records).âA Dream Within a Dreamâ (From ShĆgun Original Soundtrack), composed by Atticus Ross, Leopold Ross, Nick Chuba (FX).Extract from the movie âMa'eoulshe Lehadâ, directed by Henry Barakat, with Samia Gamal dancing on a music from Farid El Atrache.Traditional Music of Palestine (from http://gopalestine.org/ Youtube channel).âOfferingâ (from Passages), composed by Ravi Shankar and Philip Glass (Dunvagen Music Publishers).Use of AI-generated voice (ElevenLabs).Post production: POG OFFHĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ§ In today's episode of @jins_podcast , "DUNE", we dive deep with Professor Evelyn Alsultany ( @evelynalsultany ) into the sandy dunes of Arrakis and explore the cultural layers beneath its surface.
đŹ Set against Frank Herbert's iconic universe and Denis Villeneuve's cinematic vision, we dissect themes of colonialism, Orientalism and Indigenous identities through a lens that questions the balance between cultural appreciation and appropriation. Professor Alsultany, a leading voice in media and ethnicity studies, brings her incisive insights into how these narratives shape our perceptions of "the other" and what it means for future storytelling in Hollywood and beyond.
đ Join us as we unravel the complex portrayal of the Fremen, the mystical spice, and the echoes of Middle Eastern and North African influences that have sparked both admiration and controversy. đâš
Does 'Dune' honor its inspirations, or does it tread the line of cultural erasure? How do modern adaptations measure up against the backdrop of Hollywood's evolving landscape of diversity and representation?
đ Don't miss this thought-provoking journey into one of science fiction's most celebrated and scrutinized epics.
Subscribe to stay updated with JINS, where we dissect identity, culture, and the lines that connect us all. đđŹ
đ Follow us on Instagram @jins_podcast for exclusive behind-the-scenes content and more discussions that challenge, inspire, and enlighten.
đ Leave 5 stars and nice comments if you loved it! đđ«
âïž Credits:âAgadirâ by Gnawa Masters.Musics from Dune (2021) OST: âOriginal Motion Picture Soundtrackâ, âThe Dune Sketchbook, music from the Soundtrackâ, and âThe Art and Soul of Dune, Companion Book Musicâ. Composed by Hans Zimmer.Extracts from âDune Part Two Soundtrackâ, composed by Hans Zimmer.âJack Ryan - Main Themeâ (from Tom Clancyâs JAck Ryan: Season 1 (Music from the Prime Original Series), composed by Ramin Djawadi (Paramount Music).âSamir & Sharonâ, from The Siege, composed by Graeme Revell (Varese Sarabande Records, Inc.).Extract from âRoad to Moroccoâ directed by David Butler (1942).âShake That Tambourineâ (from Harum Scarum), composed by Bill Giant, Bernie Baum, Florence Kaye (RCA Records).âThe Delta Force - Main Themeâ, composed by Alan Silvestri.This episode contains sound design from the movie âDuneâ, by Mark Mangini ans his team.Extracts from the movie âDuneâ, directed byDenis Villeneuve.âIstanbul - The Blue Mosqueâ (from Argo (Original Motion Picture Soundtrack), composed by Alexandre Desplat.âImhotep (from the Mummy OST)â, composed by Jerry Goldsmith (Universal Pictures Film Music).âMaking of Cyborgâ (Ghost in the Shell Soundtrack), composed by Kenji Kawai."Spectres in the Fog (The Last Samurai: Original Motion Picture Score)â, composed by Hans Zimmer.âTheme from Saharaâ (Sahara soundtrack), composed by Ennio Morricone.âBeirut (from Black Sunday - Unreleased Soundtrack)â, composed by John Williams (1977).Use of AI-generated voice (ElevenLabs).Post production: POG OFFHĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ€ Aujourd'hui sur @jins_podcast, un nouvel Ă©pisode inspirant avec lâincroyable Emel Mathlouthi.
@emelmathlouthi, chanteuse, auteure-compositrice et productrice tunisienne, a marqué les esprits du monde entier avec sa chanson "Kelmti Horra", devenue un hymne de la Révolution tunisienne. Sa musique, un mélange captivant de folk, d'électronique et de sonorités nord-africaines, a transcendé les frontiÚres et les genres, s'imposant comme un symbole de résistance, de liberté et de féminisme.
Laissez 5 Ă©toiles đ si vous avez aimĂ© Ă©couter cet Ă©pisode inspirant, laissez un commentaire et partager autour de vous !
âïž Credits:âAgadirâ par Gnawa Masters.Extrait dâune chanson arabe par Fayrouz, lors dâune Ă©mission de TV du 24 mai 1975 (INA).Extrait de âKelmti Horraâ, chantĂ© par Emel Mathlouthi lors de la rĂ©volution tunisienne.Extrait de âKelmti Horraâ, chantĂ© par Emel Mathlouthi lors du 2015 Nobel Peace Prize Concert.âNARâ, composĂ© par Ami Yerewolo, Emel Mathlouthi (Little Human (exclusively licensed to Yotanka Records)).Extraits de âVariations #6 : Vitalic & Emel jouent Ghada Al-Sammanâ, filmĂ© au ThĂ©Ăątre du ChĂątelet (Culturebox, FIP, Sourdoreille).âMazel (feat. CamĂ©lia Jordana)â, composĂ© par Emel Mathlouthi (Little Human (exclusively licensed to Yotanka Records)).âPrincess Melancholyâ (from the album âEnsenâ), composĂ© par Emel Mathlouthi (Partisan Records LLC / Knitting Factory Records, Inc / Emel Mathlouthi).âSallemâ (from the album âEnsenâ), composĂ© par Emel Mathlouthi (Partisan Records LLC / Knitting Factory Records, Inc / Emel Mathlouthi).âNaci en Palestinaâ interprĂ©tĂ© live par Emel Mathlouthi.âLâamour (feat. Justina)â, composĂ© par Emel Mathlouthi, Farima Habashizadehasl (Little Human (exclusively licensed to Yotanka Records)).âThe Man Who Sold The Worldâ, from âThe Tunis Diariesâ, interprĂ©tĂ© par Emel Mathlouthi, composĂ© par David Bowie.Post-production: POG OFF.HĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ”đ° Today on @jins_podast, join me in welcoming Pakistani filmmaker Saim Sadiq who gained international acclaim with his short film "Darling," which won the Orizzonti Award for Best Short Film at the Venice International Film Festival.
