Folgen
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This huge episode features three vastly different conversations, each with prominent members of a respective microtonal music discord.
(1) Xenharmonic Alliance (ground, anomaly, xenoindex, Frédéric Gagné, HEHEHE I AM A SUPAHSTAR SAGA)Hyperspace Odyssey [21edo] - from Adxenture EP
Serendipitous Arrival [26edo] - from Adxenture EP
Liminal City Escalators [17edo and/or 18edo] - from Gone Too Deep EP
Six Macrotonal Etudes for Electronic Music Media (8 NOTES)Outro/Transition: Into the Spoogalaxy [15edo, 17-tone tempered 2.3.7.29 ternary scale]
(2) Xendergarten (ground, Userminusone, tristan bay)Orangerion [7edo] - Userminusone
Pitchblende [27edo] - tristan bay
Outro: Ashes of the Journey [37edo] - from Adxenture EP
(3) Staffcirc (nikshalark, SoapDrip)
Miasmania [0edo] - PromatsikCute microtonal piano piece [17edo arr. Hesangasong]
Shimmering Shapes [15edo] - doctorn0gloff
Outro: no rest so sure ft. Nickshalark [13edo + 12edo???] - SoapdripLinks to discord servers, people, and music!
https://discord.gg/vSEgr5AA
https://discord.gg/qgQKCQAD
https://www.youtube.com/@HEHEHEIAMASUPAHSTARSAGA
https://www.youtube.com/@adamfreese
https://www.youtube.com/@fredg999music
https://www.youtube.com/@groundfault
https://www.youtube.com/@Userminusone
https://userminusone.bandcamp.com/
https://tristanbay.com/
https://www.youtube.com/@tristanbay
https://www.instagram.com/whoistristanbay/
https://x.com/pngsequence?lang=en
https://www.instagram.com/gabiandthewhats/
https://www.youtube.com/watch?v=jBXpOPeQFYY&list=PLLZE7hMjEXRZ6U5VYkXguiYZk5aZZ7OA0
https://www.youtube.com/@staffcirc
https://soundcloud.com/nikshalark
https://soapdrip.bandcamp.com/
https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7-terra-octava
https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7b-luna-octava
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
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Xenharmonic black metal project MelopĆia consists of Brian Leong, Jon Lervold, and Dave Tremblay. Their albums are inspired by J.R.R. Tolkein, and features his direct text both sung, and by mapping the letters of the text to different notes of 26-tone equal temperament. Their latest album utilizing this is âValaquenta,â be sure to catch the latest track âVardaâ which we discuss and play in the episode! Their earlier album, âAinulindalĂ«,â used the same method of starting the album and then uploading tracks one at a time as completed.
Intro: MelopĆia - Varda [Valaquenta] 26-TETMelopĆia - Varda [Valaquenta] 26-TET
MelopĆia - But an Instrument [AinulindalĂ«] 26-TET
MelopĆia - But an Instrument [AinulindalĂ«] 26-TETMelopĆia - Varda [Valaquenta] 26-TET
MelopĆia - Varda [Valaquenta] 26-TET
MelopĆia - Varda [Valaquenta] 26-TET
MelopĆia - IlĂșvatarâs Chord [AinulindalĂ«] 26-TET
Outro: MelopĆia - Varda [Valaquenta] 26-TET
MelopĆiaâs Bandcamp:
https://melopoeia.bandcamp.com/album/valaquenta
https://melopoeia.bandcamp.com/album/ainulindal
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
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Fehlende Folgen?
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Chat about contemporary music, composition, and just intonation with us in this theoretically adventurous and wide ranging episode. Christopher Otto, composer and violinist, works with the JACK quartet, a group that has played the music of such individuals as John Zorn, Tristan Perich, Cenk ErgĂŒn, Tyshawn Sorey, Catherine Lamb, Georg Frederich Haas, Dan Trueman, and many, many, more.
