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A month after the opening of this year's Venice Architecture Biennale, we've invited three critics to come on the show to help make sense of what was arguably one of the most content overloaded, and curitorially ambiguous biennales in recent memory.
Since its inception in 1980, The Venice architecture biennale has set the tone for global discourse on contemporary design and urbanism, and yet the agenda of this year’s exhibition, curated by the MIT professor and recent guest of this podcast, Carlo Ratti, seemed surprisingly muted and anodyne, calling for architects to marshal the quote intelligence of the natural, artificial and collective”
Still there are more complex although perhaps unintended themes to the biennale this year, including the emerging relationship between unaccountable technologies and authoritarianism, quantatitve expansion as a proxy for genuine inclusivity, and perhaps most importantly, the exchange of an independent curatorial vision for an apparent new ideal of algorithmically determined experience.
Furter reading:
Emily Conklin: We Will Rest: Seeking Resistance and Recovery During Carlo Ratti’s Venice Biennale in the Brooklyn RailFabrizio Gallanti: "Fakery and deception is everywhere at Venice Architecture Biennale 2025" in DezeenPhin Harper: Venice Architecture Biennale 2025 Review: A Tech Bro Fever Dream in Art Review and La Biennale Architettura: A Beginner’s Guide on The Fence.Emily Conklin is the former managing editor of the Architect's Newspaper and is an editor and critic based in New York City. She is trained as a historic preservationist and is the founder of Tiny Cutlery studio.
Fabrizio Gallanti is an architect, writer and curator, and directs Arc en Rêve, an architectural center in Bordeaux.
Phin Harper is a critic, curator, and sculptor and former Chief Executive of Open City.
Correction: the list of Swiss Pavilion curators mentioned in this episode mistakenly omitted Myriam Uzor, who led the project alongside Elena Chiavi, Kathrin Füglister, Amy Perkins amd Axelle Stiefel.
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Patrick McGraw is the editor and publisher of Heavy Traffic magazine. Based in NYC, designed by Richard Turley and featuring contributions as varied as Sheila Heti, Keller Easterling and Dean Kissick, Heavy Traffic understands and reflects the mood of contemporary life in a way that fiction is increasingly well suited to.
Literature has the ability to capture our now terminally online consciousness. Architecture, on the other hand—a cultural form that once stood for whole epochs—has in recent decades become anachronistic, divorced from the virtual world that increasingly holds us captive.
Patrick’s trajectory is interesting because he originally studied architecture before making a shift into journalism and eventually leading a literary magazine. In our conversation we try to bridge this gap between the world of architecture and fiction.
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Fehlende Folgen?
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To mark the 25th Anniversary of the Tate Modern this week, the Architecture Foundation's Director Ellis Woodman speaks with two key figures behind the museum's conception: Nicholas Serota and Jacques Herzog.
Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield.
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Carlo Ratti is is an Italian architect, engineer and educator, and the curator of the 19th Venice Architecture Biennale.
As the 2025 Venice Architecture Biennale opens its doors, we speak with this year’s curator, Carlo Ratti—architect, engineer, and a leading thinker at the intersection of design, technology, and urbanism. Under the theme 'Intelligens: Natural. Artificial. Collective.', Ratti explores how new forms of intelligence—from machine learning to natural ecosystems—are transforming not just the spaces we build, but the tools and processes we use to conceive them. In this episode, he reflects on the Biennale's curatorial vision, and the questions it raises about architecture’s evolving role in an increasingly interconnected world.
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Michael Meredith is a co-founder with Hilary Sample of MOS, an architecture practice based in New York.
MOS is an acronym derived from Meredith and Sample, with the "O" serving as an abstract, connective element. The name, much like the practice itself and the cultural moment it emerged from in the early 2000s, captures a playful tension between irony and sincerity. It's a subtle nod toward global architectural giants like SOM or OMA, while genuinely embodying Michael and Hilary's playful and collaborative spirit.
A hallmark of Meredith and Sample’s work is their ability to balance intentional imperfection with technical precision. They've described their practice as embracing a philosophy that's "horizontal and fuzzy," deliberately moving away from the conventional "tall and shiny" image typically associated with architecture firms. It's a metaphor reflecting their preference for an architecture that's smaller, less bureaucratic, more experimental, and ultimately more alive.
