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  • Les Sauvages - avec Rebecca ZLOTOWSKI

    Les Sauvages - avec Rebecca ZLOTOWSKI

    · JINS

    🌟 Aujourd'hui sur @jins_podcast, un nouvel Ă©pisode fascinant avec Rebecca Zlotowski, intitulĂ© "Les Sauvages" sur @canalplus

    @rebecca.zlotowski, rĂ©alisatrice et scĂ©nariste française reconnue, s'est imposĂ©e dans le paysage cinĂ©matographique avec des films puissants comme "Une fille facile" avec @zahiaofficiel ou "Les Enfants des autres" avec Roschdy Zem. À travers son regard unique, elle explore des thĂšmes profonds tels que la fĂ©minitĂ©, le dĂ©sir, et les rapports de pouvoir, tout en redĂ©finissant les reprĂ©sentations des femmes Ă  l'Ă©cran avec sensibilitĂ© et audace.


    ⚖ Elle est notamment membre, comme moi, du collectif de cinĂ©ma @lecollectif5050 pour la diversitĂ©, l'inclusion et l'Ă©quitĂ© dans le cinĂ©ma.


    📕 Le lien pour acheter mon livre "AMOUR" : https://amzn.eu/d/04wuZPFV


    đŸŽ›ïž Sound design : @pogoff_sound


    🎧 Retrouvez cet Ă©pisode stimulant sur Spotify, Apple Podcasts, Amazon Music, Google Podcasts, et bien d'autres. Abonnez-vous Ă  @jins_podcast et partagez vos rĂ©flexions dans les commentaires.


    #cinéma #réalisatrice #femmes #représentation #arabité #podcast #films #amazighité #lessauvages


    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Free Palestinian Cinema - with Yasmine AL MASSRI

    Free Palestinian Cinema - with Yasmine AL MASSRI

    · JINS

    đŸ’šâ€ïžđŸ–€đŸ€ In today's episode, I’m honored to have Yasmine Al Massri with me, an actress whose work embodies the rich, nuanced storytelling that Palestinian and Arab cinema is celebrated for. Yasmine is a Lebanese-born actress of Palestinian descent. Her journey into acting began in Paris, where she honed her craft in some of the most prestigious acting schools before making her screen debut in the critically acclaimed film "Caramel" directed by Nadine Labaki. Her performances have been praised for their authenticity and emotional depth, whether in international film festivals or mainstream Hollywood productions. Beyond her acting talent, Yasmine is an advocate for more nuanced and diverse representations of Arab and Muslim identities in cinema, using her platform to speak out against stereotyping and for greater inclusion in the film industry.


    ⚙ Credits:“Agadir” by Gnawa Masters."Succar Ya Banat” and “Rendez-vous manquĂ©s” (Original music from the film “Caramel”), composed by Khaled Mouzanar.“Pray For Lebanon”, composed by AIi Eldeeb.“Quantico - End Credits Theme”.“Red Rider”, “Nenna Nofinger”, and “Whip It” composed by Mateo Messina, on “Crossbones” official soundtrack.“Salam” (featured in the film “Between Heaven and Earth”), composed by Souad Massi and Khaled Izz (naĂŻve, a label of Believe Group).“Ya Hala Bikoum” by Mohammad Al Badi (Lord Sound).“Before the Night Falls” and “Valse for Julian” by Gabriele Roberto, from Julian Schnabel: A Private Portrait (Original Motion Picture Soundtrack) (Air-Edel Records).“A Dream Within a Dream” (From Shƍgun Original Soundtrack), composed by Atticus Ross, Leopold Ross, Nick Chuba (FX).Extract from the movie “Ma'eoulshe Lehad”, directed by Henry Barakat, with Samia Gamal dancing on a music from Farid El Atrache.Traditional Music of Palestine (from http://gopalestine.org/ Youtube channel).“Offering” (from Passages), composed by Ravi Shankar and Philip Glass (Dunvagen Music Publishers).Use of AI-generated voice (ElevenLabs).Post production: POG OFF

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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  • DUNE - with Pr Evelyn ALSULTANY

    DUNE - with Pr Evelyn ALSULTANY

    · JINS

    🎧 In today's episode of @jins_podcast , "DUNE", we dive deep with Professor Evelyn Alsultany ( @evelynalsultany ) into the sandy dunes of Arrakis and explore the cultural layers beneath its surface.


    🎬 Set against Frank Herbert's iconic universe and Denis Villeneuve's cinematic vision, we dissect themes of colonialism, Orientalism and Indigenous identities through a lens that questions the balance between cultural appreciation and appropriation. Professor Alsultany, a leading voice in media and ethnicity studies, brings her incisive insights into how these narratives shape our perceptions of "the other" and what it means for future storytelling in Hollywood and beyond.

    🌟 Join us as we unravel the complex portrayal of the Fremen, the mystical spice, and the echoes of Middle Eastern and North African influences that have sparked both admiration and controversy. 🕌✹


    Does 'Dune' honor its inspirations, or does it tread the line of cultural erasure? How do modern adaptations measure up against the backdrop of Hollywood's evolving landscape of diversity and representation?


    👀 Don't miss this thought-provoking journey into one of science fiction's most celebrated and scrutinized epics.

    Subscribe to stay updated with JINS, where we dissect identity, culture, and the lines that connect us all. 🌐💬


    🔗 Follow us on Instagram @jins_podcast for exclusive behind-the-scenes content and more discussions that challenge, inspire, and enlighten.

    🌟 Leave 5 stars and nice comments if you loved it! đŸŒđŸ’«

    ⚙ Credits:“Agadir” by Gnawa Masters.Musics from Dune (2021) OST: “Original Motion Picture Soundtrack”, “The Dune Sketchbook, music from the Soundtrack”, and “The Art and Soul of Dune, Companion Book Music”. Composed by Hans Zimmer.Extracts from “Dune Part Two Soundtrack”, composed by Hans Zimmer.“Jack Ryan - Main Theme” (from Tom Clancy’s JAck Ryan: Season 1 (Music from the Prime Original Series), composed by Ramin Djawadi (Paramount Music).“Samir & Sharon”, from The Siege, composed by Graeme Revell (Varese Sarabande Records, Inc.).Extract from “Road to Morocco” directed by David Butler (1942).“Shake That Tambourine” (from Harum Scarum), composed by Bill Giant, Bernie Baum, Florence Kaye (RCA Records).“The Delta Force - Main Theme”, composed by Alan Silvestri.This episode contains sound design from the movie “Dune”, by Mark Mangini ans his team.Extracts from the movie “Dune”, directed byDenis Villeneuve.“Istanbul - The Blue Mosque” (from Argo (Original Motion Picture Soundtrack), composed by Alexandre Desplat.“Imhotep (from the Mummy OST)”, composed by Jerry Goldsmith (Universal Pictures Film Music).“Making of Cyborg” (Ghost in the Shell Soundtrack), composed by Kenji Kawai."Spectres in the Fog (The Last Samurai: Original Motion Picture Score)”, composed by Hans Zimmer.“Theme from Sahara” (Sahara soundtrack), composed by Ennio Morricone.“Beirut (from Black Sunday - Unreleased Soundtrack)”, composed by John Williams (1977).Use of AI-generated voice (ElevenLabs).Post production: POG OFF

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • La voix de l'espoir - avec Emel MATHLOUTHI

    La voix de l'espoir - avec Emel MATHLOUTHI

    · JINS

    đŸŽ€ Aujourd'hui sur @jins_podcast, un nouvel Ă©pisode inspirant avec l’incroyable Emel Mathlouthi.