Intro: Christopher Otto (jack quartet) ragâsmaCatherine Lamb - divisio spiralis (mvt. II)
Beethoven - Symphony No. 6 (storm section low notes)Vicente Atria - Seasons Will Pass You By
Christopher Otto (jack quartet) ragâsma
Christopher Otto - 3x5x7 (loadbang)
Christopher Otto - violin octet (d1)
LaMonte Young - Trio for Strings (Part 4 out of 8)
LaMonte Young - Trio for Strings (Part 4 out of 8) - demo of 17 âequalizingâ 9/8
Vicentino - Madonna il poco dolce (31edo) Stephen Weigel cover
Christopher Otto - 3x4x5 (Weslos)Outro: Christopher Otto (jack quartet) ragâsma
Ragâsma:
https://greyfade-label.bandcamp.com/album/ragsma
Christopher and JACKâs links:
https://christopherotto.space/https://www.jackquartet.com/
https://christopherotto.bandcamp.com/album/3x4x5
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
https://www.patreon.com/nowandxen
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Take a magical tour with us through some of Noah Dean Jordanâs microtonal instruments (including the requinto), including improvised performances! Be sure to check out the âNoah Dean Jordanâ account on Bandcamp as well as the âNueva Armonicaâ account!
Intro: I Was Once a River (Rock Creek II)Outro: I Was Once a River (Te Quiero Verde)
Check out Noahâs work on the requinto:
https://noahdeanjordan.bandcamp.com/album/i-was-once-a-river
https://nuevaarmonia.bandcamp.com/album/remembering-cloud-forms-microtonal-studies-for-13-limit-requinto-and-violin
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
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Subscribe
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Todayâs episode celebrates the culmination of a years-long project with Matthew Sheeran, widely celebrated composer, orchestrator, and arranger. The album weâve been working on is called âAcoustic Microtonal,â and it is a recording of Easley Blackwoodâs Twelve Microtonal Etudes using acoustic instruments, playing monophonic lines in isolation and then being re-tuned using Melodyne. Matthew commissioned the Budapest Scoring Orchestra to achieve this huge compositional feat. Check out our episode here for the largest dive into the notes and chords behind the music, and be sure to check out the full album in all its glory!
The album:
https://cedillerecords.lnk.to/3019
Episode music:
Intro: Blackwood â 23 notes (Matthew Sheeran version)
Blackwood â 16 notes (Stephen Weigel version)
Blackwood â 16 notes (Hesangasang score)
Blackwood â 16 notes (original)
Blackwood â 16 notes (Stephen Weigel version)
Blackwood â 17 notes (12-TET scordatura)
Blackwood â 16 notes (Stephen Weigel version)
Vicentino â Madonna il poco dolce (Jonathan Wilde version)
Blackwood â 13 notes (original)
Blackwood â 13 notes (12-TET version with diminished 3rd)
Blackwood â 14 notes (original)
Poulenc â Sextet for piano and winds
Blackwood â 14 notes (original)
Blackwood â 14 notes (12-TET version)
Blackwood â 14 notes (original)
Blackwood â 14 notes (Stephen Malinowski video clip)
Blackwood â 14 notes (12-TET version)
Blackwood â 15 notes (Matthew Sheeran version)
Blackwood â Suite for 15 tone guitar
Stephen Weigel â open guitar chords in 15 video clip
Blackwood â 15 notes (Stephen Weigel version)
Stephen Weigel â What if we played EBâs 15 note etude in 12 video clip
Blackwood â 16 notes (Matthew Sheeran version)
Blackwood â 16 notes (Matthew Sheeran version)
Blackwood â 17 notes (original)
Blackwood â 18 notes (Matthew Sheeran version)
Blackwood â 18 notes (isolated flute in Matthew Sheeran version)
Stravinsky â The Firebird Suite (Dance of King Kaschei)
Blackwood â 18 notes (original)
Blackwood â 19 notes (Matthew Sheeran version)
Blackwood â 19 notes (original)
Blackwood â 20 notes (original)
Henri Duparc â La vie antĂ©rieure
Blackwood â 20 notes (original)
Blackwood â 21 notes (Matthew Sheeran version)
