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Rodeo Drive has gone wild. Visitors to the luxury street have fallen in love with eight colorful, life-size sculptures of animals â Wild Kong, Standing Bear, Panda and Crocodile â designed by the French artist Richard Orlinski, and part of this summer's âRodeo Drive Celebrates Fashionâ.
But sculptures are only part of Orlinskiâs multifaceted output. He was the artist of record at the 2024 Olympic Games in Paris, he mixes up art with music and stand up comedy, and he has partnerships with international brands including Lancome, Hublot, Puma, and Disney. Now he has written a book â Pourquoi J'ai CassĂ© les Codes, or âWhy I Broke The Codesâ â about his life of going against the grain.
He stopped off recently in Beverly Hills, and talked with Lyn Winter, host of Rodeo Drive - The Podcast, about his unconventional approach to art and life, starting with why he chose to celebrate wild animals in his sculpture.
Animals, he says, have much to teach humans, as they âobey a virtuous circle,â and kill only for food, while humans kill for nothing. He spoke about his personal experience with a violent father, which also laid the ground for his future self: âI realized very early that I have nobody to trust, so I was very alone. And when you like that, you're angry, and you want to succeed.â
He says that his fighting spirit helped him deal with initial rejection from the Parisian art world, and develop his mass appeal with a sense of freedom to do his own thing. âI'm not like a niche artist,â he says. âI'm popular, but popular in a good way. I create an emotion, even a bad emotion, but it is emotion.â
Orlinski explains his admiration for Andy Warhol, why he opened his own chain of Orlinski galleries, and how he treats art more like fashion - with seasons, and a branded experience that is meant to be fun for people of all ages. The future of art display, he says, is big spaces, where visitors can eat, spend time, and enjoy a multisensory experience. âThe competition is always the same. So you have to create, invent something new, and I think the artist and the galleries and the people in this industry need to create something like that.â
He also talks about his book, Pourquoi J'ai CassĂ© les Codes, which has been a hit with the French public. Itâs a self-help guide of sorts, delivering life lessons from his own experiences. âMany people are very thankful about this book, because it helps them to change, to listen to the little voice inside, to follow their dreams.â
While seven of Orlinskiâs wild creatures will leave Rodeo Drive, one work will remain permanently on view. Which one might that be, asked Winter.
âI think it's the Kong with a big heart, and written on the heart is âRodeo Driveâ, responds Orlinski. âIt fits with the place, and it was made for it. This is the only piece that was really made for it.â
Season 5 of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.
Season 5 Credits:
Executive Producer and Host: Lyn Winter
On behalf of the Rodeo Drive Committee: Kay Monica Rose
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Isabelle Alfonso
Listen, subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.
Visit the website: https://rodeodrive-bh.com/podcast/
Join us on Instagram @rodeodrive
Hosted on Acast. See acast.com/privacy for more information.
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For over 100 years Womenâs Wear Daily has been the bible for the fashion industry, and its archives include numerous hidden contributions of Black designers and models. Now that history has been gathered in a stunning new book, BLACK IN FASHION, by Tonya Blazio-Licorish and Tara Donaldson, showcasing the indelible influence of Black culture on a global scale.
On Episode 5 of Rodeo Drive-The Podcast, host Lyn Winter spoke with the authors about the book and the revelations they found in the WWD archives.
âFashion has a flawed public history because it hasn't included all the voices,â says Blazio-Licorish, also a visual culture historian and editor with PMC Media Archives. âWe were always there, and not just there in marginal roles, but in important roles, in roles that were shaping fashion,â adds Donaldson, most recently WWD's executive editor and Head of Diversity, Equity and Inclusion at Fairchild Media.
Dating back as early as the Harlem Renaissance, the Black community was making its mark on clothing and style, from Black dolls for young Black children, early fashion shows, business associations, and fashionable scenes like at The Cotton Club.
The authors single out early âinfluencersâ such as Josephine Baker, who even had a hosiery color named in her honor, the dancer Katherine Dunham, who was all the rage in 1940s France, and then the Black models, including Pat Cleveland and Bethann Hardison, who shook up global fashion at the famed 1973 Battle of Versailles.
The late AndrĂ© Leon Talley recalled this momentous event in conversation with the authors before his passing. âYou could almost just reach out and touch the energy they gave in the air. It was like quiet thunder, and because everyone saw that and felt that at the battle, French designers â Givenchy, Yves Saint Laurent â they started wanting black models.â
Black fashion has been intertwined with politics â and BLACK IN FASHION explores how clothing reflected the moment:
âDuring civil rights, that time was really about respectability politics,â explains Donaldson. âIt was coming in your Sunday best, to assert dignity. It was a kind of a polite request for human rights. By the time you get to the 70s, the mood changes, the look changesâŠthen the Black Panther movement, it's more powerful, it's more assertiveâŠYou have the leather jackets, you have the turtlenecks, you have the berets. And then we see that evolve even into the 2020s. And there's the branded T-shirts, Black Lives Matter.â
Finally, the story is still unfolding. Black designers are still not getting the high level industry jobs they deserve, argue Blazio-Licorish and Donaldson, and are even ambivalent about being labeled as Black.
So Blazio-Licorish says they finished on a question: âWe purposefully left the conversation open to, who's next, who's now, and what do they have to say about where fashion is going to go?â
Season 5 of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.
Season 5 Credits:
Executive Producer and Host: Lyn Winter
On behalf of the Rodeo Drive Committee: Kay Monica Rose
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Isabelle Alfonso.
Listen, subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.
Join us on Instagram @rodeodrive
Hosted on Acast. See acast.com/privacy for more information.
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Fehlende Folgen?
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Watchmaking may date back two centuries but in the hands of Maximilian BĂŒsser, it has been revived as a contemporary art form. BĂŒsser is the founder of MB&F, or Max BĂŒsser and Friends, which he describes as a âhorological concept laboratory.â
Now MB&F has opened a gallery on Two Rodeo Drive, filled with his collectiveâs kinetic art and mechanical art devices, like World Sky by Breakfast Studio with whirring discs that spin between functions: camera, mirror, and weather report; and the MB&Fâs Architect HM11, inspired by an organic Charles Haertling house in Colorado, and comprising multiple ârooms.â
âWe deconstruct traditional, beautiful, high end watchmaking and reconstruct it into sculpture, which gives time,â BĂŒsser tells Lyn Winter, on the latest episode of Rodeo Drive - The Podcast.
