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Eight years ago, an American writer named Pamela Druckerman emerged on the national and international scene wearing a beret ââ somewhat ironically ââ and wielding a radical theory of child-rearing. Radical, that is, to Americans, it was completely normal to the French. Sheâd written a best-selling book that youâve probably heard of, called Bringing Up BĂ©bĂ©. In it, she revealed the French method of raising well-behaved, sociable children. French babies, she explained, slept soundly through the night, even when they were only a few months old. French kids ate Camembert without complaint; and when French adults were having conversations, their kids didnât interrupt. She thought this might be one reason why French parents seem so much less stressed out than American parents. She discovered these mysterious differences at first hand, in Paris, while raising her own kids.
Before she moved to Paris in 2002, Pamela was a globetrotter, living and working in Miami, Jerusalem, Buenos Aires, and SĂŁo Paulo. While many know Pamela from her best-seller, her writing career has spanned subjects including infidelity around the world, Latin American politics, and the experience of being a 40-something in Paris.
I spoke to Pamela over Zoom about life around the world, how she found love in Brazil, and translating French parenting secrets for an American audience.
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Hearing from Graydon reminded me of the good old days of New York publishing and magazine lifeâhis decadent parties at the Puck building were absolutely unforgettable, equipped with mountains of pĂątĂ©, all-girl swing bands, and filled with women in Madonna-style bubble dresses.
Once co-founder of the satirical Spy Magazine and editor-in-chief of Vanity Fair, Graydon has escaped New York for the Cote dâAzur, where he has been staying with his family and surrounded by an international crowd of friends and acquaintances. Currently writing a memoir that he anticipates will be both âilluminatingâ and âslightly mortifying,â the editor is also working on his weekly digital publication, âAir Mail", and loves seeing his team on Zoom every Friday evening for the officeâs Happy Hour tradition.
I spoke to Graydon over Zoom about why he loves newsstands, how he imagines Cannes becoming a drive-in film festival, and why he stays off of social media altogether.
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I knew about William Middleton from the biographyâor double biography, ratherâhe wrote of the great French-Texan art collectors, Dominique and John de Menil. When we got to talking, I realized that we have more in common than I thought: turns out we are both from the American southwest and ended up working for publications in New York and Paris.
William first moved to Paris in 1990 as a writer for an American design magazine. Throughout his decade in France, he moved from design to fashion and from le Marais to Pigalle, throwing decadent parties for the likes of Karl Lagerfeld. William found his way back to France in May 2019, moving into an apartment in the 7th arrondissement on the same street where his muse, Dominique de Menil, grew up.
I spoke to William over Zoom about his experience of battling COVID-19 while in France; the power of connection; and aesthetics in both Paris and New York.
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I first met Lauren Collins about fifteen years ago, when we were both working at The New Yorker. I noticed her immediatelyâThe New Yorker can be a quiet place, but she was friendly and effervescentâshe even asked me out for drinks! But she was also very focused. She radiated energyââlike a blonde, Tasmanian devil, but much more charming and polite. (She grew up in the south, in Wilmington, North Carolinaâthat may explain it.)
In 2010, The New Yorker sent Laurenââwho was by then a staff writerââto live and write in London. She met a Frenchman there, Olivier, who would become her husband. She moved to Geneva for himâand then she made an even bigger sacrifice: she started to learn French. Her book about that, When in French: Love in a Second Language, was named one of The New York Timesâs 100 Notable Books of 2016. Soon, she moved to Paris, where she still lives today with her husband and her two little children, writing about current events and the enigmas of language, culture and identity that she runs into every day across the Atlantic.
I talked with Lauren in May, over Zoom, about life in Paris under âle confinement,â which is what the French call lockdownâand about the mysteries of Frenchness that she's still decoding.
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Thomas Chatterton Williams, the extraordinary expat writer, cultural critic, and James Baldwin scholar, has lived in Paris for a decade. Thomas grew up in the U.S. surrounded by books and liberal ideals â but in the 90s, he turned his focus to expressing his identity through hip-hop, and rejected erudition as inauthentic. In his 2010 book, Losing My Cool: How a Fatherâs Love and 15,000 Books Beat Hip-hop Culture, he explains that it wasnât until he started studying at Georgetown that he began looking for a broader definition of an authentic life.