Blackwood â 21 notes (12-TET version with Hendrix chord)
Blackwood â 21 notes (Matthew Sheeran version)
Blackwood â 22 notes (Matthew Sheeran version)
Blackwood â 23 notes (original)
Blackwood â 23 notes (Matthew Sheeran Kontakt arrangement â different orchestration)
Blackwood â 23 notes (isolated harp in Matthew Sheeran version)
Blackwood â 14 notes (12-TET version)
Blackwood â 14 notes (Matthew Sheeran version â comparing 12 and 14)
Blackwood â 23 notes (12-TET version)
Blackwood â 23 notes (Matthew Sheeran version â comparing 12 and 23)
Blackwood â 19 notes (Matthew Sheeran version cello ending)
Blackwood â 24 notes (original)
Blackwood â 24 notes (Matthew Sheeran version)
Stephen Weigel â 11 notes (original)
Stephen Weigel â 11 notes (Matthew Sheeran version)
Stephen Weigel â 7 notes (Matthew Sheeran Kontakt arrangement)
Blackwood â 15 notes (Stephen Weigel version)
Stephen Weigel â keyboard fingering for 11-TET
Stephen Weigel â 11 notes (Matthew Sheeran version)
Stephen Weigel â 7 notes (original)
Stephen Weigel â 7 notes (Matthew Sheeran Kontakt arrangement)
Blackwood â 18 notes (original)
Stephen Weigel â Zones of Lasting Novelty (9-TET)
Ben Johnston â String quartet No. 7 (guide tracks only)
Blackwood â Gulliverâs Travels (23-TET)
Matthew Sheeran â Lyres of Ur (7-TET)
Outro: Blackwood â 17 notes (Matthew Sheeran version)
Matthewâs stuff:
https://www.imdb.com/name/nm7401095/
https://www.youtube.com/@matthewsheeran1989/videos
https://soundcloud.com/user698273169
https://smatalent.com/matt-sheeran/
Microtonal Etudes and Macrotonal Etudes:
https://www.cedillerecords.org/albums/easley-blackwood-microtonal/https://stephenweigel.bandcamp.com/album/six-macrotonal-etudes-for-electronic-music-media
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
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In this episode, we discuss composition and performance with composer Saad Haddad. One prominent topic - the challenges involved working with orchestras and large ensembles playing microtonal music, and logistics of the industry. We also discuss ideas of east vs. west, style infiltration, using minimal sets of pitches, and maqam.
Music:
Vortex Temporum - GĂ©rard Grisey
Vignettes - Saad Haddad
Aysheen (demo) - Saad Haddad
Outro: Aysheen (demo) - Saad HaddadSaad has his own podcast! (check it out):
https://www.youtube.com/@saadhaddadshow
Other links:
https://www.saadnhaddad.com/https://www.youtube.com/channel/UCPIEc4WKDbeemLQAqyhIUsA
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
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After this episode, be sure to check out the new Sevish album, âBig Sway!â Myself, Sevish, and benyamind have a classic microtonal chat about all things fun and intervallic, covering topics such as intuitive tunings, voice manipulation (vocoding, autotuning, etc.), perfectionism, going gridless, expectations, and communication and accessibility within the microtonal community. Several instruments get the spotlight, such as Sevishâs new microtonal keyboards, the Lumatone, melodica, and saxophone! We also stretch some tunings out for 22-edo Lambda, and frolic about in JI with harmonic series segments.
Check out the new Sevish album:
https://sevish.bandcamp.com/album/big-sway
Our stuff:
https://www.youtube.com/@Sevish
https://www.youtube.com/@benyamind
https://www.youtube.com/@stephenweigel
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
https://www.patreon.com/nowandxen
Followhttp://nowandxen.libsyn.com
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In this brief but informative chat with Brock Benzel, we explore uncharted territory, with a firm commitment to being true to the self, taking on challenges, putting the music first, and breaking rules just the right way. Enjoy the comfort of alien intervals that Brock brings using the Lumatone keyboard instrument (our big topic).