    @emelmathlouthi, chanteuse, auteure-compositrice et productrice tunisienne, a marqué les esprits du monde entier avec sa chanson "Kelmti Horra", devenue un hymne de la Révolution tunisienne. Sa musique, un mélange captivant de folk, d'électronique et de sonorités nord-africaines, a transcendé les frontiÚres et les genres, s'imposant comme un symbole de résistance, de liberté et de féminisme.


    Laissez 5 Ă©toiles 🌟 si vous avez aimĂ© Ă©couter cet Ă©pisode inspirant, laissez un commentaire et partager autour de vous !


    ⚙ Credits:“Agadir” par Gnawa Masters.Extrait d’une chanson arabe par Fayrouz, lors d’une Ă©mission de TV du 24 mai 1975 (INA).Extrait de “Kelmti Horra”, chantĂ© par Emel Mathlouthi lors de la rĂ©volution tunisienne.Extrait de “Kelmti Horra”, chantĂ© par Emel Mathlouthi lors du 2015 Nobel Peace Prize Concert.“NAR”, composĂ© par Ami Yerewolo, Emel Mathlouthi (Little Human (exclusively licensed to Yotanka Records)).Extraits de “Variations #6 : Vitalic & Emel jouent Ghada Al-Samman”, filmĂ© au ThĂ©Ăątre du ChĂątelet (Culturebox, FIP, Sourdoreille).“Mazel (feat. CamĂ©lia Jordana)”, composĂ© par Emel Mathlouthi (Little Human (exclusively licensed to Yotanka Records)).“Princess Melancholy” (from the album “Ensen”), composĂ© par Emel Mathlouthi (Partisan Records LLC / Knitting Factory Records, Inc / Emel Mathlouthi).“Sallem” (from the album “Ensen”), composĂ© par Emel Mathlouthi (Partisan Records LLC / Knitting Factory Records, Inc / Emel Mathlouthi).“Naci en Palestina” interprĂ©tĂ© live par Emel Mathlouthi.“L’amour (feat. Justina)”, composĂ© par Emel Mathlouthi, Farima Habashizadehasl (Little Human (exclusively licensed to Yotanka Records)).“The Man Who Sold The World”, from “The Tunis Diaries”, interprĂ©tĂ© par Emel Mathlouthi, composĂ© par David Bowie.Post-production: POG OFF.

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Joyland is a queer land - with Saim SADIQ

    Joyland is a queer land - with Saim SADIQ

    · JINS

    đŸ‡”đŸ‡° Today on @jins_podast, join me in welcoming Pakistani filmmaker Saim Sadiq who gained international acclaim with his short film "Darling," which won the Orizzonti Award for Best Short Film at the Venice International Film Festival.

    đŸłïžâ€âš§ïž His feature debut, "Joyland," made history as Pakistan's first film screened at the Cannes Film Festival, winning the Jury Prize. The film's exploration of transgender identity and societal taboos has stirred significant discussion and controversy in Pakistan. From facing a ban to becoming a subject of national debate, the movie highlights the evolving conversation around gender and sexual identities in Pakistan. It showcases how cinema can be a powerful medium for challenging stereotypes and fostering empathy.


    đŸ“Č Follow @jins_podcast on Instagram for more exclusive content.


    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Mon livre

    Mon livre "AMOUR" sort aujourd'hui en librairie !

    · JINS

    đŸ’„ WOW ! Moi, Jamal, la voix derriĂšre JINS Podcast, je sors mon premier livre : “AMOUR - RĂ©volutionner l’amour grĂące Ă  la sagesse arabe et/ou musulmane” đŸ’›đŸ–€ aux Ă©ditions LeDuc et prĂ©facĂ© par la seule et unique LeĂŻla Slimani !

    đŸ“”đŸ€ C’est un livre Ă  mettre entre toutes les mains, pour faire germer l’amour de maniĂšre universelle. Mon essai est un manifeste pour faire la rĂ©volution de l’amour, toustes ensemble ! C’est une invitation Ă  reconsidĂ©rer la maniĂšre dont nous apprĂ©hendons et pratiquons l’amour dans une sociĂ©tĂ© marquĂ©e par des divisions profondes et systĂ©miques. En s’inspirant de ma culture arabo-musulmane, mon texte cherche Ă  allier un militantisme politique et poĂ©tique, Ă  rĂ©injecter la joie et l’empathie, pour reconstruire un monde rĂ©gi par l’Amour.

    âœŠđŸœ Alors, vous voulez faire la rĂ©volution de l’amour avec moi ?

    🚀 Le lien de commande est disponible ici đŸ“Č https://www.fnac.com/a20477490/ !

    Merci infiniment !

    Amoureusement,

    Jamal


    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Leur France, leur AlgĂ©rie - avec Samir GUESMI, Slimane DAZI & Zinedine SOUALEM

    Leur France, leur Algérie - avec Samir GUESMI, Slimane DAZI & Zinedine SOUALEM

    · JINS

    đŸŽȘ Rejoignez-nous pour un Ă©pisode LIVE et captivant de JINS, le premier podcast dĂ©diĂ© aux rĂ©cits d'amour, de sexualitĂ©s et de genre pour les personnes arabes et/ou musulmanes au Hasard Ludique Ă  Paris.


    đŸ‡«đŸ‡· đŸ‡©đŸ‡ż Dans cet Ă©pisode, on va redĂ©couvrir les masculinitĂ©s maghrĂ©bines Ă  l'Ă©cran Ă  travers les regards des Ă©minents acteurs Zinedine Soualem, Samir Guesmi et Slimane Dazi.

    DĂ©couvrez comment ils ont voulu raconter leurs histoires au travers de leurs filmographies et de rĂ©cits autant français qu'algĂ©riens.