BĂŒsser shares his journey from being a directionless teen in Switzerland to reaching the top of the watch business at Jaeger-LeCoultre and Harry Winston, and then realizing he needed to âfind his true north.â
âI started imagining this fairy tale, I was going to have my own little company, where I would create only what I believed in. I didn't want any investors. I didn't want anybody telling me about growth and profits and all that stuff. It was all about, we're going to create some incredible watchmaking, even though we know there are no clients out there for it.â
Now MB&F has built a strong clientele willing to pay top dollar for the companyâs unusual timepieces. But it was not always easy. BĂŒsser reflects on the financial ups and downs, life lessons learned along the way, and the things he wished he had told his father. Finally, he revels in the joy of crafting mechanical instruments with a group of âfriendsâ who share his obsession with âbalance wheels,â âperpetual calendarsâ and other analog components of horology.
Winter closes by asking if there is a future for such an old world craft, and BĂŒsser talks about the appeal of his companyâs products to young people.
âMB&F is all about, âLive your dreamsâ. Do whatever you believe in. It is possible. Look at us. It seemed totally impossible, but we managed. And so it resonates strongly with a younger client base, and I love it.â
Season 5 of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.
Season 5 Credits:
Executive Producer and Host: Lyn Winter
On behalf of the Rodeo Drive Committee: Kay Monica Rose
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Isabelle Alfonso.
Listen, subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.
Visit the website: https://rodeodrive-bh.com/podcast/
Watch moments from the series on YouTube
Join us on Instagram @rodeodrive
Hosted on Acast. See acast.com/privacy for more information.
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Since the beginning of time, humans have sought the secret to eternal youth and beauty. One company that believes it has gotten closer to cracking the code is La Maison Valmont, the luxury Swiss skincare brand that will open a boutique on Rodeo Drive on July 15.
La Maison Valmont, founded in 1985, will offer Rodeo Drive clientele its trademark five collections â hydration, luminosity, vitality, V-lift and V-firm â designed for young and more mature complexions. But it plans to elevate the experience with a custom treatment, called â naturally â the Red Carpet of Valmont, as well as a new line of perfumes, and additional experiences such as changing exhibitions of art.
âWhen you enter the world of Valmont, which is more than a skincare brand today, it's a style of life where you really enjoy the five senses. And we call it a world of emotion,â Sophie and Didier Guillon told host Lyn Winter, on the latest episode of Rodeo Drive - The Podcast.
La Maison Valmont is esteemed for its discreet, five-star service, and products including $1000 dollar jars of Creme Merveilleuse made with the DNA of gold sturgeon. Their treatments and potions are based on âcellular science,â explains Sophie Vann Guillon, CEO and chief scientist at the brand. This is a form of skincare developed in Switzerland in which the ânatural reactions and functions of the cells and skinâ are rejuvenated by living cells that are âbiocompatibleâ with one's skin.
The company has been shaped by the passions of both its owners. Didier Guillon, raised in a family of art collectors, has founded an art foundation at the Palazzo Bonvicini in Venice, Italy. The foundation organizes residencies at its properties around the world that âwelcome artists or customers who really want to discover what we are proposing on the art scene. We want to be different. We want to offer something unique, I would say out of the box.â He is also curating art for sale at the new salon on Rodeo Drive; an exhibition by Venice, Los Angeles based artist Andy Moses is on the docket as the first exhibition.
Finally, their new location has stirred some flights of fancy, like the fragrances they are creating from plants cultivated in Vann Guillonâs alpine garden. Didier Guillon says a famous movie inspired him to develop, âa fantastic fragrance called Scarface. It was my fragrance based on violets.â Vann Guillon takes her cues from LA's coastal splendor and surfing culture.
âSea bliss! It's a fresh scent with ozonic appeal while reminding us of the waves of the ocean. It's fresh, and it's a little bit flowery. So it really fits the Californians.â
Season 5 of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.
Season 5 Credits:
Executive Producer and Host: Lyn Winter
On behalf of the Rodeo Drive Committee: Kay Monica Rose
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Isabelle Alfonso.
Listen, subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.
Visit the website: https://rodeodrive-bh.com/podcast/
Watch moments from the series on YouTube
Join us on Instagram @rodeodrive
Hosted on Acast. See acast.com/privacy for more information.
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As the heat of summer rises on Rodeo Drive, how better to stay cool and chic than in the most versatile, enduring and fluid garment of all time ââ the Caftan! So says the man with more than thirty of them, Cameron Silver, author of the new book Caftans: From Classical to Camp.
Silver talks with Rodeo Drive - The Podcast host Lyn Winter about the history, design and appeal of the caftan, which he says is the most universal and ancient garment in the world.
âIt is this wonderful garment of comfort thatâs size inclusive, that's gender fluid, that can be modest or sexy. It can be voluminous or follow the lines of the body, it can be luxurious, or very accessible.â
He points out that the caftan, essentially a square of fabric with holes for the head and arms, kept plain or highly ornamental, has been worn by Jesus, Moses, Muhammad and Buddha. âIt is this cultural garment of incredible reverence in Morocco,â says Silver; it was worn with high camp by the singer Demis Roussos and extraordinary grace by Elizabeth Taylor, Grace Kelly and numerous other celebrities. It has been styled by the likes of Fortuny, Yves Saint Laurent, Valentino, Marc Bohan for Dior, Karl Lagerfeld, Emilio Pucci, Rudi Gernreich, and Oscar de la Renta.
Silver, who conducted the interview wearing a lightweight, hooded, 100% cotton caftan designed by Trina Turk, has taken his book on the road from Texas to Mykonos. He notes that wherever he goes he finds an enthusiastic âcaftan caucusâ of people wearing and talking about caftans, which he says is the quintessential Athleisure garment, counterintuitively more glamorous than body hugging clothes.