Music
[Intro] Paranola (31-TET) - performed by Brock Benzel
Something found (31-TET) - facebook excerpt (Brock Benzel)stay hydrated (53-TET) - facebook excerpt (Brock Benzel)
[Outro] happy pride from me n my pride keyboard to u (31-TET) - facebook excerpt (Brock Benzel)Brockâs stuff:
https://www.youtube.com/@BrockBenzel
https://www.instagram.com/mathbrock/?hl=en
https://www.facebook.com/brock.benzel
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
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An episode about synth and drums among other tidbits. Topics include names, aliases, Sevish himself, reverberance, randomness, evil, disguising tuning, non-octave tuning, flaws, beauty, the joy of doing creative work yourself, AI, picking your genres, the microtonal community, and art. Be sure to check out Steveâs work as âPentachristâ on Bandcamp, releasing new music periodically!
Music
The Road After [Four] - Pentachrist (15-TET)
Machine Love [Look - A Living Retrospective] - mĂŒesk (9-TET)Emancipate Pitch! - Stephen Weigel (22-TET)
Iâve Been Thinking [Look - A Living Retrospective] - mĂŒesk (11 out of 19 McLaren)
[Outro] Entropyâs Song [Four] - Pentachrist (23-TET)Check out Steveâs music both old (MĂŒesk) and new (Pentachrist):
https://pentachrist.bandcamp.com/
https://muesk.bandcamp.com/album/look-a-living-retrospective
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
https://www.patreon.com/nowandxen
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In this episode, Denny Genovese recalls his history of creating and studying microtonal music, and his experience creating and performing in the impressive Exotic Music Ensemble. Join us as we become inspired through the brown note, Ivor Darregâs secret math codes, the origins of Fractal Tune Smithy, the Moody Blues, FM synthesis, JI scales, and numerous other topics. Denny also explains his discography, and each individual instrument of the ensemble.
Music
[Intro] Five in Five [JI] - Denny Genovese
[Outro] Reggae [JI] - Denny GenoveseSome resources:
http://www.afn.org/~sejic/denny.htm
https://archive.org/stream/emi_archive/EMI_11_3_March1996_djvu.txt
https://www.youtube.com/watch?v=BEpT_yWIsl8&t=1894s
https://www.youtube.com/watch?v=s_3h51nWQ5M&t=420s
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
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Check out Danny Playamaquiâs electronic music, a hugely expansive discography using a staggering variety of techniques. Danny conducts by-ear-tuning editing, strategic de-tuning, varispeed tricks, and poly-systemic techniques in addition to starting out with xenharmonic tunings as templates. Luckily, 4 bars a day keeps the doctor away (or is it an apple? Perhaps a lemon, or some paprika). We take inspiration and feedback from what is around us, trying to counterbalance that with boredom, motives, gimmicks, and alter egos. Animals and food, the ultimate kid-friendly songwriting subjects, here ironically take a bitingly sans-vocal formation. Tunings may or may not include Wendy Carlos scales, meantone tunings, 9-TET, 11-TET, 16-TET, 17-TET, 22-TET, and/or 31-TET.
Music
[Intro] Ichi-go ichi-e [New album!] - Danny Playamaqui
Correcaminos [479^2] - Danny Playamaqui
We Canât Be Blamed [Harmony Hacker] - Sevish (22-TET)
Lemongrass [VEG àŒŒàŒŒàŒŒàŒŒ âââ àŒœàŒœàŒœàŒœ] - Danny Playamaqui
Tigre [479^2] - Danny Playamaqui
Nuggets [479] - Danny Playamaqui
Truffles [479] - Danny Playamaqui
Una Tortuga de Patas Amarillas [479^2] - Danny Playamaqui
Bears [479^2] - Danny Playamaqui
Octopus XX [New album!] - Danny Playamaqui
Chocolate [479] - Danny Playamaqui
Silver Bells [cover, xenharmonic chocolate] - arr. Stephen Weigel (21-TET)
â„ â àŒœă€ â„ [VEG àŒŒàŒŒàŒŒàŒŒ âââ àŒœàŒœàŒœàŒœ] - Danny Playamaqui (31-TET?)
