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Merry Cronenbergsmas! We're buzzing to bring your our next episode on Cronenberg's classic, THE FLY, a delightfully weird little film about everything that can go wrong when journalists hook up with their sources. Rowan, Carli, and Kev are joined by special guest Carl Garcia to talk about body horror, pacing, Jeff Goldblum's bizarrely perfect delivery, terrible ex-boyfriends, and the second abortion from hell we've covered on the show.
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Television: good, or bad? This and all other questions surrounding the medium of television will be answered by VIDEODROME and the ensuing TOTAL MASSACRE podcast about VIDEODROME, starring Rowan Kaiser, Carli Velocci, Kev Koeser, and special guest Julie Muncy. These questions include: how far would you go for Debbie Harry? James Woods: sleazy or creepazoid? Is samurai porn the prestige tv of the 80s? And what is this movie actually saying underneath all the things it's saying?
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Fehlende Folgen?
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CRIME LESBIAN Month concludes with BOUND, The Wachowskis before-its-time erotic thriller from 1996. It's a well-loved movie for Rowan, Kev, special guest Alex Welch, and...wait, Carli doesn't like it? Well that just got spicy. Actually we're all very respectful and have a frank exchange of opinions about the Wachowskis' eggness, Gina Gershon and Jennifer Tilly's chemistry, Joey Pants kinda taking over the movie, two incredible death scenes, and an incredibly squeaky leather jacket.
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Critical support to women's wrongs, as Crime Lesbian Month continues with 2024's LOVE LIES BLEEDING. It's a nasty little thriller which shows how far Kristen Stewart has come as a weirdo since her TWILIGHT days, and Rowan, Kev, and Carli with special guest Stella Sacco are entirely on board for it. We talk about how it's a horny movie but not a sexy one, the wide variety of mullets on display, and what might have moved it into being a deeper movie but maybe not a better one.
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CRIME LESBIAN CRIME LESBIAN CRIME LESBIAN IT'S CRIME LESBIAN MONTH for Rowan's birthday, and we're kicking it off with Park Chan-Wook's lesbian thriller, THE HANDMAIDEN. Did it preface a decade of pop culture lesbians in the way OLDBOY did revenge action scenes in hallways? Is it one of Park's very best, or very worst, or both? How hot is that amateur dentistry? What's with that guy's eyebrows? Should pornography used as abuse be destroyed even if it's rare? No seriously, the mouth rubbing scene omg.
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October's cosmic horror month concludes with the reason for the season: ANNIHILATION (2018), a film all three hosts and special guest from RogerEbert.com and New York Magazine Matt Zoller Seitz all excited to get into it. We talk about what makes for a pure science fiction experience, differences between the book and the film, ANNIHILATION as the anti-blockbuster, deals with the fey, and of course, that goddamn bear. Hoo boy that bear.
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TOTAL MASSACRE goes back to Lovecraft as we discuss COLOR OUT OF SPACE. Listen to us discuss how much substance is really beneath the surface of this movie, how this modern take diverges from the very 80s FROM BEYOND, and of course a lot of Nic Cage talk.
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Cosmic horror month invades from another dimension, as TOTAL MASSACRE checks out Patreon suggestion FROM BEYOND, a 1986 adaptation of a Lovecraft short story with some of the gnarliest practical effects you've ever seen. Rowan, Kev, and Carli gather to investigate a scary old mansion filled with discussion of what cosmic horror means to us, why it's cool in spite of Lovecraft being a massive racist, how strong this movie's themes of kinkshaming are or aren't, mean old psychiatrist ladies, and headdicks, headdicks, headdicks!
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Zombie month concludes with a modern masterpiece of the genre, 2016's TRAIN TO BUSAN. It's a fast-paced, fast-zombie film that went viral in the streaming age, and Rowan, Carli, and special guest Bryant Francis are here to talk about why it totally deserved its acclaim. Uh, also, Kev is here and they didn't like it, so, surprise conflict amongst our survivors!
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Zombie month continues with RETURN OF THE LIVING DEAD, a nihilist zombie horror-comedy that's both as authentically punk and fake Hollywood punk as you can get. Either way, the energy is good, the special effects are good, the characters are good, and Rowan, Kev, and guest Zack Handlen are all here having a great time.
