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Joe Rogan hosts one of the world’s most popular podcasts, regularly listened to by over 10 million people. But after interviewing a notorious anti-vaccination doctor on his show, Rogan and Spotify, the company that paid $100 million to exclusively host his podcast, are being targeted by high profile musicians like Joni Mitchell and Neil Young.
The episode has sparked important conversations about free speech, censorship, the role of capitalism in art and the ethics of streaming giants.
Today Dr Matt Beard, an expert in philosophy and ethics, joins The Culture to unpack all these questions and more.
Guest: Dr Matt Beard, Director of the Vincent Fairfax Fellowship at the Cranlana Centre for Ethical Leadership. -
Indie music icon Mitski had already released five albums and received critical acclaim before her 2018 song ‘Nobody’ blew up on TikTok.
On her new album, ‘Laurel Hell’, Mitski explores her relationship to the music industry and making art under capitalism, at a moment when she’s more famous than ever.
Today Shaad D’Souza joins The Culture to talk about Mitski, TikTok, and the grind of being a musician.
Guest: Shaad D’Souza, music critic for The Saturday Paper.
Background reading: Mitski’s Laurel Hell in The Saturday Paper. -
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The Culture is back for 2022! And to start things off, we’re putting the magnifying glass over a game that has taken the internet by storm.
With no promotion or monetisation, Wordle has grown a player base of over two million in a little less than three months. But what is it about this humble word game that has so many people addicted?
To help unpack where Wordle came from and how it operates in a social media landscape, games reporter for Screenhub and regular games critic for The Saturday Paper, Jini Maxwell, joins The Culture this week.
Guest: Jini Maxwell, games critic for The Saturday Paper
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It’s another special bonus summer episode of The Culture! On this episode, author and The Saturday Paper’s TV critic Sarah Krasnostein breaks down the best TV shows of 2021 - from drama, to comedy, to the best of Australian television.
Guest: Sarah Krasnostein. TV critic for The Saturday Paper. -
On this special bonus summer episode of The Culture, we’re talking the best of films in 2021. It was a great year for movies, and there’s plenty of stuff to catch up on if you didn’t have the time to hit the cinema as much as you would have liked.
Joining host Osman Faruqi is film critic and the co-host of the Total Reboot podcast, Alexei Toliopoulos.
Guest: Alexei Toliopoulos, film critic and co-host of podcast Total Reboot. -
Twenty five years ago Paul Kelly, one of Australia’s greatest songwriters, released ‘How To Make Gravy’, a song that has since become a staple at many family Christmas gatherings.
‘How to Make Gravy’ is full of anecdotes and snapshots about summer in Australia: the hot weather, Christmas roasts, dancing, and of course, family reunions. It’s a song that perfectly encapsulates what this time of year is supposed to be about.
Paul Kelly joined The Culture to talk about ‘How To Make Gravy’, the inspiration behind the song, how much it mirrors Paul’s own family Christmases, and why it seems to become more and more popular every year.
Guest: Paul Kelly
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Wes Anderson is back with this 10th feature film, ‘The French Dispatch’, his take on a fictional magazine reporting from France to an American audience in the 1960s and 70s.
The movie has all the hallmarks we’ve come to expect from Wes Anderson, including a massive cast, a very specific sense of colour, and a lot of whimsy.
To talk about the film, and the work of Wes Anderson more broadly, we’re joined by Flick Ford, film critic and the host of RRR's film show Primal Screen.
Guest: Flick Ford, film critic and the host of Triple R’s movie show Primal Screen
*This episode is not a paid-for advertorial. All opinions expressed are those of the individuals involved.*
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This week the art world lost an icon and a visionary. The fashion designer, Virgil Abloh, passed away at the age of 41, two years after being diagnosed with cancer.
From his beginnings in Chicago, to his collaborations with Kanye West and becoming the first black person in history to be appointed artistic director at Louis Vuitton, Virgil transformed fashion, music and art.
