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Le Crapaud “Intro”
Jan Jelinek “Them, Their”
Kim Gordon “Paprika Pony”
Black Saturn & Grosso Gadgetto “Earth Projet 00”
Ben Frost “The Carpathians”
Scott Walker & Sunn O))) “Soused”
The Haxan Cloak “Excavation (Part 2)”
Hildur Guðnadóttir “The Door”
OVOD “Final”
Biosphere & Deathprod “Warp Warpable”
Emma Goldman “des lucioles à l'horizon”
Innocent but Guilty & NLC “Celestial Target”
Grosso Gadgetto & Philippe Neau “illuminations”
Pan America “ivory joe hunter, little walter”
Philippe Neau “Eblouissements Nocturnes”
The Bug Ft Dis Fig “End In Blue” -
Todayâs guest deejay is Martyn Palmer AKA Broken Chip.I came across Martyn while scouring Bandcamp for new music, a modern treasure hunt. Immersed in his album The Quiet Garden, I found myself drawn into its depths. I asked Martyn to share a mix with us.Martyn is an Australian musician and sound artist, a creator of serene soundscapes. His works have graced labels such as Flaming Pines (UK), Feral Media (AU), King Deluxe (CA), and A Future Without (UK). His music, often built on looped sounds, crafts a tranquil, contemplative atmosphere. His latest work, Landscapes, exemplifies this gentle electronic ambience, captivating listeners with its peaceful stillness.The name âBroken Chipâ arose from his trials with a malfunctioning Roland Juno 106 synthesizer. The 80017a VCF/VCA voice chips began to fail, producing a detuned, raspy sound. Martyn wove this brokenness into his music, finding beauty in imperfection. Though the synthesizer eventually became unusable, the broken sound it produced inspired the name of his project.Martyn hopes his music serves as ambient background sound, suitable for homes, planes, or trains. Once released, he seldom reflects on its reception, preferring to let listeners discover and experience it on their own. His initial promotion is brief; he avoids persistent self-promotion, letting the music speak for itself.Martyn has two albums coming out on Home Normal later this year. You can look forward to them, and perhaps, find solace in the quiet moments he creates.Join us next week when our guest deejay will be Philippe Neau.See you then. James Murray & Mike Lazarev âÄnimittaâ THME âWisdom of restraintâ r beny âAlone in the Pavilionâ Grouper âAlien Observerâ Mark Jenkin âEnys pt.1â Jonny Nash âPerfume Dreamâ Tiny Vipers âYoung Godâ Masaya Ozaki âOpiĂ° RĂœmiâ Daou âSilent Gardenâ Federico Durand âHojas frescas de eucaliptoâ
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Fehlende Folgen?
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Todayâs guest deejay is Tim McManus, the had honcho of Island House Recordings, a little label based on a little island in the East river, Roosevelt Island, NYC.How did I cross paths with Tim, you ask? Oh, the usual circuitous route.A few years back, Stefan Beck, who moonlights as Golden Brown, took over the turntables on Soundwave (you can check out Stefanâs mix here). I asked him who might be keen to share a mix on an upcoming show, and without missing a beat, he recommended Tim. Stefan said he curious to hear what Tim put together. After doing a deep dive into Timâs label, I was curious, too.Tim did not disappoint. He kicked off his set with a track from The The â talk about a curveball. That unexpected twist set the tone for the entire mix. From there, Tim kept the surprises coming, weaving through tracks from Gastr De Sol (Iâm a longtime David Grubbs fan) to Nimbudala. Youâre in for a treat!Naturally, Iâm already primed to ask Tim who he thinks should helm the decks on Soundwave next.Join us next week when our guest deejay will be Broken Chip.See you then. The The âRed Cinders in the Sandâ Seawind of Battery âClockwatchingâ Hipwell âBig Eternal Beautifulâ Nick Millevoi âMoon Pulses 4â Gastr De Sol âThe Seasons Reverse Liveâ Pat Keen âDance with Wheelerâ The Modern Folk âGuitar Mistâ Gerycz Powers Rolin âActivatorâ Sage Martens âThe North American Bisonâ Nimbudala âPeace Rock IIâ
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Today’s guest deejay is Drew Sullivan.