đłïžââ§ïž His feature debut, "Joyland," made history as Pakistan's first film screened at the Cannes Film Festival, winning the Jury Prize. The film's exploration of transgender identity and societal taboos has stirred significant discussion and controversy in Pakistan. From facing a ban to becoming a subject of national debate, the movie highlights the evolving conversation around gender and sexual identities in Pakistan. It showcases how cinema can be a powerful medium for challenging stereotypes and fostering empathy.
đČ Follow @jins_podcast on Instagram for more exclusive content.
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ„ WOW ! Moi, Jamal, la voix derriĂšre JINS Podcast, je sors mon premier livre : âAMOUR - RĂ©volutionner lâamour grĂące Ă la sagesse arabe et/ou musulmaneâ đđ€ aux Ă©ditions LeDuc et prĂ©facĂ© par la seule et unique LeĂŻla Slimani !
đđ€ Câest un livre Ă mettre entre toutes les mains, pour faire germer lâamour de maniĂšre universelle. Mon essai est un manifeste pour faire la rĂ©volution de lâamour, toustes ensemble ! Câest une invitation Ă reconsidĂ©rer la maniĂšre dont nous apprĂ©hendons et pratiquons lâamour dans une sociĂ©tĂ© marquĂ©e par des divisions profondes et systĂ©miques. En sâinspirant de ma culture arabo-musulmane, mon texte cherche Ă allier un militantisme politique et poĂ©tique, Ă rĂ©injecter la joie et lâempathie, pour reconstruire un monde rĂ©gi par lâAmour.
âđœ Alors, vous voulez faire la rĂ©volution de lâamour avec moi ?
đ Le lien de commande est disponible ici đČ https://www.fnac.com/a20477490/ !
Merci infiniment !
Amoureusement,
Jamal
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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đȘ Rejoignez-nous pour un Ă©pisode LIVE et captivant de JINS, le premier podcast dĂ©diĂ© aux rĂ©cits d'amour, de sexualitĂ©s et de genre pour les personnes arabes et/ou musulmanes au Hasard Ludique Ă Paris.
đ«đ· đ©đż Dans cet Ă©pisode, on va redĂ©couvrir les masculinitĂ©s maghrĂ©bines Ă l'Ă©cran Ă travers les regards des Ă©minents acteurs Zinedine Soualem, Samir Guesmi et Slimane Dazi.
Découvrez comment ils ont voulu raconter leurs histoires au travers de leurs filmographies et de récits autant français qu'algériens.
Un Ă©pisode passionnant oĂč nous avons rĂ©inventĂ© les reprĂ©sentations, ensemble !
Je sors mon premier livre : âAMOUR - RĂ©volutionner lâamour grĂące Ă la sagesse arabe et/ou musulmaneâ et câest prĂ©facĂ© par LeĂŻla Slimani !
đđ€đ€ Ăa sort le 12 septembre aux Ă©ditions LeDuc dans vos librairies mais vous pouvez dâores et dĂ©jĂ le prĂ©commander ici : https://www.fnac.com/a20477490/ đČ
âïž Credits:âAgadirâ par Gnawa Masters.Extrait du film âPepe le Mokoâ, de Julien Duvivier, avec le morceau âOĂč est-il donc ?â interprĂ©tĂ© par Frehel.âLa Bataille dâAlgerâ (Bande Originale du film âLa Bataille dâAlgerâ), composĂ© par Ennio Morricone (Creazioni Artistiche Musicali C.A.M. S.r.l. / Universal Music Publishing Ricordi S.r.l.).âIndigĂšnesâ (Bande Originale du film âIndigĂšnesâ), composĂ© par Armand Amar (Europa Corp).Extraits du film âLeur AlgĂ©rieâ, de Lina Soualem (2020).âFiĂšvresâ (Bande Originale du film âFiĂšvresâ), composĂ© par Bachar Mar-KhalifĂ© (Balcoon)."Un prophĂšteâ (Bande Originale du film âUn prophĂšteâ), composĂ© par Alexandre DesplatMusique du gĂ©nĂ©rique de fin du film "D'une pierre deux coupsâ, composĂ© par Youssef Boukella & Luis Saldanha, accompagnĂ©s par l'Orchestre national de BarbĂšs.Musique du gĂ©nĂ©rique de fin du film "Fastâ, composĂ© par Krishna Levy.âCold Little Heartâ (du film "El Houb"), composĂ© par Michael Samuel Kiwanuka, Brian Joseph Burton, Dean Wynton Josiah Cover (Warner Chappell Music Publishing Limited, Sony Music Publishing (Uk) Ltd).âL'air de la mer rend libre (Bande Originale du Film)â, composĂ© par Samy ThiĂ©bault (Thelonious Productions).âOussekineâ (de "Oussekine"/La Bande Originale de la SĂ©rie), composĂ© par Sacha et Evgueni Galperine (Walt Disney Records) (2022).âThĂšme de Louisaâ (Musique extrait du film "Ibrahim" (Bande originale du film)), composĂ© par Raphael Eligoulachvili (Why Not Productions).Post-production: POG OFF.HĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ©đ»âđ« Today on @jins_podast, Iâm very pleased to welcome Maytha Al-Hassen. Maytha is a journalist, poet, scholar, and professor. Her work spans social justice, academic research, media engagement, and artistic expression, aiming to create and popularize authentic narratives for Muslims in popular culture. Maytha has contributed to CNN and Huffington Post, among others. She has performed at significant venues, including TED conferences. Her Ph.D. in American Studies and Ethnicity from USC reflects her dedication to changing narratives around Arab and Muslim communities through media, education, and pop culture. Following Professor Jack Shaheenâs steps, she wrote a compelling document named Haqq & Hollywood (which means âHollywood & the Truthâ in Arabic) that was the basis of my exploration.