Itâs not âjust a sack,â says Silver. âThe reality is that when you wear it, you have to really move your body; you become a Martha Graham dancer, even if you have two left feet like me.â
SIlver, who was previously Fashion Director for H by Halston for QVC, adds that âHalston famously did his first runway shows featuring caftans and in the late 60s and 70s they became even more popular.â Right now, he says there is a caftan renaissance, with variants appearing at all the runway shows. âIt may have taken a Western and European fashion several decades to really understand that it's a good idea to have a caftan in your collection.â
Even though Silver wears his caftans in all seasons, he says this floaty garment, that can be worn from day into evening, is especially appealing in the summer. âIt is the garment of the people. Regardless of your size or your gender, or your means or your location, there is a caftan waiting out there for you.â
Season 5 of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.
Season 5 Credits:
Executive Producer and Host: Lyn Winter
On behalf of the Rodeo Drive Committee: Kay Monica Rose
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Isabelle Alfonso
Visit the website:
https://rodeodrive-bh.com/podcast/
Join us on Instagram:
@rodeodrive
Hosted on Acast. See acast.com/privacy for more information.
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The holiday season is in full swing and boutique windows are glittering on Rodeo Drive. So who better to talk to right now than the famed window dresser, Simon Doonan!
When he was creative director at Barneyâs, Doonan never missed an opportunity for maximal effect with storefront displays that transformed fashion retail into spectacle. Now he is a writer and eminence on all things style-related â and he has released a new book about design at full volume.
Maximalism: Bold, Bedazzled, Gold, and Tasseled Interiors, features lavish spaces around the world: from opulent Old World interiors to a Bel Air bedroom with no surface untouched, by Kelly Wearstler, the candy colored Trixie Motel in Palm Springs by Dani Dazey, and Doonanâs own bedazzling New York apartment, designed by his husband Jonathan Adler.
Guest host Frances Anderton talks with Doonan on the season-closer of Rodeo Drive - The Podcast about why you can never layer on too much, and how Maximalism is right at home in Los Angeles, dating âfrom Busby Berkeley to Tiny Naylor's coffee shop,â and on to todayâs spectacular concerts by Taylor Swift, BeyoncĂ© and Harry Styles. âWe live in such a visual world that minimal decor doesn't mean anything online or on your phone or on TikTokâ says Doonan. âEverything has to be maximal, and LA is at the center of the culture in so many ways.â
Doonan recalls an encounter with the larger-than-life Tony Duquette at his home Dawnridge, in Beverly Hills. Duquette, a prolific designer whose resume includes creating costumes and sets for Fred Astaire musicals, and making jewelry for Tom Ford in his eighties, filled his home and garden with antiques, chinoiserie, sunburst sculptures, gold-leafing, tapestries and cleverly upcycled trash. It was, says Doonan, an âunhinged visual extravaganza.â
Doonan peppers the conversation with amusing insights. When asked if maximalism, or âmaxi,â can ever become too messy, he says he will never judge, having fond memories of a childhood vacation at the blue collar Butlins holiday camp in the UK, which was âdrenched in the fabulosity of maximalism.â He adds, âIf somebody is happy, and their apartment looks like a good reflection of them, you do you, boo.â As for the ultra-rich who prefer battleship gray T-shirts over lavish displays of affluence, âone of the most hilarious things is when somebody becomes so wealthy that the only way they can find pleasure is to build a concrete bunker on a Swedish Island, and go and hide in it,â says Doonan.
Finally, to those who believe minimalism is the path to happiness, he concludes: âI just think maximalism is more life affirming and maximalism doesn't need minimalismâŠMinimalism relies on maximalism to have something to denounce, whereas maximalism is much too big to fail.â
Season 4 of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.
Season 4 Credits:
Executive Producer and Host: Lyn Winter
On behalf of the Rodeo Drive Committee: Kathy Gohari
Scriptwriter, Editorial Advisor and Guest Host: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Isabelle Alfonso
Visit the website: https://rodeodrive-bh.com/podcast/
Join us on Instagram @rodeodrive
Hosted on Acast. See acast.com/privacy for more information.
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Carolyn Bessette Kennedy was the beautiful fashion PR who married the most eligible bachelor in America, John Kennedy Jr. The couple, and Carolynâs sister Lauren, tragically lost their lives when a plane flown by Kennedy crashed into the ocean in 1999.
But Bessette Kennedy had an outsize influence on style and fashion in the 1990s that endures today, and her legacy has been celebrated in a new book, CBK: Carolyn Bessette Kennedy: A Life in Fashion, by the British author and fashion creative director Sunita Kumar Nair, with a foreword by Gabriela Hearst, and preface by Edward Enninful, OBE.
On Episode 5 of Season 4 of Rodeo Drive - The Podcast, Kumar Nair talks with Lyn Winter about her carefully curated and sumptuously illustrated book, which tracks Bessette Kennedyâs fairytale rise, starting with a job at a Calvin Klein store in a mall where she was, âplucked by a corporate executive at Calvin Klein, and offered the golden ticket â come to New York.â
From there the willowy blonde with a knack for an ultra-chic and minimal âthrown together look,â became a fashion muse herself, in an era when American fashion traded padded shoulders and power suits for the understated elegance and comfort of Klein, Donna Karan and Ralph Lauren.
Kumar Nair shares anecdotes about the celebrities â Kate Moss, Jennifer Aniston, Sharon Stone â and the great names in fashion and design who worked with Bessette Kennedy, and were inspired by her.
She says the photographer Mario Sorrenti âremembers a time when they were sitting on the floor, talking about what the goals were for the advertising,â and corporate would want to know, âwhat does Carolyn think?â
She also talks about Bessette Kennedyâs powerful sense of self, wearing what pleased her despite societal expectations. When she married into American royalty, she might have taken to âwearing perhaps Dior or Yves Saint Laurent,â as well as the jewelry she inherited from her late mother-in-law Jackie Kennedy, also a fashion icon. âBut instead she chose to wear Yohji Yamamoto and Ann Demeulemeester, and I think the only piece of jewelry (of Jackie Kennedyâs) that she would wear often was Jackie's Cartier Tank.â
Finally, Kumar Nair explains how Bessette Kennedyâs allure endures today, in part because of how she approached life and clothes, with discretion and simplicity. âI think there is just this demand for her because there's a dignity in the way that she lived and I think it's inspiring for people who didn't grow up with her to pick up a book and discover her and her world.â
Season 4 of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.