Charles Webster “The Second Spell (feat Ingrid Chavez)”
BT “Nicht Musik [Verklärung] No.2 in D major”
Ryuchi Sakamoto and Alva Noto “First Dream / Second Dream”
Angelo Badalamenti “Mulholland Drive”
James Newton Howard “Times Square”
Asche & Spencer “I Needed You”
Cliff Martinez “Gold Paint Shoot”
36 & Isaac Helsen “All Possible States”
Johnny Jewel “Saturday (Evening)”
John Murphy “Mercury”
Nancy Wilson “Elevator Beat”
Skrillex “Ride Home”
The Dream Academy “Power To Believe”
James Newton Howard “Legacy”
Asche & Spencer “Tyrell”
Peter Gabriel “In Doubt / A Different Drum”
Charles Webster “The Spell / The Second Spell”
Telefon Tel Aviv “Lengthening Shadows” -
Marc Behrens “Feet or Fist”
Marc Behrens “Fever”
Marc Behrens “I was Never (Long Version)”
Marc Behrens “A Disco Boy (Long Version)”
Marc Behrens “eeaiooaeieeaiooaei “
Marc Behrens “Paiva Players”
Marc Behrens “Mamori”
See you next week. -
Unknown Past (feat. Julie H) “Heartbeat (Sanderson Dear Remix)”
Lambert “Follow”
thds “Desole”
Robert Cray “This Man”
Fyfe & Iskra Strings “Purpose feat Ghostpoet”
Sanderson Dear “A Place For Totems (extended version)”
Arab Strap “Fabel of the Urban Fox”
Frivolous “Un Monde Sans Fils”
David Rausch “Hope”
Jarvis Cocker “Elle Et Moi”
Muddy Monk “En Lea”
Emanicpator & Murge “Sea to Sky (Parra for Cuva Remix)”
Richard X feat. Deborah Evens “Walk On By”
Adriano Mirabile “Xingu”
Kid Francescoli “Moon”
Mita Gami “What If It’s All Alright” -
CAN âEvening All Dayâ CAN âDead Pigeon Suiteâ CAN âA Swan Is Bornâ The Fall âI Am Damo Suzukiâ Mark Van Hoen âone explanationâ Karlheinz Stockhausen âStockhausen-gesang der juenglingeâ David Sylvian & Japan âghostsâ Flying Lotus âTea Leaf Dancersâ XXXTENTACION âMoonlightâ kel1000 âThrow Dem Gunz, Lil Ugly Mane (2024mewmix)â Mark Van Hoen âFeel This Way rmxâ Mark Van Hoen âmoonlight sonataâ Satin Doll âSpacetalkâ IHVH âSister Ferdinand Kolkata (new version)â MHYSA âropeburnâ Soliman Gamil âPretence and Destinyâ Selda BaÄcan âMaden DaÄıâ Terry Riley âAnthem of the Trinityâ
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Today’s guest deejay is CivilistjaÌvel!
The good folks at Igloo Magazine turned me on to Civilistjävel! When they reviewed his latest album, Järnnätter. I was so taken with the album that I immediately extended an invitation to Civilistjävel! To share a mix with us. And what a mix it is!
I’e been hosting Soundwave since the pandemic began, and I’m constantly astonished at the music and artists our guest deejays introduce me to. I’m well traveled in ambient and experimental music, but I’m unfamiliar with nearly all the work featured in Civilistjävel!’s mix. If you’re like me, you’ll spend the next few weeks going down the rabbit hole inspired by his mix. Oh, and Civilistjävel!’s mix. If you’re like me, you’ll spend the next few weeks going down the rabbi ends today’s show with a track by The William Fairey Brass Band, a person favorite of mine.
Join us next week when our guest deejay will be Mark Van Hoen.
See you then.