Michael's podcast Building with Writing Stan Allen: https://open.spotify.com/show/7CUtD3SnpyKxWUmsNnDmSw
Michael's 2025 Princeton Syllabus: https://docs.google.com/document/d/1aU1IqdLYJmcldMAzgnxrwOczO1TIrTtCejEziyxZ4-U/edit?tab=t.0
Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield.
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This episode was originally aired in Novemebr 2022.
"The direction in which I’m going is never fixed. Because I don’t know where I’m going, I’m very able to change direction. . . only at the very end of the process does all this nascent information suddenly have resonance – only in the singularity of the final work does the impact of this desperate journey make any sense." – Tacita Dean.
Tickets are now available for Architecture in the Age of Artificial Intelligence – a landmark panel taking place on 2 June at the Barbican Concert Hall.
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Late last year a new museum opened its doors in Lagos, Nigeria, called The John Randle Centre for Yoruba Culture and History. It is among a new generation of African cultural institutions – including the Bet Bi museum in Senegal, by Mariam Kamara, and the Museum of West African Art in Benin City by Adjaye Associates – which in different ways attempts to reimagine both the form and format of the contemporary museum from an African perspective.
This week we speak with Seun Oduwole, who lead the design of the John Randle Centre. Oduwole is a Nigerian architect and the Principal Architect at SI.SA, a Lagos-based firm he founded in 2015. He earned his architecture degree from the University of Nottingham and gained experience at Hopkins & Partners, Benoy, and Sheppard Robson. Upon returning to Nigeria, he worked at Shelter Design Partnership and later became a partner at Brown inQ before establishing SI.SA.
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Dima Srouji is a Palestinian architect, artist, and researcher born in 1990 in Nazareth. She holds a Bachelor of Architecture from Kingston University (2012) and a Master of Architecture from the Yale School of Architecture (2016).
Srouji's interdisciplinary practice explores the ground as a repository of cultural narratives and potential collective healing. She employs various media—including glass, text, archives, maps, plaster casts, and film—to interrogate concepts of cultural heritage and public space, particularly within the Middle East and Palestine. Her collaborative approach involves working closely with archaeologists, anthropologists, sound designers, and glassblowers.
In 2016, Srouji founded Hollow Forms, a glassblowing initiative in collaboration with the Twam family in Jaba’, Palestine, aiming to revitalize traditional glassblowing techniques. Her work has been exhibited internationally, including at the Victoria & Albert Museum in London, the Corning Museum of Glass in New York, the Sharjah Art Biennial, the Islamic Art Biennial in Jeddah, and the Contemporary Arts Center in Cincinnati. Her pieces are part of permanent collections at institutions such as the Stedelijk Museum Amsterdam and the Victoria & Albert Museum.
Srouji has contributed to academic discourse through her writings in publications like The Architectural Review and The Avery Review. She currently leads the MA City Design studio at the Royal College of Art in London, focusing on archaeological sites in Palestine as contexts for urban analysis.
In recognition of her contributions to art and architecture, Srouji was awarded the Jameel Fellowship at the Victoria & Albert Museum for 2022-2023. Through her multifaceted work, Srouji challenges conventional narratives, offering new perspectives on cultural heritage and identity within contested spaces.
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Alison Crawshaw, whose practice encompasses architecture, landscape, urban design, and installations, is on the pod this week.
In our conversation we focus on two key projects of hers that bookend her practice to date, and that share a philosophy of working with existing conditions rather than imposing top-down transformations.
The first project, from 2012, called the politics of bricollage, which Alison developed during her time as a Rome scholar in architecture, examines the outskirts of that city to highlight small-scale, user-led interventions shape the built environment outside formal planning processes.
The second project, called open Havelock, which was just recently completed, transforms undercroft garages in London’s Havelock Estate into a series of community rooms instead of demolishing them, in a bid to repurpose overlooked urban spaces.
Both projects acknowledge the role of everyday users as co-creators of urban space, and push for a more adaptive, bottom-up approach to urbanism, suggesting grassroots tactics for future urban development.
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Scaffold was recently noted as one of the top feedspot architecture podcasts.