Season 4 Credits:
Executive Producer and Host: Lyn Winter
On behalf of the Rodeo Drive Committee: Kathy Gohari
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Isabelle Alfonso
Listen, subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.
Visit the website: https://rodeodrive-bh.com/podcast/
Join us on Instagram @rodeodrive
Hosted on Acast. See acast.com/privacy for more information.
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Youâre no doubt familiar with haute couture, but how about haute parfumerie? Thatâs what you find at Henry Jacques, the jewel box of a perfume boutique on Two Rodeo Drive in Beverly Hills.
The ultra exclusive French perfumery was founded in the 1970s by Henry Jacques and his wife Yvette, creating bespoke fragrances for private clients. When it was on the brink of closure, their daughter Anne-Lise Cremona stepped in, and has led the company in opening exquisite retail boutiques around the world.
On Episode 4 of Rodeo DriveâThe Podcast, Season 4, Cremona, now global CEO, talks to Lyn Winter about bringing perfume into the 21st century, while preserving the brand's storied history and tradition,
Henry Jacques takes cues from French haute couture, explains Cremona, which hues to tradition while creating a bridge to innovation. âWe produce everything in house. We do a lot of things by hand, and we keep using a certain know-how that doesn't exist commonly today.â
Meanwhile, the company has opened a state of the art laboratory with more than 1200 components of perfume, and produced cutting edge delivery systems for perfume like the titanium Clic-Clac for solid scents.
She talks about collaborations, with her uncle, Richard Mille, and Rafael Nadal and his wife Maria, and with the maisonâs designer Christophe Tollemer on the branding of the company and the luxurious, wood-paneled, apartment-style interiors that offer visitors a sense of mystery and discovery. âItâs perhaps also the future of retail to open a door and enter a completely new world, where you are transported by a universe,â Cremona says.
Cremona also talks about why the company no longer has the traditional, singular ânose,â and offers thoughts on outmoded gender distinctions in perfume. One evening in Italy, she recounts, her son wore La Nuit, a flowery perfume made of white flowers and orange blossom. âEverybody was crazy in love with the spirit, the perfume he wore. And who could imagine that this perfume would suit a young boy?â
Finally, Cremona shares her personal wardrobe of scents, the joy of keeping the business in the family, and the endless delight of working with Henry Jacques perfumes, that in addition to being âhauteâ are also labeled âvivante.â âI like things to be living. And perfume helps you to feel alive. And that's why it's haute parfumerie vivante. We're here, we exist. It's possible.â
The Henry Jacques boutique is located on Two Rodeo Drive at 204 N Rodeo Drive.
Season 4 of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.
Season 4 Credits:
Executive Producer and Host: Lyn Winter
On behalf of the Rodeo Drive Committee: Kathy Gohari
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Isabelle Alfonso.
Listen, subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.
Visit the website: https://rodeodrive-bh.com/podcast/
Watch moments from the series on YouTube
Join us on Instagram @rodeodrive
Hosted on Acast. See acast.com/privacy for more information.
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Richard Mille pioneered a new era of watchmaking with the 2001 launch of the RM 001 Tourbillon, which set a standard for today's billionairesâ handshake.
The Swiss company is also a close family business, with sons Alex and Guillaume involved, and brand direction now helmed by Milleâs daughter Amanda.
Amanda Mille sat down with Rodeo Drive - The Podcast to talk about maintaining the image of the worldâs most advanced and most expensive watches, through creative partnerships with ambassadors including Michelle Yeoh, Charles Leclerc, Nelly Korda, and Rafael Nadal, who form the companyâs extended âfamily.â
Mille tells host Lyn Winter about a journey into her fatherâs business that began with a move to the Middle East and is full of unexpected moments, like a phone call from Jeremy Strong, Kendall Roy in Succession, about wearing a Richard Mille watch as an expression of his character. He said âwe need something a bit more classical in a way, but with a push of modernity,â recalls Mille. She chose to give the detail-obsessed actor an RM 67-01. It was perfect. âPlatinum, of course, added the kind of powerness behind Succession and all the stories happening to his character.â
She also shares the deep creative relationships with the athletes that sport, literally, Richard Mille watches, helping perfect the product while performing at their best. âWhen you have someone like Yuliya Levchenko doing high jumping, you need to be sure that the watch doesn't move on the wrist and is still comfortableâŠOur partners are the only ones that are able to give us the feedback that even a machine will never tell you.â
The Mille company is deeply connected with motor-racing, and sponsors Formula One and Le Mans. Amanda Mille shares her love of motorsport and driving, and promises to bring the 100% female, Rallye Des Princesses Richard Mille to California.
Finally, she talks about the exclusivity of the companyâs watches that involve many years of research and development at the end of which come very few new pieces. The wait can be long and tantalizing for people who order one. âWe are not laughing at the fact that people are frustrated at not being able to get the watch. We know how difficult it is. But we also know how difficult these watches are to be made,â says Mille.
The Richard Mille Beverly Hills boutique is located on Two Rodeo Drive at 222 N. Rodeo Drive.
Season four of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.
Season Four Credits:
Executive Producer and Host: Lyn Winter
On behalf of the Rodeo Drive Committee: Kathy Gohari
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Isabelle Alfonso.
Listen, subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.
Visit the website: https://rodeodrive-bh.com/podcast/
Watch moments from the series on YouTube
Join us on Instagram @rodeodrive
Hosted on Acast. See acast.com/privacy for more information.
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When the art collector and curator Jim Hedges was growing up in the South, New York was a âbright shining starâ to which Interview Magazine was his âgateway drug.â
âYou know, as a 12 year old little boy in Chattanooga, Tennessee, dreaming about the big city and Studio 54 and the New York City art worldâŠWarhol and his cult of personality, his cult of celebrity, the landscape that he was a part of, were all very, very enticing to me,â Hedges tells host Lyn Winter on Episode 2 of the latest season of Rodeo Drive - The Podcast.
