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Round of applause, please! YolanDa, Hugh and Simon evaluate the pros and cons of applause, sharing their experiences both in the concert hall and beyond. Why do we clap, when should we clap, and what’s the etiquette? Together they cover pieces where people clap when they shouldn’t, pieces where it simply feels wrong to show your appreciation by clapping, and rock and jazz concerts where it’s common to clap every few minutes. But this episode isn’t just about putting your hands together - they also discuss whether fish should be allowed in concert halls and the simplistic beauty of painting a shed. Plus, there’s fierce competition to work out who has the best-sounding clap in the end-of-episode quiz…
#PitchMeClassical
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When asked to name a classical composer, why does everyone always say Mozart? He’s one of classical music’s most famous composers (perhaps THE most famous), but does he deserve his reputation, and is he the G.O.A.T.*? YolanDa, Mark and Alice discuss Mozart’s high points and low points, his best pieces and his worse, and how he writes for different instruments. They also touch on what’s special about him and whether other composers are more deserving of fame. Plus, this episode’s quiz reveals strong opinions on which of his three names would make the best name for a pet…
*Mark has now learnt a new acronym.
#PitchMeClassical
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Fehlende Folgen?
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Welcome to Pitch Me Classical! Saxophonist and presenter YolanDa Brown and players from the London Philharmonic Orchestra pitch their thoughts on some of classical music’s most-asked questions, with plenty of chit-chat and laughter along the way.
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YolanDa Brown takes us through some of the best bits of Series 7. Why do trumpets transpose, and do they enjoy it? How has recording film music changed over the years? And what does retirement look like for orchestral musicians?
Plus, singer Brindley Sherratt shares his top tips on preparing to sing an operatic role.
With trombonist Mark Templeton, violinist Minn Majoe, horn player Mark Vines, tuba player Lee Tsarmaklis, double bass player Simon Carrington, trumpeter Anne McAneney, bass Brindley Sherratt, clarinettist Thomas Watmough, conductor Ed Gardner, composer Colin Matthews, violinist Geoffrey Lynn, oboist Joan Graham, and bassoonist Gareth Newman.
That’s it for now from LPO Offstage. Thanks for joining us along the way and stay tuned as we’ll be back soon with a brand new podcast.
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
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YolanDa Brown sits down with three former LPO members - violinist Geoff Lynn, bassoonist Gareth Newman, and oboist Joan Graham - to explore retirement.
When they retire, some musicians sell their instruments and never play a note again. Others reduce the amount of performing they’re doing to make more time for teaching. The former LPO members chatting to YolanDa today all approached retirement in very different ways.
Geoff, Gareth and Joan tell YolanDa what they miss about their orchestral years, share the pits and troughs of their careers, and share hints and tips for anyone who might be thinking about their retirement whether it’s decades away or fast approaching.
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
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YolanDa Brown joins composer Colin Matthews, Principal Conductor of the LPO Edward Gardner and flautist Juliette Bausor to revisit Gustav Holst’s most famous work, The Planets.
Faber recently published a new facsimile edition of Holst’s The Planets, edited by Colin Matthews, and today’s episode explores its significance and the unique insights that the original handwritten manuscript can give us.
Colin, Ed and Juliette also talk to YolanDa about their favourite and least favourite movements, their thoughts on the speed you should play the big tune in ‘Jupiter’, and tips on how best to achieve the famous choral fade at the end of Neptune.
Plus, what happened musically when Pluto lost its status as a planet…
Produced by Tandem Productions for the London Philharmonic Orchestra.
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Today we’re dimming the lights, turning off our phones and filling up a giant bucket of popcorn to get the lowdown on music for film and TV.
Film score production has changed a lot in recent years, and LPO musicians timpanist Simon Carrington and tuba player Lee Tsarmaklis have seen it all; from Elmer Bernstein’s skilful, old school approach, to the meticulous modern day techniques of click tracks and multitrack recording.
Simon and Lee tell YolanDa about the film scores which soundtrack their earliest cinema outings and describe the joyful and awe-inspiring experiences playing the music of the legendary John Williams.
Plus, Lee and Simon reveal the soundtracks they wish they could have played on.
Be sure to listen to the Spotify playlist that accompanies this episode to inject some Hollywood dazzle into your day: https://open.spotify.com/playlist/6UuJau7Ew5d58hx4PbcO8g?si=b9970b912009443b
Produced by Tandem Productions for the London Philharmonic Orchestra.