Twice A Man “Forest”
Wrecked Lightship “Eon”
DJ Narciso “10 Minutos”
SPK “The Last Night of Tibet”
Spooky “Aphonia”
Giacinto Scelsi “String Trio 1 - Movement 1”
Gaia Tones”808”
Soisong “Kabuki-Chop”
Thomas Leer & Robert Rental “The Hard Way In and the Easy Way Out”
Gazelle Twin “Sweet Dream”
Jordi Savall & Hesperion XXI “Tonada de El Chimo”
Clarissa Connelly “Wee Rosebud”
Michael Levy “Hurrian Hymn”
Barry Schrader “The Mystery Rites of Purification”
Werkbund “Neuer Rungholter Tanz 8”
The William Fairey Brass Band “Voodoo Ray” -
YANA âMorning Songâ Brueder Selke x Eric Maltz âCrossingâ Corntuth âF-001â IvĂĄn Muela âUnlimnedâ Cerys Hafana âCrwydroâ Midori Hirano âArosâ Brueder Selke âYour Villageâ CEEYS âWĂŠndeâ Laure Boer âImproâ K I N B R A E âIsolated Sketchâ Julia Andersson âWithinâ Adriaan Swerts âOld Shelterâ Klangriket âSkogsrĂ„â Jakob Lindhagen âUnder Waterâ Vargkvint âTill Havsâ rouge-ah âcopingâ Janek Sprachta âWell kept memoriesâ Cedric Vermue âWe Came And Leftâ
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Todayâs guest deejay is Garek Druss.
I met Garek through Mkl Anderson, AKA, Drekka, when I asked Mike who he thought would share a mix on Soundwave (listen to Mklâs mix here). I trust Mkl without question, but all the same, I gave a listen to some of Garekâs work and was instantly won over. So of course I extended an invasion to Garek and I was not disappointed.
Garek describes himself as a a Los Angeles based artist whoâs work explores the balance and sometimes friction between the physical being and the incorporeal. That sounds about right.
Garekâs got quite the mix for us. Iâll admit, most of the artists he featured Iâm unfamiliar with, which, for me, is one of the delights of hosting Soundwave. He took me on a journey of lulling sounds, gentle crackles and hisses, and quite chords. When his mix was over, it felt like I had woken from. A half-remembered dream.
Garek has some wonderful prints you might want to adorn your space with. Check them out here.
Joinus next week for returning guest deejays the brothers Sebastian and Daniel Selke (CEEYS).
See you then.
Islaja âOh Divineâ Moritz von Oswald âLuminoso (Version)â Miradasvacas âIVâ Suzanne Doucet âTurning Pointâ Secret Pyramid âSlow Softlyâ David Sylvian + Holger Czukay âPlight (The Spiraling Of Winter Ghosts)â Oscob âwe are amidst strange beings, in a strange landâ Vladislav Delay âEleâ Habitat Ensemble âMomentsâ Etnobotanika âLeĆny Ambientâ Dorothy Carter âSummer Rhapsodyâ Space Afrika âgwabhâ Paul St. Hilaire âThree and a Halfâ Daryl Groetsch âFuchsia Vortexâ Hiroshi Yoshimura âTime Forestâ Jonathan Sielaff âThe Lagoonâ -
Robert Vincs “Chaomorphic”
Soma “Stygian Vista”
Muslimgauze “Fakir”
Maju “pale blood-coloured recollections”
C-Schulz “Plätze Part 1, 2, 3”
The Makers of the Dead Travel Fast “Row Boat”
Social Interiors “Modern Sleep”
Merzbow “Hara-Kiri Video ‘Lost Paradise Theme’”
Otomo Yoshihide “Honda”
Terminal Sound System “Gridlike”
Pablo’s Eye “Absolute”
Robert Vincs “Avatar”
Mo Boma “Ituri Spaceman”
Pablo’s Eye “The switchback” -
Todayâs guest deejay is Aurielle Zeitler, AKA Ghost Marrow.