đČ Follow @jins_podcast on Instagram for more exclusive content.
âïž Credits :âAgadirâ by Gnawa Masters.Arabic Vocals by Soulpacifica - https://tihana.net/soulpacifica | YT: âȘ@tihanamusicâŹNo Copyright Music : Copyright Free Sad Background Music | Best No Copyright emotional Music | NCMâThe End/ Playoff Music (From "Lawrence of Arabia")â, composed by Maurice Jarre. â A Decca Records Recording; â 1989 Universal Music Operations Limited.âArabian Nights (Official Instrumental)â from Aladdin 2019, composed by Alan Menken · Howard Ashman · Benj Pasek · Justin Paul. â 2019 Walt Disney Records.âMain Title / Cleopatra Enters Rome (From "Cleopatra" 1963)â, composed by Alex North. â 2001 Twentieth Century Fox Film Corporation, under exclusive license to Varese Sarabande Records, Inc.âHoward Beale Show Theme Songâ from the movie Network (1976).âNot Without My Daughter - Orchestra Only Suiteâ, composed by Jerry Goldsmith. Publisehd by Pathe Entertainment Movie Songs.End credits music from âThe Hate That Hate Producedâ (1959).Excerpts from âAmerican Sniperâ, directed by Clint Eastwood (2014).âNorthâ, composed by Silent Partner.âLounga 79â, composed by Hany Shenouda. On the serie âRamyâ.âSometimesâ, composed by Iman Europe, published by Good Soil Productions. On the serie Insecureâ.Post production: POG OFFHĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ§ââïž Pour cet Ă©pisode hors-sĂ©rie de @jins_podcast , je me suis essayĂ© Ă un nouveau format oĂč je dĂ©cortique et analyse seul, Ă la lumiĂšre de toutes mes dĂ©couvertes en rĂ©sidence Ă la Villa Albertine de Los Angeles, ainsi quâĂ toutes mes lectures et visionnages de films, une oeuvre ; ici celle qui a rythmĂ© tous les jours de mon enfance, au grand dĂ©sespoir de ma famille : Aladdin.
đ Aladdin sert de miroir aux perceptions occidentales du Moyen-Orient, marquĂ©es par une histoire longue et souvent problĂ©matique d'orientalisme. La bonification de lâarabitĂ© dâAladdin, appelĂ© Al, la queerisation de lâignoble Jafar, la sexualisation Ă outrance de Jasmine, reprĂ©sentĂ©e comme une figure Ă la fois indĂ©pendante et objectivĂ©e... Ăa nous rappelle la responsabilitĂ© des auteurs et crĂ©ateurs de contenu de transcender les clichĂ©s et de prĂ©senter des rĂ©cits qui respectent et cĂ©lĂšbrent la richesse des cultures qu'ils reprĂ©sentent.
Je sors mon premier livre : âAMOUR - RĂ©volutionner lâamour grĂące Ă la sagesse arabe et/ou musulmaneâ et câest prĂ©facĂ© par LeĂŻla Slimani !