To help unpack just how significant a figure Virgil Abloh was, and to discuss his legacy, we’re joined by Mitch Parker, a fashion writer and editor, current style contributor for GQ and the former managing editor at ID.
Guest: Mitch Parker, fashion writer and editor, current style contributor for GQ and the former managing editor at ID.
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One of the most interesting seasons of ‘The Bachelorette’ has just wrapped up. After a sustained drop in ratings, the show’s producers announced a big shift in the core mechanics of the show - Brooke Blurton was announced as this year’s Bachelorette making her both the first Indigenous and queer woman in the role, and for the first time, contestants would be a mix of men and women.
So did it work in injecting some new energy into what has become a pretty predictable and tired format? And are there lessons for the rest of Australia’s reality TV ecosystem, which has basically been unchanged for the past decade?
Joining The Culture this week is Patrick Lenton, the deputy arts editor at The Conversation and the co-author of ‘The Bachelorette’ recap newsletter ‘All the heterosexual nonsense I was forced to endure’. He helps us review this season of ‘The Bachelorette’, and discuss the future of reality TV in Australia.
Guest: Patrick Lenton, writer and Arts and Culture Deputy Editor at The Conversation.
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Last week Taylor Swift re-released one of her most critically acclaimed albums, Red. The re-recording is the result of a complicated financial and legal battle over who owns the rights to the original versions of her songs.
Red (Taylor’s Version) features all of the songs on the original album, plus a bunch of new tracks and a 10 minute long version of her iconic song ‘All Too Well’, where she takes some pretty pointed shots at a very famous ex-boyfriend.
This week on The Culture, we’re joined by writer and musician Eilish Gilligan to talk about the new release of Red, how the Taylor’s Version project is transforming the music industry, and the unique relationship she has with her fans.
Guest: Eilish Gilligan, musician and writer.
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Grammy-nominated musician Courtney Barnett is one the most successful Australian artists performing right now. She’s just released her much-anticipated third studio album, ‘Things Take Time, Take Time’.
This week on The Culture, Osman Faruqi caught up with her as she was gearing up to head on her first tour post-pandemic in the United States. They chat about the creative journey behind the album, writing about love, and ’The Sopranos’.
Guest: Courtney Barnett
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Lockdown is over and cinemas are back! Luckily, Australia’s reopening happens to coincide with a bunch of exciting new releases coming out between now and the end of the year.
This week on The Culture, Osman Faruqi is joined by Flick Ford - film reviewer and presenter of Triple R’s ‘Primal Screen’ - to run us through the most exciting films to watch this summer.
Guest: Flick Ford
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Dave Chappelle is one of the most successful comedians in the world, and his latest Netflix special, ‘The Closer’, reportedly made him $20 million.
The special has sparked a huge amount of backlash, prompting a staff walkout at Netflix, and calls for the special to be taken down.
This week comedians Cassie Workman and Tom Ballard join The Culture, to help unpack the reignited conversation around free speech, what kind of impact harmful and offensive language can have in the real world, and the purpose of comedy.
Guest: Comedian, actor and musician Cassie Workman
Comedian and podcaster Tom Ballard
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When the Real Housewives first aired 16 years ago it was written off as “trashy”. Feminist icon Gloria Steinem even called it "a minstrel show for women".
But the show has shrugged off those labels, and become bigger and bigger, exploring themes of consumerism, class, and race, all while being highly entertaining.
Now the franchise is at the centre of serious legal drama, providing both high stakes entertainment and a window into what happens when highly produced reality TV collides with actual reality.
To help explain why this franchise is both increasingly popular and important Real Housewives superfans comedian Gen Fricker and writer Katie Cunningham join The Culture.
Guest: Comedian Gen Fricker, Writer Katie Cunningham
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After a two year break HBO’s ‘Succession’ is finally back for season three. The first two seasons of ‘Succession’ were critically acclaimed, but failed to attract big audiences.
But the hype has been steadily building as more and more people streamed the show during the pandemic.