Iâm fond of this mix not only because itâs beautiful but also because of the seemingly incongruous selection of musicians. There are songs by Roedelius (listen to his mix for Soundwave here) and Christoph de Babalon, songs by Robert Fripp and Brian Eno and Grouper, and so on. Aurielleâs mix is, at one, comfortingly familiar and delightfully unexpected.
Join us next week when our guest deejay will be Roger Richards, founder of Extreme.
See you then.
Hainbach âIzmirâ Roedelius âWenn der SĂŒdwind wehtâ Grouper âShe Loves Me That Wayâ Abul Mogard âHalf Light of Dawnâ Ghost Marrow âearth + deathâ Bing & Ruth âReflectorâ Broadcast âTeresa, Lark of Ascensionâ Ryuichi Sakamoto âsolariâ Christoph de Babalon âOpiumâ Ghost Marrow âfed by the dirtâ Laurie Spiegel âThe Unquestioned Answerâ Autechre âOverandâ Robert Fripp and Brian Eno âEvensongâ Kali Malone âSacrificial Codeâ Roedelius and Arnold Kasar âRollingâ -
Todayâs guest deejay is Radboud Mens.
Hailing from the Netherlands, Mens stands at the forefront of experimental electronic music, pushing the boundaries of perception with each composition.
Guest deejay Ard Bit (listen to Ardâs mix here) introduced me to Radboud, and after listening to a few of Radboudâs albums, I invited him to guest deejay as well. Youâll understand after hearing Radboudâs mix, a delightful sampling of his work.
Radboudâs music is a seamless blend of stillness, textures, and gentle rhythms that fascinate or lull you to sleep. Me? Iâve been listening to it all week, at the beginning and end of my workday.
Join us next week when our guest deejay will be Ghost Marrow.
See you then.
Radboud Mens âSequenceâ Radboud Mens âSequence (Remix) Radboud Mens âModularâ Radboud Mens âA Temporary State Of Relative Positionsâ Radboud Mens âAgain (Reprise)â Radboud Mens âAgainâ Radboud Mens âMotionâ Radboud Mens âAn Enabled Chordâ Radboud Mens âAn Enabled Chord (Remix)â Radboud Mens âPart One - Polyrhythmic Ambient Droneâ Radboud Mens âPolyrhythmic Ambient Drone (Remix)l Radboud Mens âFeedbackâ Radboud Mens âThe Ambiguity of an Apparently Static Phenomenon Part Oneâ Radboud Mens âThe Ambiguity of an Apparently Static Phenomenon Part Threeâ Radboud Mens âTongueâ -
Todayâs guest deejay is Sanderson Dear, the founder of Stasis Recordings.
Sanderson shared a mix with us last year after RubĂ©n Tamayo (listen to RubĂ©nâs mix here) was kind enough to introduce us. I enjoyed Sandersonâs mix so much that I asked if heâd return, and he did not disappoint. Todayâs mix is just as fantastic and surprising as his last mix. Maybe more so.
Before I go, if you dig todayâs mix, and I know you will, youâll be happy to learn that Sanderson does a monthly In Stasis show on Rogue State Radio on the first Sunday of each month. You can look forward to Sandersonâs next show on February 4.
The next release from Stasis Recordings is a digital EP by AP Organism, hitting shops Friday, January 26.
Join us next week when our guest deejay will be Radboud Mens.
See you then.
John Beltran âHigh On Rainâ Clint Mansell âIn The Earth IIIâ David Shire âBlue and Green Talk â Fred Karlin âChase from Westworldâ Ian Simmonds âJetâ Jay Wadley âAshesâ Tan Dun âSorrow In The Desertâ Inhmost + Owl âAlternate Spring Sundownâ Sun Electric âR-Gentâ Orbe âSymphony Of Lifeâ SubDan âLight (Off Land remix)â Francisco Foo âFeeling You (ft. Miriam Bell)â Seok Seung-Hee âCold Revengeâ Louis Haiman âBeachfront Watchâ AP Organism & Outluke âThe Goddess (Maps Of Hyperspace dub)â Chip Wickham âPushed Too Farâ Zwei Null Zwei âUnmooredâ -
Todayâs guest deejay is Ard Bit.