Now Hedges is the owner of one of the largest collections of Andy Warhol photographs in the world, and he is the new Curator of the Arts for the Beverly Hills Hotel and the Hotel Bel-Air, where his show Jean Pigozzi - The Photographs: Beverly Hills to Cap dâAntibes, is currently on display until May 31, 2023.
Hedges reflects on how a career in investment banking turned into pursuit of another hot commodity: art, especially Warholâs photography: âFor Warhol, it was really the source material for 99% of all the artwork that he ever made. In other words, he would take a picture of Marilyn Monroe⊠and use that as source material to make the painting⊠And then I found that this work was actually rather undervalued⊠and I started to think of it as an investment and ultimately a business.â
From Warhol he turned his attention to Jean Pigozzi, another photographer with, âincredible access to celebrity and the movers and shakers. And they both documented these worlds in a very compelling and sort of singular voice.â
Now some of Pigozziâs seductive images, taken in hotspots from Beverly Hills to Cap DâAntibes, are on display, some for the first time, at the Beverly Hills Hotel: a nighttime shot of Muhammad Ali framed perfectly in the window of a limousine; Yves Saint Laurent and his muse Loulou de La Falaise in Paris; Mick Jagger with Arnold Schwarzenegger in the South of France.
Not only are the images stunningly glamorous, but so is the classic Hollywood hotel setting, says Hedges. âThe experience of going to a white cube kind of art gallery that is austere and unwelcoming is not as great as sitting in the lobby of the Beverly Hills Hotel and looking at Johnny Pigozziâs photos or walking through the gardens of the Hotel Bel-AirâŠThat's a better way to experience art.â
Season Four of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.
Season Four Credits:
Executive Producer and Host: Lyn Winter
On behalf of the Rodeo Drive Committee: Kathy Gohari
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Isabelle Alfonso
Listen, subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.
Visit the website:
https://rodeodrive-bh.com/podcast/
Watch moments from the series on YouTube
Join us on Instagram:
@rodeodrive
#onlyonrodeodrive #rodeodrivethepodcast
Hosted on Acast. See acast.com/privacy for more information.
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At age 14, a country boy left an abusive home to take a job peeling potatoes in a nearby restaurant. Two decades later he was a legendary chef, restaurateur, and caterer to the stars in Hollywood.
Wolfgang Puck shares his extraordinary journey on Rodeo Drive: The Podcast, Season Four, in a conversation with Lyn Winter.
Born in a rural village in Austria, Puck set off on his own after middle school and worked his way to the top of fine dining in Provence, Paris and Monte Carlo before arriving in Los Angeles, where he transformed Ma Maison and then launched the game-changing Spago in West Hollywood and then Beverly Hills, followed by Chinois On Main, and now CUT by Wolfgang Puck Restaurant and Lounge at the Beverly Wilshire, A Four Seasons Hotel.
Along the way, he invented the open kitchen, introduced Asian fusion, elevated farm-to-table produce and became the caterer for the Oscars. Now his empire spans more than 27 restaurants around the globe, cookware, wine and coffee lines, best selling cookbooks and a documentary film. He has a star on Hollywood Boulevard, a character based on him in an animated TV show, and is studying at Harvard.
Puck talks about the twists and turns on his path to success, including the challenges of seating the stars in the most popular restaurant in town. He recalls feeding Lionel Ritchie and Jimmy Connors on the staircase, creating smoked salmon pizza for Joan Collins, and sealing the deal to cater the Academy Awards.
âI said, âI don't tell you how to make the movie, you don't tell me what to cook,â and that was it. And they said, okay, and they were happy because they didn't have to choose. Before they used to get into fights; one wanted chicken, one wanted fish, one wanted steak, and so forth.â
He recollects the violence in his life, first from a terrible stepfather and then in the kitchens of his early days. âIt used to be totally, totally crazy in the kitchens, you know. And for what? ⊠But normally, if they mess up something, I just show them how to do it the right way, right. It's easier than yelling at them.â
And he expresses the joy of foraging for fresh vegetables, dating back to his childhood with his beloved mother, also a cook.
âIf you ask me, âwhat do you prefer, going shopping at Neiman Marcus or to the farmers marketâ? There is no doubt that we'll go to the farmers market. So for me, our cooking is all about the ingredients. If we get the best ingredients and then we donât mess them up we're going to have good food.â
Finally, Puck talks about bringing in the next generation and his son Byron, even though he has no plans to stop working himself, âI get excited about everythingâŠto me, continuing doing what you love to do and when you're passionate about it, that's what life is all about.â
Season Four of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.
Season Four Credits:
Executive Producer and Host: Lyn Winter
On behalf of the Rodeo Drive Committee: Kathy Gohari
Scriptwriter and Editorial Advisor: Frances Anderton
Editor: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Isabelle Alfonso.
Listen, subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.
Visit the website:
https://www.rodeodrive-bh.com/podcast/
Join us on Instagram:
@rodeodrive
#onlyonrodeodrive #rodeodrivethepodcast
Hosted on Acast. See acast.com/privacy for more information.
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Rodeo Drive brings out the glamor in people â and their pooches â as leading fashion houses develop lines for pets and the luxury thoroughfare offers the red carpet treatment to canines and their pet parents.
One of the dogs who might be seen strutting his stuff on Rodeo Drive is Sebastian The Standard, the show-stopping white Standard Poodle who is a fixture on Instagram and has starred in movies including Beyonceâs âBlack is Kingâ. âThe poodle has always been, for me, my dream dog,â says Allysa Payne, his pet parent and momager. âI think Sebastian looks like Beverly Hills to me.â
Payne talks to host Pari Ehsan about her line of luxury shoes and handbags, keeping Sebastian camera-ready and why leading fashion houses are so eager to reach the pet market. âMore and more couples are deciding to have pets instead of children. And so of course, they spoil them like children, buying them high quality, pet fashion,â says Payne.
