Abgespielt
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Images of physical dismemberment are often used in fairy tales, dreams and art to depict psychological fragmentation, numbing and other forms of disconnection. Such cut-offs, dissociations, and splits may be related to earlier relational trauma, and constitute defenses against experiences perceived as too overwhelming for consciousness to absorb or even acknowledge. Experience can be dissociated, or dismembered, behaviorally, emotionally, bodily, and by denying memory or knowledge of events. Jungian Analyst Donald Kalsched posits an inner dynamic that is both protective and persecutory. Such understandings can point the way to a healing process of re-membering those parts that have been cut off, thereby giving disowned feelings and experiences a fully felt place in consciousness.
The Dream
"In this dream, I remember being in a building that reminded me of a hospital or perhaps an asylum. It was very clinical looking (i.e. lots of steel and glass, white and silver walls / trim, people in smocks or scrubs). I was walking up a small stairway and looked through a doorway to see blood and body parts on the ground in front of me. Somehow I know that it was two separate bodies, but I do not know who they belonged to. When I saw the body parts, I was anxious and had to stop myself from passing out inside the dream because I had a feeling that whoever did that to the bodies could be nearby. As I gathered myself, I began to walk away from the bodies very calmly to avoid drawing attention to myself. As I walked away I saw a man, probably in his fifties or sixties, also a stranger, carrying a silver platter with more body parts. As I passed him, he said hello and smiled as if nothing were out of the ordinary. I then ran out of the building and vaguely remember running through a maze that had been set up on a basketball court until I was outside the building in a small grass field. The building was made of brick and seemed to be in the middle of nowhere. It had that look that many academic buildings have on college campuses."
References
Kalsched, Donald. The Inner World of Trauma, Routledge, 1996.
Gaiman, Neil. The Graveyard Book, Harper, 2008.
Little, Margaret. Psychotic Anxieties and Containment: An Analysis with Donald Winnicott.
Henderson, Joseph L. and Dyane N. Sherwood. Transformation of the Psyche, Routledge, 2003.
For an image of The Golden Head
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In this episode, the archetype of the bitch is explored using fairy tales, mythology, and popular culture to shed light on this colloquial, pejorative term. The term is applied most frequently to assertive women - and to men acting in a way deemed "feminine" - who are either not sufficiently in touch with their own authentic power or seem overly invested in power dynamics. What is the secret of authentic feminine power?
We reference the myths of Cassandra, Persephone, Inanna, The Frog Prince (Grimm), and The Devil Wears Prada (film), Spirited Away (film), Boys in the Band (film).
The Dream:
"I’m walking into a room in which there’s a group of men standing around a table, most of them are looking intently at it. I see there is a map spread across the table. One of the men looks up from it, and nods toward the table, inviting me to take a closer look. In the middle of the map, there’s a round symbol I’ve never seen before, and this is what has the group so rapt. I’m not sure what it is, but I get the sense that it is very important, so I lean in to examine it closely. It’s a circle inscribing a sort of rivet/mushroom/umbrella shape. On one side of the stem are two squares, and on the other side is one square. I wake up with a sense of urgency and immediately go to draw the shape."