Ard first hit my radar when three of his tracks popped up in Roel Funckenâs mega-mix for Soundwave. Soon after, Ardâs music kept appearing on my Discover Weekly Mix on Spotify or various ambient mixes I came across. And each time, I had to check the playlist to find out who was making the fantastic music I was hearing. It was like the universe was telling me something. I took the hint and asked Ard to share a mix with us.
Ard says his mix is âa moment with some favourite tracks, mixing, manipulating and jamming live with the lyra and field recordings.â
And this mix is beautiful.
Iâve only had a week to listen to Ardâs mix and let it be the soundtrack for my morning walk with my dog. She and I go to the park to play ball. The park is under a path for jets, so itâs pretty dramatic. Ardâs mix seamlessly slipped into my environment and experience, lending a nostalgic cast for something happening now. The warm sounds, the static, and the sizzle played nicely off the jetsâ engines. There are even sounds of dogs barking in Ardâs mix. Perfect!
Tell me how your listing experience went.
See you next week.
Chris Watson âLecternâ KMRU âUnevenâ Legiac âQuichuaâ Ocoeur âChanceâ Martina Lussi âHigher Energyâ COH meets Abul Mogard âFind and Holdâ Nikolay Kozlov âresampl4 slowed (feat. Igor Dyachenko)â Far away Nebraska âLontananzaâ Ard Bit âVervloekte Bergenâ Deaf Center âGatheringâ Ard Bit âMother of Hundredsâ Ard Bit âLes Charmes Du Montâ Jake Muir âTonicâ Yann Novak âDark, Perplexing, Ruptures of Planeâ Ard Bit âNTRZPMâ Radboud Mens & Matthijs Kouw âFâ Ard Bit âJezerskoâ -
Todayâs guest deejay is Max WĂŒrden.
I discovered Max on one of my deep dives on Spotify. It was Maxâs Format that captured my imagination. The album is warm and wistful. It feels like a ray of luxurious sunshine on a cold winter day. I donât know. Itâs subjective. Maybe youâd get something different from your listening experience, but thatâs what it was like for me.
Max is known for diverse soundscapes and soundtrack production . Proficient as a drummer, he crafts sounds from silence. His works span various awards, including nominations for the Peer Raben Music Award. Max boasts a prolific discography across labels like Kompakt Records and Farfield Records. His recent endeavors involve album releases like Landmark and Script, alongside exhibitions and contributions to the renowned Pop Ambient series. Maxâs versatility shines through collaborations, and film soundtracks.
So naturally I invited Max to guest deejay on Soundwave. I was delightfully surprised.
Max sent me a mix steeped in jazz. I thought thereâd be a lot more jazz (or Black classical music) on Soundwave, but sadly, itâs a genre that is neglected on this show. Until now, thatâs it. Max digs deep and serves up rarities that should become part of your daily rotation. But itâs not all jazz, either. Max included the ambient and instrumental music youâve come to expect on Soundwave and deftly weaves it with jazz thatâs seamless.
See you next week.
Eberhard Weber âMoana Iâ Jack DeJohnette âJourney To The Twin Planetâ Yamamoto, Yuize âTo Drift Like Cloudsâ Ralph Towner & Gary Burton â1 x 6â Mike Nock âOndasâ Alva Noto & Ryuichi Sakamoto âEmspacâ Biosphere âFall in, Fall Outâ Contemporary Noise Sextet âMorning Balletâ Louis Sclavis âSecondeâ Brian Eno âFickle Sunâ Miroslav VitouĆĄ âDirevisionâ McCoy Tyner âContemplationâ -
I was iniated into dub last century when I picked up the 21st Century Dub compilation cassette. I already loved reggae, but dub was much more expansive, mysterious, and supple. It was psychedelic. And so, over the years, I explored dub. King Tubby and Lee âScratchâ Perry were my guides in this dimension.
The more I listened, the more I heard dubâs influences everywhere. I heard it in punk, goth, industrial, etc. Dub is singular because it can absorb any genreâs musical distinctiveness and make it its own.