đđ€đ€ Ăa sort le 12 septembre aux Ă©ditions LeDuc dans vos librairies mais vous pouvez dâores et dĂ©jĂ le prĂ©commander ici : https://www.fnac.com/a20477490/ đČ
CrĂ©dits : âAgadirâ par Gnawa Masters.âArabian Nightsâ (From "Aladdin"/Soundtrack Version), composĂ© par Alain Menken et Howard Ashman, interprĂ©tĂ© par Bruce Adler (Walt Disney Company, Wonderland Music Company Inc.).Extraits du film âAladdinâ, rĂ©alisĂ© par John Musker et Ron Clements, en version doublĂ©e en français et en version originale en anglais (Walt Disney Pictures) (1992).Plusieurs extraits de la bande originale du film Aladdin, composĂ©e par Alain Menken (et Howard Ashman) (Walt Disney Company, Wonderland Music Company Inc.).Extraits de âA Wolf in Sheik's Clothing (Popeye the Sailor Man)â, (Warner Bros. and Turner Entertainment) (1948).Extrait de âLooney Tunes "Ali Baba Bunnyââ, rĂ©alisĂ© par Chuck Jones (Warner Bros) (1957).âGenie and Jasmineâ (from âThe Return of Jafarâ/Score), composĂ© par Carl Johnson et Mark Watters (Disney Music Group / Walt Disney Records) (1996).âFather and Son (Soundtrack version) (from âAladdin and the King of Thievesâ), composĂ© par Randy Petersen et Kevin Quinn (Disney Music Group / Walt Disney Records) (1996).Extrait de âWitchfinder Generalâ, de Michael Reeves (1968), avec Vincent Price.Extrait de âThe Sorcerersâ, de Michael Reeves (1967), avec Boris Karloff.Extrait de âPocahontasâ, de Mike Gabriel et Eric Goldberg (1995).Extrait de âThe Lion Kingâ, de Roger Allers et Rob Minkoff (1994).Extrait de âThe Little Mermaidâ, de John Muskers et Ron Clements (1989).InterprĂ©tation de Divine par Eureka, dans un sketch.Extrait de âA Whole New Worldâ de Alain Menken, interprĂ©tĂ© par le Royal Philharmonic Orchestra.Post-production: POG OFF.HĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ Today on @jins_podast, I am sharing a live interview I had in the legendary Mickyâs bar in WeHo thanks to Hump Events with 3 amazing humans:
Omar Sharif Junior is an Egyptian-Canadian actor and model. He studied acting at the Lee Strasberg Theatre and Film Institute in New York. Omar came out as gay in 2012, causing a significant stir in the Middle Eastern media. Besides acting, he's an advocate for queer rights and has written on these topics for international publications.Kais Boukthir is a Tunisian-born actor, content creator and model. In 2017, Kais was awarded a scholarship to attend the University of Southern Indiana. During his time there, he claimed refugee in the U.S. for being gay. He moved to LA to pursue his dream. He guest-starred on HBO's "The Sex Lives of College Girls". Youâll also find his hilarious TikTok videos, under the name Kayes Hurricane.Sharok is an Iranian-American adult film actor based in LA, whoâs known not only for his work in the porn industry but also for his activism and outspokenness on social issues. He indeed won a GayVN Award in 2021 and won the Most Accomplished International Star Award at the 2022 Grabby Awards. He is also a bird lover, a painter and one of the voices of the Iranian revolution in the US.đČ Follow @jins_podcast on Instagram for more exclusive content.
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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đŹ Mon invitĂ© du jour dans @jins_podcast est Hicham Lasri, un rĂ©alisateur marocain dont le travail est fortement ancrĂ© dans la rĂ©alitĂ© sociale et culturelle du Maroc. NĂ© Ă Casablanca, il s'est rapidement fait un nom grĂące Ă son style unique et ses narrations audacieuses. Sa filmographie comprend des Ćuvres notables comme âThe Endâ (2011), "Câest eux les chiens" (2013), "The Sea is Behind" (2014), "Starve Your Dog" (2015), et "Headbang Lullaby" (2017). Hicham est reconnu pour son approche non conventionnelle et expĂ©rimentale, qui dĂ©fie souvent les normes cinĂ©matographiques traditionnelles et les reprĂ©sentations des figures masculines et fĂ©minines dĂ©chues.
đČ Suivez @jins_podcast sur Instagram, partagez autour de vous et laissez 5 Ă©toiles sur les plateformes dâĂ©coute !
đ Concernant la prĂ©commande de mon livre "AMOUR", ça se passe par ici : https://www.fnac.com/a20477490/Jamal-Ouazzani-Amour !
âïž Credits:âAgadirâ par Gnawa Masters.âAnimalia Main Title 1â (de la bande originale du film Animalia), composĂ© par Amine Bouhafa (Wrong Films / SRAB Films, under exclusive licence to 22D Music) (2023).âMa Hammouniâ (reprise par Barry, dans le film âThe Endâ), composĂ© par Nass el Ghiwane (Brahim Ounassar) (2012).âHeadbang Lullaby part 1â (de Headbang Lullaby (Original Motion Picture Soundtrack)), composĂ© par Wissam Hojeij (â Wissam Hojeij) (2020).âUfo Robot Grendizerâ (gĂ©nĂ©rique), composĂ© par Shunsuke Kikuchi, interprĂ©tĂ© par Sami ClarkâBuono Il Brutto Il Cattivâ, composĂ© par Ennio Morricone (EMI MUSIC PUBLISHING ITALIA SRL)."Mahmounaâ, composĂ© et interprĂ©tĂ© par Nass el Ghiwane (MLP) (2014).Extrait de la bande annonce du film âThe Sea is Behindâ (Al Bahr Min Ouaraikoum), de Hicham Lasri, produit par Hicham Lasri, Raccord cinĂ© et service, Moon & Deal Films - La Prod, Pan Production (2015).Musique de âCACA-MINDâ, par Hicham Lasri (2016).Musique de âBissara Overdoseâ, par Hicham Lasri.Musique du teaser de âMoroccan Bada$$ Girlâ de Hicham Lasri.Extrait de âBack to the Futureâ, de Robert Zemeckis, produit par Universal Pictures, Amblin Entertainment (1985).âRed Dawnâ (Original Motion Picture Soundtrack Red Dawn), composĂ© par Ramin Djawadi (United Artists Production Finance LLC, sous license exclusive Ă Sony Classical a Division of Sony Music Entertainment).âLa Solitudeâ, composĂ© par LĂ©o FerrĂ© (Barclay).Utilisation de voix gĂ©nĂ©rĂ©es par IA (ElevenLabs).Post-production: POG OFF.HĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ Today on @jins_podast, Iâm honored to share my interview with the one and only Shohreh Aghdashloo ! Shohreh is an Iranian actress whose illustrious career has broken new ground for Middle-Eastern representation in Hollywood. Born into an intellectual family in Tehran, Shohreh's artistic journey began amidst Iran's vibrant pre-revolutionary arts scene, leading her to prominent roles in the burgeoning Iranian New Wave cinema. As Hollywood royalty, Shohrehâs nomination for an Academy Award for her role in "House of Sand and Fog" marked a historic moment, celebrating not just her exceptional talent but also heralding the presence of Middle-Eastern women in international cinema. With roles in "The Expanse," âStar Trekâ and more, she continues to inspire and resonate with us, making her a pivotal figure in the discourse on representation and diversity.