    Un Ă©pisode passionnant oĂč nous avons rĂ©inventĂ© les reprĂ©sentations, ensemble !


    Je sors mon premier livre : “AMOUR - RĂ©volutionner l’amour grĂące Ă  la sagesse arabe et/ou musulmane” et c’est prĂ©facĂ© par LeĂŻla Slimani !

    đŸ’›đŸ–€đŸ€ Ă‡a sort le 12 septembre aux Ă©ditions LeDuc dans vos librairies mais vous pouvez d’ores et dĂ©jĂ  le prĂ©commander ici : https://www.fnac.com/a20477490/ đŸ“Č 

    ⚙ Credits:“Agadir” par Gnawa Masters.Extrait du film “Pepe le Moko”, de Julien Duvivier, avec le morceau “OĂč est-il donc ?” interprĂ©tĂ© par Frehel.“La Bataille d’Alger” (Bande Originale du film “La Bataille d’Alger”), composĂ© par Ennio Morricone (Creazioni Artistiche Musicali C.A.M. S.r.l. / Universal Music Publishing Ricordi S.r.l.).“IndigĂšnes” (Bande Originale du film “IndigĂšnes”), composĂ© par Armand Amar (Europa Corp).Extraits du film “Leur AlgĂ©rie”, de Lina Soualem (2020).“FiĂšvres” (Bande Originale du film “FiĂšvres”), composĂ© par Bachar Mar-KhalifĂ© (Balcoon)."Un prophĂšte” (Bande Originale du film “Un prophĂšte”), composĂ© par Alexandre DesplatMusique du gĂ©nĂ©rique de fin du film "D'une pierre deux coups”, composĂ© par Youssef Boukella & Luis Saldanha, accompagnĂ©s par l'Orchestre national de BarbĂšs.Musique du gĂ©nĂ©rique de fin du film "Fast”, composĂ© par Krishna Levy.“Cold Little Heart” (du film "El Houb"), composĂ© par Michael Samuel Kiwanuka, Brian Joseph Burton, Dean Wynton Josiah Cover (Warner Chappell Music Publishing Limited, Sony Music Publishing (Uk) Ltd).“L'air de la mer rend libre (Bande Originale du Film)”, composĂ© par Samy ThiĂ©bault (Thelonious Productions).“Oussekine” (de "Oussekine"/La Bande Originale de la SĂ©rie), composĂ© par Sacha et Evgueni Galperine (Walt Disney Records) (2022).“ThĂšme de Louisa” (Musique extrait du film "Ibrahim" (Bande originale du film)), composĂ© par Raphael Eligoulachvili (Why Not Productions).Post-production: POG OFF.

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • A Hollywood history of Muslim tropes - with Maytha ALHASSEN

    A Hollywood history of Muslim tropes - with Maytha ALHASSEN

    · JINS

    đŸ‘©đŸ»â€đŸ« Today on @jins_podast, I’m very pleased to welcome Maytha Al-Hassen. Maytha is a journalist, poet, scholar, and professor. Her work spans social justice, academic research, media engagement, and artistic expression, aiming to create and popularize authentic narratives for Muslims in popular culture. Maytha has contributed to CNN and Huffington Post, among others. She has performed at significant venues, including TED conferences. Her Ph.D. in American Studies and Ethnicity from USC reflects her dedication to changing narratives around Arab and Muslim communities through media, education, and pop culture. Following Professor Jack Shaheen’s steps, she wrote a compelling document named Haqq & Hollywood (which means “Hollywood & the Truth” in Arabic) that was the basis of my exploration.


    đŸ“Č Follow @jins_podcast on Instagram for more exclusive content.

    ⚙ Credits :“Agadir” by Gnawa Masters.Arabic Vocals by Soulpacifica - https://tihana.net/soulpacifica | YT: â€Ș@tihanamusic‬No Copyright Music : Copyright Free Sad Background Music | Best No Copyright emotional Music | NCM“The End/ Playoff Music (From "Lawrence of Arabia")”, composed by Maurice Jarre. ℗ A Decca Records Recording; ℗ 1989 Universal Music Operations Limited.“Arabian Nights (Official Instrumental)” from Aladdin 2019, composed by Alan Menken · Howard Ashman · Benj Pasek · Justin Paul. ℗ 2019 Walt Disney Records.“Main Title / Cleopatra Enters Rome (From "Cleopatra" 1963)”, composed by Alex North. ℗ 2001 Twentieth Century Fox Film Corporation, under exclusive license to Varese Sarabande Records, Inc.“Howard Beale Show Theme Song” from the movie Network (1976).“Not Without My Daughter - Orchestra Only Suite”, composed by Jerry Goldsmith. Publisehd by Pathe Entertainment Movie Songs.End credits music from “The Hate That Hate Produced” (1959).Excerpts from “American Sniper”, directed by Clint Eastwood (2014).“North”, composed by Silent Partner.“Lounga 79”, composed by Hany Shenouda. On the serie “Ramy”.“Sometimes”, composed by Iman Europe, published by Good Soil Productions. On the serie Insecure”.Post production: POG OFF

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Aladdin

    Aladdin

    · JINS

    đŸ§žâ€â™‚ïž Pour cet Ă©pisode hors-sĂ©rie de @jins_podcast , je me suis essayĂ© Ă  un nouveau format oĂč je dĂ©cortique et analyse seul, Ă  la lumiĂšre de toutes mes dĂ©couvertes en rĂ©sidence Ă  la Villa Albertine de Los Angeles, ainsi qu’à toutes mes lectures et visionnages de films, une oeuvre ; ici celle qui a rythmĂ© tous les jours de mon enfance, au grand dĂ©sespoir de ma famille : Aladdin.


    🕌 Aladdin sert de miroir aux perceptions occidentales du Moyen-Orient, marquĂ©es par une histoire longue et souvent problĂ©matique d'orientalisme. La bonification de l’arabitĂ© d’Aladdin, appelĂ© Al, la queerisation de l’ignoble Jafar, la sexualisation Ă  outrance de Jasmine, reprĂ©sentĂ©e comme une figure Ă  la fois indĂ©pendante et objectivĂ©e... Ça nous rappelle la responsabilitĂ© des auteurs et crĂ©ateurs de contenu de transcender les clichĂ©s et de prĂ©senter des rĂ©cits qui respectent et cĂ©lĂšbrent la richesse des cultures qu'ils reprĂ©sentent.


    Je sors mon premier livre : “AMOUR - RĂ©volutionner l’amour grĂące Ă  la sagesse arabe et/ou musulmane” et c’est prĂ©facĂ© par LeĂŻla Slimani !

