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Jamie Angus is the former director of the BBC World Service and the former editor of 'Today' and 'Newsnight' who now works in the Middle East. We discuss what the budget announcement means for funding of the World Service, why HardTalk makes the world 'a less stupid place', original journalism, the unintended consequences of commercialisation and US election and Middle East coverage.
"The BBC is not protecting its essential news services enough when it comes to allocating the cuts. The case for the BBC’s existence relies on its utterly distinctive public service remit.”
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@BeebRoger
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Richard Sambrook, former Director of BBC News and the World Service, and now an Emeritus Professor of journalism at Cardiff University discusses the challenges the BBC faces in dealing with the rise of disinformation, the balance between free speech and responsibility, the BBC's 'follow the sun' strategy, World Service funding and the impact of budget cuts on BBC News.
"I do have the concern that what sometimes gets lost in the mix is the depth and significance of BBC journalism, as opposed to simply competing with what everyone else is doing. I'm sure if I were to talk to Deborah Turness or anyone else, they would come up with a whole list of examples that would illustrate how they are maintaining depth and significance. But I think, to the public, when they look at some of these cuts, that’s what worries people."
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@BeebRoger
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Fehlende Folgen?
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In the same week that BBC Director General Tim Davie pitched for an increase in government funding for the BBC World Service, while simultaneously axing the global interview programme Hard Talk in another round of cuts, we speak with Gareth Benest, Director of Advocacy at the International Broadcasting Trust. We discuss the decline in international coverage by UK broadcasters, his analysis of the shrinking breadth of countries featured in news and current affairs programming, and the potential impact of new media legislation, algorithms, and public service broadcasting.
“Last year, it surprised me that there was, as far as I could see from the logging that I did of linear schedules, there was not a single programme outside of news broadcasts about Rwanda. The most spoken about African country, perhaps in the history of UK media, last year, there wasn't a single documentary. There wasn't a single current affairs programme that actually gave UK citizens an opportunity to understand the country.”
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@BeebRoger
Instagram: rogerboltonsbeebwatch
LinkedIn: Roger Bolton's Beeb Watch
email: [email protected]
www.goodeggproductions.uk
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On our 100th episode anniversary we talk to another journalist who has started out on a new venture. The Guardian’s former media editor, Jim Waterson, has set up London Centric, a news outlet focused on in-depth coverage of London. We discuss his reasons for taking this step, the challenges traditional media faces, billionaires owning media outlets, the sale of The Observer, regulation, adapting to modern consumption habits and the merging of public service broadcasters.
“I'm sure, Beeb Watch listeners are very aware of Project Kangaroo and the missed opportunities of the late 2000s when there was a plan to combine all the public service broadcasters in one streamer that would have gazumped Netflix. I think that's the sort of radical thinking you should be looking at with this licence fee negotiation.”
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@BeebRoger
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Mark Urban spent many years as the diplomatic and defence editor at BBC Newsnight before leaving in May, after 34 years at the corporation. Prior to joining the BBC, Mark was the defence correspondent for The Independent newspaper for four years. He is the author of several military books and served briefly in the British Army. He is now a writer for The Sunday Times. We discuss allegations of BBC bias against Israel in its Middle East coverage, the challenges and cultural biases in reporting conflicts, changes made to Newsnight, and his life after the BBC.
“If you put those two things together, which is a tight focus on victims and a scepticism about the ethicacy of the military instrument, then it's pretty obvious in this current situation that Israel is going to have problems. And I think this is more to do with the way that journalists as a sort of cohort or professional culture define a story, and less to do actually, specifically with the BBC.”
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@BeebRoger
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The controversial Asserson Report sparked headlines in The Daily Telegraph and The Daily Mail for its critique of the BBC's Middle East coverage at the height of the Israel-Hamas war. The report has drawn both praise and sharp criticism. We’re joined by the report's author, British-Israeli lawyer Trevor Asserson, to discuss its origins, funding, methodology and its interpretation of impartiality.
“I think the faults that we've demonstrated are probably found throughout the BBC’s coverage of other news stories as well. It's very unlikely that they're being impartial elsewhere, but I can tell you that they're not impartial in their coverage of this story.”
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@BeebRoger
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Journalist and broadcaster David Aaronovitch worked for the BBC in a senior capacity before becoming a columnist for The Times and the presenter of numerous radio programs, including Radio 4’s The Briefing Room. He now publishes longer articles on Substack under Notes from the Underground and contributes to Tortoise Media. In this episode, we discuss the fallout from the Jewish Chronicle scandal, where fabricated articles led David and other prominent writers to resign. We also explore accusations of BBC bias in its coverage of the Israel-Gaza war, and the broader challenges facing journalism today.