đČ Follow @jins_podcast on Instagram for more exclusive content.
âïž Credits:Excerpt from a report from Julian Manyon for TV Eye (1979).Excerpt from an interview of Mohsen Makhmalbaf about âThe Gardenerâ, on Euronews (2013).Excerpt from âProtests rage across Iran after mourners visit Mahsa Amini's graveâ footage on social media, published on Guardian News Youtube channel (2022).Excerpt from âJust 6.5 (Trailer)â, a film by Saeed Roustayi (2019).Excerpt from âLeilaâs Brothers (Trailer)â, a film by Saeed Roustaee (2022).Excerpt from Golshifteh Farahaniâs speech on TED "Woman, Life, Freedom" in Iran â and What It Means for the Rest of the Worldâ (2023).Excerpt from an interview of Zar Amir Ebrahimi, in Amanpour and Company PBS (2022).âArgo (Main Theme)â, composed by Alexandre Desplat, published by Warner Barham Music LLC.Excerpt from the movie âArgoâ (Embassy Scene) by Ben Affleck (2012).âPersian Flowerâ, by MusicScreenExcerpt from the movie âHouse of Sand and Fogâ by Vadim Perelman (2003).Excerpt from the TV show âThe Expanseâ S02E09 on Prime Video.Excerpt from the movie âStar Trek Beyondâ by Justin Li (2016).Music from the movie âGirl with a Suitcaseâ (Italian: La ragazza con la valigia), by Fausto Papetti.Music from the movie âGone with the Windâ, by Max Steiner.Excerpt from America so beautiful (Trailer), a film by Babak Shokrian (2010).âPromenade of Stolen Childrenâ, from The Handmaid's Tale (Main Title), by Adam Taylor.Excerpt from 2004 Oscars ceremony.Excerpt from âCâĂ©tait quoi Omar Shariff ? - Blow Upâ on Arte (2020).Excerpt from 2009 Emmy Awards ceremony.â24 opening sequenceâ by Sean Callery.KIRN Radio Iran 670 AM logo music.Sample of a recording of Antonin Artaud.Excerpt from the TV show âThe Expanseâ S02E19 on Prime Video.âStar Trek Main Themeâ by Michael Giacchino (Paramount Pictures)âVigilâ by Jack Wall, Sam Hullick (from the videogame âMass Effectâ).âDestiny OST Main Themeâ by Marty O'Donnell, Michael Salvatori, and Paul McCartney.âMirage Themeâ by Akram Haddad, Layth Sidiq, Brendan Angelides (from the videogame âAssassinâs Creed Mirage).âThe Expanse Main Themeâ by Clinton Shorter (ALCON BRIDGE PUBLISHING).âHaseebak Lel Zamanâ performed by Oum Kalthoum.âExodus: Gods and Kings (Official Trailer)â, a film by Ridley Scott (2014).âPrince of Persia: The Sand of Time (Movie Trailer)â, a film by Mike Newell (2010).âThe Stoning of Soraya M. (Trailer)â, a film by Cyrus Nowrasteh (2009). âOpinion: Iran's Green Tsunamiâ, by The New York Times (2009).âGlobal protests mark first anniversary of Mahsa Aminiâs deathâ, by The Guardian (2023).HĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ Pour cet Ă©pisode de @jins_podcast , j'ai Ă©changĂ© avec lâagent des stars Mani Nordine !
đ€”đœââïž Mani Nordine est tout simplement le "World's Best Agent" et a fait la couverture du Hollywood Magazine & TIME Magazine. Marocain et amĂ©ricain, sa carriĂšre est marquĂ©e par une capacitĂ© exceptionnelle Ă dĂ©couvrir et Ă promouvoir des talents dans un spectre diversifiĂ© de l'entertainment. Dâabord danseur puis chorĂ©graphe, il a su sâimposer et devenir un des plus grands agents des stars hollywoodiennes. Fondateur de l'agence AAC (American Artist Company), il a collaborĂ© avec plus de 150 cĂ©lĂ©britĂ©s internationales, telles que Rihanna, Akon, et Snoop Dogg. Mani a su allier ses racines multiculturelles Ă sa passion pour la musique, le cinĂ©ma et le spectacle, tout en gardant en tĂȘte lâambition constante de repousser les frontiĂšres de l'industrie du divertissement.
đ Concernant la prĂ©commande de mon livre "AMOUR", ça se passe par ici : https://www.fnac.com/a20477490/Jamal-Ouazzani-Amour !
đ Post-production: POG OFF.