The best place to show the latest and greatest looks is on Rodeo Drive, which will offer photo opportunities for visitors and their pets this summer. Field correspondent Jason E.C. Wright learns more about the BOLD Summer Red Carpet Experience from Rodeo Drive Committee President Kathy Gohari. âWe are having multiple, experiential photo moments, where you will be on the red carpet and you will be able to have your picture captured and to take something back home to show people that you were the star on Rodeo Drive for the day.â
The red carpet opportunity will take place every afternoon from July 25 to August 21. It goes hand in hand with The Dreamer experience at the Beverly Wilshire Hotel, offering hotel guests the opportunity to live life for a day like the stars. Ehsan got a taste of that experience when she had her hair styled by the famed LĂ©a Journo at her salon inside the Beverly Wilshire, A Four Seasons Hotel. Journo shares her amazing life story which began in Paris, France, where she was one of ten children and started cutting hair at age fourteen. On being invited to Los Angeles, she became one of the most sought after stylists in Hollywood, counting Kris Jenner, Britney Spears, Jane Fonda and Jennifer Aniston among her stellar client list. Journo says the secret to her success is finding the beauty in all women. âI always say every woman is beautiful. You just need to look at her very well, find her the right color and find her the right hair. Then she's the queen.â
Season Three of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of the City of Beverly Hills, The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, the Beverly Hills Conference & Visitors Bureau, and MCM.
Listen to Rodeo Drive â The Podcast and subscribe, rate and review wherever you get your podcasts.
Watch moments from the series here and on YouTube.
Check back in regularly for whatâs next in the series.
Season Three Credits:
Executive Producer: Lyn Winter
Host: Pari Ehsan
Field Correspondent: Jason E.C. Wright
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Grace Fuh
Hosted on Acast. See acast.com/privacy for more information.
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Fashion used to be separated into womenswear and menswear. Today, it is much more gender fluid. âIt's really about a movement of pleasing yourself and being self aware and not you know, hindering who your true self is,â says Vanity Fair Fashion Director Nicole Chapoteau, âAnd I think clothing is like one of the first ways you can express that.â
Chapoteau joins host Pari Ehsan for a conversation about her approach to the editorial pages of the magazine, and about dressing and expressing identity â in daily life and on a celebrity photoshoot.
âIt is all about personality with a touch of glam and glitz,â explains Chapoteau, adding that people often believe the actor or musician they see performing is that character in real life. At Vanity Fair, the manual for Hollywood and fashion, âyou learn about who they are themselves and not the roles they portray.â
Field correspondent Jason E.C. Wright picks up the theme of gender fluidity in fashion on a tour of Two Rodeo Drive with Rodeo Drive Committee President Kathy Gohari. They window-shop at Versace, Shinobi, Porsche Design and Westime.
At Shinobi, for example, says Wright, âtheir whole concept was, âwhat would James Bond wear on his weekend offâ? And what would any of the Bond girls wear from his closet? So the footwear that they source and manufacture in Japan, there's a size available for them as well as a blouson or two to borrow from the boys.â
Whether the vitrine is displaying watches, jewelry, pants suits or bags, fashion has broken away from boundaries, and is available, say Gohari and Wright, to âshe or he or they.â
Season Three of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of the City of Beverly Hills, The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, the Beverly Hills Conference & Visitors Bureau, and MCM.
Listen to Rodeo Drive â The Podcast and subscribe, rate and review wherever you get your podcasts.
Watch moments from the series here and on YouTube.
Check back in regularly for whatâs next in the series.
Season Three Credits:
Executive Producer: Lyn Winter
Host: Pari Ehsan
Field Correspondent: Jason E.C. Wright
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Grace Fuh
Hosted on Acast. See acast.com/privacy for more information.
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The Rodeo Drive Concours dâElegance, which takes place annually on Fatherâs Day, shows that fashion and fine cars are inseparable. And racing drivers like Lindsay Brewer agree.
âI race and I enjoy that,â Brewer tells host Pari Ehsan on Rodeo DriveâThe Podcast. âBut I also can have the full face of makeup and do my hair and look glamorous, because that's what I like to do, too, it doesnât have to be one or the other.â
Brewer, who is racing in Indy Pro 2000 and has a social media following of more than three million, opens up to Ehsan about how to beat the boys on the track, and be a serious driver while maintaining a glamorous brand that is essential for building sponsorship. She also previews her new line of unisex, 80s skiwear-inspired clothing.
Meanwhile, Rodeo Drive-The Podcast Field Correspondent Jason E.C. Wright goes deep underground to meet Scot Prescott, owner and founder of Auto Vault Storage, a storage and restoration service for some of the finest cars in the world, which in true Bond style, is buried three stories underneath Rodeo Drive. Prescott tours him round his padded garage filled with rare, fast and exotic cars under covers and recounts his journey from New Hampshire, where he was a kid with a dream.
âI used to dream about coming to California. And once I graduated from high school, I drove out here. I arrived here with $70. And I started washing cars. I bought some equipment. I wanted to become the king of car washing.â
âEvery car has a story,â he adds, like the 1934 Rolls-Royce stored there by a woman whose family has owned the car for generations. âThe family assigns people to take care of the car, because this car is a family member. And she has been assigned to take care of this car. She lives in California, so the car lives here.â
The Rodeo Drive Concours dâElegance was founded in 1993 by the Beverly Hills businessman and Chairman of the Rodeo Drive Concours dâElegance Bruce Meyer and friends who wanted to raise funds to restore an iconic Beverly Hills fire truck, so they created a Fatherâs Day car show on Rodeo Drive. Almost three decades later, it has become an institution, but had to put the brakes on during the pandemic. When the Concours returns, Meyer promises it will be âwithout a doubt our best show ever,â featuring âan extraordinary display of Rolls-Royces, supercars, antique carsâ along with the famed Fire Truck, which will lead the parade.
Season Three of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of the City of Beverly Hills, The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, the Beverly Hills Conference & Visitors Bureau, and MCM.
Listen to Rodeo Drive â The Podcast and subscribe, rate and review wherever you get your podcasts.
Watch moments from the series here and on YouTube.
Check back in regularly for whatâs next in the series.
Season Three Credits:
Executive Producer: Lyn Winter
Host: Pari Ehsan
Field Correspondent: Jason E.C. Wright
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Grace Fuh
Hosted on Acast. See acast.com/privacy for more information.