Bitter Melon [VEG àŒŒàŒŒàŒŒàŒŒ âââ àŒœàŒœàŒœàŒœ] - Danny Playamaqui
Turmeric [VA] - Danny Playamaqui
Little Fox [479] - Danny Playamaqui
[Outro] Lynx [New album!] - Danny PlayamaquiDannyâs music:
https://playamaqui.bandcamp.com/album/479-2
https://soundcloud.com/dannyplayamaqui
https://www.youtube.com/@playamaqui/featuredSupport us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
https://www.patreon.com/nowandxen
Follow
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YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA -
Come join us for a pleasant studio chat with Bryan Deister, composer, multi-instrumentalist, and jazz pianist extraordinaire. Recently he has been exploring microtonal covers on the Lumatone, with massive success on TikTok. He has also written many albums featuring microtonal music in various tuning systems, generally equal divisions, the most recent fully microtonal one being âIn Your Hands.â Our conversation covers many topics relating to context switching, genre, surveys, paucitonality, and unusual instruments. Technical points include discussion of Lumatone layouts and pseudo-octave tropes, the too-perfect ring of JI soiling holy counterpoint, adolescent hatred of microtonality, translating between different tunings (transfer), and Scriabin.
Music
[Intro] The Call [In Your Hands] - Bryan Deister
Apprehension [In Your Hands] - Bryan Deister
Go Away [In Your Hands] - Bryan Deister
Gasoline [In Your Hands] - Bryan Deister (5-ED(5/4))
Uneven Halves [In Your Hands] - Bryan Deister
Lavender Town (Pokemon) - Bryan Deister Lumatone cover (13-TET)32edo - Bryan Deister
33edo - Bryan Deister
34edo - Bryan Deister
35edo - Bryan Deister
36edo - Bryan Deister
37edo - Bryan Deister
38edo - Bryan Deister
39edo - Bryan Deister
40edo - Bryan Deister
41edo - Bryan Deister
42edo - Bryan Deister
Microtonal improvisation in 43edo - Bryan Deister
Zinnia Riplet - Stephen Weigel (32-TET)Minimal Progress - John Moriarty (~32-TET)
In the Dark [The Dying Savior] - Bryan Deister (24-TET, 23-TET, 22-TET, 21-TET, 20-TET, 19-TET, 18-TET)
In Your Hands [In Your Hands] - Bryan Deister (8-TET, 9-TET, 10-TET, 11-TET, 24-TET)
Come [Spines of the Heart] - Bryan Deister (19-TET)Sunrise - HEHEHE I AM A SUPAHSTAR SAGA (19-TET)
Fair [In Your Hands] - Bryan DeisterLiquid Smooth (Mitski) - Bryan Deister Lumatone cover (17-TET)
True Love Waits (Radiohead) - collab Stephen, Levi McClain, Braelen Addison (31-TET)Shadow Play [Supernova] - Bryan Deister
[Outro] The Window [In Your Hands] - Bryan DeisterCheck out Bryanâs incredible music on Bandcamp!
https://linktr.ee/bryandeister
https://bryandeister.bandcamp.com/album/in-your-hands
https://www.youtube.com/@BryanDeister
https://www.tiktok.com/@bryandeister
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
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Chris Bandy, a cappella maestro and creative polymath, joins us to discuss the microtonality of his spectacular arrangements on YouTube. He works in Logic Pro using FlexPitch. Most of his microtonal strategies involve tuning standard adjustments and drifts, or moving microtonal distances. His most xenharmonic sounding arrangement is likely âWhere is Love,â and his latest video, âSilent Night,â gets really in-depth and has pioneered several extremities of his style (vocal agility, subtle and long tuning drift, range, complex slide editing, etc). Check out his videos on YouTube, and his Patreon!
