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For Independence Day, we dive into the archives to bring you an episode that still feels timely. Ruth Wilson Gilmore joins Kate Wolf and Eric Newman to talk about her collection, "Abolition Geography: Essays Toward Liberation," which covers three decades of her thinking about abolition, activism, scholarship, the carceral system, the political economy of racism, and much more. For Gilmore, these are not siloed issues; rather, they are braided effects of an unjust political, economic, and cultural system that must be dismantled in order for liberation to take place. Gilmore reminds us that we must look for connections beyond the academy, where theory meets praxis, where the vulnerable are not an abstraction but a concrete human reality. Her thought and work are a much needed shot in the arm for a political and intellectual culture that has, in the view of many, atrophied or been co-opted by the extractive loops of late capitalism.
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Susan Choi joins Kate Wolf and Medaya Ocher to speak about her new novel, "Flashlight." An epic story that spans multiple generations of a single family, the book is an astute exploration of identity, migration, memory, kinship and the irrepressibility of the past. It begins in the wake of the mysterious disappearance of a young academic named Serk. An ethnic Korean, who was raised in Japan and decided to continue his studies there when his family returned to Korea after WWII, Serk later moves to the US and marries Anne, who is also estranged from her family and has her own secrets. Their daughter, Louisa, is with her father on the night of his disappearance, from a beach back in Japan, where the family has come for Serk’s year-long academic appointment. Washing up on the shore in the morning, Louisa has little memory of what has taken place, and it will take her many decades, and the course of the novel, to discover the truth.
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In this double episode celebrating pride month, Kate Wolf speaks with the critic Vince Aletti about his new book, "Physique," an assortment of hundreds of physique photos from Aletti’s own personal collection. The images in the book represent a time when homosexual life in the US was illegal, existed mostly underground, and was by necessity furtive and coded. Yet throughout the country there were photo studios producing erotic and often very beautiful photographs of barely clothed men, and distributing them through mail order catalogues and small magazines. Aletti revisits these images and their quiet revolution in his book; post-Stonewall physique photos may have appeared timid or kitsch but today they point to a largely unknown story and genre of imagery that is worthy of reconsideration as well as enjoyment. Then Milo Todd discusses his novel "The Lilac People" with Eric Newman. Set in the aftermath of World War II, "The Lilac People" follows three queer Holocaust survivors—Bertie, a trans man; his girlfriend, Sofie; and a young trans man named Karl—as they attempt to flee a hostile postwar Germany. As they evade Allied forces who are re-imprisoning queer and trans survivors, they must also navigate betrayal, suspicion, and the ongoing threat of violence from neighbors and hidden Nazis alike. Todd’s debut shines a light on a buried chapter of Holocaust history, one in which the queer and trans people, who were among the Reich's first victims, became victims anew after its fall.
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Eric Newman and Medaya Ocher speak with Alison Bechdel about her new graphic novel, "Spent." Bechdel is the author of "Essential Dykes to Watch Out For," "Fun Home," and "Are You My Mother?" "Spent" fictionalizes Bechdel’s life with her wife Holly on their pygmy goat sanctuary in Vermont. The comic chronicles political and local dramas, generational shifts, experiments with polyamory, and navigating the relationship between success and art. In conversation, Alison shares her struggles with fame, success, and the Trump era with a view toward the steadying forces of our relationships with others.
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In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman wrestle with the question: What are we to do about shame? Using Frédéric Gros’s recent book, "A Philosophy of Shame," as a guidepost, they discuss shame’s place in culture, politics, and our personal lives. Are there social benefits to feeling shame? And what are the repercussions of trying to avoid it? The hosts debate the possibility of a post-shame society and share personal stories about what they feel most ashamed of.