I spoke to Thomas in June, and we talked about his new book, Self-Portrait in Black and White: Unlearning Race; and about Heidegger, Hegel, and the Black Lives Matter protests that erupted this summer in New York, Paris, London, and across the world, after the police killing of George Floyd. Lately, Thomas has been doing Baldwin duty ââ writing essays from his desk in France for the New York Times, the Guardian and Harpers, on the pandemic, the protests, philosophy and identity. I asked him to tell me more⊠-
John von Sothen is an American magazine writer based in Paris, where heâs lived since 2002. He dabbles a little in French TV and comedy, too. When I started talking to him for this podcast, I forgot that Iâd never met him before. Thatâs because last year John wrote a memoir that was so hilarious, so warm, and so personal that I felt as if weâd known each other for ages, though weâd never even been in the same room. Luckily, heâs American, not French, so I donât think my informality shocked him! His book was called Monsieur Mediocre: One American Learns the High Art of Being Everyday French. In it he lays out the mysterious rules of French social behavior, which heâs decoded during his years in France first by breaking them, then by learning to roll with them.
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One steaming hot July morning, our team piled into a car to the Hamptons, in Long Island. No, we werenât going to the beach, or to someoneâs luxurious mansionââeven betterââwe were headed to The Watermill Center, an arts Mecca created by legendary theater director Bob Wilson. The Center is a buzzing, symbiotic hive where artists not only harness the tools to reach creative bliss but pitch in with natural cooking and upkeep of the verdant grounds. Our tour brought us to Bobâs apartment, decorated with unique sculptures from all over the world, past his extra large bed with pristine white sheets, and into a gorgeous veranda, where we recorded this episode.
We spoke about AndrĂ© Malraux, experimental theater, and Franceâs cultural policy. -
At the French Embassy we have an award called the Arts and Letters Award, where we effectively âKnightâ people for their contributions to French culture. When author Rick Moody was next up to receive it, we knew we had to organize a podcast episode to get his take on France. In characteristic French extravagance, we ended up organizing a marathon evening that included an award ceremony, a podcast recording, and even a conversation at our bookstore, Albertine. That afternoon, Rick strolled into my office in his signature hat and radiating positive energy.
The conversation centered on French theory, the American reaction to the Charlie Hebdo attacks, and the benefits of creative constraints in writing.
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Katherine Fleming, provost of NYU, is living proof of the merits of international exchange. Sheâs one of the leaders of the academic world in the United States, and her humor, which is as sharp as her intelligence, defies all stereotypes about academia. She feels equally at home in Greece and in France, and she has supported many of the French Embassyâs initiatives to encourage exchange between American and French universities.
We spoke about the big payoffs that studying abroad can have, despite the risks; about how being a waitress in Greece had a direct influence on her professional trajectory; the cost of tuition in American and France; and her childhood experience on a farm in France. -
The Brooklyn Academy of Music (BAM) has hosted some of the most amazing French performances on both sides of the Atlantic, from Les FĂȘtes VĂ©nitiennes by Les Arts Florissants to mesmerizing contemporary circus. The man behind all of these incredible productions is Joe Melillo. As Executive Producer Emeritus at BAM, Joe has been a pillar of the New York performing arts scene for the past 30 years, as well as a daring presenter of new talents.
One sweltering morning in July, Joe and Bénédicte met and discussed the Avignon Theater Festival in France, the most innovative French artists he has presented to American audiences, and one unforgettable musical performance at Versailles. -
Gloria Steinem is a household name in the United States, yet she is less known in France. Some might even call her the Simone de Beauvoir of America. We were fortunate to have Gloria and her friend, Robin Morgan, curate our annual Festival Albertine in 2017ââan event that gathered the most relevant feminists on both sides of the Atlantic. It was radical, exciting, and very political. And Gloriaâs kindness, openness, and authenticity really shined through. In this episode, we discussed the difference between French and American feminism (7:25), what advice Gloria would give to her 20-year-old self (29:41), and about the idea of Paris as a village (4:50).
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All of New York seems to be talking about the new restaurant, Le Coucou, by chef Daniel Rose. Fortunately, Danielâs son and BĂ©nĂ©dicteâs daughter attended the same nursery school, and after a playdate one day, a podcast recording was arranged. Daniel has led an incredible lifeââa Chicago native, he studied philosophy in France before opening several successful French restaurants in Paris. Our late-afternoon conversation at Le Coucou was so fascinating that we recorded right through our planned apĂ©ro.