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Today we’re going deep in the music of Wagner - and specifically The Ring cycle, his collection of 4 monumental operas: Das Rheingold, Die Walküre, Siegfried, and Götterdämmerung
Even if you haven’t seen these live, you’re probably aware that these are absolute behemoths of the opera house - with heroism, love, death, gigantic orchestras and big tunes that need big voices. Bass Brindley Sherratt is tackling the role of Hagen in Götterdämmerung, and he explains how memory, text and costume are just some of the challenges he grapples with.
Wagner wrote some stunning brass parts, and trombonist Dave Whitehouse explains the novelty of playing the bass trumpet in Götterdämmerung, and violinist Fiona Higham explains how to crack the string player’s code when tackling Wagner’s music.
Plus, how lifting weights can be a great training programme for a 6 hour opera.
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
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Today, another one of our top episodes from the archive… YolanDa Brown joins organist and conductor Anna Lapwood, piccolo player Stewart McIlwham and violinist Martin Höhmann to take a close look at Camille Saint-Saëns’ Symphony No.3 - his organ symphony.
They discuss the challenges of communicating with the conductor from the organ, how to get the perfect tempo so those mammoth chords have maximum impact, and how the flutes and violins manage the difficult offbeat rhythms.
Anna also reveals how she’s able to practise on concert hall organs, gives some social media tips for musicians who want to share their own musical journeys, and our listener question zooms in on organ ‘stops’.
Plus, what it’s like to actually be inside a 32-foot organ pipe…
If you have any questions you’d like to put to the musicians, please email [email protected], and you might be featured in Series 7!
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
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YolanDa Brown sits down with contrabassoonist Simon Estell and clarinettist Tom Watmough for a deep dive into Brahms’ Four symphonies
Brahms’ symphonies are right at the beating heart of orchestral repertoire for very good reason: audiences love their romanticism and drama, and players can’t get enough of those gorgeous melodies. But how do you keep the music fresh when it’s played so often? Tom and Simon reveal how every conductor creates new challenges for the orchestra, and how Brahms was inspired by the musicians he worked with.
Plus, what’s your favourite Brahms symphony? Simon and Tom discover that’s a very difficult question to answer.
If you have any questions you’d like to put to the musicians, please email [email protected], and you might be featured in Series 7!
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
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YolanDa Brown talks to trumpeter Anne McAneney and cellist Francis Bucknall and explores Stravinsky’s Firebird.
The Firebird is a hugely popular work, but what makes it so enduring? Anne, Francis and YolanDa discuss its story, Stravinsky’s revolutionary writing, and how to keep the music sounding fresh on stage and in recordings. They also mention a number of related works and why Stravinsky’s music lends itself so well to education projects.
Plus, they reveal what changes when a piece is being recorded, and the extra layer of difficulty that comes with being filmed.
If you have any questions you’d like to put to the musicians, please email [email protected], and you might be featured in Series 7!
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
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YolanDa Brown joins violinist Minn Majoe and horn player Mark Vines to share their touring tips and tricks.
Hot off the plane from their recent tour to Asia, Minn and Mark share the highlights and lowlights of the trip with YolanDa, who brings in her own touring experiences. They discuss the difficulties of transporting large instruments, suitcase essentials, and how to navigate washing your clothes when you’re away from home.
Plus, ideas for what to do on a day off abroad…
If you have any questions you’d like to put to the musicians, please email [email protected], and you might be featured in Series 7!
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
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YolanDa Brown joins harpist Rachel Masters and trombonist Mark Templeton to talk all things festive in this special Christmas episode.
In this episode of LPO Offstage YolanDa and her guests share their favourite musical Christmas memories. They discuss the magic of carol singing, the pros and cons of seasonal gigs, and their favourite Christmas repertoire including some amusing alternative lyrics.
Plus, they bust some myths about busking and share their tips and trips for performing in inclement weather…
If you have any questions you’d like to put to the musicians, please email [email protected], and you might be featured in Series 7!
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
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We’ve been dipping into the LPO Offstage archives and revisiting our favourite episodes. In this one, YolanDa Brown sits down with baritone Roddy Williams, horn player Johnny Ryan and cellist Kristina Blaumane to hear what singers can learn from instrumental playing, and why the issues of balancing a voice with an orchestra may not be what you expect.
YolanDa also discovers how the players transition from the concert stage to the opera pit and back again, and finds out about the surround sound experience Roddy has when he’s got some bars rest…
Plus, Roddy explains the lengths singers have to go to to protect their voices…
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
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Here’s another favourite episode from the LPO Offstage archives! YolanDa Brown chats to Damian Davis about the celebrated LPO truck, complete with a hydraulic lift and kitchenette, and asks how he safely transports hundreds of instruments to concert halls around the world. She also hears bass player Laura Murphy’s point of view - when do you take your ‘second’ instrument, and what do you absolutely not put in your instrument case when you go on tour…?