    đŸ’›đŸ–€đŸ€ Ă‡a sort le 12 septembre aux Ă©ditions LeDuc dans vos librairies mais vous pouvez d’ores et dĂ©jĂ  le prĂ©commander ici : https://www.fnac.com/a20477490/ đŸ“Č 


    CrĂ©dits : “Agadir” par Gnawa Masters.“Arabian Nights” (From "Aladdin"/Soundtrack Version), composĂ© par Alain Menken et Howard Ashman, interprĂ©tĂ© par Bruce Adler (Walt Disney Company, Wonderland Music Company Inc.).Extraits du film “Aladdin”, rĂ©alisĂ© par John Musker et Ron Clements, en version doublĂ©e en français et en version originale en anglais (Walt Disney Pictures) (1992).Plusieurs extraits de la bande originale du film Aladdin, composĂ©e par Alain Menken (et Howard Ashman) (Walt Disney Company, Wonderland Music Company Inc.).Extraits de “A Wolf in Sheik's Clothing (Popeye the Sailor Man)”, (Warner Bros. and Turner Entertainment) (1948).Extrait de “Looney Tunes "Ali Baba Bunny””, rĂ©alisĂ© par Chuck Jones (Warner Bros) (1957).“Genie and Jasmine” (from “The Return of Jafar”/Score), composĂ© par Carl Johnson et Mark Watters (Disney Music Group / Walt Disney Records) (1996).“Father and Son (Soundtrack version) (from “Aladdin and the King of Thieves”), composĂ© par Randy Petersen et Kevin Quinn (Disney Music Group / Walt Disney Records) (1996).Extrait de “Witchfinder General”, de Michael Reeves (1968), avec Vincent Price.Extrait de “The Sorcerers”, de Michael Reeves (1967), avec Boris Karloff.Extrait de “Pocahontas”, de Mike Gabriel et Eric Goldberg (1995).Extrait de “The Lion King”, de Roger Allers et Rob Minkoff (1994).Extrait de “The Little Mermaid”, de John Muskers et Ron Clements (1989).InterprĂ©tation de Divine par Eureka, dans un sketch.Extrait de “A Whole New World” de Alain Menken, interprĂ©tĂ© par le Royal Philharmonic Orchestra.Post-production: POG OFF.

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Middle-Eastern gay actors in Hollywood - with Omar SHARIF Jr, SHAROK & Kais BOUKTHIR

    Middle-Eastern gay actors in Hollywood - with Omar SHARIF Jr, SHAROK & Kais BOUKTHIR

    · JINS

    🌈 Today on @jins_podast, I am sharing a live interview I had in the legendary Micky’s bar in WeHo thanks to Hump Events with 3 amazing humans:

    Omar Sharif Junior is an Egyptian-Canadian actor and model. He studied acting at the Lee Strasberg Theatre and Film Institute in New York. Omar came out as gay in 2012, causing a significant stir in the Middle Eastern media. Besides acting, he's an advocate for queer rights and has written on these topics for international publications.Kais Boukthir is a Tunisian-born actor, content creator and model. In 2017, Kais was awarded a scholarship to attend the University of Southern Indiana. During his time there, he claimed refugee in the U.S. for being gay. He moved to LA to pursue his dream. He guest-starred on HBO's "The Sex Lives of College Girls". You’ll also find his hilarious TikTok videos, under the name Kayes Hurricane.Sharok is an Iranian-American adult film actor based in LA, who’s known not only for his work in the porn industry but also for his activism and outspokenness on social issues. He indeed won a GayVN Award in 2021 and won the Most Accomplished International Star Award at the 2022 Grabby Awards. He is also a bird lover, a painter and one of the voices of the Iranian revolution in the US.

    đŸ“Č Follow @jins_podcast on Instagram for more exclusive content.


    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Le cinĂ©ma marocain, entre crĂ©ativitĂ© et engagement - avec Hicham LASRI

    Le cinéma marocain, entre créativité et engagement - avec Hicham LASRI

    · JINS

    🎬 Mon invitĂ© du jour dans @jins_podcast est Hicham Lasri, un rĂ©alisateur marocain dont le travail est fortement ancrĂ© dans la rĂ©alitĂ© sociale et culturelle du Maroc. NĂ© Ă  Casablanca, il s'est rapidement fait un nom grĂące Ă  son style unique et ses narrations audacieuses. Sa filmographie comprend des Ɠuvres notables comme “The End” (2011), "C’est eux les chiens" (2013), "The Sea is Behind" (2014), "Starve Your Dog" (2015), et "Headbang Lullaby" (2017). Hicham est reconnu pour son approche non conventionnelle et expĂ©rimentale, qui dĂ©fie souvent les normes cinĂ©matographiques traditionnelles et les reprĂ©sentations des figures masculines et fĂ©minines dĂ©chues. 


    đŸ“Č Suivez @jins_podcast sur Instagram, partagez autour de vous et laissez 5 Ă©toiles sur les plateformes d’écoute !


    📕 Concernant la prĂ©commande de mon livre "AMOUR", ça se passe par ici : https://www.fnac.com/a20477490/Jamal-Ouazzani-Amour !


    ⚙ Credits:“Agadir” par Gnawa Masters.“Animalia Main Title 1” (de la bande originale du film Animalia), composĂ© par Amine Bouhafa (Wrong Films / SRAB Films, under exclusive licence to 22D Music) (2023).“Ma Hammouni” (reprise par Barry, dans le film “The End”), composĂ© par Nass el Ghiwane (Brahim Ounassar) (2012).“Headbang Lullaby part 1” (de Headbang Lullaby (Original Motion Picture Soundtrack)), composĂ© par Wissam Hojeij (℗ Wissam Hojeij) (2020).“Ufo Robot Grendizer” (gĂ©nĂ©rique), composĂ© par Shunsuke Kikuchi, interprĂ©tĂ© par Sami Clark“Buono Il Brutto Il Cattiv”, composĂ© par Ennio Morricone (EMI MUSIC PUBLISHING ITALIA SRL)."Mahmouna”, composĂ© et interprĂ©tĂ© par Nass el Ghiwane (MLP) (2014).Extrait de la bande annonce du film “The Sea is Behind” (Al Bahr Min Ouaraikoum), de Hicham Lasri, produit par Hicham Lasri, Raccord cinĂ© et service, Moon & Deal Films - La Prod, Pan Production (2015).Musique de “CACA-MIND”, par Hicham Lasri (2016).Musique de “Bissara Overdose”, par Hicham Lasri.Musique du teaser de “Moroccan Bada$$ Girl” de Hicham Lasri.Extrait de “Back to the Future”, de Robert Zemeckis, produit par Universal Pictures, Amblin Entertainment (1985).“Red Dawn” (Original Motion Picture Soundtrack Red Dawn), composĂ© par Ramin Djawadi (United Artists Production Finance LLC, sous license exclusive Ă  Sony Classical a Division of Sony Music Entertainment).“La Solitude”, composĂ© par LĂ©o FerrĂ© (Barclay).Utilisation de voix gĂ©nĂ©rĂ©es par IA (ElevenLabs).Post-production: POG OFF.