Iâd often don the guide of King Dub during my late-night shows at WMFO. Iâd talk in a patois and pitch shift my voice down a notch to sound like a deejay from the deepest realms of dub. And Iâd play some of the deepest, low-end frequency dub I could get my hands on. Todayâs mix captures the spirits of those nights. I hope you enjoy it.
Join us next week when our guest deejay will be Tim McManus of Island House Recordings.
See you then.
Napalm Death âEvolved As Oneâ Painkiller âBlackhole Dubâ ICE âThe Dredgerâ Spectre âSub Versionâ Magnet âMiles To Go (Invisible Man)â We âIllbient (Featuring DJ Olive, Loop & Once 11)â Sub Dub âMonuments On Earthâ Primal Scream âHigher Than The Sun (A Dub Symphony In Two Parts)â Scarab âFall Of The Towers Of Conventionâ Gedulah vs. Cheesecake âEl-Qadimâ Fugazi âVersionâ Qabbalah âMajestyâ Capt. Kowatchi âThe Mystik Speaksâ -
Sub Rosa, was founded in â84 in Belgium, blazing trails in experimental soundscapes. They're the mad scientists of music, pushing the boundaries and throwing conventional norms out the window.
Their catalog? It's a wild ride through the musical wilderness. They've got everything from electronic experiments to industrial chaos, ambient soundscapes, contemporary classical masterpieces, and avant-garde jazz that'll blow your mind. But what really makes Sub Rosa stand out is their love for the rebelsâthe artists who dare to challenge the very essence of what music should be.
And they don't stop at just albums, oh no. Sub Rosa goes all out with multimedia projects that'll make your brain do somersaults. They're all about musicians teaming up with visual wizards and sound art installations that'll mess with your head in the best way possible. These guys don't just make music; they create intellectually stimulating masterpieces.
And their following? Letâs just say itâs a tribe of fearless adventurers and collectors who appreciate lifeâs finer, weirder things. Sub Rosaâs got âem hooked on their complex and thought-provoking works, and rightfully so.
But that's not the end of the story. Over the years, Sub Rosa has been a launchpad for groundbreaking artists, thrusting them onto the global stage. They've cemented their legacy as pioneers in the world of experimental and avant-garde music, introducing the world to the sonic revolutionaries.
Now, let's dive into Myths Foundation, a treasure trove of four LPs and three EPs that marked their artistic inception. Starting a record label was the furthest thing from their minds back then. These folks were all about crafting intricate and mysterious creations tha
The journey was no cakewalk, my friend. Broke students, they were trying to keep the artistic flames burning while drowning in academia. So, they took it slow and steady, releasing one record per year. It mightâve seemed impractical, but through a series of life-changing encounters, they stitched together these sonic marvels.
These early records? They werenât just music but mysterious artifacts waiting to be unraveled. With each release, Myths Foundation delved deeper into the abyss of creative exploration. Against all odds, these records marked the beginning of an epic adventure, setting the stage for a remarkable journey that defied expectations.
See you next week.
William S. Burroughs âBurroughs called the lawâ Cheb Mami âManiche Aadoukâ Genesis P-Orridge & The Angels Of Light âSupermaleâ Hula âTorn Silkâ Paul Lemos & Joe Papa âUnder Heavenâ COIL âAnother Brown Worldâ Jon Hassell âMap Of Duskâ Harold Budd âStrange Thunderâ Martyn Bates & Peter Becker âSun-Like-Gold (Part I)â Steven Brown âGone With The Windsâ SPK âRomanz In Mollâ Current 93 âSome Morning When The Moon Was Bloodâ Camberwell Now âFor Those in Peril on the Seaâ Claude Debussy âdâun cahier dâesquissesâ -
In a dimly lit underground club, the audience gathered, a congregation of the techno-faithful. The night was young, but the atmosphere was charged with a palpable sense of anticipation. The curtain of reality was about to be drawn back, revealing glimpses of the sublime and the chaotic. As the stage lights flickered to life, Skinny Puppy took their positions. It was a peculiar, chilly autumn evening when the temperature outside seemed to mirror the eerie chill that permeated the venue. âSpahn Dirge (Live)â began its haunting journey, a sonic invocation that pulled the crowd into a trance. Images of distorted realities flashed across screens, intertwining with the hypnotic soundscape. It was as if the audience had stepped through a tear in the fabric of the universe, a glimpse into a surreal and phantasmagorical realm. The live performance was not merely a concert but a communion with the otherworldly.
