Folgen
-
This episode is a recording of the inaugural meeting of the Kerouac Project of Orlando's Book Club. Matt Peters and I discuss William S. Burroughs's debut novel, Junky, and its place in the first quartet of his transformative works. The setting for this conversation is the place where Jack Kerouac lived when On the Road came out, where he lived when writing the first draft of The Dharma Bums.
-
Dan Reiter reads from his new book, On a Rising Swell: Surf Stories from the Space Coast, with the jazz piano accompaniment of Daniel Tenbusch, touching the bohemian spirit of Jack Kerouac, who wrote the first draft of The Darma Bums at that very venue. John and Dan share notes about the writing life, the freedom of constraints, the careers of Joan Didion, Jack Kerouac, and Hunter S. Thompson, and physical transcendence—with the occasional contribution from Dr. Truth.
-
Fehlende Folgen?
-
On this show, John speaks with Dmetri Kakmi about holding onto the mysteries of storytelling, the setting of Australia, the wild problem of self, and his wonderful new novel, The Woman in the Well.
-
On this show, John speaks with the literary scholar, Shelley Fisher Fishkin, who writes lucidly about classic American fiction in readable, important, and enjoyable prose. One of Dr. Fishkin's areas of expertise is Mark Twain. Her new book is Jim: The Life and Afterlives of Huckleberry Finn's Comrade.
-
In Margie Sarsfield’s debut novel, Beta Vulgaris, a hipster Brooklyn couple take on temporary work at a Minnesota beet farm at harvest time in order to earn extra money to help them maintain their Brooklyn lifestyle. Elise, the protagonist, who suffers from anxiety that she is no longer medicated for, notices that her fellow workers disappear, either because the work is too difficult or else other mysterious reasons. Elise’s experience becomes more anguishing when her boyfriend also disappears, and then the beets start materializing around her wherever she goes, and the beets gradually begin to speak to her.
-
In this week's show, John speaks with Jaydra Johnson about her new book, Low: Notes on Art and Trash, and the tensions and connections between class perception, politics, and creation of art.
-
On today’s episode, Samantha Nickerson speaks with fiction writer Rufi Thorpe about her striking novel Margo's Got Money Problems. In this episode, you learn about more than just Margo's money problems. Samantha and Rufi discuss Only Fans, wrestling, creating characters, and motherhood’s thorny identity. Samantha then speaks to Susan My-Nutt about erotic obsession, alienation, hyper-thinking, and the presentation of dialogue without quotation marks as they appear in her new novel, Don’t Be a Stranger.
-
In this episode, John interviews the notable flash fiction writer Kathy Fish about the anxious nuances of that medium and genre. Is flash fiction just a very short story, with all the rules of fiction at work? Or is flash fiction a less traditional, immersive fictional happening that takes somewhere between the length of a flash of lightning and the length of time needed to smoke a cigarette? The complicated answer is yes and yes in this delightful conversation recorded at The Kerouac Project of Orlando.
-
In this episode, John discusses the career of crime novelist John D. MacDonald (1916-1986) in light of a new posthumous short story, “The Accomplice.” In this interview, John speaks with with Andrew Gulli, editor of The Strand Magazineabout the rigors and ethos of editing and publishing and MacDonald’s son and literary executor Maynard about propagating a great writer’s legacy without compromising that writer’s standards despite the lucrative promise of a classic literary character like Travis McGee.
-
In 659, John talks to poet Duy Đoàn about his latest collection, Zombie Vomit Mad Libs, the poetic provocations of horror films, and experimenting with erasure and fragmentation.
-
In this week's show, John talks to the delightful poet Denise Duhamel about the nuts and bolts of poetry, the construction of themed collections, Barbie, and other matters of literary interest.
- Mehr anzeigen