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Dan Nadel joins Kate Wolf and Eric Newman to speak about his new biography, "Crumb: A Cartoonist's Life." The book traces the life and art of Robert Crumb, arguably the most influential cartoonist of the last half century. Crumb emerged from the world of underground comics that he helped create in the late 1960s to both mainstream fame and commercial success. But he was a reticent celebrity who often felt at odds with the hippie culture that he became so identified with. Nadel sifts through the aspects of American culture that did inspire Crumb—from Disney cartoons to pre-war comic books to old blues 78s— and also looks closely at his troubled early life and complicated family. The book also faces the misogyny and racism in much of Crumb’s work and explores his long marriage to his wife and frequent collaborator, cartoonist Aline Kominsky-Crumb.
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Eric Newman speaks with journalist and author Vauhini Vara about her new book “Searches: Selfhood in the Digital Age.” The book hybrid blend of memoir and modern tech history explore how the internet, AI, and the corporate tech giants behind them have shaped the way we see ourselves and connect with others. Through Vara’s personal anecdotes and digital history deep dives—including a nostalgic look at AOL chat rooms, a rundown of her Google search history and prolific Amazon product reviews, and her reporting on the rise of AI and how an early version of ChatGPT helped her write an essay about her sister’s death—“Searches” shows how our search for meaning and identity online defines life in the digital age in ways both fascinating and concerning.
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Eric Newman speaks with Jon Hickey about his debut novel "Big Chief." The book is a gripping political thriller about the struggle for power, belonging, and destiny set against a tribal election campaign on a fictional reservation. It follows the story of Mitch Caddo and his childhood friend Max Beck, who is seeking reelection as the tribal president of the Passage Rouge Nation. As Max’s reelection turns ruthless and agitated protesters turn out in force, Mitch is caught between loyalty, love, and his own conflicted sense of purpose—not least because Max's opponent, Gloria Hawkins, is backed by his estranged sister Layla, Mitch’s former love. When a tragic plane crash reveals a political and financial bombshell, Mitch and the tribe’s future hangs in the balance. Eric and Jon discuss the many meaty questions that suffuse "Big Chief," including tribal identity and the long legacies of historical trauma the US government has inflicted on Native Americans.
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Medaya Ocher is joined by TV writer, memoirist and librettist Sarah Labrie, author of the book "No One Gets to Fall Apart." The book is a memoir of LaBrie’s fraught relationship with her mother, who suffers a psychotic break in 2017 and is found on the side of a freeway, convinced that she is being followed by FBI agents. LaBrie is then forced to confront the difficulties and mysteries of her childhood, the way her family dealt with mental illness, and the many questions we all face around fate and inheritance.
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Eric Newman and Kate Wolf speak with Sarah Schulman about her latest book, "The Fantasy and Necessity of Solidarity." With a focus on practical politics, Schulman explores both how we imagine solidarity and what the work of solidarity requires. Rather than a horizontal movement, the book focuses on the ways achieving today's most pressing political goals—from Palestine's self-determination to immigration reform and protecting LBGTQ rights—requires working across various levels of individual privilege and power. With both historical and present day examples, Schulman presents a clear-eyed, long-term vision of a life in activism, laying out stumbling blocks and failures alongside meaningful progress, and the steps it takes to get there.
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Maggie Nelson joins Kate Wolf to discuss her new book "Pathemata, Or, The Story of My Mouth." It is at once a compressed record of her long struggle with chronic pain and a document of the boundless blur of the pandemic era. It combines vignettes of daily life and doctor’s visits with dreams and memories, pushing at the partition between interior and exterior, symptom and experience, containment and surrender. Nelson depicts the mysteries of pain and the vulnerability of the human body with both humor and pathos, as well as the connections that are possible even in a moment of extreme isolation.
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Eric Newman and Medaya Ocher speak with writer Katie Kitamura about her recent novel, "Audition," which explores a tense, complex relationship between a middle-aged actress and a young man who may or may not be her son. The book raises questions about the roles we play, the stories we inhabit, and the many choices we make. “Audition” is LARB’s Book Club pick this month. Join in on the conversation at https://lareviewofbooks.org/event/larb-book-club-discussion-audition-by-katie-kitamura/
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Eric Newman and Medaya Ocher speak with Andrea Long Chu about "Authority," a collection of previously published and new essays and criticism. "Authority" interrogates what it means to be a critic today, analyzing the work that the critic does in interpreting a book, film, or TV show for us as well as how the status of the critic has developed from antiquity to the present. Andrea, Medaya, and Eric talk about finding one's voice as a critic, how the critic approaches an object of analysis, and the increasingly siloed role of the full-time critic in an era of tectonic shifts in the media landscape.