Music
Silent Night - arr. Chris Bandy [tuning standard adjustment]
Silent Night - arr. Chris Bandy [tuning standard adjustment]
America the Beautiful - arr. Chris Bandy [tuning standard adjustment]
Where is Love - arr. Chris Bandy [144-TET] - m. 92
Where is Love - arr. Chris Bandy [144-TET] - mm. 3-4
Where is Love - arr. Chris Bandy [144-TET] - mm. 99-100
Where is Love - arr. Chris Bandy [144-TET] - mm. 73-75
Where is Love - arr. Chris Bandy [144-TET] - mm. 83-84
Where is Love - arr. Chris Bandy [144-TET] - m. 89 (phase 1)
Where is Love - arr. Chris Bandy [144-TET] - mm. 90-91 (phase 2)
Where is Love - arr. Chris Bandy [144-TET] - mm. 91-92 (phase 3)
[Outro] Silent Night - arr. Chris Bandy [tuning standard adjustment]
Chrisâs stuff:
https://www.youtube.com/@ChrisBandyJazz
https://www.patreon.com/chrisbandy
https://chrisbandyjazz.wixsite.com/mysite
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
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Subscribe
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Dave Keenan and Douglas Blumeyer have written an in-depth, specific guide about the mathematical principles of regular temperament theory that are groundbreaking in their consistency and explanatory power. We have them on to discuss how the exchanges evolved, de-mystify some theory concepts, and get spicy with terminology.
Music
[Intro] Dave Keenan - Tumbling Dekany four six five seven nine [JI]
[Outro] Douglas Blumeyer - Blumeyer Comma JI Unpump [JI]
D&Dâs guide:
https://en.xen.wiki/w/Dave_Keenan_%26_Douglas_Blumeyer%27s_guide_to_RTT
Other resources:
https://sethares.engr.wisc.edu/paperspdf/Erlich-MiddlePath.pdf
http://tonalsoft.com/enc/e/equal-temperament.aspx
https://www.youtube.com/watch?v=kCRb6r5shD8
https://sagittal.org/
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
https://www.patreon.com/nowandxen
Followhttp://nowandxen.libsyn.com
https://twitter.com/now_xen
https://www.facebook.com/nowxen/
Subscribe
RSS: http://nowandxen.libsyn.com/rss
iTunes: https://itunes.apple.com/us/podcast/nâŠ
Spotify: https://open.spotify.com/show/1mhnGsHâŠ
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YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA
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Experimental bagpipe and bass legend Mat Muntz brings his Croatian folk music expertise to the table⊠a topic most would say he has matsered in depth. Check out his latest album âPhantom Islandâ on Bandcamp, which freely combines folk music and jazz idioms into a grand polysystemic masterpiece. A lot of our conversation revolves around the intriguing differences between instruments such as bagpipes and double reeds, folk music/other influences, and tuning systems existing together in the same piece. The process of solving microtonal âissuesâ in an ensemble setting is one we describe as constantly bringing weird findings that cause learning, and joy. Also, keep your ears ready for connections between geography and tuning, and the latest conspiracy about Tartini!
Music
[Intro] Mat Muntz - Phantom Islands (track 3)
Vex Collection - Fugue
Beethoven - Ode to Joy (in Istrian scale)
Mat Muntz - Cembalo Brutto (track 5)
Mat Muntz - Phantom Islands (track 1)
Mat Muntz - Cembalo Brutto (track 3)
AgustĂn Castilla Ăvila - Gemiden
Stephen Weigel - Tenacious Chorale
Mat Muntz - Phantom Islands (track 1)
Mat Muntz - Phantom Islands (track 4)
Mat Muntz - Phantom Islands (track 3)
Mat Muntz - Phantom Islands (track 4)
Traditional - clip of Croatian women singing
[Outro] Mat Muntz - Phantom Islands (track 3)
Mat Muntzâs music on Bandcamp:
https://matmuntz.bandcamp.com/album/phantom-islands
https://thevexcollection.bandcamp.com/album/the-vex-collection
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
https://www.patreon.com/nowandxen
Followhttp://nowandxen.libsyn.com
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https://www.facebook.com/nowxen/
Subscribe
RSS: http://nowandxen.libsyn.com/rss
iTunes: https://itunes.apple.com/us/podcast/nâŠ
Spotify: https://open.spotify.com/show/1mhnGsHâŠ
Stitcher: https://www.stitcher.com/podcast/nowxen
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YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA
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Check out this conversation with Aaron Myers-Brooks, Pittsburgh prog guitarist/composer extraordinaire. His latest album, âOblique,â is a microtonal odyssey exploring various quirky polyrhythms, applications of 17-tone equal temperament, electronic sounds, and distortion flavors. We get an inside exclusive look at the scores to âEnergy Shapesâ, figure out why one might use up and down arrows instead of Gould accidentals, and talk about âdrawingâ microtones in the highC program.