âïž Credits :GĂ©nĂ©rique de la sĂ©rie âDix pour centâ, composĂ© par LoĂŻk Dury et Christophe Minck.âWorkâ, composĂ© et Ă©crit par Jahron Anthony Brathwaite, Rupert Jr Thomas, Moir Monte S, Rihanna, Matthew Samuels, Allen Raphael Ritter, Hony Stephenson Richard Ant, Aubrey Drake Graham, Ă©ditĂ© par Sony Atv Tunes Llc, Greensleeves Publishing Limited, Wc Music Corp, 1damentional Publishing Llc, Ritter Boy, Lw Music Gmr, Monica Fenty Music Publishing (2016).âSmack Thatâ, composĂ© et Ă©crit par Eminem, Akon, Strange Mike, Resto Luis Edgardo, Ă©ditĂ© par Songs Of Universal Inc, Byefall Productions Inc, Sony Atv Harmony, Kobalt Music Services America Inc, Luis Resto Music, Slick Jesus Llc, Shroom Shady Music (2006).âDrop It Like It S Hotâ, composĂ© et Ă©crit par Hugo Charles Edward, Snoop Dogg, Pharrell Williams, Ă©ditĂ© par EMI Blackwood Music Inc, Tamerlane Warner Publ Corp, Raynchaser Music, Careers BMG Music Publishing I, My Own Chit Publishing (2008).âWillkommenâ, composĂ© par John Kander, Ă©crit par Fred Ebb (â A Geffen Records Release; â 1972 UMG Recordings, Inc.)âNonsense Song (Titine) (From "Modern Times")â, composĂ© par Leo Daniderff, Ă©crit par Charlie Chaplin, Ă©ditĂ© par Roy Export SAS (1936).âTheme from Magnum P.I.â, composĂ© par Mike Post, Pete CarpenterâCasablanca Caravanâ, composĂ© par Chris Haugen.Jingle Netflix.âAlors on danseâ, composĂ© Ă©crit et interprĂ©tĂ© par Stromae, Ă©ditĂ© par Kilomaitre Publishing, Because Editions, Mosaert Label Sprl (2009).âDieu m'a donnĂ© la foiâ, composĂ© par Nicolas Neidhardt, Gerard Nakache, Marc Nakache, Ă©crit par Alain Nakache, interprĂ©tĂ© par OphĂ©lie Winter (© 1996 EAST WEST FRANCE â 1996 Warner Music France).âBad Guyâ, compoosĂ© par Billie O'connell, Finneas Baird Oconnell, Ă©ditĂ© par Universal Music Corporation, Drup, Last Frontier (2019).âBad Romanceâ, composĂ© par Red One, Lady Gaga, Ă©ditĂ© par Songs Of Redone, House Of Gaga Publishing Inc, Sony Atv Songs LLC.Utilisation de voix gĂ©nĂ©rĂ©es par IA (ElevenLabs).HĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ Today on @jins_podast, I feel humbled to be able to talk to Maz Jobrani ! The incredibly talented @mazjobrani is an Iranian-American comedian and actor, who has been breaking stereotypes and building bridges with his insightful comedy that often reflects on the immigrant experience and the nuances of hyphenated identities. Best known for his stand-up specials âImmigrantâ, âThe Birds & The Beesâ and his role in the "Axis of Evil" comedy tour, Maz uses humor to challenge perceptions on Iranians / Arabs / Muslims and highlight the shared human experience.
đČ Follow @jins_podcast on Instagram for more exclusive content.
âïž Credits:Excerpt from âNew Girlâ (S07E06), created by Elizabeth Meriwether, for Fox (2018).Excerpt from âAladdinâ movie, by Guy Ritchie (2019). Produced by Walt Disney Pictures and Rideback.Excerpt from Max Amini's live show "Mother's Day to the Max" at the Skirball Centre in Los Angeles.Excerpt from Max Amini's instagram page.Excerpt from âThe Persian Bacheloretteâ, by Shayan Ebrahim. Written by Shayan Ebrahim and Tara Grammy. Produced by Tara Grammy, Shayan Ebrahim, Bita Milanian.Excerpt from Amir K Stand-up Comedy at the Laugh Factory comedy club in Hollywood, CA.Excerpt from âThe Muslims Are Coming!â trailer, a film by Negin Farsad & Dean Obeidallah.Excerpt from Zahra Noorbakhshâs show at Comic Strip NYC, during The Muslim Funny Fest: Muslim Comedy All-Stars, organized by Maysoon Zaid and Dean Obeidallah (Axis of Evil Comedy Tour).Excerpt from the theme music of the #goodmuslimbadmuslim podcast.Excerpt from Maz Jobraniâs performance during the Axis of Evil Comedy Tour full show (Levity Productions, directed by Michael Simon)Excerpt from Maz Jobraniâs show âBrown & Friendlyâ.Excerpt from âChadâ teaser, for TBS (2019).Excerpt from âMoâ teaser, for Netflix (2022).Excerpt from âRamy: Season 2â trailer, for Hulu (2019)."La ForĂȘt des CĂšdres", from the Gilgamesh show by l'Atelier de l'Orage. Performed by Arnaud Delannoy.Excerpt from âProtests rage across Iran after mourners visit Mahsa Amini's graveâ footage on social media, published on Guardian News Youtube channel (2022).Excerpt from âIran Protests Draw Thousands in Milestone Memorial for Mahsa Aminiâ, a video originally posted on Twitter by Oslo-based Iran Human Right, then published by Bloomberg (2022).âArgo (Main Theme)â, composed by Alexandre Desplat, published by Warner Barham Music LLC.Excerpt from âThe Persian Versionâ trailer, by Maryam Keshavarz (2023).Excerpt from âJimmy Vestvood: Amerikan Heroâ movie, by Jonathan Kesselman (2014). Written by Amir Ohebsion and Maz Jobrani.âDripsâ, from American Fiction (Original Motion Picture Soundtrack), composed by Laura Karpman. 2023 MRC II Distribution Company L.P., under exclusive license to Masterworks, a label of Sony Music Entertainment.Main Title music from The Black Rose (1950), by Richard Addinsell, conducted by Muir Mathieson."Lawrence of Arabia" by Maurice Jarre (1962)âRumi Poetry - Persian Music and Singingâ Tehran, Iran Improvisation in Esfehan mode, Concert/Album: Masters of Mysteries (Khodavandan-e Asrar, aka The Lords of the Secrets), Tanboor: Sohrab Pournazeri, Vocal: Homayoun Shajarian.Excerpt from âThe Delta Forceâ movie, by Menahem Golan (1986), with Chuck Norris.â'85 Lone Pine Mallâ from Back To The Future (Original Motion Picture Soundtrack) (1985), by Alan Silvestri.âJames Bond Themeâ, from Dr. No (1962), by Monty Norman and John Barry.Excerpt from Eddie Murphy Delirious, by Bruce Gowers (1983).Excerpt from Maz Jobraniâs show âThe Birds and the Beesâ, produced by - Comedy Store Studios and Jon Sosis.HĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ„ WOW ! Moi, Jamal, la voix derriĂšre JINS Podcast, je sors mon premier livre : âAMOUR - RĂ©volutionner lâamour grĂące Ă la sagesse arabe et/ou musulmaneâ đđ€ aux Ă©ditions LeDuc (prĂ©commande dĂšs le 21 juin) et prĂ©facĂ© par LeĂŻla Slimani !