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Art and fashion are being redefined by new, creative voices who transcend the old high and low art boundaries.
âVisual artists were thought to be less serious if they collaborated with fashion brands or if they appeared in fashion magazines, and now you have folks operating in a real post-medium condition,â says the writer, editor and curator Antwaun Sargent, on Episode 5 of Rodeo Drive â The Podcast. âIt's really encouraging to see Carrie Mae Weems, for example, just shoot the latest Prada campaign.â
Sargent is the author and curator of The New Black Vanguard: Photography Between Art and Fashion, the acclaimed publication and touring exhibition that is on view at Cleveland Museum of Art through mid-September 2022. He is also a director at Gagosian, a global network of art galleries, and he is currently working on an exhibition developed with the late Virgil Abloh, former artistic director of Louis Vuitton's menswear collection. Ablohâs fluidity was influential on the boundaryless creativity today, says Sargent. âOne day, one hour, he's designing a dress, the next hour he's designing a sculpture, the next he's making music.â
Sargent talks with host Pari Ehsan about the Abloh show, about the dissolving of boundaries between art and fashion today, and about diversity and inclusion and how to do it authentically. âIt's less for me about some stale notion of inclusivity or diversity, and more about allowing folks to fully express themselves in this space that they should have always had a claim to,â he says.
This fluidity between disciplines â art, fashion, food, publishing â is also visible on Rodeo Drive, where luxury brands and fashion houses that once mainly sold clothing now offer curated exhibition and retail spaces and even restaurants. Field Correspondent Jason E.C. Wright checks out stores including Saint Laurent and its current Rive Droite installation conceived by the house's Creative Director Anthony Vaccarello and exclusive to its Paris and Rodeo Drive boutiques.
Rive Droite features surfboards and furniture made in collaboration with Hervet Manufacturier, along with lighters and playing cards, branded headphones, footwear and bags, vinyl, art and design magazines and books. This really expands on how âthe art collector is intersecting in the fashion world and those from the fashion side are collecting objects,â says Wright, adding, âit's a beautiful way of seeing this evolution of the stores being more than just a retail space and a point of experience for the world.â
Season Three of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of the City of Beverly Hills, The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, the Beverly Hills Conference & Visitors Bureau, and MCM.
Listen to Rodeo Drive â The Podcast and subscribe, rate and review wherever you get your podcasts.
Watch moments from the series here and on YouTube.
Check back in regularly for whatâs next in the series.
Season Three Credits:
Executive Producer: Lyn Winter
Host: Pari Ehsan
Field Correspondent: Jason E.C. Wright
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Grace Fuh
Hosted on Acast. See acast.com/privacy for more information.
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In a world dominated by fast fashion, Brunello Cucinelli keeps it slow, creating hand-crafted, ultra-luxury womenswear and menswear that elevates the well-being of those who wear his garments and those who make them.
âBeauty is not only in how you dress, but how you behaveâŠmaking sure that the community benefits from the presence of all of us,â says his daughter Carolina Cucinelli, co-president and co-creative director of the company. She talks with host Pari Ehsan on Episode 4 of Rodeo Drive: The Podcast about the Italian brand and continuing its humanistic philosophy of fashion and social responsibility.
Ms. Cucinelli describes a childhood in Solomeo, the small hamlet that is home to her family and the company headquarters in Umbria, Italy. There she grew up with the artisans who create the one of a kind, exquisitely tailored, heirloom pieces in cashmere, shearling leather and soft cottons. She explains how Brunello Cucinelli invests in the community, through arts, culture and a School of Contemporary Arts and Crafts for a new generation of tailors. This is the definition of sustainability, she says. âI think the younger generation want to buy less, but buy better.â
Field Correspondent Jason E.C. Wright visits the Brunello Cucinelli boutique on Two Rodeo Drive, taking listeners on an audio tour through the highly-curated retail experience. He describes the calming colors and textures of the interiors and and furnishings; the silky mensâ jackets and blazers; and the women's Opera collection, featuring cardigans and suits threaded, he says, âwith sequins that reflect the light in such a way that you don't notice them immediately. And then it looks like a million cameras have flashed.â
Finally, Carolina Cucinelli explains the companyâs attraction to Los Angeles and why they chose two of its architectural landmarks â the Stahl House and the Bradbury Building â for a recent photoshoot. âFor us (it) is that perfect union of Solomeo and L.A., because it's a majestic place with a beautiful history.â
Season Three of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of the City of Beverly Hills, The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, the Beverly Hills Conference & Visitors Bureau, and MCM.
Listen to Rodeo Drive â The Podcast and subscribe, rate and review wherever you get your podcasts.
Watch moments from the series here and on YouTube.
Check back in regularly for whatâs next in the series.
Season Three Credits:
Executive Producer: Lyn Winter
Host: Pari Ehsan
Field Correspondent: Jason E.C. Wright
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Grace Fuh
Hosted on Acast. See acast.com/privacy for more information.
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Before Rodeo Drive, there was the Beverly Wilshire Hotel, a magnet for luminaries of film and entertainment since it opened in the roaring twenties. Now the grand dame of luxury hospitality is getting a makeover and that includes a new offering for guests, The Dreamer.
On Episode 3 of Rodeo Drive: The Podcast host Pari Ehsan gets a taste of the experience, when she takes up residence in a newly-remodeled 11th floor suite and meets the longtime celebrity photographer Art Streiber.
âTreat celebrities like real people, and treat real people like celebrities,â says Streiber, who will turn his camera on hotel guests who purchase The Dreamer, which gives them the ultimate Hollywood access: to be the subject of their own private celebrity photo shoot, a chance to shop with stylist Nicole Pollard Bayme, have their hair coiffed by LĂ©a Journo and meet and eat with top chef Wolfgang Puck.
Ehsan and Streiber discuss the enduring appeal of composed, still photography. âThe portrait I take of you today is not about today. It is documentary, for 20, 30 years from now,â says Streiber. They also reflect on the art of staging sitters against the architectural backdrop of the hotel, styled after old Europe and now being given a refresh.