Music
[Intro] Aaron Myers-Brooks - Energy Shapes (V - Emerge)
Aaron Myers-Brooks - Eight HighC Miniatures (VII - Chitter)
Aaron Myers-Brooks - Sonata for 17-tone Guitar (I - Wistful and Halting)
Aaron Myers-Brooks - Prelude and Entity
Aaron Myers-Brooks - The 11th and 6th Caves
Aaron Myers-Brooks - Energy Shapes (II - Oblique)
Aaron Myers-Brooks - Sonata for 17-tone Guitar (I - Wistful and Halting)
Aaron Myers-Brooks - Sonata for 17-tone Guitar (II - Angular and Aggressive)
Aaron Myers-Brooks - Chasm [from album âEnergetic Burstsâ]
Aaron Myers-Brooks - Energy Shapes (I - Wisp)
Aaron Myers-Brooks - Energy Shapes (II - Oblique)
Aaron Myers-Brooks - Energy Shapes (III - Chop)
Aaron Myers-Brooks - Triads and Arpeggios
Aaron Myers-Brooks - Energy Shapes (IV - De-Sync)
Aaron Myers-Brooks - Energy Shapes (V - Emerge)
[Outro] Aaron Myers-Brooks - Sonata for 17-tone Guitar (III - Somber and Deliberate)
Aaron Myers-Brooksâ music (on all streaming sites):
https://aaronmyersbrooks.bandcamp.com/album/oblique
https://www.youtube.com/@aaronmeterchanges
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
https://www.patreon.com/nowandxen
Follow
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YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA -
âOne-Footedâ is a piece written by Taylor Brook named after Harry Partchâs âThe One-Footed Bride'' Just-Intonation diagram. We discuss the aforementioned piece with Taylor Brook and John Schneider, diving into the ins and outs of writing idiomatically for the Partch ensemble, using Partch as inspiration, notation, and extended techniques on these instruments. The Del Sol quartet played the string parts! Come join us in exploring this vast sound world inside this justly tuned alternative orchestra!
Music
[Intro] Taylor Brook - One-Footed (III - Approach)
Harry Partch - Delusion of the Fury (I - Exordium)
[7/5 to 11/8] Taylor Brook - One-Footed (VII - Power)
[naming foot parts] Taylor Brook - One-Footed (V - Power)
Taylor Brook - One-Footed (II - Suspense)
Taylor Brook - One-Footed (VI - Emotion)
Taylor Brook - One-Footed (III - Approach)
[opening 9/8 tonality] Taylor Brook - One-Footed (I - Approach)
[large 5/4 tonality section] Taylor Brook - One-Footed (III - Approach)
Ben Johnston - String Quartet n. 10
Ben Johnston - String Quartet n. 4
[bowl matching section] Taylor Brook - One-Footed (VII - Power)
[opening 9/8 tonality] Taylor Brook - One-Footed (I - Approach)
[bass line] Taylor Brook - One-Footed (I - Approach)
[bowl matching section] Taylor Brook - One-Footed (VII - Power)
[singing canon section] Taylor Brook - One-Footed (VII - Power)
[low drone section] Taylor Brook - One-Footed (VII - Power)
[7/5 to 11/8] Taylor Brook - One-Footed (VII - Power)
Ben Johnston - String Quartet n. 7
Bob Dylan - Knockinâ on Heavenâs Door
[I V IV progression on 1/1] Taylor Brook - One-Footed (VII - Power)
[large 5/4 tonality section] Taylor Brook - One-Footed (III - Approach)
[bass line John sings] Taylor Brook - One-Footed (I - Approach)
[bass line] Taylor Brook - One-Footed (I - Approach)
[I V IV progression on 9/8] Taylor Brook - One-Footed (I - Approach)
[Outro] Taylor Brook - One-Footed (VII - Power)
The piece, written by Taylor Brook:
https://www.youtube.com/watch?v=pgR2wONYH9c
https://drive.google.com/file/d/1SEZRr3RUOzLun7wz1oS8SDw8UhKKVDJL/view?usp=sharing
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
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Followhttp://nowandxen.libsyn.com
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Subscribe
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Check out acreilâs music! Algorithmic albums appended with âa.â Keeper of obscure words in lists. Hardware enthusiast and certified synth geek. We have a delightful episode discussing how acreil works in Pure Data among other curiosities, such as how one navigates form to prevent boredom. Not only do we mess it up (or whatever), but we solve the paradox of influence and extremity, by making one chord at a time in chord networks.