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badweather, founded by Oli Brenner, Sophie Mei Birkin and Leo Sixsmith in 2019, are an architecture and scenography collective based in London.
badweather’s work represents a strand of contemporary practice that became more visible in the wake of the pandemic, and one distinct from the climate survivalism, social moralism, and poetic despair that has come to dominate much of architectural discourse today.
Instead, the few projects that badweather has completed — lightweight and ephemeral constructions made from off the shelf components, primarily for nightclubs and festivals — reflect a generation of architects who, in an era defined by scarcity and polarization, are seeking aesthetic exuberance and new forms of collectivity precisely while contending with the limitations of the present.
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Gonçalo André Pires is an architect and co-founder, together with Pedro Santo Saraiva, of Studio Sotnas, a practice based between Aarhus and Lisbon.
"While in the 90s and 2000s there were a lot of idealistic inventions and visions that wanted to be forced into being, now it’s more about reassembling and reorganising existing meanings and values in the things that we might we already have at hand, understanding that it’s more about discovering than inventing. We’re interested in bringing meaning to a building from the components that are essential to it." – GAP
Show notes:
“Modern architects have been harping continually on what is different in our time to such an extent, that even they have lost touch with what is not different, with what is always essentially the same”“Modern architects have been harping continually on what is different in our time to such an extent, that even they have lost touch with what is not different, with what is always essentially the same”
Aldo Van Eyck, first published in the Team Ten Primer, late 1950sJohn Young’s apartment
Jaques Herzog, House for an Art Collector
Architecture and the Sciences by Antoine Picon (2003)
The Savage Mind by Claude Levi Strauss (1962)
Mechanisation Takes Command by Siegfried Gideon (1948)
Salome Lamas (contemporary Portuguese filmmaker)
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Art writer and former Spike columnist Dean Kissick stops by the pod to discuss his most recent article "The Painted Protest: How politics destroyed contemporary art" – published in the December 2024 issue of Harper's.
Read Dean's article here.
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Edward Jones is the co-author, along with the late Christopher Woodward, of the Guide to the Architecture of London, which, originally published in 1983, is now in its fifth edition and has become the definitive guide book of the subject. In 2017 the guide book became the basis of an app - called the London architecture Guide, and one of the Architecture Foundation’s most ambitious projects. earlier this year a range of entries was added by Jones alongside a new generation of authors, and it was on this occasion that we met to talk about the guide book’s legacy and its evolution.
“What matters hugely to me is that architecture has a role to play in public life. That’s what this book is about - to celebrate excellence in architecture, and to be somewhat critical of things we don’t argee with…there should be a debate about architecture in the city” – Edward Jones
Show notes:
Arcades, the history of a building type by Geist, Johann Friedrich (1983)
College City, Colin Rowe (1978)
John Rocque's map of London, Westminster and Southwark (1746)
London The Unique City by Steen Eiler Rasmussen (1934)
Gilbey House, Serge Chermayeff, London, 1937
Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield.
Download the London Architecture Guide App via the App Store or Google Play
Become an Architecture Foundation Patreon member and be a part of a growing coalition of architects and built environment professionals supporting our vital and independent work.
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dorsa is a collective architecture practice founded by Yufei He, James Horkulak and Pan Hu in 2021. In their own words, they "seek to capture multiple and parallel realities concealed within our time, and employ whichever medium necessary to create optimistic narratives for an empathic future."
Support the Architecture Foundation by becoming a Patreon Member.
This episode was generously supported by the Swiss Embassy in the UK.
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This episode was recorded live at the Barbican Centre's Frobisher Auditorium on 25 June 2024, with panelists Bob Allies of Allies and Morrison; Charlie Edmonds of the grassroots activist group Future Architects Front; Cristina Gaidos + Maia Rollo of the recently formed union Section of Architectural Workers; and Jane Issler Hall + Owen Lacey of the the architecture collective Assemble.
Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield.
Download the London Architecture Guide App via the App Store or Google Play
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Petra Blaisse is a designer and founding partner of Inside / Outside.
Blaisse started her career in 1978 at the Stedelijk Museum in Amsterdam, in the Department of Applied Arts. From 1986 onwards, she worked as freelance exhibition designer and won distinction for her installations of architectural works. Gradually her focus shifted to the use of textiles, light and finishes in interior space and, at the same time, to the design of gardens and landscapes. In 1991, she founded Inside Outside. The studio worked in a multitude of creative areas, including textile, landscape and exhibition design. From 1999 Blaisse invited specialist of various disciplines to work with her and currently the team consists of about ten people of different professions and nationalities.