Field Correspondent Jason E.C. Wright talks with the hotelâs current Regional Vice President and General Manager Peter Humig, who is overseeing the renovation, designed by London-based David Collins Studio, with a new palette of soft grays and hints of Art Deco. Humig tells Wright they wanted to hold onto Beverly Wilshire, A Four Seasons Hotelâs glamor, history and excellent service, without being too opulent. âModern luxury is not how it used to be in the 80s and 90s. Now it's the subtle elegance,â says Humig.
Season Three of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of the City of Beverly Hills, The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, the Beverly Hills Conference & Visitors Bureau, and MCM.
Listen to Rodeo Drive â The Podcast and subscribe, rate and review wherever you get your podcasts.
Watch moments from the series here and on YouTube.
Check back in regularly for whatâs next in the series.
Season Three Credits:
Executive Producer: Lyn Winter
Host: Pari Ehsan
Field Correspondent: Jason E.C. Wright
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Grace Fuh
Hosted on Acast. See acast.com/privacy for more information.
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The German luxury fashion house MCM got its start during the hedonistic 1970s in Munich, Germany. Now it enters a new era under the leadership of global creative officer Dirk Schönberger. He has revamped the logo, created partnerships with breakthrough artists and is taking the brand into a new realm, the metaverse.
âWe're creating virtual worlds instead of big sets for campaign shoots, and creating partnerships with online platforms where you can dress your avatar in our clothes. And this is only the beginning,â he tells host Pari Ehsan, on Episode 2 of Season 3 of Rodeo Drive: The Podcast. âWhat is really important is to use the metaverse as a space of co-creation,â he adds, saying that today brands need to bring their customers into the design process.
Field Correspondent Jason E.C. Wright visits the MCM flagship store with Kathy Gohari, president of the Rodeo Drive Committee, and together they analyze the updated Stark backpack and MĂŒnchen tote as well as the ubiquitous MCM logo, visible on all clothing and accessories, now in both the original Visetos logo and the new Cubic Monogram version created by Schönberger. It appears on fabrics in bold color or subtle shades.
âYou're able to turn the brightness meter up and down,â says Wright, who grew up with MCM as part of the hip hop generation. âThis is not a revolution. It's an evolution,â says Gohari.
Music is core to MCMâs identity and Ehsan talks with Schönberger about his collaborations with young artists, including Billie Eilish, Missy Elliott and now iann dior. The goal, says Schönberger, is authentic connection with the artists and an attitude and point of view that feels right. âI want disruption. I don't want a conservative point of view. I don't just want to buy a name and connect it to the brand.â
Season Three of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of the City of Beverly Hills, The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, the Beverly Hills Conference & Visitors Bureau, and MCM.
Listen to Rodeo Drive â The Podcast and subscribe, rate and review wherever you get your podcasts.
Watch moments from the series on YouTube.
Check back in regularly for whatâs next in the series.
Season Three Credits:
Executive Producer: Lyn Winter
Host: Pari Ehsan
Field Correspondent: Jason E.C. Wright
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Grace Fuh
Hosted on Acast. See acast.com/privacy for more information.
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When Frieze Week in Beverly Hills was unveiled next to the Beverly Hilton, collectors and dealers turned out in high style for the VIP opening, confirming what many already knew: art, fashion and entertainment converge in Beverly Hills.
âBeverly Hills is where the art world meets,â says Jeffrey Deitch, art dealer and curator, referencing the collectors and cognoscenti who mingle in the cityâs galleries and restaurants.
On this episode of Rodeo Drive: The Podcast, host Pari Ehsan and field correspondent Jason E.C. Wright explore how art and fashion intersect in the city of Beverly Hills and on Rodeo Drive itself, from public artworks on the street like Robert Grahamâs sculpture Torso to creative collaborations between couture houses and artists.
Ehsan sits down with Deitch to discuss what makes the city a magnet for art enthusiasts, and what makes for successful art and fashion collaborations. âWe've seen some artist-fashion collaborations that are dead on arrival. But then we've seen others that are just fantastic and inspiring. So some people saw me and my team at the opening of FriezeâŠall wearing a Kenny ScharfâDior Menâs collaboration..that's a very good example of an excellent collaboration.â
Wright takes in the scene on Rodeo Drive with Kathy Gohari, President of Rodeo Drive Committee. âI see tourists coming early in the morning before the stores are even open and they're hugging the Torso and taking pictures.âŠThey're not just coming to look at the buildings and the beautiful restaurants and the clothes, but it's the whole environment.â
Season Three of Rodeo Drive â The Podcast is presented by the Rodeo Drive Committee with the support of the City of Beverly Hills, The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, the Beverly Hills Conference & Visitors Bureau, and MCM.
Listen to Rodeo Drive â The Podcast below and subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.
Watch moments from the series here and on YouTube.
Check back in regularly for whatâs next in the series.
Season Three Credits:
Executive Producer: Lyn Winter
Host: Pari Ehsan
Field Correspondent: Jason E.C. Wright
Scriptwriter and Editorial Advisor: Frances Anderton
Editor and Videographer: Hans Fjellestad
Theme music by Brian Banks
Production Assistant: Grace Fuh
Hosted on Acast. See acast.com/privacy for more information.
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Season Three of Rodeo Drive â The Podcast invites listeners back for more stories about the worldâs most coveted brands and boutiques, brought directly from Rodeo Drive by Host Pari Ehsan and Field Correspondent Jason E.C Wright. Ehsan is the Iranian American founder of Pari Dust, an influential, digital platform for art and fashion. Wright is the founder of Burntsienna Research Society, an L.A. design research agency, and is an expert on fashion and the future of design and retail.
They will speak to some of the biggest names in fashion, luxury art, and entertainment, among them Jeffrey Deitch, Dirk Schönberger, Hunter Drohojowska-Philp and Eric Buterbaugh. Over eight episodes, they will explore the convergence of art and sport with fashion, sustainability, luxury sneakers and the metaverse. The new addition of on- the-ground audio and video reporting will keep listeners up to date on current developments and conversations in fashion and luxury from the iconic, three-block stretch in Beverly Hills.
Hosted on Acast. See acast.com/privacy for more information.
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