Music
acropora antozone [acheiropoietic ansaÌtze] - acreil
đ§đđđ€đđđČđ°đźđ„đŽđ«đđđ (track 8) - Stephen Weigel
newdrum7 [Luna Octava] - acreil
acridine abeyance [aleatoric aubades] - acreil
autochthonous acidification [aleatoric aubades] - acreil
Dance - Bernard Parmegiani
Valley Flow - Denis Smalley
Continuous microtonal glissando for 8 oscillators - acreilCheck out acreilâs music, YouTube, blog:
https://acreil.bandcamp.com/
https://www.youtube.com/user/acreil
https://acreil.wordpress.com/
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
https://www.patreon.com/nowandxen
Followhttp://nowandxen.libsyn.com
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Subscribe
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Algorithmic August kicks off with Skueue, builder of the unnamed machine in Pure Data. This is an abstract, idea-filled episode packed to the brim with insights about the process. Our points of focus include a discussion of how writing affects software, uncommon disagreement about common practice, VSTâs in PD, programming cadences, rootful resolutions, clowntone heptatonica, and SAMPLING. Eventually, we decide that algorithmic music written to sound as its author intended is a success.
Music
Bisphen [Anagnorisis] - Skueue
Kaneda [from Akira] - Geinoh Yamashirogumi
Bedroom micro - Aphex Twin
Equivalence [Anagnorisis] - Skueue
Giant Steps - John Coltrane
Mantle [Andesite] - Skueue
Tx [Andesite] - Skueue
Benthi [Anagnorisis] - Skueue
Check out Skueueâs music and YouTube:https://bandcamp.com/skueue
https://music.apple.com/us/artist/skueue/1439919264
https://www.youtube.com/watch?v=7zo_iFMyydE
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
https://www.patreon.com/nowandxen
Followhttp://nowandxen.libsyn.com
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Subscribe
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Nicholas Denton Protsackâs music abounds with spectral delights of various kinds. Our talk today has a particular focus on notation, delving into the strategy behind its presentation. As we study tuning more and more, becoming less rigid with its implementation, it becomes helpful to focus on not just approximating some tunings with others, but also to focus on the broader conceptual ideas behind the tuning labels. In particular, polysystemic tunings tend to hint at the methodology of their compositions. âFirebirdâ (Sounds Like Things) blends aspects of biological study and music, explores the rich timbre of found objects, relies on reference points, and uses freedom to generate complex music.
Music
Into this Fracturing Land [31-EDO] - Nicholas Protsack
Runaway (from Firebird) - Sounds Like Things
đ§đđđ€đđđČđ°đźđ„đŽđ«đđđ (track 3) - Stephen WeigelRunaway (from Firebird) - Sounds Like Things
Into the Refuge of a Cave (Daniel Gelman) - Nicholas Protsack
Into the Refuge of a Cave (Darren Williams) - Nicholas Protsack
Into the Refuge of a Cave (Andrew Friedman) - Nicholas Protsack
Into this Fracturing Land [31-EDO] - Nicholas Protsack
Check out Nicholasâs music:
https://soundslikethings.bandcamp.com/album/firebird
https://nicholasdentonprotsack.bandcamp.com/track/into-this-fracturing-land
Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)
https://www.patreon.com/nowandxen
Followhttp://nowandxen.libsyn.com
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