đđ€ Câest un livre Ă mettre entre toutes les mains, pour faire germer lâamour de maniĂšre universelle. Mon essai est un manifeste pour faire la rĂ©volution de lâamour, toustes ensemble ! Câest une invitation Ă reconsidĂ©rer la maniĂšre dont nous apprĂ©hendons et pratiquons lâamour dans une sociĂ©tĂ© marquĂ©e par des divisions profondes et systĂ©miques. En sâinspirant de ma culture arabo-musulmane, mon texte cherche Ă allier un militantisme politique et poĂ©tique, Ă rĂ©injecter la joie et lâempathie, pour reconstruire un monde rĂ©gi par lâAmour.
âđœ Alors, vous voulez faire la rĂ©volution de lâamour avec moi ?
đ Le lien des prĂ©ventes est disponible ici đČ https://www.fnac.com/a20477490/ !
Merci infiniment !
Amoureusement,
Jamal
đ Sound design : Bruno Porret (POGOFF)
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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đȘ§đŻ Today on @jins_podcast, we delve into a different side of Hollywood in my special episode "No Awards during Genocide".
As the Oscars' glam clashed with vital activism, I spotlight the powerful Free Palestine march. Amidst the glitter, voices like @feistypharaoh from SAG-AFTRA FOR CEASEFIRE and organizations like FILMWORKERS FOR PALESTINE (@brandnewfarihah), WRITERS AGAINST THE WAR IN GAZA (@therwees) and JEWISH VOICE FOR PEACE rise together, demanding a ceasefire and justice in Gaza, Raffah and all occupied territories. This episode isn't just about filmâit's about the pivotal role of the 7th art in activism and the urgent fight for human rights. Tune in to explore how cinema and solidarity can intertwine to challenge narratives and inspire change.
đČ Follow @jins_podcast for more on these topics! đ€â€ïžđđ€
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ Aujourd'hui sur @jins_podcast, je vous livre un Ă©pisode captivant grĂące Ă Zita Hanrot, Iris Brey et Monia AĂŻt El Hadj, intitulĂ© "Filmer l'intimitĂ© des corps de femmes". @zitahanrot, actrice française rĂ©compensĂ©e, continue de toucher le public avec ses rĂŽles qui scrutent les complexitĂ©s de l'identitĂ© et de l'intimitĂ© dans des productions telles que "Fatima" et "Plan Coeur". @irisbrey, critique de cinĂ©ma et auteure, se distingue par son analyse du âregard fĂ©mininâ et des reprĂ©sentations de genre au cinĂ©ma. @monia.aitelhadj, pionniĂšre en tant que coordinatrice d'intimitĂ© en France, apporte son expertise unique pour garantir que les reprĂ©sentations de lâintimitĂ© soient Ă la fois respectueuses et rĂ©alistes.