To help preview the new season, and talk about how the show became such a phenomenon, writer and critic for The Saturday Paper, Tara Kenny joins The Culture.
Guest: Writer and critic for The Saturday Paper, Tara Kenny
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Can you believe it’s been almost three years since Lil Nas X dropped ‘Old Town Road’?
With that one track, produced for less than $100, the rapper made history. ‘Old Town Road’ became the longest-running single to sit at number one on the charts, and kicked off a debate about the definition of country music.
Lil Nas X himself became the first openly queer Black artist to win a Country Music Association Award. He’s won two Grammys, 5 MTV Video Music Awards, and continues to break chart records. He was also named one of the 25 most influential people on the internet by Time.
His first full-length album ‘Montero’ is here, and it’s both a commercial and critical success - cementing X’s status as one of the biggest pop stars of his generation.
So why does everyone love rooting for him? And does the ‘Montero’ live up to the hype? To unpack it all, presenter Osman Faruqi is joined by music critic for The Saturday Paper, Shaad D’Souza.
Guest: Music critic for The Saturday Paper, Shaad D’Souza
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When NITRAM, a newly released film about the perpetrator of the Port Arthur massacre, was announced there was swift backlash from politicians and film critics who argued that the story was too painful and traumatic to tell.
On today’s episode of The Culture we dissect the film, and explore the bigger questions it raises about how to tell stories about trauma and violence.
Plus, we speak to the director of the film, Justin Kurzel and the film’s writer, Shaun Grant.
Guest: Justin Kurzel, director of Nitram; Shaun Grant, writer of Nitram; Mahmood Fazal, writer, journalist and contributor The Saturday Paper and The Monthly.
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Have you ever wondered how long you would last if you were dropped into the wilderness with just a hunting knife, a shovel, and a sleeping bag? A day? A week? That’s the premise of a show called ‘Alone’. Think ‘Survivor’, but on steroids.
Contestants are isolated with nothing but a camera for company. They take on grizzly bears and hunt wildlife. And the last person standing wins a cash prize. It’s like a real life ‘Hunger Games’, complete with the discomfort of watching people struggle against the elements for our entertainment.
This week on The Culture, Osman Faruqi is joined by The Saturday Paper’s TV critic Sarah Krasnostein to talk about why we’re so obsessed with ‘Alone’, and what that says about what we’re all grappling with as a society right now.
Plus, Sarah shares what she’s been watching, reading and listening too.
Guest: Sarah Krasnostein, TV critic for The Saturday Paper.
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Sally Rooney’s third novel, ‘Beautiful World, Where Are You’, was one of the most hotly anticipated releases of the year. Now that it’s out, it’s smashing sales records.
Her new book covers similar ground to her earlier work, but this time, more than ever, Rooney turns inward and grapples with what it means to be a successful writer in the current moment.
So why has Rooney’s work struck such a chord with millions of readers? And does ‘Beautiful World, Where Are You’ live up to the hype?
Guest: Writer and book critic, Madeleine Gray
Background reading: The meanings of production: ‘Beautiful World, Where Are You’ in The Monthly
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It was one of the most chaotic and controversial album rollouts in recent history but Kanye West’s 10th studio album, Donda, is finally here.
It’s safe to say Kanye is now far from the peak of his nearly two-decade career – artistically and culturally – yet his latest album still went to No. 1.
But when we’re talking about Kanye, it’s never really about the sales figures, or even just the music. There’s not that many artists who are as loved, and hated, as Kanye.
This week on The Culture, we've got a special jumbo episode (not quite as long as Donda, but still) with two of the podcast's favourites. Filmmaker and contributor to The Saturday Paper, Santilla Chingaipe, talks to us about who Kanye is: where he comes from, why so many people fell in love with his music, and why it’s so hard to be a fan right now. And music critic for The Saturday Paper, Shaad D’Souza, takes us through a more in-depth discussion about Donda, and where Kanye sits musically today.
Guests: Journalist and writer, Santilla Chingaipe and music critic for The Saturday Paper, Shaad D’Souza.
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