“If you want to look at lack of balance in the world, look at what's reported and what isn't reported, and how what's not reported is effectively given a kind of second or third class status. I regard this as a big journalistic problem.”
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@BeebRoger
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email: [email protected]
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Richard Ayre spent thirty-five years at the BBC, serving as the former controller of editorial policy, deputy chief executive of BBC News, and a BBC Trustee. Richard is also a former member of the OFCOM Content Board and is currently the chair of the UK's independent press regulator, Impress.
We discuss BBC Director-General Tim Davie and BBC Chair Dr. Samir Shah’s appearance before the House of Lords Communications and Digital Select Committee, where they were scrutinised for their handling of the Huw Edwards scandal and local news. Their views on BBC funding and governance were also revealed.
“I think paying him the additional annual increment was indefensible—completely indefensible—and there was no legal risk at all.”
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Sir Trevor Phillips presents Sky TV’s Sunday Morning programme and is a columnist for The Times newspaper. He was previously a reporter on the Thames TV This Week, head of current affairs for London Weekend Television, Chair of the London Assembly, Chair of the Commission for Racial Equality, and Chair of the Equality and Human Rights Commission, as well as having run several businesses.
In the first episode of our seventh series we discuss why Trevor never became a BBC staffer, what the events over the summer revealed about the culture of the BBC, the BBC's approach to ethnic minorities, multiculturalism, his career, his friendship with the Chair of the BBC, Samir Shah, and the importance of public service media and local coverage.
"We're talking on the day that the Grenfell Inquiry Report is going to be published. There is no way in a million years that Grenfell, 30 years ago, would not have been a story before the fire, because, certainly, the programme that I presented, the ITV London programme, would have been all over it, year after year."
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Sir Peter Bazalgette was until recently part of the previous Government’s committee to review how the BBC was funded. In his distinguished career he has been responsible for shows such as Big Brother, Changing Rooms and Ready Steady Cook, he’s also a former chair of Arts Council England and in September 2023 he stepped down as chair of ITV. He is now co-chair of the Creative Council. On this week’s programme we discussed the Media Act (was anything left out), BBC funding and the future of public service broadcasters.
I see Freely, which has recently been launched as an online way of getting all the public service broadcasting in a streaming service, I see that is just the beginning. I think there needs to be further mergers. And it'll be interesting to see what happens to Channel Five. Now that it looks like the owners Paramount are selling out, because I don't think it's going to be a priority for the new American owners. And it may well change hands in the next six to nine months.
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Academics from Loughborough University’s Centre for Research in Communication and Culture have conducted news audits for every General Election since 1992, and their audit for this election is out now. We talked to one of its authors, Professor Dominic Wring, about whether the public was well served by the media, whether legacy media still has a role when against social digital media, populism, media bias, media scholarship and devolution.
"When we talk about people getting news from social media, when they're talking about that, often those are things that are recycled from legacy sources."
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Dame Elan Closs Stephens was the acting chair of the BBC after the resignation of Richard Sharp in June last year until her retirement in March. She was a member of the BBC’s governing body since 2010, first serving as Member for Wales on the BBC Trust, until its dissolution in 2017, and then as the Welsh member of the BBC Board.
On this week's episode we discussed what Dame Elan would like from a new Culture Secretary, her tenure as chair, impartiality, budget cuts and the decision making process, BBC future funding and regulation, Ofcom, BBC election coverage and appointment of BBC chairs.
“I would like to go for some sort of cross party commission, I think it would give the chair more freedom to embrace, to be seen to be embracing different sides.”
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Olivia O’Leary has been a television and radio broadcaster on both the BBC, ITV and RTÉ – the Irish public service broadcaster in her native Ireland. In 1985, Olivia became the first female presenter on BBC’s Newsnight. She later returned to Ireland, presenting once again ‘Today Tonight’ – RTÉ’s flagship current affairs programme. She has also presented BBC Radio 4’s ‘Between Ourselves’ and delivered a regular column on RTÉ Radio 1’s drive time.
This week, we get an Irish perspective on the UK election, discuss the complex relationships between Ireland and the UK, and examine how RTÉ, the Irish public service broadcaster, is faring after a series of scandals and the challenges they are facing with funding. Also, as a former presenter, Olivia shares her views on the changes to Newsnight and the future of journalism.