A new monograph of Blaisse's work, called Art Applied, was published earlier this year by MACK. Edited and introduced by Fredi Fischli and Niels Olsen, with newly commissioned texts by Penelope Curtis, Christophe Girot, Rem Koolhaas, Charlotte Matter, Fatma Al Sehlawi, Jack Self, Laurent Stalder, Helen Thomas, and Philip Ursprung.
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The Architecture Foundation gratefully acknowledge the Delegation of Flanders to the UK for their support in producing this episode.
Recorded on site at Horst Arts and Music Festival in Vilvoorde, Belgium on Saturday 11 May 2024, episode 108 includes conversations with Mattias Staelens, founder of Onkruid and the inspiration behind the Horst Festival, and Carole Depoorter, Horst art and architecture programme coordinator. It also features a panel discussion with Stefanie Everaert (Doorzon & Stand van Zaken), Serban Ionescu, Ambra Fabi and Giovanni Piovene (Piovenefabi).
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Florian Summa and Anne Femmer are founding directors of the Leipzig based Summacumfemmer and guest professors at the University of the Arts in Berlin.
The practice's built work includes San Riemo (2020), a co-operative housing development in Munich designed with Büro Juliane Greb. Summa and Femmer were co-curators of Open for Maintenance, the German contribution to the 2023 Venice Architecture Biennale.
“[Teaching architecture] doesn’t work when you don’t have real problems, and so this is the strategy we find most useful for us right now: leave the university, leave the institution and go to the problems directly. This prevents you from just talking and mapping and analyzing things, and having the whole thing just remain a conversation within the institution. What we liked about the Venice project was that the most successful projects were the ones that went directly to the workshop – thinking while making.” – SCF
*Join Florian and Anne at this year's Architecture Foundation Summer School (11-15 September). To learn more and register, click here.*
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Minsuk Cho is a Korean architect and designer of this year's Serpentine Pavilion.
"We have a demanding role as architects, and I think movies are a good comparison: it’s always so polarising – there are serious directors, versus blockbuster directors – but there is a way of doing both."
Show notes:
Eun-Me Ahn - Korean Choreographer Cities on the Move - exhibition curated by Hans Ulrich Obrist and You HanrouJang Young-Gyu - Korean musician and composer responsible for the 2024 Serpentine Pavilion’s sound installation Heman Chong and archivist Renée Staal - collaborators on the 2024 Pavilion’s “Library of Unread Books” Won Buddhism Wonnam Temple by MASS Studies Madang, traditional Korean courtyardReferences: Bruno Taut & Buckminster Fuller 2006 Serpentine Pavilion by Rem Koolhaas with Cecil Balmond 2010 Shanghai Expo Pavilion by MASS StudiesCrow's Eye View: The Korean Peninsula – 2014 Venice Biennale Korean Pavilion co-curated by Minsuk Cho Gottfried Semper’s Four Elements of Architecture (1851)Eduard Glissant - Philosopher and poet from Martinique OM Ungers’ 1978 essay on Berlin’s Green Archipelago Bong Joon-ho - Korean director (Host, Ok-ja, Parasite)Park Chan-wook - Korean director (Old Boy, the Handmaiden, Decision to Leave)Hosted on Acast. See acast.com/privacy for more information.
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This week, AF Trustee Shumi Bose moderates a discussion on the state of architectural education with panellists Adrian Lahoud (Dean, School of Architecture at the Royal College of Art), Kester Rattenbury (former Professor of Architecture at the University of Westminster), and Neal Shasore (Head of the London School of Architecture). The event was recorded in front of a live audience on 1 February 2023 at Benk and Bo in Aldgate, London.
An upcoming live panel, titled "The Rights of the Architectural Worker" takes place on the evening of Tuesday 25 June at the Barbican Centre, with speakers Bob Allies (Allies and Morrison) Charlie Edmonds (Future Architects Front) and Jane Issler Hall (Assemble), as well as members of the Section of Architectural Workers. For more information and to book your tickets, follow this link.
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