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Tehrangeles - with Shohreh AGHDASHLOO

    Tehrangeles - with Shohreh AGHDASHLOO

    · JINS

    😂 Today on @jins_podast, I’m honored to share my interview with the one and only Shohreh Aghdashloo ! Shohreh is an Iranian actress whose illustrious career has broken new ground for Middle-Eastern representation in Hollywood. Born into an intellectual family in Tehran, Shohreh's artistic journey began amidst Iran's vibrant pre-revolutionary arts scene, leading her to prominent roles in the burgeoning Iranian New Wave cinema. As Hollywood royalty, Shohreh’s nomination for an Academy Award for her role in "House of Sand and Fog" marked a historic moment, celebrating not just her exceptional talent but also heralding the presence of Middle-Eastern women in international cinema. With roles in "The Expanse," “Star Trek” and more, she continues to inspire and resonate with us, making her a pivotal figure in the discourse on representation and diversity.


    đŸ“Č Follow @jins_podcast on Instagram for more exclusive content.

    ⚙ Credits:Excerpt from a report from Julian Manyon for TV Eye (1979).Excerpt from an interview of Mohsen Makhmalbaf about “The Gardener”, on Euronews (2013).Excerpt from “Protests rage across Iran after mourners visit Mahsa Amini's grave” footage on social media, published on Guardian News Youtube channel (2022).Excerpt from “Just 6.5 (Trailer)”, a film by Saeed Roustayi (2019).Excerpt from “Leila’s Brothers (Trailer)”, a film by Saeed Roustaee (2022).Excerpt from Golshifteh Farahani’s speech on TED "Woman, Life, Freedom" in Iran — and What It Means for the Rest of the World” (2023).Excerpt from an interview of Zar Amir Ebrahimi, in Amanpour and Company PBS (2022).“Argo (Main Theme)”, composed by Alexandre Desplat, published by Warner Barham Music LLC.Excerpt from the movie “Argo” (Embassy Scene) by Ben Affleck (2012).“Persian Flower”, by MusicScreenExcerpt from the movie “House of Sand and Fog” by Vadim Perelman (2003).Excerpt from the TV show “The Expanse” S02E09 on Prime Video.Excerpt from the movie “Star Trek Beyond” by Justin Li (2016).Music from the movie “Girl with a Suitcase” (Italian: La ragazza con la valigia), by Fausto Papetti.Music from the movie “Gone with the Wind”, by Max Steiner.Excerpt from America so beautiful (Trailer), a film by Babak Shokrian (2010).“Promenade of Stolen Children”, from The Handmaid's Tale (Main Title), by Adam Taylor.Excerpt from 2004 Oscars ceremony.Excerpt from “C’était quoi Omar Shariff ? - Blow Up” on Arte (2020).Excerpt from 2009 Emmy Awards ceremony.“24 opening sequence” by Sean Callery.KIRN Radio Iran 670 AM logo music.Sample of a recording of Antonin Artaud.Excerpt from the TV show “The Expanse” S02E19 on Prime Video.“Star Trek Main Theme” by Michael Giacchino (Paramount Pictures)“Vigil” by Jack Wall, Sam Hullick (from the videogame “Mass Effect”).“Destiny OST Main Theme” by Marty O'Donnell, Michael Salvatori, and Paul McCartney.“Mirage Theme” by Akram Haddad, Layth Sidiq, Brendan Angelides (from the videogame “Assassin’s Creed Mirage).“The Expanse Main Theme” by Clinton Shorter (ALCON BRIDGE PUBLISHING).“Haseebak Lel Zaman” performed by Oum Kalthoum.“Exodus: Gods and Kings (Official Trailer)”, a film by Ridley Scott (2014).“Prince of Persia: The Sand of Time (Movie Trailer)”, a film by Mike Newell (2010).“The Stoning of Soraya M. (Trailer)”, a film by Cyrus Nowrasteh (2009). “Opinion: Iran's Green Tsunami”, by The New York Times (2009).“Global protests mark first anniversary of Mahsa Amini’s death”, by The Guardian (2023).

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • L'agent des stars d'Hollywood - avec Mani NORDINE

    L'agent des stars d'Hollywood - avec Mani NORDINE

    · JINS

    💛 Pour cet Ă©pisode de @jins_podcast , j'ai Ă©changĂ© avec l’agent des stars Mani Nordine !


    đŸ€”đŸœâ€â™‚ïž Mani Nordine est tout simplement le "World's Best Agent" et a fait la couverture du Hollywood Magazine & TIME Magazine. Marocain et amĂ©ricain, sa carriĂšre est marquĂ©e par une capacitĂ© exceptionnelle Ă  dĂ©couvrir et Ă  promouvoir des talents dans un spectre diversifiĂ© de l'entertainment. D’abord danseur puis chorĂ©graphe, il a su s’imposer et devenir un des plus grands agents des stars hollywoodiennes. Fondateur de l'agence AAC (American Artist Company), il a collaborĂ© avec plus de 150 cĂ©lĂ©britĂ©s internationales, telles que Rihanna, Akon, et Snoop Dogg. Mani a su allier ses racines multiculturelles Ă  sa passion pour la musique, le cinĂ©ma et le spectacle, tout en gardant en tĂȘte l’ambition constante de repousser les frontiĂšres de l'industrie du divertissement.


    📕 Concernant la prĂ©commande de mon livre "AMOUR", ça se passe par ici : https://www.fnac.com/a20477490/Jamal-Ouazzani-Amour !


    🔈 Post-production: POG OFF.