We spoke about modernizing traditional French cuisine (7:51), expanding traditional French food internationally (22:48), Danielâs dream of eating ortolan (10:57), and why Americans love the Big Mac (10:04).
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We first collaborated with Darren Walker, the passionate and articulate President of the Ford Foundation, on a groundbreaking exhibition entitled Posing Modernity: The Black Model from Manet and Matisse to Today at Colombia University's Wallach Art Gallery in New York.
It shed new light on black models in the arts throughout history and was so successful that it was exported to the MusĂ©e dâOrsay in Paris. With characteristic rigor and enthusiasm, Darren made sure to assemble the best team possible to work on this project, and like a true Francophile, even travelled to Paris for the opening.
We talked about the role of art in creating an empathetic society (10:42), philanthropy as a catalyst for social change (15:02), controversial funding sources (20:55), the Notre Dame Cathedral fire (18:19), his favorite Francophone artists (24:10), the African diaspora (28:08), and more.
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The amazing thing about Adam Gopnik, staff writer for The New Yorker, is that he knows more about France than many French people. Itâs as if this podcast was made for him.
You can ask him a question about anything, from the Statue of Liberty to French pop music, and he will give you an eloquent, informative and captivating answer.
When he arrived at the French Embassyâs building on Fifth Avenue for this interview, we had just begun major renovations.
We basically met in a storage room, between two cabinets and a sofa propped on its side. Letâs say, this is what added to the informal nature of the conversation.
We talked about the intellectual exchange between France and America (2:10), the role of the president in both countries (24:30), Montaigne (3:34), Romain Gary (12:40), and Bastille Day. (31:50).
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Visual artist Mickalene Thomas seems to have artwork everywhere, from the Moody Arts Center in Houston to the Brooklyn Museum and Paris.
One morning in June, Mickalene and her partner and muse, Racquel Chevremont, joined me at Albertine, the French bookstore on Manhattanâs Upper East Side. The three of us talked at length about how Mickalene reinterprets famous French paintings; about the visibility of black women in the arts; Mickalene and Racquelâs love for Dior and French butter; and the role that Paris plays for African-American artists.
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Jonathan Galassi has been at the helm of the legendary publishing house Farrar, Straus & Girouxâone of the most literary publishers in the U.S.âfor more than 30 years. He is the Antoine Gallimard of America, if you will. Heâs also an eminent translator of Italian and French poetry and a poet himself. Jonathan Galasssi walked over to my apartment one spring morning, carrying a giant tote bag of French poetry. We talked about French and American poetry (6:33), how French authors get published in the U.S. (16:05), Michel Houellebecq (20:35), and his favorite spots in Paris (29:34). It was a wonderful and poetic morning, as youâll hear in this episode.
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Adam Weinberg is the Director of the Whitney Museum of American Artâone of the most important museums in the United States. I met him when I first arrived in New York, during his own Arts and Letters award ceremony, which we had organized at our bookstore, Albertine. It was then that I first discovered that, despite his grand title, Adam is an extremely generous, down-to-Earth person. In this episode, we candidly broach some very controversial topics, including cultural appropriation (17:00) and funding in the art world (5:03). And of course, we also spoke about cultural life in France (15:18).
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When I started as Cultural Counselor of the French Embassy, everyone told me that I had to meet Claire Messudâthat she was quintessential Francophile intellectual, not to mention author of six works of fiction. We conversed about what it means to be a citizen of the world (2:04), literature (4:45), Flaubert (5:20), Algeria (7:20), and feminism (9:50)âas well as her memories of childhood vacations in the south of France (20:12). It was like talking with a friend, as youâll hear now. Câest parti.
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I met Liesl Schillinger, the literary critic and translator, 11 years ago. I had just been appointed as a negotiator for France at the UN Security Council in New York. As a critic for The New York Times, she was invited to every book party in town, and she generously took me to every one. Here we talked about translation (4:55), French books (13:54), and secret recommendations for visiting France (19:58). She also surprised me by declaring her love for the most unexpected French singer (21:17).
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David Sedarisââone of the best-known American humor writers and radio personalitiesââhas written extensively about his time in France. No one skewers the French like he does. He's written about our language, especially our weird gendered words, living in a village in Normandy, and shopping at unusual Parisian boutiques. He came to my apartment one afternoon and we talked about his French teacher (15:40), the different types of humor on each side of the Atlantic (2:43), his love for certain French words (16:44), our health care system (25:15), and his dislike for the French habit of kissing (29:57).
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