âïž Credits:"The Lure (Main Theme)â (Music from the HBO Original Series), composĂ© par Mike Dean et The Weeknd (UMG) (2023).Extrait du film âFatimaâ, de Philippe Faucon (2015).Extrait du film âLa Vie Scolaireâ, de Grand Corps Malade et Mehdi Idir (2019).Extrait de âRougeâ, de Farid Bentoumi (2020).Extrait de la bande-annonce du film âCarnivoresâ, de JĂ©rĂ©mie et Yannick Renier (2018).Extrait de la sĂ©rie âPlan CĆurâ, crĂ©Ă©e par NoĂ©mie Saglio, Julien Teisseire, Chris Lang pour Netflix (2018).âA New Gazeâ tirĂ©e de SPLIT (Bande originale de la sĂ©rie), composĂ© par Maud Geffray (Pan European Recording / WARRIORECORDS / bORDEL Records) (2023).âEl Jardim del Vecino (O Quintal do Vizinho)â sur la BO du film Aquarius, composĂ© par Roberto Carlos, Erasmo Carlos, Buddy & Mary McCluskey (Sony Music Entertainment) (1976).âVanityâ (Jackie (Original Soundtrack Album)), composĂ© par Mica Levi (Milan Entertainment, Inc) (2016).Extrait du film âTout sur ma mĂšreâ, de Pedro AlmodĂłvar (1999).Extrait du film âTitanicâ, de James Cameron (1997).Extrait du film âThelma et Louiseâ, de Ridley Scott (1991).âLittle Psychoâ (Elle (Original Motion Picture Soundtrack)), composĂ© par Anne Dudley (SBS Productions, sous licence exclusive de Sony Music Entertainment) (2016).âCrossed legsâ (Basic Instinct (Original Motion Picture Soundtrack)), composĂ© par Jerry Goldsmith (Quartet Records sous licence exclusive de Studio Canal)."Immodest Actsâ (Benedetta (Original Motion Picture Soundtrack)), composĂ© par Anne Dudley (SBS Productions and PathĂ© Films under exclusive license to Dubois Records) (2022).âGoddessâ (Showgirls Score), composĂ© par David A. Steward (1995)."On Your Wayâ (Girls - Volume 1: Music from the HBO Original Series)Extrait de la bande-annonce du film âPortrait de la Jeune Fille en Feuâ, de CĂ©line Sciamma (2019).Extrait de la bande-annonce de la sĂ©rie SPLIT, crĂ©e par Iris Brey pour France.tv (2023).âGirlhoodâ (Girlhood, la bande originale de Bande de Filles)âWoman The Walkâ (The Watermelon Woman Score), composĂ© par Paul Shapiro (1996).Extrait de la bande-annonce du film âLâĂvĂ©nementâ, de Audrey Diwan (2021).Extrait de la bande-annonce du documentaire âSex is comedyâ, de Edith Chapin (2023).Extrait du film âLa Graine et le Muletâ, de Abdellatif Kechiche (2007).Extrait du film âGo Fishâ, de Rose Troche (1994).âĂ mon seul dĂ©sir (Orchestral version)â (Ă mon seul dĂ©sir (Bande Originale du Film)), composĂ© par Rebeka Warrior (Plaza Mayor Company Ltd) (2023).Extrait du film âSaint-Omerâ, dâAlice Diop (2022).âMain Title Themeâ (Emily in Paris (Soundtrack from the Netflix Series)Extrait de la bande-annonce du film âBoulevard de la Mortâ, de Quentin Tarantino (2007).Utilisation de voix gĂ©nĂ©rĂ©es par IA (ElevenLabs).HĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ€ Today on @jins_podcast, I'm excited to introduce the incredibly talented Zainab Johnson! A trailblazer in comedy, Zainab Johnson stands out as a voice for Black Muslim women in a predominantly male-dominated industry. With her sharp wit and poignant humor, she delves into the complexities of identity and representation. Zainab gained widespread recognition from her role in the @primevideo series "Upload" @uploadonprime and her unforgettable stand-up performances on stages like her special "Hijabs Off" on Amazon Prime.
đČ Follow @jins_podcast on Instagram for more groundbreaking discussions.
âïž Credits:Excerpt from Issa Rae Monologue on Saturday Night Live.Excerpt from Loni Loveâs show âLoni Love: America's Sisterâ.Excerpt from Nicole Byerâs show âThis Is Not Happeningâ, on Comedy Central.Excerpt from Michelle Buteauâs show âReal Love Stories Are Nothing Like Rom-Comsâ.Excerpt from Wanda Sykesâs show âWanda Sykes: Not Normalâ, on Netflix.Excerpt from Lena Waitheâs words, in âComplexCon(versations), Issa Rae, Lena Waithe and More on Women Behind the Lensâ.Excerpt from Leslie Jonesâs show âGoing Through a Booty Call Breakupâ.Excerpt from Maya Rudolph on Saturday Night Live.Excerpt from Maysoon Zayidâs Ted Talks.Excerpt from Sabrina Jaleesâs show âComing Out to Your Muslim Familyâ.Excerpt from Hoodo Hersiâs show âExperiencing a Drive-by Queer Eyeâ.Excerpt from âUploadâ Season 1, on Prime Video.Excerpt from âZainab Johnson: Hijabs Offâ on Prime Video.Excerpt from Zainab Johnsonâs performance on Late Night with Seth Meyers.Excerpt from the TV Show âRamyâ, on Hulu.HĂ©bergĂ© par Acast. Visitez acast.com/privacy pour plus d'informations.
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đ Pour cet Ă©pisode spĂ©cial de la saison 3 de @jins_podcast, j'ai eu l'immense honneur d'accueillir deux invitĂ©es d'exception : Lina Soualem et sa mĂšre Hiam Abbass, pour une conversation intitulĂ©e "Le cinĂ©ma, de mĂšre en fille".
đŹ Lina Soualem, rĂ©alisatrice franco-algĂ©ro-palestinienne, nous plonge dans l'exploration des racines et des identitĂ©s avec dâabord son documentaire acclamĂ© "Leur AlgĂ©rie", puis sont film documentaire qui a fait sensation dans le monde entier âBye Bye TibĂ©riadeâ. Sa mĂšre, Hiam Abbass, actrice et rĂ©alisatrice renommĂ©e, continue de captiver les publics avec des rĂŽles mĂ©morables dans des films comme "Paradise Now", âLes citronniersâ et la sĂ©rie Ă succĂšs "Succession". Ensemble, on va explorer les rĂ©cits de transmission pour une meilleure reprĂ©sentation des femmes palestiniennes au cinĂ©ma đ€â€ïžđđ€
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
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