    ⚙ Credits :GĂ©nĂ©rique de la sĂ©rie “Dix pour cent”, composĂ© par LoĂŻk Dury et Christophe Minck.“Work”, composĂ© et Ă©crit par Jahron Anthony Brathwaite, Rupert Jr Thomas, Moir Monte S, Rihanna, Matthew Samuels, Allen Raphael Ritter, Hony Stephenson Richard Ant, Aubrey Drake Graham, Ă©ditĂ© par Sony Atv Tunes Llc, Greensleeves Publishing Limited, Wc Music Corp, 1damentional Publishing Llc, Ritter Boy, Lw Music Gmr, Monica Fenty Music Publishing (2016).“Smack That”, composĂ© et Ă©crit par Eminem, Akon, Strange Mike, Resto Luis Edgardo, Ă©ditĂ© par Songs Of Universal Inc, Byefall Productions Inc, Sony Atv Harmony, Kobalt Music Services America Inc, Luis Resto Music, Slick Jesus Llc, Shroom Shady Music (2006).“Drop It Like It S Hot”, composĂ© et Ă©crit par Hugo Charles Edward, Snoop Dogg, Pharrell Williams, Ă©ditĂ© par EMI Blackwood Music Inc, Tamerlane Warner Publ Corp, Raynchaser Music, Careers BMG Music Publishing I, My Own Chit Publishing (2008).“Willkommen”, composĂ© par John Kander, Ă©crit par Fred Ebb (℗ A Geffen Records Release; ℗ 1972 UMG Recordings, Inc.)“Nonsense Song (Titine) (From "Modern Times")”, composĂ© par Leo Daniderff, Ă©crit par Charlie Chaplin, Ă©ditĂ© par Roy Export SAS (1936).“Theme from Magnum P.I.”, composĂ© par Mike Post, Pete Carpenter“Casablanca Caravan”, composĂ© par Chris Haugen.Jingle Netflix.“Alors on danse”, composĂ© Ă©crit et interprĂ©tĂ© par Stromae, Ă©ditĂ© par Kilomaitre Publishing, Because Editions, Mosaert Label Sprl (2009).“Dieu m'a donnĂ© la foi”, composĂ© par Nicolas Neidhardt, Gerard Nakache, Marc Nakache, Ă©crit par Alain Nakache, interprĂ©tĂ© par OphĂ©lie Winter (© 1996 EAST WEST FRANCE ℗ 1996 Warner Music France).“Bad Guy”, compoosĂ© par Billie O'connell, Finneas Baird Oconnell, Ă©ditĂ© par Universal Music Corporation, Drup, Last Frontier (2019).“Bad Romance”, composĂ© par Red One, Lady Gaga, Ă©ditĂ© par Songs Of Redone, House Of Gaga Publishing Inc, Sony Atv Songs LLC.Utilisation de voix gĂ©nĂ©rĂ©es par IA (ElevenLabs).

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Iranian-Americans in comedy - with Maz JOBRANI

    Iranian-Americans in comedy - with Maz JOBRANI

    · JINS

    😂 Today on @jins_podast, I feel humbled to be able to talk to Maz Jobrani ! The incredibly talented @mazjobrani is an Iranian-American comedian and actor, who has been breaking stereotypes and building bridges with his insightful comedy that often reflects on the immigrant experience and the nuances of hyphenated identities. Best known for his stand-up specials “Immigrant”, “The Birds & The Bees” and his role in the "Axis of Evil" comedy tour, Maz uses humor to challenge perceptions on Iranians / Arabs / Muslims and highlight the shared human experience.


    đŸ“Č Follow @jins_podcast on Instagram for more exclusive content.

    ⚙ Credits:Excerpt from “New Girl” (S07E06), created by Elizabeth Meriwether, for Fox (2018).Excerpt from “Aladdin” movie, by Guy Ritchie (2019). Produced by Walt Disney Pictures and Rideback.Excerpt from Max Amini's live show "Mother's Day to the Max" at the Skirball Centre in Los Angeles.Excerpt from Max Amini's instagram page.Excerpt from “The Persian Bachelorette”, by Shayan Ebrahim. Written by Shayan Ebrahim and Tara Grammy. Produced by Tara Grammy, Shayan Ebrahim, Bita Milanian.Excerpt from Amir K Stand-up Comedy at the Laugh Factory comedy club in Hollywood, CA.Excerpt from “The Muslims Are Coming!” trailer, a film by Negin Farsad & Dean Obeidallah.Excerpt from Zahra Noorbakhsh’s show at Comic Strip NYC, during The Muslim Funny Fest: Muslim Comedy All-Stars, organized by Maysoon Zaid and Dean Obeidallah (Axis of Evil Comedy Tour).Excerpt from the theme music of the #goodmuslimbadmuslim podcast.Excerpt from Maz Jobrani’s performance during the Axis of Evil Comedy Tour full show (Levity Productions, directed by Michael Simon)Excerpt from Maz Jobrani’s show “Brown & Friendly”.Excerpt from “Chad” teaser, for TBS (2019).Excerpt from “Mo” teaser, for Netflix (2022).Excerpt from “Ramy: Season 2” trailer, for Hulu (2019)."La ForĂȘt des CĂšdres", from the Gilgamesh show by l'Atelier de l'Orage. Performed by Arnaud Delannoy.Excerpt from “Protests rage across Iran after mourners visit Mahsa Amini's grave” footage on social media, published on Guardian News Youtube channel (2022).Excerpt from “Iran Protests Draw Thousands in Milestone Memorial for Mahsa Amini”, a video originally posted on Twitter by Oslo-based Iran Human Right, then published by Bloomberg (2022).“Argo (Main Theme)”, composed by Alexandre Desplat, published by Warner Barham Music LLC.Excerpt from “The Persian Version” trailer, by Maryam Keshavarz (2023).Excerpt from “Jimmy Vestvood: Amerikan Hero” movie, by Jonathan Kesselman (2014). Written by Amir Ohebsion and Maz Jobrani.“Drips”, from American Fiction (Original Motion Picture Soundtrack), composed by Laura Karpman. 2023 MRC II Distribution Company L.P., under exclusive license to Masterworks, a label of Sony Music Entertainment.Main Title music from The Black Rose (1950), by Richard Addinsell, conducted by Muir Mathieson."Lawrence of Arabia" by Maurice Jarre (1962)“Rumi Poetry - Persian Music and Singing” Tehran, Iran Improvisation in Esfehan mode, Concert/Album: Masters of Mysteries (Khodavandan-e Asrar, aka The Lords of the Secrets), Tanboor: Sohrab Pournazeri, Vocal: Homayoun Shajarian.Excerpt from “The Delta Force” movie, by Menahem Golan (1986), with Chuck Norris.“'85 Lone Pine Mall” from Back To The Future (Original Motion Picture Soundtrack) (1985), by Alan Silvestri.“James Bond Theme”, from Dr. No (1962), by Monty Norman and John Barry.Excerpt from Eddie Murphy Delirious, by Bruce Gowers (1983).Excerpt from Maz Jobrani’s show “The Birds and the Bees”, produced by - Comedy Store Studios and Jon Sosis.