“The government has refused to make a decision on the future funding of public service media, and particularly RTÉ. They've kept putting it off, putting it off, putting it off. Our old licence fee system, because of the scandals last year, is now under enormous pressure. One fifth of people never paid it anyway. And even a bigger percentage don't pay it now.”
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@BeebRoger
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Veteran journalist Adam Boulton spent more than thirty years at Sky News, twenty-five of those as political editor. He has been host for General and US elections coverage, invigilated the first leaders’ debate in 2010 and has the distinction of having interviewed every UK Prime Minister since Sir Alec Douglas-Home. He continues to write for Sky but is also now broadcasting on Times Radio, where he co-hosts the weekend flagship politics show Sunday Morning.
This week we discussed general election coverage, how coverage has changed over the years, Nigel Farage’s media manipulation, impartiality and Adam’s colourful career.
“I do think we collectively in broadcast and I think the BBC in particular, do have a case to answer over Nigel Farage. The truth is that he played the media, like a fiddle didn't he?”
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Peter Snow is a former BBC Newsnight presenter (1980–1997), ITN Diplomatic and Defence Correspondent (1966–1979), documentary maker, and historian. Known for his iconic "swingometer" on election night, we discuss the drama of election night, the current election campaign, Newsnight, and being called a 'traitor'.
“I think this election campaign is the worst I've ever seen for sort of fake bribery. Honestly, it's a disgrace the way it's going on."
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Catherine Johnson is the professor of Media and Communications at the University of Leeds, author of the book Online TV, and a member of the Department of Culture, Media and Sports College of experts. With parliament now dissolved, we discuss what happened to the Media Bill and in what form did it survive - what was left in and out? Also, we examine Ofcom’s role in regulating media and resource allocation, what a Labour government might entail for public service media, BBC Charter renewal and funding review and the big issues that are coming down the line for public service broadcasters.
“I suspect what we'll see is the device manufacturers and the public service broadcasters effectively marking their own homework. ‘This is what we said we do. This is what we've done, here's the evidence’. And then we will have to take that on trust.”
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Jane Martinson, author of ‘You May Never See Us Again: The Barclay Dynasty: A Story of Survival, Secrecy and Succession’ is the former media editor at the Guardian and now Marjorie Deane Professor of Financial Journalism at City University.
In the week the general election is called we discussed the potential takeover of The Telegraph by Sir Paul Marshall and its implications for the Conservative Party, his beliefs, media impartiality, the influence that media owners wield, the dominance of right wing media outlets and the future of journalism.
“What I can see in reading, what Paul Marsh has written himself and also actually watching GB News's content is, if you fetishize almost, the freedom of speech, and at one's own belief, over the notion of science and experts. Isn't that at the heart of this? And isn't that where it also meets some of the biggest problems in media at the moment?”
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Matt Deegan is the co-founder of the award-winning Fun Kids, a digital radio station for families and children, which has just won the bronze award in the Radio Academy’s UK Station of the Year category. Given that the gold award went to BBC Asian Network and the silver to Talksport, this is a considerable achievement for a small independent network. Matt is also the co-founder of Folder Media and the British Podcast Awards and is one of the most respected commentators on all things audio.
In this episode, we discuss the lack of BBC radio content for children, the BBC’s podcast advertising plans and their impact on the commercial industry, the latest radio listening figures, and the future of BBC radio and podcast growth.
“The BBC already gets £5.7 billion of income from a variety of sources. It does not need £1 million a year out of the podcast business. I could go in and find seven managers to fire, and I could save a million pounds.”
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Jamie Angus is the former director of the BBC World Service and the former editor of 'Today' and 'Newsnight' who now works in the Middle East. We discuss Ofcom's oversight of broadcasters, the consequences of previous World Service cuts, and the impact of new ones. We also explore long-term solutions to the issue of its funding, which is under review by a parliamentary committee.
“I think it's clear that GB News are operating under a slightly different model to public broadcasters.”
“Al Arabiya ourselves have launched our own FM radio services. And we've additionally picked up some of the BBC’s medium wave hours, which they no longer use, so our radio services are broadcast regionally. We've also hired a number of ex BBC Arabic radio staff.”
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Stewart Purvis, former content regulator at Ofcom and former Editor of Channel 4 News and ITN Chief Executive, discusses Ofcom’s guidance on general election coverage published last week. Stewart delves into the research on which Ofcom based its guidelines, spells out what the guidance means in practice, and reflects on Ofcom as an organisation.
“Ofcom was pretty much claiming that what the audience had told it justified the position it had taken. But then when you got down into the detail, it didn't really say that at all.”
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