Meanwhile, outside in the drizzle-laden night, a solitary pilgrim embarked on a personal odyssey. With headphones clamped firmly in place, they ventured forth, their every step synchronized with the mournful strains of Godâs âLord, Iâm On My Way.â The lyrics became a mantra of longing and existential uncertainty, the perfect accompaniment to their solitary voyage.
In a world consumed by noise and chaos, two friends sought solace in the simplicity of nature. Their canoe sliced through the tranquil waters of a remote river, and Andy Hawkins and Bill Laswellâs âHeadwatersâ played softly on a portable speaker. The music harmonized with the rustle of leaves and the gentle gurgle of the river, forging a profound connection between man and the natural world.
Back within the subterranean club, Echthros unfurled âIyovâ upon the eager assembly. The song was a tempest of aggression and discord, a sonic maelstrom that mirrored modern existenceâs chaotic pulse. It became a cathartic release, a collective purging of pent-up frustrations and societal dissonance.
In the solitude of his studio, Justin Broadrick embarked on a sonic experiment. âGuitar Twoâ emerged as a mesmerizing composition, distorted guitar sounds woven together in a hypnotic haze. It was a journey into the depths of sound, an exploration of the boundaries of creativity and expression.
These diverse musical vignettes, seemingly disjointed in their tonalities and emotional cadence, converge without incongruity. Todayâs mix is an expedition through the corridors of introspection and catharsis.
See you next week.
Skinny Puppy âSpahn Dirge (Live)â God âLord I'm On My Wayâ Andy Hawkins & Bill Laswell âHeadwatersâ Echthros âIyovâ Justin Broadrick âGuitar Twoâ -
Todayâs guest deejay is Chuck Soo-Hoo, AKA Ki Oni.
We have Mark Trecka to thank for todayâs show. After Mkl Anderson, AKA Drekka, shared a mix with us (listen to it here), I asked him who he knew would want to guest deejay on Soundwave, and he highly recommended Mark. Mark had to pass, but he mentioned that he is helping Ki Oni with publicity for his new forthcoming record on AKP, and I wondered if Iâd be interested in inviting him. I luxuriated in Ki Oniâs A Leisurely Swim To Everlasting Life album, and here we are today with an exquisite mix for you to enjoy.
Now that I think about it, we have Drekka to thank for todayâs show because heâs the one who got this ball of wax rolling. And these connections are one of the unexpected delights of Soundwave in the last few years. Four people are the furthest the degrees of separation of guest deejays on Soundwave. Itâs only a matter of time before that extends to five people. As I said, unexpected delight.
Another unexpected delight: Chuck chose his pseudonym, Ki Oni, as an homage to a Japanese monster movie creature of the same name â a tree with a human face that spews flower pedals from its mouth. Sublime.
On a personal note, Iâve enjoyed listening to Ki Oniâs mix while walking my dog, particularly around a lovely community spot at a nearby cliff during the golden hour. It was a nice moment.
Join us again next week. Iâll be behind the virtual wheels of steel.
See you then.
Raum âDaughterâ Robert Aiki Aubrey Lowe âFraud Calloutâ Purelink âStadium Driveâ Patricia Wolf âThe Juncosâ Nestâ Audrey Carmes âTout est dĂ©jĂ lĂ â Lisa Lerkenfeldt âWith water up to her kneesâ Dania âSprinting Toward The Sunâ Yuri Urano âawaâ KMRU âAlong A Wallâ Gregg Kowalsky âFragile Waterâ Pauline Anna Strom âQuiet Joyâ - Mehr anzeigen