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • đŸ’„ Je sors mon premier livre :

    đŸ’„ Je sors mon premier livre : "AMOUR" ! đŸ€

    · JINS

    đŸ’„ WOW ! Moi, Jamal, la voix derriĂšre JINS Podcast, je sors mon premier livre : “AMOUR - RĂ©volutionner l’amour grĂące Ă  la sagesse arabe et/ou musulmane” đŸ’›đŸ–€ aux Ă©ditions LeDuc (prĂ©commande dĂšs le 21 juin) et prĂ©facĂ© par LeĂŻla Slimani !

    đŸ“”đŸ€ C’est un livre Ă  mettre entre toutes les mains, pour faire germer l’amour de maniĂšre universelle. Mon essai est un manifeste pour faire la rĂ©volution de l’amour, toustes ensemble ! C’est une invitation Ă  reconsidĂ©rer la maniĂšre dont nous apprĂ©hendons et pratiquons l’amour dans une sociĂ©tĂ© marquĂ©e par des divisions profondes et systĂ©miques. En s’inspirant de ma culture arabo-musulmane, mon texte cherche Ă  allier un militantisme politique et poĂ©tique, Ă  rĂ©injecter la joie et l’empathie, pour reconstruire un monde rĂ©gi par l’Amour.

    âœŠđŸœ Alors, vous voulez faire la rĂ©volution de l’amour avec moi ?

    🚀 Le lien des prĂ©ventes est disponible ici đŸ“Č https://www.fnac.com/a20477490/ !

    Merci infiniment !

    Amoureusement,

    Jamal


    🔈 Sound design : Bruno Porret (POGOFF)


    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • No awards during a genocide

    No awards during a genocide

    · JINS

    đŸȘ§đŸ“Ż Today on @jins_podcast, we delve into a different side of Hollywood in my special episode "No Awards during Genocide".

    As the Oscars' glam clashed with vital activism, I spotlight the powerful Free Palestine march. Amidst the glitter, voices like @feistypharaoh from SAG-AFTRA FOR CEASEFIRE and organizations like FILMWORKERS FOR PALESTINE (@brandnewfarihah), WRITERS AGAINST THE WAR IN GAZA (@therwees) and JEWISH VOICE FOR PEACE rise together, demanding a ceasefire and justice in Gaza, Raffah and all occupied territories. This episode isn't just about film—it's about the pivotal role of the 7th art in activism and the urgent fight for human rights. Tune in to explore how cinema and solidarity can intertwine to challenge narratives and inspire change.


    đŸ“Č Follow @jins_podcast for more on these topics! đŸ€â€ïžđŸ’šđŸ–€


    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Filmer l'intimitĂ© des femmes - avec Zita HANROT, Iris BREY & Monia AÏT EL HADJ

    Filmer l'intimité des femmes - avec Zita HANROT, Iris BREY & Monia AÏT EL HADJ

    · JINS

    🌟 Aujourd'hui sur @jins_podcast, je vous livre un Ă©pisode captivant grĂące Ă  Zita Hanrot, Iris Brey et Monia AĂŻt El Hadj, intitulĂ© "Filmer l'intimitĂ© des corps de femmes". @zitahanrot, actrice française rĂ©compensĂ©e, continue de toucher le public avec ses rĂŽles qui scrutent les complexitĂ©s de l'identitĂ© et de l'intimitĂ© dans des productions telles que "Fatima" et "Plan Coeur". @irisbrey, critique de cinĂ©ma et auteure, se distingue par son analyse du “regard fĂ©minin” et des reprĂ©sentations de genre au cinĂ©ma. @monia.aitelhadj, pionniĂšre en tant que coordinatrice d'intimitĂ© en France, apporte son expertise unique pour garantir que les reprĂ©sentations de l’intimitĂ© soient Ă  la fois respectueuses et rĂ©alistes.

    ⚙ Credits:"The Lure (Main Theme)” (Music from the HBO Original Series), composĂ© par Mike Dean et The Weeknd (UMG) (2023).Extrait du film “Fatima”, de Philippe Faucon (2015).Extrait du film “La Vie Scolaire”, de Grand Corps Malade et Mehdi Idir (2019).Extrait de “Rouge”, de Farid Bentoumi (2020).Extrait de la bande-annonce du film “Carnivores”, de JĂ©rĂ©mie et Yannick Renier (2018).Extrait de la sĂ©rie “Plan CƓur”, crĂ©Ă©e par NoĂ©mie Saglio, Julien Teisseire, Chris Lang pour Netflix (2018).“A New Gaze” tirĂ©e de SPLIT (Bande originale de la sĂ©rie), composĂ© par Maud Geffray (Pan European Recording / WARRIORECORDS / bORDEL Records) (2023).“El Jardim del Vecino (O Quintal do Vizinho)” sur la BO du film Aquarius, composĂ© par Roberto Carlos, Erasmo Carlos, Buddy & Mary McCluskey (Sony Music Entertainment) (1976).“Vanity” (Jackie (Original Soundtrack Album)), composĂ© par Mica Levi (Milan Entertainment, Inc) (2016).Extrait du film “Tout sur ma mĂšre”, de Pedro AlmodĂłvar (1999).Extrait du film “Titanic”, de James Cameron (1997).Extrait du film “Thelma et Louise”, de Ridley Scott (1991).“Little Psycho” (Elle (Original Motion Picture Soundtrack)), composĂ© par Anne Dudley (SBS Productions, sous licence exclusive de Sony Music Entertainment) (2016).“Crossed legs” (Basic Instinct (Original Motion Picture Soundtrack)), composĂ© par Jerry Goldsmith (Quartet Records sous licence exclusive de Studio Canal)."Immodest Acts” (Benedetta (Original Motion Picture Soundtrack)), composĂ© par Anne Dudley (SBS Productions and PathĂ© Films under exclusive license to Dubois Records) (2022).“Goddess” (Showgirls Score), composĂ© par David A. Steward (1995)."On Your Way” (Girls - Volume 1: Music from the HBO Original Series)Extrait de la bande-annonce du film “Portrait de la Jeune Fille en Feu”, de CĂ©line Sciamma (2019).Extrait de la bande-annonce de la sĂ©rie SPLIT, crĂ©e par Iris Brey pour France.tv (2023).“Girlhood” (Girlhood, la bande originale de Bande de Filles)“Woman The Walk” (The Watermelon Woman Score), composĂ© par Paul Shapiro (1996).Extrait de la bande-annonce du film “L’ÉvĂ©nement”, de Audrey Diwan (2021).Extrait de la bande-annonce du documentaire “Sex is comedy”, de Edith Chapin (2023).Extrait du film “La Graine et le Mulet”, de Abdellatif Kechiche (2007).Extrait du film “Go Fish”, de Rose Troche (1994).“À mon seul dĂ©sir (Orchestral version)” (À mon seul dĂ©sir (Bande Originale du Film)), composĂ© par Rebeka Warrior (Plaza Mayor Company Ltd) (2023).Extrait du film “Saint-Omer”, d’Alice Diop (2022).“Main Title Theme” (Emily in Paris (Soundtrack from the Netflix Series)Extrait de la bande-annonce du film “Boulevard de la Mort”, de Quentin Tarantino (2007).Utilisation de voix gĂ©nĂ©rĂ©es par IA (ElevenLabs).