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It's zombie month over on TOTAL MASSACRE, as Rowan, Carli, and Kev all check out a classic we've never actually seen before, DAWN OF THE DEAD (1978). We invite horror fan Jack McDonald along, and talk about tremendous editing, the rarity of seeing the collapse from the side of the people in authority, capitalism, how cool Ken Foree is, the implicit and explicit discussion of race, and how horror movies struggle with endings in the most fascinating ways. Let's go ice skating together!
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TOTAL MASSACRE's Alien month concludes with the black sheep of the franchise that's the black sheep of franchises. ALIEN: RESURRECTION is widely considered the worst of the series or at least the original run, but what this podcast presupposes is: what if it's actually some weird, icky, goofy fun? Kev, Carli, and Rowan are all in agreement, as is special guests David Bednar, who runs down what actually makes for an Alien film, and why Avatar and Fargo both are but Alien 3 isn't. Rowan also mentions Babylon 5. Multiple times.
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Alien month continues with yet another controversial, wildly visionary, endlessly compromised thriller with tremendous production design -- the first of that batch, David Fincher's ALIEN 3. It's a grim movie but a fun show, as Rowan, Kev, Carli, and new guest El Loughney discuss the massively different cuts, doomed production, how this all relates to Babylon 5, comedy xenomorph kills, and just how good Charles Dance and Charles Dutton are in this!
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It's Alien month here, and we're having a nice calm episode of TOTAL MASSACRE as we do a leisurely scientific expedition of 2012's PROMETHEUS, where nobody has strong opinions, nobody has an agenda, and definitely nobody dies horribly from excessive arrogance, and DEFINITELY nobody has to have a horrific alien abortion that also removes all subtext from the body! Carli, Kev, and Rowan are joined by resident Alien-liker Zack Handlen to talk about bad androids played well by bad people, characters announcing their motivations, extremely shiny toys, and the hubris of making the film, the hubris of the characters in the film, and the hubris of us trying to discuss the film.
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July is Will Smith month for TOTAL MASSACRE, so of course we have to start with INDEPENDENCE DAY, a film that was completely ubiquitous in 1996 and has kind of shockingly faded from public view given that it was THAT big and also it's pretty damn good? Cities are supposed to blow up, and they blow up. Bill Pullman, Jeff Goldblum, and Will Smith are present and good actors, and they act good and charming. Randy Quaid is....also there. Rowan, Kev, and our good friend Madi are here to discuss every part of this film, except for the incredibly awesome/terrible 90s credit animations, which Rowan forgot to mention on the show and is clearing up here.
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This episode is funny because we spend the first 3/4s of it talking about an incredibly interesting, strange, 70s film starring David Bowie at one of the peaks of his David Bowie-ness, and then also we mention that the movie kinda sucks. It's THE MAN WHO FELL TO EARTH, with Rowan, Kev, Carli, and returning guest Jack McDonald! Assassination crash helmets! Too Many Televisions! Rip Torn's penis! This is a movie that has it all except connecting tissue, or any action scenes! It is certainly a movie!
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It's 70s sci-fi month here at TOTAL MASSACRE, as we open with INVASION OF THE BODY SNATCHERS, a delightful science fiction take on the paranoid thrillers of the era. How fine is Donald Sutherland's moustache? Is San Francisco an incredibly accurate setting for this film? How are the themes so solid and so amorphous? And ain't it cool with the bodies gloop out?
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Our formative movie May ends with SPEED RACER, the Wachowskis' then-panned, now cult classic of color and sound and explosion and anti-corporatism. It's Kev's pick for a movie that made them love movies, and they're joined by fellow superfan Grace Robertson, Carli, and Rowan watching it for the very first time, to talk about why it's stuck around, why it came out at exactly the wrong time, how the Wachowskis' Gen X libertarianism may undercut some of its themes, Christina Ricci with grease on her face, and cars going boom.
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Our origin story month continues with BRAZIL, Terry Gilliam's masterpiece of dystopia, satire, fascism, and air ducts that helped inspire Carli and somehow Kev hadn't seen?!? We talk about terrorism, masculinity, production, fantastic British actors, Terry Gilliam's mixed reputation, and so much more.
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TOTAL MASSACRE returns after a quick break with MOON, the Duncan Jones film Rowan selected as the movie important to how and why she's on this podcast. We've got all kinds of Sam Rockwell content as well as Rowan explaining the three main forms of Hollywood science fiction, and how Moon changed her perception of what seemed to be possible. Plus special guest Christy Admiraal. Also cute robot emoji! Also a problematic robot voice.....
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