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Kate Wolf and Medaya Ocher speak to Lynne Tillman about her latest book, "Thrilled to Death," a collection of short stories selected from over four decades of her work. The stories in "Thrilled to Death" attest to Tillman’s range as a writer and stylist, showcasing her frenetic humor, deep psychological insight, and her innovation of the form. Ever playful and perverse, these stories cover terrains of urban existence, romantic obsession, familial entanglement, the interplay between culture—particularly film—and experience, along with the carnivalesque of American life in all of its absurdity.
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The writer Pankaj Mishra joins Kate Wolf and Medaya Ocher to discuss his new book, "The World After Gaza: A History." It probes how the legacy of the Holocaust has shaped the contemporary world order, including how it has shaped the government of Israel, and the current war in Gaza. The book grapples with how, within the relentless violence of the 20th century, trauma can lead to nationalism, and also how one genocide can lead to another.
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Eric Newman speaks with Bruce Robbins about his latest book, "Atrocity: A Literary History," which explores how literary accounts of mass killing came to shape our collective moral indignation against such violence. Moving from the pre-modern era to the twentieth century, Robbins's book wrestles with how texts from the Bible to Kurt Vonnegut's "Slaughterhouse-Five" reckon–or fail to reckon–with atrocity, drawing out the risks of representing such violence, namely forgetting it altogether or normalizing its horrors.
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Eric Newman speaks with Torrey Peters about her new story collection, "Stag Dance," which spans genre, time, and place to explore the shifting sands of gender, sex, desire, and identity. From a post-apocalyptic world in which everyone is trans to a pirate logging camp in the early 1900s where desire and gender explode in surprising ways, the stories in "Stag Dance" plumb the murky and often ugly feelings that contradict the “good politics” narrative of the transgender experience. Eric and Torrey discuss how our desires and identities often remain unintelligible to us, how the materialist force of capitalism shapes those desires and our relationships with others, and what history might tell us about today’s unprecedented assault on trans rights and lives.
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Kate Wolf and Medaya Ocher speak to writer Haley Mlotek about "No Fault: A Memoir of Divorce and Romance." The book blends the history of divorce law and custom in North America over the last century with cultural criticism on the way divorce has been portrayed in literature, film, and online. Mlotek also records her own experience of ending a marriage, and the front row seat she had growing up to the dissolution of many other unions through her mother’s work as a divorce mediator. At a time when it’s easier than ever before to access divorce, "No Fault" looks at the many questions that still persist around “what divorce should be, who it is for, and why the institution of marriage maintains its power.”
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In this special episode, host Eric Newman joins LARB senior editor Paul Thompson and Film Comment co-editors Devika Girish and Clinton Krute for a look at this year’s Oscar nominees ahead of this weekend’s award ceremony. Surveying this rather strange year in film, the gang discusses the gory camp of The Substance, the omnipresence of Wicked, the multi-genre madness of Emilia Pérez, and much more.
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Kate Wolf and Medaya Ocher are joined by the art critic and historian Hal Foster to speak about his latest book, "Fail Better: Reckonings with Artists and Critics." A collection of essays that brings together over three decades of Foster’s work, the book exhibits a rigorous philosophical and political engagement with a celebrated group of critics and artists who span the 1960s to the present. Foster digs deep into the work of Pop masters, Minimalists, and the Pictures Generation, as well as contemporary artists, always splaying open the vein of his critique to make it resonant beyond the confines of the art world, and in broader conversation with history and culture. In addition to writers like TJ Clark and Rosalind Kraus, in "Fail Better" he also reflects on his own work as a critic, and the changes that have occurred in the landscape between his emergence in the 1980s and now.
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