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Black Muslim women in comedy - with Zainab JOHNSON

    Black Muslim women in comedy - with Zainab JOHNSON

    · JINS

    đŸ–€ Today on @jins_podcast, I'm excited to introduce the incredibly talented Zainab Johnson! A trailblazer in comedy, Zainab Johnson stands out as a voice for Black Muslim women in a predominantly male-dominated industry. With her sharp wit and poignant humor, she delves into the complexities of identity and representation. Zainab gained widespread recognition from her role in the @primevideo series "Upload" @uploadonprime and her unforgettable stand-up performances on stages like her special "Hijabs Off" on Amazon Prime.


    đŸ“Č Follow @jins_podcast on Instagram for more groundbreaking discussions.

    ⚙ Credits:Excerpt from Issa Rae Monologue on Saturday Night Live.Excerpt from Loni Love’s show “Loni Love: America's Sister”.Excerpt from Nicole Byer’s show “This Is Not Happening”, on Comedy Central.Excerpt from Michelle Buteau’s show “Real Love Stories Are Nothing Like Rom-Coms”.Excerpt from Wanda Sykes’s show “Wanda Sykes: Not Normal”, on Netflix.Excerpt from Lena Waithe’s words, in “ComplexCon(versations), Issa Rae, Lena Waithe and More on Women Behind the Lens”.Excerpt from Leslie Jones’s show “Going Through a Booty Call Breakup”.Excerpt from Maya Rudolph on Saturday Night Live.Excerpt from Maysoon Zayid’s Ted Talks.Excerpt from Sabrina Jalees’s show “Coming Out to Your Muslim Family”.Excerpt from Hoodo Hersi’s show “Experiencing a Drive-by Queer Eye”.Excerpt from “Upload” Season 1, on Prime Video.Excerpt from “Zainab Johnson: Hijabs Off” on Prime Video.Excerpt from Zainab Johnson’s performance on Late Night with Seth Meyers.Excerpt from the TV Show “Ramy”, on Hulu.

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Le cinĂ©ma, de mĂšre en fille - avec Lina SOUALEM & Hiam ABBASS

    Le cinéma, de mère en fille - avec Lina SOUALEM & Hiam ABBASS

    · JINS

    💛 Pour cet Ă©pisode spĂ©cial de la saison 3 de @jins_podcast, j'ai eu l'immense honneur d'accueillir deux invitĂ©es d'exception : Lina Soualem et sa mĂšre Hiam Abbass, pour une conversation intitulĂ©e "Le cinĂ©ma, de mĂšre en fille". 


    🎬 Lina Soualem, rĂ©alisatrice franco-algĂ©ro-palestinienne, nous plonge dans l'exploration des racines et des identitĂ©s avec d’abord son documentaire acclamĂ© "Leur AlgĂ©rie", puis sont film documentaire qui a fait sensation dans le monde entier “Bye Bye TibĂ©riade”. Sa mĂšre, Hiam Abbass, actrice et rĂ©alisatrice renommĂ©e, continue de captiver les publics avec des rĂŽles mĂ©morables dans des films comme "Paradise Now", “Les citronniers” et la sĂ©rie Ă  succĂšs "Succession". Ensemble, on va explorer les rĂ©cits de transmission pour une meilleure reprĂ©sentation des femmes palestiniennes au cinĂ©ma  đŸ€â€ïžđŸ’šđŸ–€


    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

  • Gay, Arab & Muslim in Hollywood - with Haaz SLEIMAN

    Gay, Arab & Muslim in Hollywood - with Haaz SLEIMAN

    · JINS

    🌈 Today on @jins_podast, I feel thrilled to present you my dear friend Haaz Sleiman. Based in L.A., Haaz Sleiman is the first openly gay Arab Muslim in Hollywood! He is a Lebanese-American actor celebrated for his groundbreaking contributions to the representation of gay Arabs in the film industry. He gained critical acclaim for his portrayal of Tarek in the 2007 drama "The Visitor" and his career took a historic turn with his role in Marvel's "Eternals" (2021), where he played Phastos' husband, marking the first openly gay couple and parents in the Marvel Universe. Additionally, Haaz starred in "Breaking Fast" (2020), a romantic comedy that explores the life of a gay Muslim man during Ramadan who falls in love with a white man.


    đŸ“Č Follow @jins_podcast on Instagram for more exclusive content.


    ⚙ Credits:

    Excerpt from “Shahs of Sunset” Reza's Perfect Persian Skin, on Bravo.Excerpt from “Queer Eye: Season 7” Official Trailer, on Netflix.Excerpt from “Love, Victor”, on Hulu.Excerpt from “Sex Education S02E01”, on Netflix.Excerpt from “Elite”, on Netflix.Excerpt from “The Visitor”, by Tom McCarthy (2007).“Eternals Theme (from “Eternals” /Score)”, by Ramin Djawadi (Hollywood Record, Marvel Music) (2021).“Soot”, from “Breaking Fast” (Original Motion Picture Soundtrack), by Omar Fadel (Inti Binti Shinti (BMI)) (2021).“The Visitor Overture”, by Jan A.P. Kaczmarek (Overture Films) (2008).“Elisa's Theme (From "The Shape Of Water" Soundtrack)”, by Alexandre Desplat (Solrey Music (BMI) administered by Songs of Universal, Inc., Twentieth Century Fox Film Corporation) (2017).“Main Title” (from Nurse Jackie, Season 1 (Music from the Original TV Series)), by Wendy Melvoin, Lisa Coleman (Lions Gate Records) (2010).“Jack Ryan - Main Theme”, by Ramin Djawadi (Paramount Music) (2018).“A Wish (from “Eternals” /Score)”, by Ramin Djawadi (Hollywood Record, Marvel Music) (2021).“The End of the World”, by Kent Arthur, Dee Sylvia. Performed by Skeeter Davis (Music Sales Corporation).“Killing Jesus” music, by Trevor Morris (Sony Classical) (2015).“Mountain”, from “Breaking Fast” (Original Motion Picture Soundtrack), by Omar Fadel (Inti Binti Shinti (BMI)) (2021).Post production: @pogoff_sound

    Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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