If you have any questions you’d like to put to the musicians, please email [email protected], and you might be featured in Series 7!
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
Twitter: @LPOrchestra
Instagram: @londonphilharmonicorchestra
Facebook: @londonphilharmonicorchestra
Hosted on Acast. See acast.com/privacy for more information.
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We’re taking you back to one of our favourite episodes of LPO Offstage from the archives. This episode is all about venues and YolanDa Brown talks to violinist Tania Mazzetti and trombonist Mark Templeton to discover insights about how different acoustics can radically affect performance, as well as the best (and worst) backstage facilities. And quite a lot of beer. And sausages.
If you have any questions you’d like to put to the musicians, please email [email protected], and you might be featured in Series 7!
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
Twitter: @LPOrchestra
Instagram: @londonphilharmonicorchestra
Facebook: @londonphilharmonicorchestra
Hosted on Acast. See acast.com/privacy for more information.
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If you’re playing and listening to music all day for your job, what do you listen to the rest of the time? In this final episode of Series 6, YolanDa Brown sits down with Simon Carrington (principal timpanist) and Alice Ivy-Pemberton (violinist and co-leader of the LPO) to talk about their personal relationship with music…
They discuss music that imbues every day walking with meaning and purpose, getting in the zone while listening to music on the train, and sometimes just needing silence (‘nature’s music’!).
They also share experiences of being forced to listen to the music that’s constantly playing in their heads, hearing melody in everyday sounds, and music that sparks very specific memories…
Plus, the best playlist for a dinner party, and the one recording they would take with them to a desert island.
If you have any questions you’d like to put to the musicians, please email [email protected], and you might be featured in Series 7!
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
Twitter: @LPOrchestra
Instagram: @londonphilharmonicorchestra
Facebook: @londonphilharmonicorchestra
Hosted on Acast. See acast.com/privacy for more information.
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YolanDa Brown takes us through some of the best bits of Series 6, from alternative career paths, to romance in the orchestra, and a deep dive into Holst’s Planets.
There’s also advice from Anna Lapwood about how to get into classical music, and Ben Gernon gives us a tour of the orchestra pit at Glyndebourne opera house.
Plus, Lee and Dave’s must have tour items…
Produced by Tandem Productions for the London Philharmonic Orchestra.
#OffstagePod
Twitter: @LPOrchestra
Instagram: @londonphilharmonicorchestra
Facebook: @londonphilharmonicorchestra
Hosted on Acast. See acast.com/privacy for more information.
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YolanDa Brown joins cor anglais player Sue Böhling and double bass player Hugh Kluger to find out the reality of life as an orchestral musician, from finding the best bakeries in South East London to having a whole additional career as an interior designer.
In this episode of LPO Offstage YolanDa sits down to chat with Sue and Hugh about their must have items on tour, what they listen to outside their job, and some surprising facts about where their careers might have gone if they didn’t choose the route of a professional musician.
Plus, listener questions ask about favourite venues, the best thing about their instruments, and one very famous cor anglais solo…
If you would like to get in touch with your own question about anything to do with classical music, please email [email protected] and you could feature on a future podcast…
Produced by Tandem Productions for the London Philharmonic Orchestra.
Twitter: @LPOrchestra
Instagram: @londonphilharmonicorchestra
Facebook: @londonphilharmonicorchestra
Hosted on Acast. See acast.com/privacy for more information.
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YolanDa Brown joins trumpet player Anne McAneney, cellist Francis Bucknall and harpist Rachel Masters to discuss Gustav Holst’s most famous work, The Planets.
Space, the solar system and intergalactic travel have been depicted in music and films for decades, but Gustav Holst was there early, trying to communicate the vastness of the planets (and their mythical links) with music.
In this episode of LPO Offstage the players reveal what the piece is really like to play, the techniques Holst uses in his music which make it sound so ‘space like’ and why he was so ahead of his time.
Plus, musical extracts weave through the conversation…
If you would like to get in touch with your own question about anything to do with classical music, please email [email protected] and you could feature on a future podcast…
Produced by Tandem Productions for the London Philharmonic Orchestra.
Twitter: @LPOrchestra
Instagram: @londonphilharmonicorchestra
Facebook: @londonphilharmonicorchestra
Hosted on Acast. See acast.com/privacy for more information.
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